Quotes of All Topics . Occasions . Authors
I was a guy back in the Eighties who was one movie away from a huge career, which at that time didn't happen. In the Nineties, I worked a lot, but it was kind of, 'Get out there and dig and find things.' Then I guess 'The Rookie' and 'Far From Heaven' were referred to as my comeback.
What it taught me was forgiveness. It taught me that when people present themselves in a certain way, there's probably some back story or issue or reason for the way that they are. It's not you. It's them. And a lot of times, its about something that's completely out of their control
It takes great technique, tremendous discipline and energy and practice, and damn few are capable. Art is confidence. Technique makes it possible to achieve artistic greatness, but doesn't guarantee it. The great piano artists are not the ones who are best playing Clementi exercises.
As a working-class actor, leaving school with no qualifications, being a printer and then becoming an actor and then working with people who to a certain extent had had a leg up. I never had that advantage. It's less an artistic need to express myself and more a need to prove myself.
I always at home as a kid tried to move something with your hand and it doesn't move and then you get to do it in a movie. I mean my superpower is quickness but you know what I'm saying. You get a superpower and you're like "Man this is awesome. I get to pretend I have a superpower."
I've learned 90 percent of what I know from watching and listening to actors. A good leading actor is the rock of the show. Their energy and their tone really sets the groundwork for how everything is going to work. I've been lucky to deal with stars who are very giving and generous.
I want a director who can let me feel that he's listening and watching and that he's got me covered. That security is really important for me because sometimes you go into a vulnerable space, and you want to be able to look to somebody because you get insecure: 'Did I do that right?'
I was in a band and it wasn't working out the way I wanted. Then somehow, little by little, I started doing a couple comedy things. All of a sudden I was being asked to do more and more comedy things. There was this message from the world saying, "Maybe you should go this direction."
Children are amazingly adaptable. What would be grotesquely abnormal became my normality in the prisoner of war camps. It became routine for me to line up three times a day to eat lousy food in a noisy mess hall. It became normal for me to go with my father to bathe in a mass shower.
The weirdest request I got was for a picture of me naked with nothing on but my cowboy boots. Needless to say, she went home empty-handed. I have, however, on several occasions, strolled around my apartment in nothing but my cowboy boots. There was just no one there to take pictures.
Willow [Smith] started making music first. I was like, "My younger sister is, like, 4, and she's making all these fire songs. What's happening?" Willow was doing all these things, about to have record label deals at like the age of 6, and I was like, "I feel like I'm underachieving."
I've played my fair share of unpleasant character, and I have to tell you that you sleep better when you're playing fun characters. You think you don't take it home with you, at the end of the filming day, but subconsciously, there's something floating around in the background there.
I felt, implicitly, or not so implicitly, that subjects about women and other races were out of my jurisdiction as a creator. That if I moved too far from my own experience, and my own established identity, I would be criticized for taking even more of those wedding pies from others.
Maybe they'll start making serialized movies. I watched the first couple seasons of '24' and it's really fun. I bought the DVD and watched it over a month or so and it's great. It's like reading a novel. It has a lot of possibilities that are more difficult to accomplish with a film.
I think there's a fear of disconnect sometimes; communication is a huge issue for all of us, from adults to kids, as far as our face-to-face time and our ability to interact with each other without isolating itself to a phone. I think that has to be something that's very challenging.
Well, acting itself is a form of rebellion, always. Getting up there in front of people, telling stories - you're kind of going against the grain to begin with, wanting to do that, don't you think? Why else would you do it? Except maybe as kind of a way to affirm your very existence.
The first acting thing I ever did was my senior year I decided not to play a sport in the Spring and, in that Spring B.J. Novak who went to school with me, asked if I'd be in this show that was a parody of all the teachers in the school, 'sure!' That was the first acting thing I did.
It's a great wake-up call for our entire industry: What movies are we making? What storytellers are we allowing to tell the stories? What people are we allowing to be cast in those stories? I think we need newer stories, and more people given the opportunity to do anything they want.
I won two Golden Globes, and there was a long, long period in between the wins. That might be explained by the fact that when I first won the award, for '3rd Rock on the Sun,' I satirically compared aliens on the show to the Foreign Press Association. And they did not take that well.
I've gotten away with a lot in my life. The older you get the more you realize you're not getting away with it, it's taking its toll somewhere. So you try not to put yourself in those situations. Part of the mysterious process called growing up. Some people do that better than others
Doesn't make a difference who you're auditioning for; whatever it is, you have an audience, and you have a role, and you have the opportunity to perform that role the best you can for this audience. If you look at it like that, it doesn't make a difference if you get the part or not.
I think what qualitiy make for good directors is being able to articulate what you want; it can cause problems with a lack of communication. I'm not an actor who requires much talking to a director, I don't want to sit down and discuss a scene for hours and hours; that would bore me.
I went to UGA for a quarter. One quarter of my extended university life. I enjoyed it. UGA was a blast. I crashed all the frat parties, dressing like a frat boy, acting like I was one of them. I had too much fun. So I had a good time for the quarter that I was a Bulldog. Go Bulldogs!
I went to church every Sunday...I understood Christmas and what Easter was about. I understood the persecution of Christ, the crucifixion of Christ, the Resurrection of Christ. I understood all that but I have to say that beyond that...for me, my knowledge after that was quite vague.
What I dislike about movie culture is that it often presents a parable of our problems - but the issues are all straightforward and the people are either nice or they're not. In real life, everyone falls between those perimeters, but not many American films operate in that grey area.
In 2006 or something, I was recording the voices for this short, 'The Real Animated Adventures of Doc and Mharti.' I was having fun doing these really crappy Doc Brown and Marty McFly impressions. During the middle of a line, a burp came out naturally. It was just so funny and gross.
Gosh, I think faith is a wonderful thing. And I even think religion's a wonderful thing. I know a lot of people want to say, 'Religion's the only reason that man has had any trouble at all,' but you know what? World War I and World War II were not fought because of religious reasons.
When you're big you don't need a reason to sweat. You don't, right? My friends cannot grab a hold of this concept. They come up to me all the time like Jeez! What have you been doing? What are ya jumpin rope in the attic?! Well, I peeled an orange.. about an hour ago. Why, what's up?
I think there's a part of me that might be my alter ago, like the carefree, do-what-he-wants kind of guy, because I've been so restrained most of my life, going to Catholic school and being the good son and the good husband. It's a fun escape route for me sometimes to lead that life.
My mother always, always, always thought that I was going to be famous. Thought that I was going to win Oscars. In fact, I believe I accepted the Oscar as a ketchup bottle many a time in front of my mother in the kitchen. 'I'd like to thank the Academy,' I said with a ketchup bottle.
When I was a kid, all of the parents and grandparents came out of the Depression Era. They were all freezing bread in their freezer, they were covering their sofas with plastic, and they had plastic runners on the floor. There was a great distance between them and anything authentic.
I don't necessarily go out and try to do something that's going to be just something that will please the audience. I'm not interested in doing something where I get the most people to come see the movie at the same time and they get the biggest explosion. I'm not interested in that.
Everybody wants a big crowd. You get amazed sometimes with certain things that millions of people are watching and you go, "Serious?! Really?!" And then, there are things that you really, really enjoy and not a lot of people are watching. It's very, very hard to predict how it works.
I got my Equity card right out of NYU grad school in 2000, doing 'The Great White Hope' at Arena Stage. I played Jack Jefferson. It was an amazing part to walk into, to carry that responsibility for that amount of time. The challenges and the breadth of that role were pretty amazing.
If you live close to an International Rescue Committee office in the United States, find out how you can assist a refugee family as they transition to American life. Invite a newly arrived family to your home for a welcoming meal. Listen to their hopes and dreams, and share your own.
The first world is going to have to account for this sort of horrible poverty in our midst. We have to, first of all, become aware of it. We have to take responsibility for it. And then we have to do something about it for our own freedom, for our own salvation, for our own humanity.
'The Kids Are All Right' is amazing. The performances are insanely good. Julianne Moore is going to wreck you. This is the best I've ever seen her, and I've seen everything she's ever done. I like the story, and I think it's a great alternative to the big summer popcorn blockbusters.
I like the city. I like the concrete. I like big business. I like being a CEO of my own company and having a lot of responsibilities. At the same time, when I can go off with a backpack or off on a surfboard or even off on a run somewhere in the woods - that's where I'm really happy.
I literally have over a thousand emails in my inbox that need to be returned. I'm sure all of my friends and certain family members are like, 'Oh, look who got nominated for an Emmy and doesn't want to write me an email back!' I need a good few hours to just sit and get on the phone.
Voting is a very scary arena to be in, but I do vote. I go in there and pull the lever. It's kind of like pulling the lever and watching the trap door fall out from beneath you. Why should we trust any of these people? None of them ever deliver on anything. It's always disappointing.
You see somebody like me, as young as I was at the time, driving around the inner city of Newark, and to them [police] it doesn't make sense. I've been illegally searched [and had] my car illegally searched. [I've] been handcuffed for no reason. You get in enough of those situations.
To the trolls on the internet, I want to say: Get your head out of the computer. Go outside and walk around. Look at the people walking next to you. Look at your friends' friends and who they're interacting with. And just understand this is the world we live in. It's okay to like it.
If you really want to become an actor, but only providing that acting doesn't interfere with your golf game, political ambitions and your life, you don't want to become an actor. Not only is acting more than a part time job, it's more than a full time job. It's a full time obsession.
I did what I could to keep up the ruse. I was travelling quite a bit, so any opportunity I could, I would travel through Atlanta and stay a day or so. I'd make sure I was 'seen' in some of Atlanta's restaurants. And I dyed my hair the whole time, every two weeks, to keep the haircut.
With the type of actor I am, which includes really diving into a role and making it as real as possible, there's nothing better than working in a real environment on location. It forces you to feel what the character's feeling, and it allows you to live in the space of the character.
Magneto has a whole lot of complexity to him. Emotionally, he's coming from a very damaged place. I like the ambivalence of it. I want the audience leaving the theater wondering, asking the questions themselves rather than being spoon-fed like a lot of these super-villain characters.
I take the medication for myself so I can transact, not for anyone else. But I am aware that it is empowering for people to see what I do and, for the most part, people in the Parkinson's community are just really happy that Parkinson's is getting mentioned, and not in a pitying way.
If I were God, I would just be up there scratching my head, thinking, 'What the hell am I supposed to do with this?' For everyone helping an old lady across the street, there's someone else bludgeoning a person to death. And sometimes they're the same. How can He separate us all out?
I want to focus on each scene. I'm a real perfectionist, and I don't want to feel like I didn't consider every possible variation of a scene. I come from a theater background, so I'm used to a lot of repetition, and I'm used to really attacking something over and over and over again.
But that was my very first time on a set and they said, you know, you have to stand on a mark. That little piece of tape that you stand on is called a mark. I kept correcting them and telling them that my name was Michael and not Mark. They said, 'No, no honey.' I was a little green.