Quotes of All Topics . Occasions . Authors
Playing an icon [superman], you don't try to be an icon because that defeats the purpose. The responsibility attached is enormous, and the realization that it actually really, really matters meant that I wanted to put the most amount of work into representing the character properly.
We're all human beings. Experience is experience, let's just be honest. Let's not try and dissect suffering into a race, or whatever you want to call it. We're all human beings, one way or another. All races have gone through times that are challenging; that's part of being a human.
I'm determined not to lose my name. It's who I am. It has neither aided my progress nor hampered it. It's just who I am. My character. My make-up. My culture and heritage is a very rich one. So what if it's difficult for people to pronounce? We all learned how to say Schwarzenegger.
I worry from the moment I take a job. I worry about how I'm going to do it, if I can do it... Then I walk on set and the director says, 'Roll', and all of a sudden, all of it disappears and it's all happening, and I relax, and I'm doing what I do, and I'm not even thinking about it.
Stigma hurts. Because of AIDS, children are bullied, isolated and shut out of school. They are missing out on education. They are missing out on medicines. Children are missing your love, care and protection. Join me. And become a stigma buster. UNITE FOR CHILDREN UNITE AGAINST AIDS
I teach that the foundation for our practice is being able to go inward and disconnect from the busyness of our thoughts, that focusing the mind on bodily sensations and breath will ground us in the present moment. Yoga is about realizing who you really are, aside from your persona.
I was surprised by how much of it I was in [Tron: Legacy]. I thought the character was just going to register as a smaller figure because most of what I did was with a body double, and then I would do the stand-in with Jeff [Bridges] and he would be just wearing his regular clothes.
I feel like because I've done more gay characters, gay scenes, or gay projects than most straight actors, people see it as some sort of mission. It's more of a case-by-case basis, and just trying to capture figures that I love. I guess that a lot of the figures that I love were gay.
When we put music on, he kind of kicks in the belly, and it's cool to see how he's not even born yet, but he's already responding to the music. When I talk to him, he kicks as well. It's a very deep connection that I have with my son already and he's not even born. So I'm loving it.
There's not a lot of room anymore for what I call 'made-up' drama. The drama comes from real places now - marriage takes work and focus, the kid stuff takes patience and commitment. And if you don't grow as people and as a couple, within all of that, then you've got some real drama.
Theater isn't there to provide answers. Only possibilities. I just ask the questions. But I believe hope comes from the fact that there is a potential for redemption. At the core, that's what matters in the theater I'm attracted to. Do we dare to hope? Do we allow ourselves to hope?
Where is the boundary between your thoughts and feelings and my thoughts and feelings? Where does it end - the outer layer of epidermis? If you look at the body as energy - not matter - maybe there's a possibility we as human beings are more connected to one another than we realize.
Growing up, it was uncool to admit that your family had any money. And then, instantly, money was cool. In Reagan's parlance, it was about freedom of the individual, which was freedom to be greedy... individual versus society. There was a weird seduction in that, which I still feel.
You know, I like playing music and playing guitar, and I like to draw, so I thought I would end up just probably barely making a living, or probably having to have some other job, but being involved in one of those things that I really like to do. But that didn't work out like that.
The perfect gadget would somehow allow me to fly. Isn't that what everybody wants? It would also cook a damn good microwave pizza. So while in flight you had something to eat - an in-flight meal. Where would I go? Well, nowadays, it would probably just take me to work a lot quicker.
My father was a man of the theater. I grew up in a theater family. As a young man, as a boy, I gypsied around with my siblings and my parents to, like, eight different towns, went to eight different schools. All those things were extremely formative, and I think that's what happens.
Of course, I had a crush on Princess Leia. I really wanted to ask her out, back to my place, or something. But at the time, I was living in a squat on Fitzroy Road in Primrose Hill. It was pretty derelict. So what was I going do? Ask her to come back with me and watch me catch mice?
[ Oval House] director, Peter Oliver, gave you the right to fail. He had a philosophy that came from Winston Churchill that you go from failure to failure with enthusiasm. So Peter gave us a go and that's how Ray [Hassett] and I ended up starting Sal's Meat Market at the Oval House.
When I was coming up, everybody wanted to be Tom Hanks. There was always Robert De Niro and Al Pacino - they were the heavily dramatic stuff. I always had a foot in both camps. The hardest thing was to resist the advice to be like someone else. It took me a while to figure that out.
One of the greatest pieces of advice I've ever gotten in my life was from my mom. When I was a little kid there was a kid who was bugging me at school and she said "Okay, I'm gonna tell you what to do. If the kid's bugging you and puts his hands on you; you pick up the nearest rock.
Everyone has a unique perspective and that's valid. Everyone's perspective is valid. That doesn't mean that everyone has the same degree of skill level as an entertainer, but skill isn't the only important thing. It's also what kind of perspective and feelings you're bringing to it.
I'm not a masochistic reader. If something is just too dense or not enjoyable, even though I'm told it should be good for me, I'll put it down. That said, most of what I read would be considered high-end or good for you, I suppose. But, I also think that reading should be enjoyable.
As they were building that library in that school's gym [in the Breakfast Club], they built a rehearsal space for us. It was really an empty room taped out with the same dimensions of the library. And they had the tables all there. And he had us sitting at the same table. All of us.
One of the aspects I like about the film is that there is a kind of emotional, psychological discussion during the storytelling, ... Before taking a drug, go through yourself, experience yourself, all your hopes and fears in your own time. Before the pharmacology, do the psychology.
I have always, or for the most part, identified myself as a biracial person. Much to the chagrin of a lot of African-American people that I meet, because it's almost like there's a betrayal, an intrinsic betrayal: "Don't do that, brotha, we need you. We need you here, in this fold."
Leaving Nickelodeon was definitely an adjustment. Because then, it was back to the real world of, 'Now I'm an adult looking for a job,' as opposed to a kid that's getting introduced to all these people like, 'Look how cute this little kid is. Don't you want to put him on your show?'
If the anti-Christian agenda will say, 'Here's your identity, you're an evolved amoeba who ought to just go do whatever you want and don't let anybody tell you different,' then they can get you to throw your faith, your character, your courage, and your liberty right out the window.
I don't think Othello is a jealous man - he is a man who has been deceived by another person, just as everybody in the play is deceived by that person... The playwright uses the word 'jealousy' over and over and over again, but I don't think it has anything to do with being jealous.
It's interesting in this day and age to do a film about political espionage and wiretapping. I don't think that those types of secrets that J. Edgar Hoover was able to obtain and keep for such a long period of time would be possible in today's world, with the Internet and WikiLeaks.
As a kid, I was going to be a marine biologist or an actor. When I became successful as an actor, I said, 'Well, maybe I can lend a voice to this with an equal passion.' You realize how lucky we are and how destructive we've been and what little regard we have for the natural world.
'The Goonies' is classic. That's, like, the movie I bring with me if I go out of town for a long time, because it just makes me think of the best times I've seen it with my friends growing up. Dude, everybody knows that movie, everybody watches that film. Best family film ever made.
I just have that sort of face and when I got to Hollywood in the late '70s they took one look at me and said, 'Get him a gun. You definitely should be carrying a gun,' and so a lot of it is just the way I look. I look like I'm angry and dangerous, and in fact, I'm loveable and kind.
It's still hard for me to understand, what is to me, the morbid fascination with celebrity. I just want to sing, I want to work on my music, I want to make my movies, that's all I want to do. I understand, you know, the interest but I really don't understand the fascination with it.
I had a van that I customized so I could basically live out of that while I traveled and then I graduated to an Airstream. I've got three Airstreams now and they're all customized different ways. The good thing about those is there's not enough square footage to blow all your money.
If you just read Joseph Campbell, who has written amazing books on mythology and religion, they all do come together at some point. There are some of the greatest stories that there have ever been in the Bible. All you have to do is read the book of Maccabi, it's like a film script.
Film is built for kinetic movement and crash and burn. It's a great tool for spectacles. But if it's not rooted to something a little higher, you're just kicking your butt around the corner. You can only take so much of that. You have to have some sort of foundation to explode from.
I have been acting for over 20 years and I started in the smallest little theater that you can possibly imagine and then I very slowly built myself to this point. So it is never like there is this real sharp change or something that really startled me. It has just been very gradual.
Hopefully, any character I play has an anchor in reality. The more fantastical characters, or fantastical worlds that they inhabit are really fun and allow you, in some ways, to tell stories and reveal things about our lives that would be harder to take, in a more realistic setting.
Film is very much about sitting around and talking about ideas, and that's the stuff that I love, but I haven't experienced that yet in the television that I've done so far. It makes me long for movies again because, creatively, I always have a much more fulfilling experience there.
Fitness has always been a big part of my life, so I train twice a day, every day, as I always have done, but also eating very healthfully. I don't eat sugar, I don't have caffeine, I don't eat wheat - I look after my body outside and inside. It's just a part of who I've always been.
When I was in fourth grade, we were learning vocabulary words, and the word nonconformist came up. The teacher said, "It's somebody who whatever everybody is doing, they do the opposite." I remember raising my hand and saying, "Mrs. Christiansen, I would like to be a nonconformist."
I always say to myself that if I can make a movie that makes a kid smile or gives them some hope or something to get excited about, then I'm applying myself in the best way that I can. I don't think that just goes for kids. I think that it goes for adults, as well, and for families.
I actually enjoy working with green screen, because I can imagine all that stuff happening, and I really cut my teeth on a movie I made called "Adaptation" where I had to imagine four-page dialogue scenes with my twin brother, who was nothing more than a tennis ball and a gas stand.
The director is simply the audience. So the terrible burden of the director is to take the place of that yawning vacuum, to be the audience and to select from what happens during the day which movement shall be a disaster and which a gala night. His job is to preside over accidents.
I'm an ambassador for Best Friends [Animal Society], an incredible organization that's devoted to the welfare of animals - in particular, trying to help make every animal shelter a no-kill shelter. My two dogs were rescues, and I'm a firm believer in finding every dog or cat a home.
We are such spendthrifts with our lives, the trick of living is to slip on and off the planet with the least fuss you can muster. I’m not running for sainthood. I just happen to think that in life we need to be a little like the farmer, who puts back into the soil what he takes out.
Growing up, if I had been given any advice - bad or good - I probably wouldn't have been able to act on it regardless. I wasn't shy, but I'd get nervous. I got a little more confident later in high school when I realized I could get girls to pay attention to me by making them laugh.
When I got out of high school I hit the road. I lived like a gypsy. Those were the best times of my life. I was living from club to club not knowing where my next meal was coming from. No credit cards, no apartment, no bills, no managers, just on the road with a truck and five guys.
In the pioneer West Whitopias, immigration tended to be the dominant social and racial issue. In Forsyth County, Georgia, immigration is still an issue, but because you have that complicated history of the Trail of Tears and slavery and Jim Crow, the Whitopia has a different flavor.
I was eight when I found out I was adopted. My step-brother told me. He'd overheard my mum and my stepdad at the time talking about it, and he threw it in my face. But I didn't really care. It didn't seem relevant, because I never once in my life felt unloved or like I was a burden.