Quotes of All Topics . Occasions . Authors
You do need parental guidance and I was in a great position with both my mum and dad. They split when I was a baby but even though I stayed with my mom they were both very much involved in my upbringing.
It was all a back-handed blessing, and my friends were the ones who kept the faith, read my work, and urged me to submit it to publishers (by sending it out for me - they would not hear no for an answer.
During 'Manchurian Candidate' - that role originated with Laurence Harvey, and I studied everything he did. I would never be able to reproduce that performance, but I got a lot of ideas from watching it.
Do you remember those AM radio kits you get as a kid, and you build your own AM radio? Well, I never actually built one. But I did get them as a gift, for, like, 3 Christmases in a row, and I hated them.
I remember clearly, when I was about 4, my Aunt Linda said, 'I'm not babysitting him no more. He's bad.' It was one of the first conscious shifts I remember making. I decided, 'I'm going to be good now.'
I think if you have any desire to be a leading man or to really carry some of these stories, there's this relationship that has to be cultivated with an audience. People have to be able to say your name.
It's what Shakespeare's mission was - to illuminate our thoughts and struggles and bring about the possibility of getting the most we can out of a day as opposed to least in this brief moment we're here.
I like to talk to people. I've got one assistant, one Blackberry. That's my overhead. I don't text that much or email. I like to sit down face-to-face and have a conversation with you. I'm old-fashioned.
I used to go to sports camp every summer. I'd make a lot of new friends, and it was all athletic. It was basically a place for parents to send their kids to run out all their summer energy for two weeks.
Every two weeks on 'Doctor Who,' the set is completely different, the world is different and there are new actors coming in. So, it's constantly surprising, and it's a pressure that you relish, actually.
And as I've gotten deeper into the process of making films and television and such, I think I have more trust in the fact that you really never know what you're going to find after the twenty-fifth take.
I first went to the Chubut valley, the colony that runs about 800km across the width of Argentina, in 2000. My uncle had been there tracing family and came back saying I had to go. So a year later I did.
Some lessons take years to learn, with repeated exposure to the same path sometimes shadowed by the inner conscience of own souls. But eventually we learn, and our journey continues in another direction.
Theatrical is fantastic. I don't think anything will ever replace the big dark room, the screen and the popcorn. You can kind of do it in your home if you have a nice screen, but it's not the same thing.
I can't read or write music. When I want to remember something, I try to remember all the keys on the piano. Which is what I still do. I put the numbers on the keys. And that's got to become music again.
My life is so random. Certain things I can't even explain. There's a thing about being lucky and... I feel like certain things are just, like, in your cards. I'm just walking the path that's already set.
I'm pretty sure that wasn't Oscar's first time getting harassed or held-up by authorities. And over time you start to feel some type of way when you get pulled over. "Oh, I gotta go through this. Again."
Now I like to think that I'm in my character's head so much that I don't have to substitute. I'm in the moment; I'm living in the moment. And if it's genuine, it's real, and if it comes out it comes out.
I really want to have a really, really strong, one-sided opinion on something, and be connected to it and tell that story. Until I find that thing or that topic or whatever it is, I don't want to direct.
When I was a young actor I was in a lot of film doing one day work and two days' work, and they've included all those titles, which I don't even remember. I think I've played the lead in about 75 movies.
People say to me, why did you do those films, and I say, for money. It wasn't for diamond rings or kidney shaped swimming pools in Beverly Hills, it was in order to improve the lot of everyone around me.
When you're 18, you escape if you want to. Sixteen, you're still really depending on the people around you. You can't drive, and you can't support yourself. You can't legally be responsible for yourself.
Sometimes when a movie is really alive you can see that they were just making decisions on the spot. They weren't bound to anything, they were working with ideas that the actors and situations presented.
I always say YCDA: you can do anything. If you want to be a successful actor, you have to believe in yourself more than anything else, and dont let anybody tell you that you cannot do it because you can.
There's no point thinking, 'Well, my life's certainly worked out, I've got all the answers.' It would be wrong for me to say that I don't get seduced by certain things. That things don't become tempting.
I want to be good all the time, so I feel anxious. But if you weren't like that, you'd be dead, wouldn't you? If you went out happy down the road, la la la. I've never been like that. I don't want to be.
When prescribing one of the drugs I take, my doctor warned me of a common side effect: exaggerated, intensely vivid dreams. To be honest, I've never really noticed the difference. I've always dreamt big.
If the character is getting mad, getting upset or getting turned on, you're getting to see that in the facial tones and the skin tones. That's what I enjoy about acting. It can be very subtle, like that.
It would upset me if someone watching a show was thinking about me, Milo, as an individual at the supermarket or at a concert, wherever, and they're not thinking about what the character is experiencing.
That's really just the worst part of life really, you get bracketed somewhere and the next thing you know people are saying, 'No. No. That's not the type. Get me so and so.' I'm not a type. I'm an actor.
I'm tough when I have to be, tender when I should be. When you find a really tough guy, he's not a predator. He doesn't have to prove himself. Guys who have to pretend to be tough, they ain't. I'm tough.
Like I tell people they wind up having short term pleasure and long term pain. I'm a tell what Minister Louis Farrakhan said, "Black people ain't poor, they just don't spend wisely" and that's the truth.
I always say I'm one of the toughest mama's boys you're ever gonna meet. And I say that to send a message to all the young thugs out there; that it's nothing to be ashamed of to say you love your mother.
I don't think I do look like an A-Lister. I'm more interested in being comfortable in my own skin than trying to be somebody I'm not. Gimme jeans, an old T-shirt, cowboy boots and a baseball cap any day.
It's fun having songs about parties and gigolos, but I really wanted to use my music as a form of art. Art is supposed to spark conversation and make people think, and I wanted to do that with this song.
World War II affected the male population in a very detrimental way. They were happy to be home, happy to be alive, happy they won, but they could not express to anybody the horror they had been through.
We're cognizant, curious beings, capable of philosophical thought, nuclear physics, repeating Nerf weapons, global consciousness, Glade air fresheners, and sentient automobiles. But we're assholes first.
I would definitely return to Austria. They were all good experiences for me, but definitely Austria because there were some ancient Celtic, sacred sites that were in the forest that were quite beautiful.
I went to a dentist for a toothache, and it turned out his kids were in an acting school. We talked about it, and I decided to enroll at the same school. I was 14. I guess you could say I just got lucky.
I remember really getting into 'The Wiz' and an old musical called 'Purlie,' which Melba Moore sang. I liked those roof-raising shows because I connected deeply with the gospel aspects of those musicals.
People don't have to be beautiful any more. We don't have any Audrey Hepburns, Rita Hayworths or Ava Gardeners. When you look at Al Pacino and the greatest actors in Hollywood they're all common-looking.
Poetry has in a way been my bridge to my acting career. I had so many questions about my life, so I took to poetry to express my questions. I had questions about politics, family relationships, and more.
But I feel truly wowed by the architecture and the meaning of the architecture if you get lost in it and think about the man hours in the smallest little chapel, and the love involved. God its fantastic.
There's a lot of people that I would love to work with. There's a lot of different kinds of parts I wanna play. As your career progresses, you hope that you get some more opportunity or some more choice.
Any way you slice it, increasing the minimum wage in Michigan... is likely to make it more difficult for the working poor to find jobs. ...those who most need the work will have a harder time finding it.
King Lear is undoubtedly the greatest play ever written by Shakespeare - or anybody else for that matter. Hamlet is certainly great, but it doesn't contain as many elements of humanity as we see in Lear.
I think by that time I knew where Chewie was going, and he left me to do what was called for, because the character had been well established. You know, it was like putting on a second skin by that time.
I lost track of it thereafter. I wish I had a piece of it. That would have been very, very nice. It was one of those little things they get you on the Bond and then suddenly your face is every which way.
It's not that I am not emotional, but I am extremely secure and curb it, as I am afraid to let go and be broken. So, I have cultivated myself to be detached in life, specially where movies are concerned.
I'm on Twitter, but I'm not super active. I follow a lot of the same people that a lot of people follow: Rob Delaney, Megan Amram, Seth Rogen, Evan Goldberg, Julia Louis-Dreyfus, people I've worked with.