Quotes of All Topics . Occasions . Authors
The close-up says everything, it's then that an actor's learned, rehearsed behavior becomes most obvious to an audience and chips away, unconsciously, at its experience of reality. In a close-up, the audience is only inches away, and your face becomes the stage.
And there are so many people in the third world suffering so horribly right now, and we are so focused on ourselves and our culture that a lot of things are showing up in our culture that are making it impossible for us to focus on others. We're so self-focused.
I have been accused of being a traitor, and I have been accused of not supporting the military. Nothing could be further from the truth. The leaders are the ones who make the decisions. The soldiers do not have the choice. I support the soldiers as human beings.
The very first big photo shoot I ever did was with Bruce Weber. I couldn't believe this guy was taking my picture, so when he told me to get in the bathtub, I just did. It's only now, looking back, that I realise, you don't have to do everything people tell you.
I don't think that fundamentalism has anything to do with Jesus Christ. They call themselves Christians, but if that's Christian, count me out. Fundamentalism is built on fear and greed. They're telling you to give them your money otherwise you're going to hell.
January brings the snow / Makes your feet and fingers glow / February's ice and sleet / Freeze the toes right off your feet / Welcome March with wintry wind / Would thou wer't not so unkind / April brings the sweet spring showers / On and on for hours and hours.
There's a rule in acting called, 'Don't play the result.' If you have a character who's going to end up in a certain place, don't play that until you get there. Play each scene and each beat as it comes. And that's what you do in life: You don't play the result.
To make extra money, my parents would sell eggs and chickens. I was very little. I remember a chicken's head being chopped off with the chicken running around. I wasn't sure if my imagination was running away with me or if it really happened. It really happened.
The cosplayers are very fun. The kids are the best. Everyone is a kid at a comic con. There are some amazing stuff that goes on at these cons. The people have a blast. It's so neat to see the fans lining up to see you and talk with you. And asking you questions.
When you're acting, it's all about you and the person in front of you, and I think in life we forget to apply the same technique, and we get caught up in the panic of what we're trying to do - how overwhelmingly daunting the task of trying to become an actor is.
When you call someone and ask them to do something they've never done before, in different mediums I think they would be inclined to pass because they're afraid of the risk. But the creative people who populate the theater world love the challenge of new things.
I remember, working on 'Lost,' I learned very quickly the way that I had to approach the material or even ask the director questions. It was always prefaced with, 'Would it be wrong for me to assume?' Because I didn't know where my character on 'Lost' was going.
I have a ridiculously beautiful wife who's super sexy, and as long as she's happy with me, I don't need to look in the mirror and think, "How do I stack up next to Bradley Cooper? Would Cooper rock this shirt?" Doesn't matter. He does not have your wife. You do.
[Being a good comedian] is a skill, but it's also a weird thing that only certain people can do. I always equate it to surgeons and how they can just cut people open and operate. Certain people are just wired differently, and I feel like comics are the same way.
I would hate to be thrust into the middle of a big film and not deliver. There's young actors and they're put into these central roles and they're commanding armies - but they can't quite pull it off. I'd much rather do it in small steps and build it from there.
It just so happens that when I was, like, 19 or 20, I got a couple of auditions and got a couple parts with good people. Of the thousands of auditions where you don't get the part, I've done a couple of jobs where you do it and you're like, "Okay, this is good."
Ever since I was a little kid, I've felt comfortable in a suit. It all started when my mom bought me a three-piece Pierre Cardin suit. I wore that thing everywhere. Eventually I realized I was going to be the kid who got beat up in school, but I kept wearing it.
I suppose there must be some way in which I'm compelled to show some side of myself - or of people - that's paranoid and fraught and beleaguered and downtrodden, just as Tom Cruise wants to show that he's terrifyingly upbeat and terrifyingly heroic all the time.
Whoever wrote Shakespeare is a working class hero be he an aristocrat or a peasant. Shakespeare is a great leveler. We're presented with kings, queens, emperors and giants who feel the same things as everyone else: jealousy, love, anger, bitterness, grief, loss.
In the eighth grade I found I had a voice for opera, so I followed that path a little, but my impulse has always been an actor. I have always liked cinema, and let's face it, opera singers are just bad actors! I didn't want to translate myself in that direction.
Chris Carter is just a fantastic guy, I have enjoyed working for him, immensely. I loved this character. I don't think I can say enough about Chris. It's just a fantastic thing that he's created and I'm so thrilled that I've been a part of it. I'm very grateful.
What I would like to do is a thriller. I've been wanting to do that for a long time, but one that was not at all dependent on special effects. Just purely psychological, but will scare the hell out of you. That's what I would like to do. I have not found it yet.
I'm often asked, 'Who has you worked with who you really thought was great?' and I think Eleanor Parker was the first and one of the only who was a really accomplished actress, a really caring actress, who was most unselfish, and I was secretly in love with her.
I can watch anybody all day long if they're really doing what they're doing. I have a fascination with human behavior, watching people talk, when they pick at their face or how they hold their hand or if they're listening to you, if they're not listening to you.
I went to film school at Columbia and did that for a couple years and really thought I was going to be a filmmaker, and then I kind of drifted over to the acting side after that. I'd been an actor in high school, and when I got to college, it was all about film.
A lot of people have already been impacted by the Life Cube Project and the principles behind it. They write to me and post on social media all the time, about their dreams coming true after writing them down, or how writing down their goals resonated with them.
I think that it is a good time for those who voted for the ban against gay marriage to sit and reflect and anticipate their great shame and the shame in their grandchildren's eyes if they continue that way of support. We've got to have equal rights for everyone.
When you do reality you have to be pretty careful. You have to almost monitor yourself to make sure that you don't get yourself in situations that you shouldn't [be in]. But at the same time I kind of find that exciting because I'm a bit of an adrenaline junkie.
For me, I've never been too concerned of what people think of me, so now as the youngest Baldwin brother in Hollywood making movies while simultaneously being a charismatic evangelical born again Christian who's an evangelist - that's a pretty crazy combination.
I get a lot of people coming up to me and saying, "I really hate you." And they say it in the nicest possible way and I accept it. It's the people who come up to you and say, "I really liked your character. Man, he was right!" Those are the ones you worry about.
Shooting in sequence, I think it intensifies everybody's relationship, the crew, the actors. You have to be very focused, and shooting at night is a challenge because you get tired. I think it requires a special kind of concentration, but it's also exhilarating.
If you ain't nothing when you get money and fame, you're just going to be more nothing. If you don't stand for nothing, when you get money and fame, you ain't suddenly fin to stand for nothing! You're just fin to be richer and more famous - standing for nothing!
So she viewed time spent in the land of the normal as an investigation into the world of marriage-worthy men, even if she was unsure about her own interest in marriage. There must be one solid citizen who also had a spark of life, a sense of humor and adventure.
I think probably the most difficult challenge was just the climb and rise in show business because I went through my entire twenties with some success as a comedy writer but not much as a performer. And you have to be kind of informed and naive at the same time.
I love working that way, and that's sort of the way that Mark, Jay, and I have been working for years, where we start with scripts that are really solid and well-written. But once we get into the scene and we start doing the work, we definitely loosen things up.
Action films are great, but an action film that has characters that are compelling and a story that people can care about is something even better. We love to see action heroes that are vulnerable, that are sensitive, that are family people, that are accessible.
Anyone who thinks they stand apart from society and defies all which govern its existence has less in common with the lone wolf patriot standing up to dystopic forces of oppression - a myth - and more in common with the disease known as cancer - a harsh reality.
People think that Detroit is this barren wasteland. While there are parts that are not as nice as others, the misconception is not true. It is definitely not a thriving community in Detroit, but it is getting there. There is a lot of heart and love in this city.
I don't know if a pro wrestling career prepares you for Hollywood. When you get out there, and you're in an arena for 20,000 people or 90,000 people, it's a lot different than being on a quiet set with 100 people, so I think you get used to dealing with cameras.
Now I'm old... maybe I'm still an eccentric hippie. There's a wonderful freedom in the eccentricity - you can go places, you can be wacky, and you don't have to be constrained. I think that's why people are eccentric - eccentricity is a weapon... and it's great!
When you're on top and you lead the parade, everyone's there throwing lilies and lilac water on your head. But when those parades have gone by and there's a storm in your heart, there are very few people that are going to sit there and listen to you bemoan life.
Every role you play is literally - and I've said this before - every single role that you play, the only way you can connect to that character is because that was a piece of you that was scattered around that yard, almost like we got caught up in some whirlwind.
Playing Sgt, Trotter in 'The Mousetrap' is the same as playing Scripps in 'The History Boys,' in the sense that they're dream roles that I've always wanted to do. The fact they're letting me do this professionally and I'm getting paid for it, I find astonishing.
Whenever I study a genre of film-making, Steve Spielberg is the first guy I go to. Even Catch Me If You Can, which is a very lightweight kind of thing, if you just look at the economy of the way he designs his shots and works around actors, the craft is amazing.
I used to be mad on the games, but I had to ban myself. I used to spend three dollars on games, [but] it adds up, so now I'm on the social side of things like Twitter and Instagram. I love my weather apps. I guess because all the Brits are obsessed with weather.
When you're playing a character for 10 years, it can challenge you less than it did at the beginning, so it was exciting to take on some new shoes. Especially with Erich Blunt, because being a tech wizard wasn't something I thought I would do after Harry Potter.
Everybody gets inspired by different things. I grew up wanting to go up the street with a video camera because I liked watching David Letterman yell out of the ninth floor of Rockefeller Center with a megaphone at people on the street. I thought that was a riot.
Help, and you will make a huge impact in the life of the street, the town, the country and our planet. If only one out of four of each one hundred of you choose to help on any given day, in any given cause, incredible things will happen in the world you live in.
Heath Ledger's performance in 'The Dark Knight' quite simply changed the game. He raised the bar not just for actors in superhero films, but young actors everywhere; for me. His performance was dark, anarchic, dizzying, free, and totally, thrillingly, dangerous.
It's exciting to do something like this because usually what happens in theater is that, after the first or second reading of a play, it falls apart completely and the rehearsal process is such that you begin to pick up the pieces and put it back together again.