Quotes of All Topics . Occasions . Authors
Dexterity is one of the chief weapons of diplomacy; governments rely more upon the supremacy of this instrument, when in the hands of a skillful diplomatist, than in the soundness or justice of their claims.
Forties are good! I'm thinking with my brain now, which is a lot more clear, and women seem to appreciate that. It's a wonderful decade where you're in control of yourself but the women are still interested.
I do find it strange, doing magazine shoots. Photographers always go, 'Why don't you like to have your picture taken? That's what you do for a living anyway. Just pretend you're acting. It's the same thing!'
If you're playing Hitler, you don't play Hitler as an asshole. Hitler believed what he was doing was right. Any of those monsters and any serial killer believes in what they're doing. I play it subjectively.
The actress (Heidi Swedberg) is this wonderful girl, and ... I love her! i couldn't figure out how to play off of her. Her instincts for doing a scene - where the comedy was - and mine were always misfiring.
My kids are always like, 'Why do people always want to take pictures with you?' and I'm like, 'Because I'm your Dada, and you're my daughter. That's why.' It's definitely mostly because of 'Game of Thrones.'
When I was 16, it was 1988, and my style was a mess. Fur-lined brown suede jacket, paisley shirt, chinos, and Doc Martens. My hair was blow dried into a large quiff. That might sound vaguely cool. It wasn't.
Simplicity of living gives you sensitivity of character. A lot of people told me that leaving L.A. and moving to Volcano (district of the Big Island) would ruin my career, but that's my kuleana, my business.
If someone's got a fear of heights, they'd probably say, well, hanging off a helicopter at 3,000 feet above downtown L.A. would be the scariest. For me, that's a day's work, something I was very happy to do.
There used to be lots of legitimate independent distributors: Fox Searchlight, Miramax, Lionsgate, Warner Independent, Focus Features, Paramount Vantage, Picturehouse and Fine Line. Most of them have closed.
It's nice because working in England I'm know for working in television and theater when you get a chance to come out, it is quite fun to be out from behind the mask. You need to let people know who you are.
Really, ambition has gone. I look for things that tickle my fancy. You begin to see the end of life on the horizon. You think, 'It's not going on forever, this.' Let's make the most of what time I have left.
I have a hard time saying "no" if it's right. I don't say "no" to say "no." I said "no" when I didn't have a pot to piss in. I still said "no" to big money jobs because they didn't make creative sense to me.
Teaching is a truly noble profession. It's sad the amount of responsibility that teachers have today. They're not only teaching kids: they're raising kids, policing kids - and they don't make a lot of money.
I pretty much got into theatre to do community theatre and things, but then I went to Williamstown and found an agent. I then went to New York and did a lot of theatre there, so I started doing only theatre.
Every actor has to deal with what's on his plate, and I try to deal with doing the best work possible with the most challenging scripts. I don't base it on whether it's a feature film or a TV-movie or cable.
I'm trying to think of - knock on wood - how young people would feel today if our president and our leaders were shot at. But... our young people are being killed at an astonishing rate, and times seem dark.
After The Sopranos, my mother said, "Couldn't there be some raft floating under the bridge when you jumped? Or couldn't you have a twin brother?" I said, "Yeah, if they'd wanted me that bad. But they don't."
Acting is an imaginative leap, really, isn't it? And imaginations prosper in different circumstances. And it's being able - I can't tell you how one does, but one tries to read those circumstances correctly.
How my film career happened, I don't know. It was unplanned. I'd been in films and TV throughout the Sixties and early Seventies, but it was really 'The Naked Civil Servant' in 1975 that put me on the radar.
We are taking our culture and suturing it to America. Like gum on the bottom of a shoe, we are not going to disappear. Unlike other peoples who totally assimilated, we are more interested in co-assimilation.
I like to turn on the TV and watch whatever's on. Nick Kroll does that a lot. He doesn't watch important shows. He'll just turn on a documentary on Mia Hamm and watch it for an hour. Whatever's on, we watch.
When you have something that you did so many jobs on and were so front and center on, and then people dislike it, you want to learn lessons from it, and you want to move on, and you want to move on too fast.
We were using a hand-held camera to film the scene when Morse collapses. The camera wouldn't start. Three times they said action and it still wouldn't work. To this day, they still don't know what was wrong.
For me, there's nothing more valuable as an actor, or better way to learn, than getting to perform in front of a live audience, no matter where you are. Whether it's on Broadway, in Florida, or doing a tour.
We need to break boundaries, so every time I feel like, "Oh snap, oh my God, I don't know how this is gonna be received," I also feel this validation, like, "All the greats, all my favorites have felt this."
If you don't stick to your plan enough, and you're too seduced by whimsical notions and new ideas, you can kind of lose your train of thought and end up with something that doesn't have a solid through-line.
When the director has a vision for a piece that I've never heard before, and they can back that up with visuals, and they talk a good game, I get really interested in the world that they're trying to create.
I get readings, I sometimes get five a week. You'll feel like a schizophrenic by the end of that week. I don't know who I am any more. You'll be in conversation with a friend and start spitting out dialogue.
At 18, I took a Greyhound bus to New York City, and then I was in city after city, so I was just dying to get to the country. Everywhere I'd go, I'd just shoot out to a national park somewhere and reconnect.
I just love doing broader work - I always get asked to do fairly heavy-duty, intense dramas and interesting, psychologically intense characters. But you know [sigh], it’s nice to make people laugh sometimes.
I read a lot for me. But I'm not one of those people who gets 'The New York Times' book review and runs out and buys 10 books and is done with them and passing them out to friends, you know, two weeks later.
I am very aware of how warmly Scotland is regarded around the world, and a vote for self-determination would raise our international profile even further, with lots of benefits for Scottish arts and culture.
Buoyancy is a phenomenon whereby, as a leader, you float because the people you inspired believe that you should, because you've truly connected with the collective desires and values of the people you lead.
I don't read reviews. I haven't read them for probably 30 years. I can't. When they're bad, they're really rough, and when they're good, they're not good enough. You can always find something to stress over.
Culture changes because of musicians and actors and actresses. There's a responsibility there. You may ignore the responsibility. You may choose to be a bad role model. But, you are a role model nonetheless.
I don't want people thinking they know me instead of the character. Steve McQueen has loads of stories about him - who knows what's true? But it's great for people to fictionalize rather than know the truth.
Sometimes I have these fantasies of just moving to a foreign country and coming back with a full head of hair. Or not even come back! Make a new life there with hair... Change my name, just see what happens.
I'm an old school guy and love the guys in the monster suits and JAWS; even though everyone makes fun of the shark I think it's awesome. You know it's fake, but with my generation that was part of the charm.
When so much is left to the listener's imagination, it is bound to be more scary. But our stories are not just to frighten; they are engaged with the things that are really scary like loneliness and madness.
There's a bunch of plays that I never got to do because I was either too young or too old for the parts, like 'Slow Dance on the Killing Ground' and 'Dutchman.' For 'American Buffalo,' I was the wrong color.
I think it's much more interesting when people say, "I love being famous. I love the attention and getting laid and having people I respect admire me," than when they pretend it hasn't had an effect on them.
I believe humankind has looked at Climate Change in that same way: as if it were a fiction, happening to someone else’s planet, as if pretending that Climate Change wasn’t real would somehow make it go away.
People are realizing that being gay is just as defining as the color of our skin and it's not a choice. I'm really encouraged. I think in my lifetime we will achieve equality. I'm honored to be a part of it.
It's really interesting to observe each filmmaker's approach to filmmaking and I feel very fortunate to have worked with a lot of really interesting filmmakers and they all approach their job in unique ways.
Bodybuilding saved my life because I overcame the nerd stage. I got picked on. I was fascinated with power, and then I decided to take that direction because I knew that would make me feel good about myself.
I suppose if I did get into a situation with a friend where we both liked the same girl, I like to think we'd sit down maturely and decide who was going to get in there, and then the other would stand aside.
I've had tons of odd jobs, but I think that I would probably be a fireman because you get to see the results of your job. You get there and there is a house on fire. You leave and there's not a fire anymore.
I grew up in Synagogue in the boys' choir. We didn't listen to music in the house; only at temple. Then I went to a mostly African American high school on the South Side of Chicago and joined a gospel choir.
I hope that they enjoy the movie. Don't be critical. Don't expect to get the same feelings you got when you watched the series when you were 10 years old. Let your kids see it and experience it on their own.