Quotes of All Topics . Occasions . Authors
Working with Robin Williams, what can you say? He's the best of the best. What I really liked watching was, not only is he incredible funny, probably the funniest person on Earth which is a tough award to give out, but to see what it really takes to be a huge star is way beyond a good partner being extremely funny.
t is for me because I needed to do this. I really think actors shouldn't act unless they really need it in their lives. I think it has to be something that is so much a part of your chemistry, such a passion, that you can't live without it. You should not do it just because you are seeking fame or want to get rich.
Things go wrong for me, all the time, with technology. I'm not familiar enough with it, and I'm too old school a brain to be able to figure it out. I'm dumb. Anything that I have to attack with my thumbs, for any period of time, makes me feel stupid. So, I try to avoid it, as much as possible, to protect my thumbs.
I like films, I like movies, I like playing different characters and working with different actors, and filming in different places. I like movies, because it's kind of a combination of every art, it's like it's picture, it's story, it's music, it's kind of like a clash and a collide of every art. It's really neat.
I went to acting school with Mario Van Peebles. For a little while, he was at the same school. So he asked me if I wanted to do [ New Jack City]. He said, "There's not really a role. We'll figure something out. But would you like to?" And I was like, "Sure." 'Cause he said it was Chris Rock and Ice T's first movie.
I shot a pilot for ABC, which I'm a bit confused about what the actual title is - I heard it was called 'Chosen.' It's directed by Roland Emmerich - the master of disaster himself - and it's his idea and concept for the show that's a supernatural thriller about good and evil set in contemporary modern day New York.
I did a lot of things that I regretted and I certainly paid for my mistakes. You have to go and ask for forgiveness and it wasn't until I really started doing good and doing right, by other people as well as myself, that I really started to feel that guilt go away. So I don't have a problem going to sleep at night.
Part of the American ethos is that you want to leave something better for your kids than you had and I know that my parents felt that way and I know that my grandparents felt that way and everybody worked hard so that their kids had a better chance. I just don't want to be the first generation that doesn't do that.
Sometimes family doesn't always consist of your relatives or by blood. Sometimes your best friends can feel more like family than your cousins. I think everybody kind of has that same feeling. When you go through an accident together, when you go through a traumatic event, sometimes that brings you closer together.
People used to say, "Oh, I like SNL show, it's funny." And this 2017 season, people were saying, "Oh, I love the show, I needed it, thank you." It started towards the end of last year, when the Primary started to heat up. I remember in the summertime people were excited for it, talking about SNL in July and August.
I'd be totally exhausted by mid-afternoon, and I could barely climb the stairs at home. It was particularly alarming because all my life I'd enjoyed doing all my own stunts in shows, taking on every physical challenge. Yet suddenly, I'd become like a very old man. I knew something was wrong, but I had no idea what.
With 'Black Rain,' I spent a lot of time with homicide detectives, and I spent a lot of time with different brokers on 'Wall Street.' It helps get the rhythm of the piece and the tone, and how overplayed or underplayed it might be. That's also the magic of movies: You get to hang out and live these different lives.
I would say that the fan support validated my choices as an actor and... the work ethic and the amount of work that went into that character day in and day out. I think the fan support really validates that and all of the cast and crew that worked really hard to make the world of 'Almost Human' look the way it did.
I see film roles as lovely presents that come along now and again. I feel really lucky and say thank you very much. And if they fly me to L.A., I think, 'God, I must really be doing well.' I've worked with De Niro and Brando and Pacino, and that's made me feel very lucky. But the films have never meant a lot to me.
I find as long as I acknowledge the truth of something, then that's it. I know what it is and then I can operate. But if I overestimate the downside of something or the challenge of something and I get too obsessed about the difficulty of it, then I don't leave enough room to be open to the upside, the possibility.
The black community wants to buy things and want to see themselves portrayed in a certain way. And if they don't like what they see, then they won't spend their money. Everyone's not gonna always relate to Captain America; everyone is not going to always relate to Thor. A lot of characters just don't speak to them.
Rather than ignore those who choose to publish their opinions without actually talking to me, I am happy to dispel any rumors or misconceptions and am quite proud to say that I am a very content gay man living my life to the fullest and feel most fortunate to be working with wonderful people in the business I love.
I wish the world could better know this country for what it really is. Not just a greedy economic giant crouching fearfully behind its walls, not just a panoplied warrior nervously fingering his weapons. What is this, is a people who gather together in thousands to give a people's government its essential vitality.
Three times a year, there's Strategicon convention, and I go for the board games. It happens Presidents Day, Labor Day, and Memorial Day weekends. You go and take a look at the new board games and meet a couple of board game designers, and you can check out games you don't own from the library and then return them.
I always go back to how people behave. If you watch how people actually behave in a situation, it's very simple and honest and contained. You don't need to use as much expression, as much feeling. Some characters will boil over, and that's another thing, but a lot of times I think you can just do very, very little.
I did a lot of research on villains, and guys who start behaving nefariously didn't start out as bad people. My research indicates that all of these people were scorned and hurt by love. Darth Vader didn't start off as a bad guy. He was a good guy. Only when Natalie Portman betrayed him, did he go to the dark side.
I think people were not expecting us [with Robert Ben Garant] to, they were just like, "Well here come the writers," but we both were coming out of a sketch comedy background, so when we pitch a movie, we play every character in the film. You act it out, you perform it - you do a 10-minute performance of the movie.
My friend's granddad died of prostate cancer and it had a profound effect on me. So when I was presented with the opportunity to speak out, I had to take it. This is a life threatening issue for men; it happens every day. The more you know, the better your chances are of dealing with it if the worst were to happen.
If someone's intimidated by me, that's something they have to deal with. When I walk down the streets of New York and an old woman grabs her purse when I pass by, I'm not going to give it a whole lot of energy because I'm not in the wrong. I'm a millionaire, and I'm not thinking about grabbing an old woman's purse.
People look at stuff like 'Godzilla' and 'Avengers' and think I only do blockbusters, or however you wanna put it, but in reality, I can make double or triple what I got paid for 'Avengers' by doing other stuff - there are other options, but I don't want to work with this person or that person, and so I don't do it.
My wish list is pretty short. I wish that we had empathy. As a society, we are so wrapped up in our own artificial creations that we have become disconnected from one another and the wonder of our natural world. I truly believe that empathy is the key to solving the majority of our environmental and social problems.
It's nice to have a few names. I use a few names myself. I use a few different surnames. I call myself James sometimes. I actually use my mother's name as a professional name. But if someone calls me Mr. Murphy or Mr. Gillen, I don't like that. I don't like being called 'mister,' and I don't like being called 'sir.'
The first time I played a killer, in the 1997 film 'Mojo,' I went to my local video shop and got out a video of real executions and a history of the Third Reich. The guy in the shop was giving me a look. I thought this would help, but I don't think it made any difference, and I don't want to see any more executions.
If I play a video game, I have to get through the whole thing. Like, when the new 'Resident Evil' comes out, I have to sit and do the whole thing. It will consume my life. I'm at a point where I don't have much time to play around anymore, so I don't really get started on the games if I won't be able to finish them.
I had creative control over my character, which means if they wanted me to do something that I didn't agree with, then I wouldn't do it. If it was good for the show, then I had no problem. If it was demeaning to the character and wasn't adding a positive light to the show, then I can guarantee that I wouldn't do it.
I started 'SNL,' and I became the one who did impressions. I did that, but then I wanted to get an original character on, and that took a long time to get one on that stuck. And then I got Vinny Vedecci on - 'Oh great' - and then it took a couple more seasons to get Greg the Alien on. You have to have some patience.
Whoo-hoo-hoo, look who knows so much. It just so happens that your friend here is only MOSTLY dead. There's a big difference between mostly dead and all dead. Mostly dead is slightly alive. With all dead, well, with all dead there's usually only one thing you can do. Go through his clothes and look for loose change.
In the work of the greatest geniuses, humble beginnings will reveal themselves somewhere, but one cannot trace the slightest sign of them in Shakespeare ... I am not concerned with who wrote the works of Shakespeare ... but I can hardly think it was the Stratford boy. Whoever wrote them had an aristocratic attitude.
Obviously, comedy, or art in general, or television, or whatever you want to call it's all subjective. But I do like to know what people are thinking. I don't know how long I'll keep doing that. As it goes on and on, I might become more fearful of it. For the time being, I'm not opposed to reading what people write.
For me, obviously anything that reduces the amount of acting required and makes the process more of an experience, rather than having to synthesize, is incredibly helpful. There were definitely some hardships and some challenges, but eventually all of those hardships and challenges had a positive effect on the work.
I collect... for a long time, I collected Nike Air Max 90s, this specific shoe. And it really is nerdy, because collecting sneakers is not that nerdy, but if you don't wear them, and you keep the box fresh, if you're that fanatical about it, then you leap several categories into super-dork, and that's the way I was.
I was painfully shy, so my aunt suggested to my mum that me and my brother go to Stage 84, a performing arts school in Yorkshire. I've probably romanticised it in my head, but I seem to remember that in the space of an hour's drama workshop, I was transformed. I went in really shy, and I came out full of confidence.
'Heathers' was probably the first time when I started to notice that people were opening doors for me and giving me tables at restaurants, regardless of what I was wearing. A whole world opened up to me that was shocking and weird and different, and I enjoyed it, and, you know, I took great advantage of it at times.
I used to sneak up to the 8th floor and watch Eddie Murphy and Joe Piscopo rehearsing 'Saturday Night Live' and could only wonder if I would ever have the chance to be funny. It took me five years to go up the two stories, but it is such a sense of fulfillment to be able to show what I can do on national television.
What President of the Airline is doing is, he's urging everyone to give up their frequent flyer miles for sick kids... But as I was reading this, there were two empty seats next to me. Why can't sick kids sit there? If they're so concerned with sick kids, shouldn't they have like a pen of sick kids next to the gate?
I'm very fortunate. I loved school and, when I went there, race, gangs and violence were not issues. There was a feeling, gone now, that you had to be presentable. If you hadn't combed your hair, older black ladies - complete strangers - would come up to you in the street and pull out a comb and straighten your tie.
I was in a number of school plays, one in particular, when I was 13 or 14, entitled 'Illusions.' It was put together by one of the teachers, and was about famous historical figures. I had to do the Martin Luther King 'I have a dream' speech, and some black women in the audience were clapping and crying and whooping.
I didn't want to be a victim of my own message [in Trust film]. I didn't want to take advantage of a 14-year-old actor. I didn't want there to be any nudity, or any real overt violence. I think it's more terrifying that there is no violence, in that moment. There's control and there's power, but there's no violence.
I don't think I have ever done anything for this age of children before, a pre-school audience. Generally speaking, we don't have vivid memories of that age and what influenced us, yet clearly they are hugely formative years and it's really important that we can create television of a high quality for that audience.
I didn't want to audition the kids so much; I just wanted to talk to them because I like seeing how they are because their mothers usually mess them up with practice. So, I'd rather talk to them and see how they respond. I just throw things at them and see how they can hit the ball back, and Saniyya Sidney was good.
Cats are too independent. They piss me off. They play when they want, and then they turn their back on you. Dogs, you throw the ball, and they bring it back, tongue hanging out, tail wagging. Cats are like "Not right now, too busy." Definitely a dog man. Except when it comes to cleaning up after them! Cats win that!
A film has a beginning, middle, and an end. There is a certain amount of time that you have to embody these people. You know the entire story arch. But on TV, you have to let your guard down. You don't know how long the show is going to last. There is this excitement that comes with developing a character long-term.
I won't miss having to stand for two hours at 4:30 a.m. and have freezing cold glue applied to my feet. I won't miss two-hour drives to work or long, long, long days sitting in my trailer waiting...waiting...waiting. I won't miss one day off a week. I won't miss glue in my ears. But I would do it all again tomorrow.
There's a strange sense of accomplishment in making an independent film. Everything's against you; there's no time, and even less money - you bring a bottle of glue, chip in twenty bucks, and hope you all make it through the day. If you manage to finish it and it actually turns out to be pretty good, it's thrilling.
I think a lot of longevity, especially as a performer, depends on kind of what your commodity is. If your commodity is your cuteness and your chubby cheeks and your big gap between your teeth, if that's what your greatest asset is, of course that fails or that changes, you know, that goes away. Of course that fades.