Quotes of All Topics . Occasions . Authors
When I was in sixth grade there was a talent show, and I wrote my first sketch, 'The Dentist.' I played the dentist, and I had my friend play a patient. It was sort of what can go wrong at the dentist, and I just remember I had lots of fake blood and everything.
I have this huge, huge fan base of people who've never seen a Broadway show, but I think it's a great introduction to what Broadway is because my shows are not that. I think that if you're getting people to go to theater then somebody should be celebrating that.
Well, I think certain roles are chosen for us. The moment I read Pete Campbell I thought: I can do this, this is mine. And in Money, too. The truth is I turn down a lot of projects. If a character doesn't have some kind of internal struggle, it's no good for me.
I think I'm slightly OCD. I'll be desperate to get a part, but as soon as I do, the sense of pride wears off almost immediately, and fear of not doing a good job sets in. I'll think, 'This is a dream come true,' and then, 'It's not OK until I get a good review.'
A woman can make a man feel older or younger than his years if she so chooses. Being a woman is a terribly difficult task since it consists principally in dealing with men. Women were made with a sense of humor so they could love men instead of laughing at them.
Cities are like gentlemen, they are born, not made. You are either a city, or you are not, size has nothing to do with it. I bet San Francisco was a city from the very first time it had a dozen settlers. New York is "Yokel", but San Francisco is "City at Heart".
Get a sales tax, small on necessities and large on luxuries; then a stiff inheritance tax on the fellow that saves and don't spend. That will get him either way. A tax paid on the day you buy is not as tough as asking you for it the next year when you are broke.
The separation of talent and skill is one of the greatest misunderstood concepts for people who are trying to excel, who have dreams, who want to do things. Talent you have naturally. Skill is only developed by hours and hours and hours of beating on your craft.
I could count my modeling jobs on my hands and toes. When I graduated from college, I moved to New York specifically to study acting, and I needed to pay the bills, and it's better to make a couple thousand dollars in one day than to wait tables six days a week.
Film-making is not liberating. It drains a lot out of you, and it's fulfilling only temporarily. It's a very thankless thing at times. When you're spending all that time on a film, you don't want 40,000 people to see it - it's just not enough. You dream of more.
People still make New Year's resolutions? Wow. I figured those were pointless once I perfected myself by directing, writing, and acting in Garden State. I guess it makes sense, though. It gives people a chance to hope that they can become as great as me someday.
I did plays in high school, but I was convinced you couldn't make a living doing it. You don't have a lot of options in Indiana anyway, though, so I didn't want to stay there. I graduated early and worked a bunch of really odd jobs, and then I joined the Marines.
I used to watch the world as if it was a performance and I would realize that certain things that people did moved me, and certain things didn't move me, and I tried to analyze, even at that age, six and seven and eight, why I was moved by certain things they did
TV has taken reflection out of the human condition. People didn't use to have a ready answer for everything, whether they knew something about it or not. People think they have to have an answer for everything because the guys on TV have an answer for everything.
There's three things: there's masculinity, there's intelligence, there's sensitivity. You've got to bring those three things to a leading man's role: masculinity, sensitivity, intelligence. In some people, there's a little too much in the mix of one or the other.
I have known Tarell Alvin McCraney for ten years but the involvement with Moonlight came more with Barry Jenkins, the director. He was a fan of the show I did called The Knick. He was also with Plan B Entertainment, who produced Selma. That is how I got involved.
My group of friends, we sort of go at each other pretty hard sometimes. And it's half performance, half truth that you can say cutting things to your friends that might be a little true, but as long as you package it in a joke, it becomes a little more palatable.
My life has been a kind of mystery to me. By all my logical, linear thinking I started out in school as a little boy, I didn't have a clue about anything. What they were talking about in school, couldn't play sports, couldn't learn, and I was bottom of the class.
I just read the scripts that come to me, and I see the ones which I really kind of understand and connect with, whether that's a science fiction or a period piece. It doesn't really matter as long as they're original and I have something to do with the character.
One of the reasons that I accepted, once asked to do Star Trek, was to give a single child a chance to see the long thought, to see themselves some 400 years hence. It occurred to me that we must ensure that we keep in front of children the ever-changing horizon.
I'm a professional athlete. I've been paid since I was in my early 20s to go out there and fight with guys who were 40 or 50 pounds heavier than I am and fight for my life. I got into a business where people make decisions based on some of the most stupid things.
You can't think about what you're going to do. It just gets in the way. You have to be just available for life, otherwise you're not bringing anything to the party. So I don't lie awake thinking about what I'm going to do workwise. There's just too much going on.
When you first get opportunities, suddenly you get surrounded by a lot of people who want to make money off you but also are there to help. But they start telling you so much what you need to be and what you need to do to maintain some idea of career maintenance.
It took me a good decade of hiding in my house and not going outside to even, like, get my arms around this idea of celebrity, where suddenly people are looking for you to pick your nose or get a shot of you kissing some woman. It's a very discombobulating thing.
I know how I felt when I saw things like 'Fame' on television when I was growing up and how that was an exceptional magnet for me to want to explore the theater. I can only assume that 'Smash' is doing that for anyone who is halfway interested in theater already.
What's great about comedy, obviously, is that you set up a situation that people assume one thing and then you break the assumption. That's basically the backbone to comedy. You set up a situation, let people make an assumption, and then you break the assumption.
I was clear: "I don't want to play businessmen with bifocal glasses and cameras, so if you're going to give me an Asian bad guy to play, then I'm going to give you the baddest Asian bad guy you've ever seen, and you're not going to forget that I was in the film."
I still want to write Clint Eastwood a letter saying, 'I'm sorry, I'm sorry for all us wimp actors. You're the truth.' I guarantee he's not the person you want to fight, even now! You look at him, and you don't want to mess with him. He would still take you down.
People still call me ma’am on the phone, and it’s just part of life now. I’m not even phased by it… Going through DriveThrus is always fun, because it’s always so shocking when they see me. It’d just be kind of like, ‘Thank you ma… woah!! Woah, sorry about that!’
I have my brain switched on and I might be thinking something else but we've come to an arrangement. That sort of play is maybe easier with someone who also thinks that way. But that is not necessarily a national thing, but maybe a little bit of a cultural thing.
I've got children and it's still this one thing that I feel incredibly proud about, when my children are in the playground with their friends and they know about 'Doctor Who'. It's a great feeling. I can sit down with them and watch the new 'Doctor' with my kids.
Having come up in the era where movies are only movies if they're released in the theater... I don't know if that holds true anymore. I've been involved in some movies that have gone 'direct-to-video,' and that used to not be a good thing, but now it's different.
My parents are left-wing, and I would describe myself as that. But also, you know what? I wouldn't describe myself as that. Because I don't have to. Because I'm not a political party. Most people are a little bit of each, and we change our mind on various issues.
Before I finished another level of Scientology auditing, I had a very hard time with being wrong and I always had to have my own way - and not in a good sense. After auditing, I was able to have my thoughts, communicate them and not have to be right all the time.
I wish I could look back and say, 'OK here was a T.V. show or a movie that I thought was so perfect for me', or, 'I did such a good job that if I died tomorrow at least I could say I left that as my legacy.' But there isn't anything that falls into that category.
The kids are really great at baking cupcakes, cookies, of course - that kind of stuff - but I love delegating responsibilities for dinner so you have them picking herbs, or I have plastic knives for them so they're learning sort of how to chop. It's pretty great.
Maybe if you live in Brooklyn, you don't need to hear that? But please, trust me, in most of America, they do need to hear it. And they're quite thankful that somebody came out and did it. For an hour and a half in that theater, for once, they're in the majority.
I look back the old old ones [X-Files series], from the beginning, and I'm kind of mortified by my acting! But I'm kind of impressed by my enthusiasm. I'm just thankful that I got to become better at what I did, and that we didn't get cancelled in the first year.
That's what's so satisfying about acting. You can come as prepared as you like, but there's no accounting for what's going to come at you from the other actor. That's part of the joy and the play of it. If you don't have that it's a different kind of performance.
Being on stage was all about the palpable energy of a rapt audience hopefully buying into a life onstage. The immediate connection with the audience was the best part for me. The camera is not as fun, but your work is preserved forever. There's immortality to it.
One of those things that I like about TV is that if you get a group of people you like, you can work with these people for months at a time, and you can discover their strengths and weaknesses, and you can use those in the direction where you take the characters.
Funnily enough, I was a big fan of the show and had been watching it - along with everybody else - and had never imagined that I would be on it. You kind of look at shows and think, 'Oh, I wish I had done that one.' But I didn't really see myself on 'True Blood.'
I try not to think about that [getting Oscar] ahead of time. You just try to do the best work you can, and then you get the movie out there, and we've been hearing good things. But you never know, you don't want to get too high, and you don't want to get too low.
If you can figure out what their motivation is, then you're ahead of the game. I think that's why a lot of people who are in this industry don't have a lot of friends - but have a lot of acquaintances - because you never know what everyone's ulterior motives are.
There is one thing in this good old world that is positively sure - happiness is for all who strive to be happy - and those who laugh are happy. Everybody is eligible - you - me - the other fellow. Happiness is fundamentally a state of mind - not a state of body.
I think my favorite thing is when people send me Instagram photos of people's yearbooks, and one guy will put "Are you calling me a liar?," and his friend will have "I ain't calling you a truther." And those are people's actual yearbook quotes. That's so amazing.
For the past 50 years or so I've been getting more and more worried about Christmas. It seems we're all so busy trying to beat the other fellow in making things go faster and look shinier and cost less that Christmas and I are sort of getting lost in the shuffle.
I thought Rounders was a comic movie in its way. First time I directed a movie, I wanted to do a comedy. I don't like things that are superficially one thing or another, mainly. My favorite comedies are really smart, too, and have a lot of levels to them as well.
I've struggled so much, growing up, with just feeling that my life is valid because it's not filled with these hyper-dramatic moments, and I think a lot of people of my generation feel that way. We're so inundated with hyper-drama that people crave everyday life.
[Trust Me] was TNT, and they were really supportive of the show, but in the end they just didn't feel it was their audience. I never really understood why we didn't get a longer run at it, because it was Griffin Dunne and Monica Potter. Just a really strong cast.