Quotes of All Topics . Occasions . Authors
If you say city to people, people have no problem thinking of the city as rife with problematic, screwed-up people, but if you say suburbs - and I'm not the first person to say this, it's been said over and over again in literature - there's a sense of normalcy.
I've never lived in New York. I've never done a play off or on Broadway, so I think that's in my future. Have that experience - get a little apartment in the city and grow a beard and walk around with earbuds in my ears, and a stocking cap and a big giant scarf.
So It's not like I go from being this disciplined person who has to get up and go to work to now I just lay around all day in my underwear eating Cheerios. I have this structure. I still have to do this and the difference is I'm doing this for me and my company.
I'd say I'm drawn to characters that ring true to me. Adolescence is a troubled time for everyone, so a lot of those characters have been troubled, tortured people. It's been a great way to navigate my adolescence by having these more troubled kids as an outlet.
I think in some ways, acting and writing are the same. You're getting inside the skin of someone else; you're creating their language and their actions. As a writer, you have to see the whole picture and the structure, and you have to understand every character.
There are people [in Uganda] who hate Idi Amin, a small amount. And then there are the people who really admire him, like a hero. And then there's a large group who say, 'We know that all these murders and atrocities occurred, but he did all these great things.'
I don't really know of the Jewish tradition of comedy, only the Jewish tradition of not keeping your mouth shut. Complaining about all that is hard, unfair or ridiculous in life-having strong feelings, and not being able to suppress them. That, to me, is Jewish.
I think if you have a series for a long time, it's in some ways like being in a play with a long run - in that the character stays the same - and so you are constantly posed with the challenge of making it interesting and unique week after week, year after year.
Personally, I need to learn every word on the page before I go in and audition. I have not mastered the skill of holding pages in my hand and acting with pages in my hand. I find that every time I have to look at the page it takes me completely out of the scene.
The idea that every time you do a film you're supposed to be tortured confuses me. I mean, guys who say "Oh, it's really tough, my character is really suffering" - come on. For us, even in the rotten ones, we've had a good time. I don't think you have to suffer.
I was doing a civil rights musical here in Los Angeles, and we sang at one of the rallies where Dr. Martin Luther King spoke, and I remember the thrill I felt when we were introduced to him. To have him shake your hand was an absolutely unforgettable experience.
I often think about, 'How do we return to a simpler way of living? Is there some way that we can start to think of each other as human beings again, instead of worshiping money, instead of worshiping electronics, instead of worshiping getting ahead just for me?'
I went to LA because my parents were there and somebody asked me if I wanted to be in a movie. It was easy, it wasn't easy to do, but I fell into it. I made a living as an actor for a long time, but I didn't think of myself as an actor, I thought I was a writer.
I think in most cases, if you're with good people, comedy creation happens faster in collaboration. That's how I can tell if it's a good collaboration: If it's faster than me by myself, then it works. If it's slower than me by myself, then I get out of the room.
To me, the funniest American of the Twentieth Century is Richard Nixon because he had the most to hide, and he was so bad at hiding it. To me, that's what's really funny - people who think they're doing a great job of hiding stuff, and it just keeps leaking out.
I think the part of my acting career where I've been more successful, I've been incredibly cushioned. People are much too nice to you. You go into politics, and people are absolutely brutal. You've got proper enemies, and they're vicious. It's very invigorating.
My favorite play in drama school was 'The Bacchae.' It's about a king who literally gets eaten alive by all the women in the play in a kind of orgy - it's related to the word 'bacchanal' - and I loved that idea of animalistic chaos and following our own desires.
I am a little in awe of Jeff Bridges. He's an actor I have admired for many years, and so I didn't know who I was going to get, in the sense that I didn't know what he was going to be like. And so I was pleasantly surprised that he is this kind of laid-back guy.
James Dean has never been one of my guys. I don't want to be him. I will take boring anytime. I love boring! Are you kidding me? Matt Damon has been one of my favorites forever. He always elevates every bit of material, and then you don't hear a thing about him.
I didn't know what my passion was until I discovered the dramatic arts in junior high and high school and I realized, 'Oh, I like this. This is something I feel like I'm good at.' But, the idea of moving to Hollywood and becoming an actor was really unrealistic.
I am still nervous every show. Not in the "Wow, I'm scared, I can't go on nervous," but the "I really want to do a good job and the give the audience a great show" kind of nervous. Oh, yes, the nerves are there, but I let them push me instead of holding me back.
I never look at myself as a closet actor wanting to make music or a closet musician wanting to act — I’m very proud to do both and I don’t put one above the other, I’m very grateful and excited by both opportunities — it’s really a unique opportunity to do both.
My friends decided to open a pub and asked me to be part of it. The day-to-day running is something I know little about. Luckily, I'm the demented figurehead, a kind of mascot. I get all the good stuff - like free pork scratchings - without any of the bad stuff.
I'm a massive movie nerd. That being said, I could retire tomorrow because I wrote this movie 'Goon' and it came out, and it connected and it's a wonderful flick that I think is beautiful and then it had this wonderful life and it means a lot to a lot of people.
Chemistry is one of these crazy things you can't teach or learn or you can't fake. You go in hoping it will work, hope that you will connect with the other actors. I was fortunate on 'Modern Family' and 'The Procession.' They are great people, very easy to like.
I would challenge anybody in their darkest moment to write what they're grateful for, even stupid little things like the green grass that made them feel good, the friendly conversation they had with somebody on an alevator. You start to realize how rich you are.
I try to do something the audience might not have seen before. Like if I'm gonna kiss a girl I wanna kiss her like a girl has never been kissed. Like maybe I would kick her legs out from under her and catch her right before she hits the ground and then kiss her.
Getting into the character is difficult and letting go of your life and the things that kind of define you, whatever it is in life that's your daily routine because you sort of find yourself in this other life and that's difficult and the other end is difficult.
I believe that this life is all we have. I don't believe in anything after this, so I think the choices we make here are so important and the relationships we choose are crucial, especially in that time when we are developing ourselves and we're becoming adults.
I think there are all sorts of ways of turning into an actor, and there are a vast variety of different actors. You know, you interview plenty of actors and you know they come at it from a different direction and acting means different things to a lot of people.
In 1995, I proposed the Harvard Arts Medal. The idea was to celebrate the fact that, although it's rare, Harvard men and women do go into the creative arts. Over the years we've had major, major figures, like Jack Lemmon, John Updike, Yo-Yo Ma, and Bonnie Raitt.
Sometimes I - with comedy, it's like someone liking you in high school. They either do, or they don't. And when they don't, they don't. And that's it. There are no appeals. You show up, and you're like, 'Hi! I'm -' and you stumble, and they're like, 'It's over.'
Every relationship has problems but when those problems arise you have to realise that they don't mean your relationship is broken, it's just a little bent. Bent things can be fixed and like so your relationship can too. The first step however is realising that.
There's not a lot of tolerance for people like me... To avoid ignorance and bullying, I've had to hide the fact that I'm a troll. You have no idea how much time and money I've spent on electrolysis and hair dye and reconstructive surgery so I can look like this.
In theater, you're in charge of your performance, and at the end of the day you're the one who gets credit because you're in front of the audience doing it, and in film and TV it's the director who gets to decide when to cut to you on a line, which take he uses.
The spiral in a snail's shell is the same mathematically as the spiral in the Milky Way galaxy, and it's also the same mathematically as the spirals in our DNA. It's the same ratio that you'll find in very basic music that transcends cultures all over the world.
[Tom] Wolfe's books offered a whole new world to step into, and whilst at times you could accuse him of being somewhat long-winded, he had an incredible quality of prose and a bravery of writing from the heart. He believed in being autobiographical at all times.
When someone like Steven Soderbergh asks you to do a film you know you're in good hands. You know it's going to be slick, and it's going to be intelligent, and it's going to have a kind of style to it, and I would probably have done anything to be really honest.
[David Milch] had say, "You have to understand that our history of western movies, what we've been doing in westerns since the movies began to talk, you had audiences that would be offended by certain things, and there was a cleaning-up of the way people spoke."
I'm into Incubus. Growing up, I was a huge Taking Back Sunday fan. I'm still a fan, but I don't listen as much as I used to. When I was 13 or 14, I started getting into emo-pop-rock, so that influenced me. I also love Drake... I have a pretty diverse collection.
We all have that burning question about what happens if we lose somebody we love, especially if we lose them tragically. We wonder what fear was going on, we wonder if we could have reached out and touched them, held their hand, looked in their eyes, been there.
I was on a couple of scholarships. I had a job in the school administrative office. I had a job as a hat-check boy in a restaurant. I had another job as an assistant to a casting director. It took a lot to get myself enough money to put myself through Juilliard.
Other than hitting the ball...there's nothing else I have ever done or know how to do. How to live on the outside, how to earn a living, how to take of my family, I'm a stupid idiot who doesn't know how to do any of that. Therefore...Please let me play baseball.
When you move from a different country, it takes a while to make friends. I found myself being lonely a lot at first. In New Delhi, I had all my family. But Portland is one of those cities you can immerse yourself in and feel comfortable. People are so friendly.
I think for Beecher specifically, Keller was with him when his wife died. Beecher had decided after he first got into prison that he had to shut off everybody. You can't let anybody in and you have to become like them and you have to be threatening and all that.
It's stressful to keep doing audition after audition after audition. You finish one and go to the next one, and you have to learn lines. For me, I have to work on my accent, so I was getting accent coaching and acting coaching. I wanted to make good impressions.
I don't mind if somebody comes up to me and shakes my hand, but if I'm in the middle of a restaurant and somebody asks me for a picture, I can be a jerk and say no, or I can say yes and draw more attention to myself, which is exactly the opposite of what I want.
People who go into the arts are often hurt people. Many are manic-depressive. Some have tried suicide and some have succeeded. It's just part of the game. We are people who are oversensitive. That's why we're in this business, because of our need to communicate.
Well, my wife always says to me, and I think it's true, it's very difficult for us to understand the Elizabethan understanding and enjoyment and perception of form as it is to say... it would be for them to understand computers or going to the moon or something.
Road racing at the moment because it's still so new to me. I like the fact that they are longer and teamwork is important. I guess the same is true for track, it's just that I have used track this year as a training device to improve my sprinting in road racing.