Kids love me. I can bounce back and forth. I can discipline kids, and I can get into the mind of a kid. In my brain, I consider myself the ultimate video game player. The ultimate snack maker.

As an actor, I want to give in to the collaboration with the director because I don't want my work to be all the same. The more this can be done with comfort, the more variety my work has had.

I love animals. When I was young, I had two St. Bernards, I still have a dog, I have a lot of cats in my company. My wife always says, "You spend a lot of money on animals. More than even me!"

I'm never going to try 'Carpool Karaoke' in New York. That would be a very different thing. Mariah Carey's one, we just drove, like, five or six blocks round where she was staying at the time.

Without banging a drum or getting on a soap box, there are always ebbs and tides in this country in terms of the political and social climate that we might be dealing with at any given moment.

My character on 'The Crazy Ones' is entirely different than Bob Benson. If these guys ran into each other at a bar, I don't think they'd have much to talk about. They're really different guys.

I think as English people, we don't want to be reminded that at one point we ruled three-quarters of the globe, and now we're a very small country that doesn't own three-quarters of the globe.

I’m not saying we had a playroom, but I’m not shocked by the sex in the book. It’s essential to tell the story. I can’t believe films that don’t invoke a sexual side of it. So it works for me.

I think people from Northern Ireland have some kind of unspoken general feeling of what it is to be around segregation. You have an awareness of it because you know how much grief it's caused.

Don't you just want to make something that lives forever? Something that's phenomenal, something that's great, something that's undeniable? That touches the core of every person that hears it?

Both my parents are artists, so that just makes me look at everything slightly different. I listened to different music; I dressed differently. So I kind of grew up without following the pack.

I'm sure all actors have trouble. The guy who always plays the funny guy, he wants to be taken seriously. And there's the action guy who wants to do serious stuff. Everyone's grass is greener.

I always tell people that to be the funny person in a Steve Martin movie is like getting a call that Keith Moon wants you to play drums on his record. He should be playing drums on his record.

When you go out and audition, you're going to hear a lot of 'No's.' As weird as it may sound, you almost have to love hearing 'no' because you're going to hear it way more than you hear 'yes'.

Mel Brooks and David Zucker - there are very few people who know silly, and they're usually hugely intelligent, because you have to be intelligent to get it. Like the Marx brothers. I love it.

In Yiddish, we say, 'Nisht ahin un nisht aher.' It's neither here, it's neither there. I get more nerves than on anything I do when I'm doing multi-camera. But single-camera, I love very much.

It's very difficult to get any movies done about Black heroes - Haitian or American - in Hollywood. The argument in Hollywood is that there is no market for those movies, and that is not true.

If, at the end of the day, I can look back and see pictures of all the characters I've played, and there's a smorgasbord of weirdos and interesting, odd, different characters, I'd be so happy.

When my father came out on stage wearing a big cowboy hat and a shirt lettered 'Bar Mitzvah Ranch' to sing 'Home on the Range' in Yiddish, it was his way of saying, 'I want to be an American.'

Being at the Play House, the only way I could see my life was that I would be an actor in a company, doing a lead role one week, a small part the next. That's what I thought I was going to be.

They killed my character off and as God would have it, just when they told me I would never work again, I got cast in a little program called Roots, and as they would say, the rest is history.

I was never into the popular school or clique or anything. Then I started doing movies when I was in high school, so then I got popular. Then the girls paid attention to you who didn't before.

My criteria when looking for a role is that I will do anything that stands the chance of succeeding on the level it is intended to. After that, if it's a part I can do something personal with.

Imagination is the most powerful tool you have. You learn it from all the greats. The Star Wars films are secretive. Anything J.J. Abrams does is secretive. Those guys haven't done too poorly.

If you come from a normal family, you immediately start playing the role of a boy, a girl a man or a woman, but I'm sure you'll agree with me that those are only roles, limited roles, at that.

The good and wonderful thing about my whole career is that I've always felt that the audience, if I do it well, will track wherever I go, whether it's President or a lawyer or bad guy or good.

This is a rumour-filled society and if people want to sit around and talk about whom I've dated, then I'd say they have a lot of spare time and should consider other topics... or masturbation.

If you want to be real about it, the fact that any actor books a job is a one-in-a-million shot. I've been so fortunate to have worked on even a few films, so, no, I don't wake up feeling bad.

When I was a little kid, I kind of liked the commercials more than a lot of the stuff on TV. My favorite ones were the Miller Lite ads with all the jocks in them. "Tastes great, less filling."

Guys just don't care. We don't take the time to plan behind each other's back. We just say, 'If you don't like me, screw you.' If a guy doesn't like you, you know because you have a black eye.

'Macbeth' sags in act four - the England scene with Malcolm and Macduff just doesn't work theatrically. But with 'Hamlet,' although the play is so long, Shakespeare manages to sustain the arc.

We haven't done enough work to encourage minorities to strive to make movies. Hollywood is a place full of white male directors - there are many good ones. We just haven't nurtured our voices.

We go to the theater to be entertained, but if what is left after you watch the movie is a sort of eye-opening perspective on some social issues, then it can be a really powerful piece of art.

In L.A., my house is surrounded by churches, and there are no cars, so it's really nice to just walk around before I go home to check my emails from Spain, which have been coming in all night.

There's definitely an intense anger that I have inside, and I don't know where it came from. I've had it all my life. My mom was always like, 'You're going to end up in jail with that temper!'

I visited those friends who'd just had a baby, and she was washing dishes and he was cleaning the house, and I burst with happiness. And in their minds, they were in this terrible domestic rut

Before 'Animal House' came out to open up a huge market, there just weren't parts for young guys. That genre of film was my ticket in... One of my first jobs was with Bill Murray in 'Stripes.'

I had such a distaste for '70s clothing. So, the '90s were a rough period for me because I got made fun of for wearing what they used to call "pegged pants." Now they call them "skinny jeans."

Acting is a job of permission. Someone has to give you permission to do it. But I have started to be like, 'I only want to do things that I want to do,' and writing has afforded me the luxury.

I like playing complex, interesting characters. Sometimes I don't think there's much of a strong line between right and wrong for a character. Every character is somewhere on a moral spectrum.

My dad was never married. He was kind of a rolling stone. But he was never disrespectful. At the same time, even though he had women in his life when I was a kid, there wasn't any consistency.

I was never really an impressionist. If there was somebody within my range, maybe I could work on it and do a little exaggeration of them - which I think is really the way to do an impression.

Netflix did it right and focused on all the things that have replaced the dumb, raw numbers of the Nielsen world - they embraced targeted marketing and 'brand' as a virtue higher than ratings.

I was 20 when my daughter was born, and making all these plans during my wife's pregnancy. I was going to be the perfect father. Once she was born, it was suddenly, 'Oh, my God! I'm a parent!'

The goal for me in business is to work on things I want to work on, and be as successful as I can, without achieving any sort of attention or fame. That would be the best. That would be ideal.

I was experiencing all the success the entertainment industry has to offer, but I knew there had to be something more. It was sort of through that God prepared me to hear about His great plan.

Unfortunately I put the opening date on the 5th of December 1941 and on the 7th of December the Japanese bombarded Pearl Harbour. My dream of a theater in Washington D.C. came to a prompt end.

I'm probably not going to get married unless I live with somebody for 10 or 20 years. But these people, Romeo and Juliet, took a chance and they did it. We don't have the balls that Romeo did.

I'm probably not going to get married unless I live with somebody for 10 or 20 years. But these people (Romeo and Juliet) took a chance and they did it. We don't have the balls that Romeo did.

'The Hunger Games' takes place in Panem, a country which is part of America. It's post-apocalyptic. There's been a global war. The Panem country is what remains of this hugely destructive war.

Share This Page