Standing in the corridor was a large plastic bin on wheels. He looked inside. Empty tins of dog food. That explained the spaghetti with meat sauce. Oh well, he'd eaten worse.

Normally, if you're lucky, the idea of a film you have in your head is more or less what you get back when you see it after the editing and the whole post-production process.

I have a motto on my bedroom wall: 'Obstacles are what you see when you take your eye off the goal.' Giving up is not my style. I just want to do something that's worthwhile.

I am sure every movie I've made, even as an actor, had multiple test screenings. And I am sure there have been horrible things written about me. But I never have to see them!

There’s a lot of pressure playing something that existed for so many years before you were involved, and already has a fan base. I approached it by doing it as well as I can.

Look at what your idea of success would be. The more that you take in external motivators, the more it reduces your ultimate satisfaction because it doesn't come from inside.

I'm not really looking forward to wearing a black rubber suit in the summertime in humid Chicago. If you see a pool of sweat through the city, follow it and you will find me.

Juilliard is wonderful in that they don't pick just one way of working. They give you a palette. There is method acting. There is a lot of attention to Shakespeare and verse.

The film is about Joe discovering who his mother and father are and his relationship with them, and the identity crisis he goes through once he finds out who his parents are.

If the director's a communist, whatever, he's a communist. All I care is that he directs. For the actor, the same thing. All you really care is that he comes in and performs.

Governor Romney has a great business background. He is extremely well educated. He has several degrees from Harvard, including, you know, business and including a law degree.

There will always be big companies making big movies. But making film and distribution is changing in front of our eyes. I'm not sure what the future holds for this industry.

I don't like it when people are trying too hard. That goes for clothes, for acting, for everything. It's just not good when it seems like you're making too much of an effort.

It did not feel like something that was going to take over my life and destroy it. It felt like a subtle flower instead of a manipulative demon. That's the mystery of heroin.

Never let life impede on your ability to manifest your dreams. Dig deeper into your dreams and deeper into yourself and believe that anything is possible, and make it happen.

A lot of these American actors have this - in my view - misplaced view that they have to look like Action Man. The trouble is, they all run the risk of being interchangeable.

I'm lucky to be married to someone who entirely gets what I do. She is totally sympathetic to the actor's life. Her own mother was an actress, so she sort of grew up with it.

There's nothing worse than finding yourself in a situation, a very demanding piece of work, and knowing that you're not a true ally to the person who's in charge of all that.

Kevin Smith is so great in 'Kingdom Come,' isn't he? He's kind of this very earthy poet. He just has this immediate gregariousness, like, you kind of just want to be his pal.

I've never been one of the cool people at school, but then again, I don't get the people who are cool. It's not that I don't like them, it's just that they don't interest me.

Sometimes I wonder if I would've been more successful if I wasn't acting and I concentrated on other things. But I love being on set. I love working with my 100 crew members.

When I met David Green at film school he always used to offer free haircuts - he was kind of an artisan. In a lot of our films, he's constantly trying to give me weird looks.

I've found that sitting around and obsessing about projects moving forward, when there's actually nothing I can do about it, at a certain point, is really counter-productive.

I got really bad grades, so I'd hide my report card from my dad. My mom was in on it, too, because she knew he'd be furious. I probably would've gone to boot camp. Seriously.

I think the idea of creating a character from scratch, one that has not been done in a novel or an existing story, is immensely exciting, terrifying and ultimately rewarding.

We are a categorically obsessed culture, where we have to compartmentalize everything in reference to another thing, like, 'What does it sound like? Does it sound like this?'

It really comes down to the fact that, because I was perceived as a bad guy for leaving the show, I think people were rooting against the movies. That was really unfortunate.

As an ambassador for the aid agency Cafod and the Anthony Nolan Trust, I need to be sure that my public support for those charities is a help for their work, not a hindrance.

It's pretty hard to stand in the queue auditioning to play a gynaecologist on 'Holby City' when you've just played Mandela. You think, 'Actually, I want to challenge myself.'

What happened was that none of that [Emmy nomination] really happened. Numbers flew under the radar, and so around the fourth season, I got really jaded and I wanted to quit.

Stayed up and watched a little spanktrovision. It's the American way. There's really nothing wrong with spanktrovision. One of the best inventions of the 1900s, 20th century.

I'm well in touch with my family, my children. I keep them on my answer phone, so if I want to hear one of their voices, all I have to do is punch it up and it will be there.

The best advice I ever got - and it's the best advice I'd give anybody - is just don't believe the word 'no.' Be persistent. Persevere. Keep going. Never, ever, ever give up.

I love to smoke. I love to eat red meat. I'll only eat red meat that comes from cows who smoke, ok!? Special cows they grow in Virginia with voice boxes in their necks. "Moo"

I'm born and raised in the Northeast. My parents are Irish immigrants. So our tendency is to shy away from the big yellow ball that comes up in the sky every once in a while.

Once people start to think they've wasted parts of their life, or they're wasting their life as they speak, that means there's going to be great dramatic and comedic tension.

I'll miss the relationships I have built with these actors. I'll miss the devotion we have to this work. Over this length of time, the tendency is to think it will never end.

When people protest and are upset with a movie, it becomes a big hit. They hated Passion of The Christ, it worked out pretty well for the box office. So let's get that going.

I even asked [Saniyya Sidney] why she wanted to be an actor and she said, "I'm serious about this. These other little kids they want to play, and I don't have time for that."

Oh, I had an idea for a pilot of my own at the time, and then Carl sent me about eight scripts and simply I threw my idea out the window because the writing was just so good.

People don't like to feed live mice and rats to their snakes. Now we have a regular meat food that they will eat. Ninety percent of the snakes will eat this food and love it.

America has this understanding of Africans that plays like National Geographic: a bunch of Negroes with loincloths running around the plain fields of Africa chasing gazelles.

If you pay a little bit of attention to something, and then let it go, and then come back to it, and then pay a little bit of attention to something, that's nice and healthy.

As you step every day and we're going to see challenges, we going to see failures, we should certainly learn from the failures and be gracious with our successes too as well.

In college, I took an acting class as a lark. I was surprised by how much it interested me. It seemed like something I could do my whole life and always try to get better at.

There's always a reaction based on fear. People assume if you're criticizing a decision to go to war, then you're saying something against the soldiers-which is not the case.

I used to be a wonderful auditioner. When I was living in New York, I'd audition every day. And I like to audition. But then it got to a point where I didn't like it anymore.

If I look at the people that I look up to, a lot of them don't come to the forefront until their early to mid-30s. I think the most exciting roles are definitely yet to come.

I tend to gravitate toward conflicted characters, and a character who is exploring chaos theory and population control and the difficulties of love and family is pretty rich.

Usually in features, I'm the lead. I consider the director the captain, but I consider myself the first mate, and it's up to me to keep in contact with the heart of the crew.

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