Quotes of All Topics . Occasions . Authors
I have been reluctant to lobby on other issues I most care about - nuclear weapons (against), religion (atheist), capital punishment (anti), AIDS (fund-raiser) because I don't want to be forever spouting, diluting the impact of addressing my most urgent concern - legal and social equality for gay people worldwide.
Leg day is my favorite day. You can't have a thorough leg workout without feeling completely spent. It's a challenge, but the benefits of maintain muscle mass on my legs is important because, as the biggest muscle group in the body, it also helps me keep the proper body composition in terms of fat to muscle ratio.
On a personal note, myself, I find religion - I can understand it, I can understand why we have it, as a kind of force on the planet. And I also at the same time think it's ludicrous. My Latin education teaches me that religion comes from religio, which means, "to bind." To bind with rope. And that's all it means.
I don't consider myself to be incredibly confident, or really lacking in confidence. When you're on Jonathan Ross' or Graham Norton's show, inevitably there's something to sell. And there's a live audience; you're sat between Cameron Diaz and Tinie Tempah - I don't really see it as 'me.' It would be odd if it was.
Every film you work on is different, and that's part of what it's like for anybody who works on a film, is to learn how to work with others. Learn from top to bottom. Actors have to learn how to work with the director and the director has to learn how to work with actors, and that's not just those two departments.
Acting is definitely an incredible pursuit, but on the other side, it's a business, and learning where art meets business was a huge lesson for me. The more you can wrap your mind around that idea - that yes, this is my art, but it's tied into business - the more it helps you understand and move past the failures.
Quentin Tarantino is a hip-hop artist. I told him, "You're hip-hop!" You keep seeing surprises, and a clip here and there, because Quentin is hip-hop. A hip-hop artist will drop a single, leak something over here, and drop something over there 'cause he knows it's hot. He's on the spot with the way he does things.
Quentin Tarantino is a hip-hop artist. I told him, 'You're hip-hop!' You keep seeing surprises, and a clip here and there, because Quentin is hip-hop. A hip-hop artist will drop a single, leak something over here, and drop something over there 'cause he knows it's hot. He's on the spot with the way he does things.
I think that's as far as you have to think, everything happens as a coincidence. It either happens or it doesn't. It's hard to map out a strategic plan by saying, 'If I do that, that's going to get me to the next level.' I think that's the wrong way to go into movies as an actor. It doesn't happen for me that way.
I don't have too many plans filled out. I know I want to keep doing more music. I've got a couple of albums worth of songs I'd like to put it out there. As far as movies, I just want to continue how I've been doing it: working with terrific people is certainly on my agenda, and then doing stories that interest me.
And that's one thing that helps me is I learn it blandly, vanilla, then I don't try to act it too soon because you start to act it, and you kind of go away from what the next sentence is, what the next paragraph is. So get it down so it kind of can - it's in there so you can then, as I call it, dance on top of it.
When I was younger, I read a book by Frank Barnaby, this wonderful nuclear physicist - he said that media had a responsibility, that all sectors of society had a responsibility to try and progress things and move things forward. And that fascinated me, because I'd been messing around with a camera most of my life.
There’s something strange about theater. My characters consistently demonize elitism, but of course it’s taking place in a theater where only so many people can see it. I’ve been in silly popcorn movies - the kind of thing that as an actor you might feel embarrassed about - but those movies reach many more people.
There's something strange about theater. My characters consistently demonize elitism, but of course it's taking place in a theater where only so many people can see it. I've been in silly popcorn movies - the kind of thing that as an actor you might feel embarrassed about - but those movies reach many more people.
I had to get the voice back, the precise pitch of Sid's voice and I'd forgotten that I'd pitched him higher than my regular voice, so that was a little difficult to begin with. It was especially hard because we started recording in the morning so I had to warm up a lot and my usual voice is a little more gravelly.
The first play I did was 'Philadelphia Here I Come.' Can you imagine that? I am 37 years old I am doing my second professional play and I am on stage with John Malkovich. Joan Allen, Laurie Metcalf and Gary Sinise. One huge name after another. I was terrified and petrified, could hardly get a word out of my mouth.
'Ray Donovan' was all fiction and pure fun, to be working with such greats as Liev Schreiber and Jon Voight. My character was recurring, but my storyline was intricate to the whole thing. With the character that I played, I got to go through all aspects of my instrument. I got to bring it to tears and to laughter.
People ask me all the time, 'Are you fed up with reality TV?' At the end of the day, it can affect my career in the sense that the more reality shows there are, the less scripted dramas out there, but I can't ever really knock them. I started on 'Popstars,' which was a reality talent show. I have respect for them.
There's no regret. You can't regret. I mean, I've felt regret but I've also refused to allow regret to sow a seed and live in me because I don't believe it. You feel it, it's like guilt, it's like jealousy, it's like all those horrible things. You've just got to snip them and get them out, because they're no good.
I know I have this level of celebrity, of fame, international, national, whatever you want to call it, but it's a pretty surreal thing to think sometimes that you're in the middle of another famous person's life and you think to yourself, 'How the hell did I get famous? What is this some weird club that we're in?'
I was born in St. Louis; I lived there for three weeks and then my father graduated from St. Louis University, so we all got in the car and split. I don't really remember much. I grew up in Connecticut most of my life and then four years in Germany. My father worked for a helicopter company, so we went over there.
I've had a chance to really stretch and do a lot of different genres. When I started acting, my whole focus and intention was to work as a stage actor in a company where you're asked to different roles - do a comedy, do a tragedy, etc. I haven't had any reservations about jumping from one type of genre to another.
I think about myself as like an ocean liner that's been going full speed for a long distance, and the captain pulls the throttle back all the way to 'stop,' but the ship doesn't stop immediately, does it? It has its own momentum and it keeps on going, and I'm very flattered that people are still finding me useful.
I don't get the jitters and I don't get nervous, because I build that comfort on set for myself. Sometimes if I'm gonna do something really crazy, it helps me to yell or look like an idiot on set, so that when I'm about to do a scene, I've already embarrassed myself. I find ways to work around getting the jitters.
Considering the 'Tomorrow People' are supposed to be the next step in human evolution, I think it's a fascinating idea that they can't kill. They've evolved in all these other ways, and they have these special abilities, but they can't kill. It's a very interesting concept. I really like it. I like the idea of it.
I never lost my faith...But like all modern Catholics, I felt for a time that I had outgrown the church. Now it is a bone of contention in my soul that I did not share my faith with my kids, as my parents did with me. It was a source of grace when I needed it. I have been greatly nurtured and inspired by my faith.
Obviously all religions get corrupted by man. The initial ideas are interesting but once they get organized they seem to become about politics and other things and they get misinterpreted. . . . Have faith but do the work. Live your life right. Dont expect things to happen. Thats why Im put off by magical realism.
Each of the films, whether it’s Magic Mike or Dallas Buyers Club, was a challenge for me. I had to dig deeper. Also, my decision to shake things up came after my first child was born. I had taken nearly two years off and I thought that I would enjoy my time as a dad and wait until something interesting came along.
Nobody told me there was any idea for a sequel to 'The Exorcist.' But my agent called me to tell me they were going to do it, and there was a part for me. I said, 'But I died in the first film.' 'Well,' he told me, 'this is from the early days of Father Merrin's life.' I told him I just didn't want to do it again.
I do get cast in the same role a lot, but the truth is, I just want longevity. The thing is, I'd rather be stuck in a stereotype than be nowhere. The whole typecasting thing started because of 'Reservoir Dogs.' And I did a bunch of other films like 'Wyatt Earp' and 'Free Willy,' but no one seems to remember those.
I'm one of those people that thinks the world changes in smaller and in more mysterious ways than a lot of people like to think. A lot of traditional charities and organizations do things that on the surface seem like a good idea, but it doesn't change the way that people think about interacting with other people.
My guiltiest pleasure? 'Untamed & Uncut'. Videos of people being attacked by animals. Yeah. I don't know why. I just love seeing guys who say, 'I'm gonna stick my hand in that crocodile's mouth and see what happens.' And then it snaps down on them. There you go - that's what you get! It's a wild animal, my friend.
You do come to a point where you can get your life in control a bit. But going through life, you discover these deep, dark things in yourself that you can’t run away from, so you have to learn to embrace them. I mean, the difference between a murderer and myself is only that I choose not to do it. But I’m capable.
Without mentioning any names, I looked at pretty much every story that may come to your mind about a politician on the rise who was stopped short or dragged down by personal flaws and then became just a media storm. I see this as a thing that continues to happen in America and I wanted to say something about that.
Frank Marshall is very level headed and wonderful to work with. He he has a resume that is probably twelve miles long. As a human being he is so unassuming and is also consistent and so nice to everyone, he treats everyone on the set with great respect, it doesn't matter who they are and that says a lot about him.
Greatest American Hero, I really dug that as a kid, because it had an alienation to it, where he was given a gift and didn't know why, and yet he was forced to do something with it and he was very much an out-of-place character who was trying to cope with his own surroundings, and I can kind of relate to that guy.
When I was a little kid, it was not uncommon for a cousin or an uncle, before they would even say 'Hello,' to gush, 'You know, your mother's brisket is just incredible; it's so good.' That was an inspiration for creating a love song in that well-worn terrain of the relationship between a Jewish boy and his mother.
Quincy [Jones] is one of the greatest world figures, of all-time. I mean he's up there with Muhammad Ali, as far as I'm concerned. His humanitarian work, his contribution to the world and music - he's really an amazing man. Even political divides don't affect his humanity. So, to me, that was extremely meaningful.
The meter is ticking [particularly in the face of climate change], so you've got to get to as much as you can as fast as you can. I grew up with 'This Land Is Our Land,' and public land doesn't belong to that administration or this one. We want our kids to grow up with real natural places, not just photos of them.
When movies work or a TV series, when they really work, it's because of the collaborative effort. Competition is the death knell for anything, in my opinion. Especially in Hollywood. When actors are competing against each other, or when directors are competing against actors, it's usually the beginning of the end.
Definitely as an actor, the experience you have, at least I'm talking for me, my experience as an actor is you go to the set and know what you're going to do, know your lines, you rehearse, you do your scene, you go back home. As a producer, for the first time I saw the whole picture in a completely different way.
I've known Emma Watson since she was 9, we've watched each other grow up, formed this sort of brother/sister bond, and suddenly I'm leaning in to kiss her. Well, it felt completely wrong... but, you know, you try to sink into the character and divorce yourself from it. We ended up laughing hysterically afterwards.
I really feel like if they'd have let me just pace in the back of the classroom while the teacher was talking, I'd have done much better. I have to move. But you know, that's disruptive for the class, and as a result, there was a ripple effect of having to sit still that found its way into every aspect of my life.
A clearer and more conventional narrative would have helped the film without, in my opinion, lessening its beauty and its impact. Frankly, I'm still trying to figure out what I'm doing there and what I was supposed to add in that context! What's more, Terry Malick himself never managed to explain it to me clearly.
I grew up surfing on the north coast of New South Wales, and on most of the beaches, women never wore tops. When we were 10 or 11, me and my mates couldn't drive, so they'd take us surfing and then sit on the beach topless and read a book. I don't know if I quite saw them sexually, but there was physical intrigue.
You can count on one hand the white rappers that have made it. So I just wanted to show the point of view of an actor in Hollywood, because what could be more soft than that. Rapping about auditions and acting and stuff. I thought it was just uncharted territory to clown on, so that pushed through with Dirt Nasty.
Researching real people and doing them, I think, is harder than anything else. You don't want to do a caricature of them and you don't want to do an impression. You just want to do the best you can, in terms of presenting their views and a general impression of the guy. That's the hardest thing to do, real people.
I was 18 when I did 'The Amanda Show,' and I was 19 when I did 'MadTV,' and I was in way over my head. I was just sort of a goof who could do impressions of WB stars - speaking of the Dawson Van Der Beek era - and it was overwhelming. I don't think I've learned more faster in my life than when I worked on 'MadTV.'
I have, like, two and a half years of failed jokes that I know I wouldn't repeat, but I certainly have no comprehension of what definitely works. And the only gauge that I can go by is, 'This makes me laugh,' and is joyful... I like to, if possible, do things that people can enjoy and it doesn't take anybody down.
People's instinct when they hear someone is madly obsessed with Star Wars or Harry Potter or something like that, they think that it's odd and not as cool as being a massive sports fan or film nerd. But I think it's amazing and something that should be celebrated and definitely not looked down on or misunderstood.