Quotes of All Topics . Occasions . Authors
I love anything that really pushes the envelope as far as where it takes your mind. When it's well written and brings you into a world that possibly could be, I think that's the most entertaining for me - to see something that could actually take place and causes you to think.
I've done a lot of radio in my life. I've done radio plays for the BBC when I was young so I was absolutely used to that style of work, of working with the voice. I have a very distinctive voice so it's always great for me because I open my mouth and everybody knows who it is.
A lot of kids think they can just go to Hollywood and become an actor or actress. It's not that easy. There are millions of kids who come out here wanting to act. So, you have to have a plan, and you have to stick with that plan, because it's not going to be easy by any means.
When I get a script and do my work, and then show up on set and work, it's the same zone that I'm in when I'm in front of a canvas, or when I'm writing a story about one of my paintings, or when I'm playing music. Whatever I'm doing at any given time, it's the same exact zone.
I'm just kind of odd. There are dark forces in the world, and if you pay attention to what's going on around you, you end up incorporating it into the storytelling. Maybe it's some aspect of myself that's coming through that people are seeing, that I am in fact a quiet psycho.
I feel like there's a currency to your personal life and your performance - your acting, your work. If that personal life starts to outweigh what the work is, then your work suffers. Your actual performance suffers because the audience won't see the character, they'll see you.
I want my job to include a little adventure, a little more of a heightened reality than what I'm actually living. And 'Castle' has that. He gets this opportunity to tail these homicide detectives, and he's driven by that. He's a little immature, but he's obviously loving life.
And what I like about it is it makes me happy and I think it makes a lot of people happy to go to the movies and to not think about the problems of the day or the problems of tomorrow or the yesterday and just go on for the ride and have the fun of losing oneself in a fantasy.
I was in bands, but they were punk bands, and you plug in the guitars, you turn them up really loud, you've got four or five other people on stage with you, you've got some protection from when they throw lighters. You can always hide behind the lead singer or the bass player.
The world is split into two kinds of people, those who would go out for a drink with John Lennon, and those who`'d choose Paul McCartney... After The Beatles came back from India, Lennon wrote "Happiness Is a Warm Gun" and McCartney wrote "Ob-La-Di, Ob-La-Da." End of argument.
Thing is, I went to a born-again Christian high school, was brought up in a traditional Mormon family where these ideas about parenting are of structure and sacrifice. To think outside of that idea of family and parenting that I've grown up with is tough but also very freeing.
When I went to get my master's in creative writing at San Francisco State after Grinnell, I joined the moribund remnants of the Actor's Workshop, until I saw Kay Hayward and Sandy Archer in the San Francisco Mime Troupe and drove down that day to audition. The rest is history.
Interesting enough, we had a reunion of the 12 of us who graduated, right? The only one who wasn't there was the guy who became a priest, and he was literally in prison in Libya, for being a Catholic priest. Isn't that interesting? Everybody else made the reunion but that guy.
Marriage is like a three-speed gearbox - affection, friendship, love. It is not advisable to crash your gears and go right through to love straightaway. You need to ease your way through. The basis of love is respect, and that needs to be learned from affection and friendship.
I really wanted to do something positive on the Internet. I wanted to try to get young people talking about, thinking about, life's big questions-make it cool and OK to wonder about the heart, the soul and free will and God and death and big topics like that, big human topics.
Just by the nature of what we do it kind of gets you out of the regularities of life. Playing pretend for a living is a good way to have a release and playing make believe is a good way of getting away from it and doing things like this. So I think work gets me away from life.
I adore my family; they are my joy. However, I am committed to my work. If, on a Saturday morning when I was ostensibly going to be with the children, and something arose at RADA or at UNICEF or at the orphanage or whatever, I would allow the other pressures to take precedent.
The first concert I ever went to was the Bee Gees. I don't know if you remember the Bee Gees. My mom took me. I was little. But my mom was a big disco fan, and - my mom took me to the Bee Gees. Looking back now, it's pretty embarrassing if your first concert was with your mom.
I enjoyed the crew. The best part about 'The X-Files' has been the crew. This crew is an exceptional family and to go to work with a bunch of people that you really like is great. They're all the best of the best and they really try to do the best job they can. I'll miss that.
I haven't really decided to be an actor yet! I started doing plays when I was about 15 or 16. I only did it because my dad saw a bunch of pretty girls in a restaurant and he asked them where they came from and they said drama group. He said, 'Son, that is where you need to go.
I like the story about me being pregnant. It was in some Australian magazine, on the front page! I was like, 'Wow, that's just [insane].' And it's not even ironic. I don't even think the article [tried to justify it]; it was just a headline. The article was just like, nothing.
Actors on stage, you can go from playing a myriad of roles, from Shakespeare to a Eugene O'Neil drama, and it's the norm. I came up in a world where you're supposed to be able to do three things very well. Act, sing, dance, paint, do something. The emphasis was on versatility.
In college, I actually did some work on a documentary project talking to Vietnam vets about the images of war and how it changed. When they grew up, it was like 'Sands of Iwo Jima' and there was this, you know - after Vietnam, there was a whole different way of looking at war.
I think I have an inner confidence that my tastes are pretty simple, that what I find funny finds a wide audience. I'm not particularly intellectual or clever or minority-focused in my creative instincts. And I'm certainly not aware of suppressing more sophisticated ambitions.
The only thing I can give to young gay people is that when I was growing up there were no role models that were blokey, that were men. Everybody was flamboyant and camp, and I remember going, 'That's not me, so even though I think I am gay, I don't think I fit into this world.
I still feel very close to the people I wrote shows with and some of the people I toured with. I feel very close to them, like a family or like college friends who you know and who have seen you at your worst and you spend 14 hours driving a van all piled on top of each other.
My wife Juliana and I first saw Eurovision while on our honeymoon in Greece in 2006, and we were amazed by it. They basically recreate a music video onstage, and pyro cannons, LED video screens, background dancers, fireworks, costume changes, and wind machines are their tools.
Now my dad is with me, traveling with me and a big part of this whole thing is I like to mix it up a little bit, you know. Who gets to take their father on a private jet across the country and stay in first class hotels? So we're enjoying it, but I'd stop if it's not possible.
I use improvisation as a writing tool to help produce material that goes into a script, but a well-crafted script shouldn't sound scripted, and oftentimes people confuse something that looks like improvisation for what is actually a very well-written script that is well-acted.
Ray would be in trouble, he would get drunk, he would try and kill J.R on three different occasions, he would make mistakes with financial affairs, and have various human problems, but he didn't have any mean bones in his body! That was a little bit of what the show was about.
Throughout my whole life, as a performer, I've never played with a band. I've always played alone, so I was never required to stay in rhythm or anything. So it was a real different experience for me to start playing with a band. There were so many basic things for me to learn.
I had loved magic tricks from the time I was six or seven. I bought books on magic. I did magic acts for my parents and their friends. I was aiming for show business from early days, and magic was the poor man's way of getting in: you buy a trick for $2, and you've got an act.
You're in there, you're having a match, and you're feeding off that crowd. That's the gasoline that fuels the match, and that's how you make your decisions. If you're not listening to that crowd when you're working, you're missing the biggest part of what working is all about.
If 'Chicago Fire' goes for a long run, maybe I'll look for a place, but in my line of work, you can't throw your eggs into one basket because you might have to move. I'm not big on 'things,' though, so I don't own TVs, couches or cars because I wouldn't know where to put them.
The people I meet on the street satisfy my need to make contact with the fans. I love to meet them and I never say no to pictures. If an actor sees that as a curse, I think they need to go and be a roofer for a while. Or try out being a garbage man and seeing how they like it.
One of the things that I'd like to get back to that I did as a younger actor was to work on, you know, a rep season for a summer where you did two or three Shakespeares, and you'd do a couple of either new plays or classic plays, and you did a different one almost every night.
Out of 30 years of Second City I was probably the third African-American with the main stage cast. I was surprised when I first heard that. I think part of the reason that improvisation has never been popular with African-Americans is that it isn't popular in the inner cities.
I've only three times in my career felt I absolutely had to play a part and the first two I got close and was vetoed - by the same person actually. So when 'Strike' came along I had no qualms about signing on for something I was potentially still going to be doing in 10 years.
A story has the opportunity to enlighten us, because as we connect the extraordinary moments on film with the ordinary moments of our lives, we ask ourselves, "What am I going to do the next time I'm scared? What would it be like to say goodbye to my family for the last time?"
As a young man, even if I was going to see a play or a film by myself, I didn't feel like I was alone. There was something that was unfolding up there that brought me into it. And I recognised that. For those two hours, it made me feel like I belonged to something really good.
I don't ask for much. I don't ask to be rich, and I don't ask to be famous, and I don't ask to play center field for the New York Yankees. I just want to get married and have a wife, and a house, and I want to have a kid, and I want to go see him be a tooth in the school play!
I don't know anything about god except that it's not me. So, somewhere between that acceptance and doing my homework and being competitive and having ambition and loving my job and observing and reflecting my society, that's where I find the purpose. Because man needs purpose.
The quality of one's emotional life changes over the years, doesn't it? But the basic instincts and desires, greed and hope, seem to remain constant. In the larger scope of things, there's a sense of fulfillment to living a creative life. So I guess that's what keeps me going.
The world can make an actor feel overly important. What I do isn't hard work. It's not ditch digging - which I have done, for one summer. Of course there are times when your fuel tank's low, but even on the hardest days, you are on a film set. You are doing something creative.
What I've been able to do with my character, Madea, and the other characters, with the jokes, is use it as an anesthetic to get to the heart and soul of real issues. And what I've found on stage over the years is that, while making people laugh, I can drop in pearls of wisdom.
In December of 2002, the late Richard Corliss, a respected movie critic with a long and illustrious career, wrote an embarrassing letter of support for the invasion and occupation of Iraq and Afghanistan in the guise of a Time magazine review of Peter Jackson's The Two Towers.
I was walking around with the babies so much that when I got to the Sidney Lumet picture, I would be on set in between takes and I'd be rocking back and forth. Just standing like this rocking back and forth, and Sidney would say, Why are you walking like that in between takes?
When somebody is talking to you about something terrible on set with lines, and you believe what he says, sometimes it gives a strange vibe, because you wonder when that person is talking if he's talking about something that really happened to him and he's using the character.
The central idea of love is not even a relationship commitment, the first thing is a personal commitment to be the best version of yourself with or without that person that you're with. You have to every single day-mind, body, and spirit-wake up with a commitment to be better.
The separation of talent and skill is one of the largest misconceptions in modern society. Talent is something you born with, but skill can only be attained through Hours and Hours of hard work perfecting your talent as a craft. Which is why Talent will fail you without skill.