Quotes of All Topics . Occasions . Authors
My goal was always to be working on the biggest stage in the world: Hollywood. Even when I was doing 'The Bill,' I approached the work like it was a Hollywood classic such as 'Training Day' or 'Boyz n the Hood.' So to have worked with some of the greats I've admired, such as Forest Whitaker, Kathy Bates, Cuba Gooding Jr., etc., it warms me.
Economist and Africa expert Collier analyzes why a group of 50 nations, home to the poorest one billion people, are failing. Considering issues such as civil war, dependence on extractive industries, and bad governance, he argues that the strongest industrialized countries must enact a plan to help with international policies and standards.
Obviously we're doing a comedy [Fresh Hell], and our intent is to entertain, but we're also really aware and trying to stay aware of the subtext of what it's like to reach a certain age and be dismissed, basically, from the fraternity you've always wanted to be a part of, and the desperation involved in trying to claw your way back into it.
I don't believe in "average people" doing anything [about the climate]. People outght to support mitigation and adaptation within their own line of work, no matter how un-average that is. I mean: if you're a butcher, baker, ballerina, banker, or a plumber, envision yourself as the post-fossil-fuel version of yourself, and get right after it
Actors aren't all the same. They have very different skills. There are actors of intellect who are very thoughtful about everything they do... and then there are actors of instinct who don't know what they're doing until the cameras roll... My father was actually quite thoughtful about what he did, while my mother was much more instinctual.
I think all jocks have a sensitive side. It's just, will they show it to anybody? Will they let their guard down and stop being tough and the cool jock guy around their friends, or just relax? I don't know if it's best to say opening up, but just relax and really say what you're actually thinking, and not what you think people want to hear.
I've loved Kevin McDonald's movies for a while and it was an amazing experience because he really wanted to do something different. It was by far one of the hardest things I've ever done, to wake up every single day and know that you're going to be freezing cold and wet, every single day, 10 times a day, and there's no getting away from it.
Audiences seem to have a limitless appetite for vampires and for fantasy in general. Unlike many other British actors, I haven't been building up my pension appearing in films like 'The Lord of the Rings' and 'Harry Potter,' but fantasy has now got a grip on me. I am also appearing in 'Game of Thrones' as the head of the House of Lannister.
[President Clinton] boasts about 186,000 people denied firearms under the Brady Law rules. The Brady Law has been in force for three years. In that time, they have prosecuted seven people and put three of them in prison. You know, the President has entertained more felons than that at fundraising coffees in the White House, for Pete's sake.
Roses are red, Violets are blue, No amount of money, Can stop me from loving you, Try as they may, Try as they might, I’m not letting go, Without a fight, Some say it’s wicked, Some say it’s sinful, Some it’s wrong, And just wrong, I don’t know much, But when push comes to shove, I definitely don’t believe, There’s such thing wrong as love.
My medications make me easier to deal with. They don't interfere with my creativity or turn me into a zombie or dull my real personality. They help me connect with people, allow me to stay calm when situations seem overwhelming, and help keep my thoughts from racing out of control. They help me leave the house when I'm scared to. They help.
There's a teacher at the Renzo Gracie Academy in New York named John Danaher. He's leading this whole group of fighters named the Danaher Death Squad, and they're revolutionizing how that world works. I actually went and signed up for classes mostly because, man, if there's innovation like that happening in New York, I want to be around it.
I had always planned when I started directing in 1970 that after a few years I'd get tired of looking at myself on the screen and say: "Hey, let's not do that any more." But then every once in a while something pops up. I'm not saying it won't happen again but probably the odds get less as you set yourself for roles that fit your age group.
I turned down a lot of easier opportunities in order to go for the things that I really and ultimately wanted to do. And what's really nice is that it's starting to work. I've been an actor for coming up on 14 years now and the level of activity that's taking place now is a culmination of a slow cooker approach to as opposed to a microwave.
Pretty much from 1979 through 1988, the backbone of my career was the theater. Working on Broadway a couple of times, working off-Broadway, and also doing a lot of regional theater. Make no mistake, I lived very frugally. I had an apartment that was real cheap. I would get two or three jobs per season, and in between I'd be on unemployment.
I was a big fan of 'Six Feet Under.' So, I got a bootleg copy of the first four episodes on videotape, watched them and was instantly into it. During the first episode, I was like, 'Eh.' By the time I got to the second one, I couldn't watch them fast enough. I got on the phone that night, called Time Warner cable and ordered HBO right then.
The thing that really breeds career longevity in this profession is doing good work. You can make $20 million a movie, but does that mean you'll still have a job when you're 60? It's a profession that eats people up and wants constant turnaround, so you have to dedicate yourself to learning and making the most of whatever gift you may have.
It's important for youth, black youths particularly, to be able to fill in the blanks of themselves so they can know completely who they are, but also all the country to understand what this means: what the civil rights movement does to us as people. It is part of the journey that we must be on in order to become fully evolved human beings.
I was a journalist. I was a drummer. I was everything. I didn't know what the heck I was. But with Jack Paar, the job was very specific - no confusion. You came in each day. You wrote five pages of jokes. You handed the pages in... The pressure was to write five pages of jokes every day. I did it, and I thought, 'This is what I like to do.'
I was really proud to be in that show. I will never forget. I got the script to 'Millie,' and I'm flipping through the script and saying, 'Boy, I have some lines... I have a big song.' I was 25 years old and had never been on Broadway before. I got to the end of the script, and I was really nervous and excited. I realized I had a lot to do.
I had convinced my father to let me pursue this career, and I passionately wanted it. And here was this conflict in me, and I hadn't shared it with my father. And it was excruciating to always have your guard up. Particularly because, being an actor, you're public and visible. I could be seen coming out of a gay bar. Who could have seen me?
I think it's one of the nicest privileges as an actor is to know that you can move people in one moment, make them think about their lives, or make them laugh or make them cry or make them understand something. Or just make them feel something because I think so many of us, including myself, spend too much time not feeling enough, you know?
When Whitney Houston died, I felt great sadness. My sadness, of course, was about our collective loss - when you listened to this nightingale sing, your body would drop into a chair, your head would tilt up, a small smile would creep across your face, and inside you knew that there was a higher power somewhere: gifted, beautiful, spiritual.
Have I ever pretended to be something? I think back in college I think I might have told a girl that I was a professional tennis player once. And then, of course, she had never heard of me so I had to dig deeper. 'I'm just sort of on the playing satellites. You know, I'm kind of working my way up. I'm not ranked in the top 100 or anything.'
People who supported Obama felt like they formed a relationship, that they were being spoken to. The way that campaign worked and the way he's worked during his first term is to make people feel like he's grasping their hand, whether it's by tweeting or email, moments after an event, sometimes during an event. It makes people relate to him.
You know, when you choose to make your living as an actor, it's all fine and good to look at it as some kind of artistic endeavor. At its best, it is that. But the fact is, most of the actors out there don't earn $3 million a picture and can't afford to take two years off between films and look for the right thing. Most of us are tradesmen.
The 'Lone Star' experience was tough at the time, but it really allowed me to look at things from a 3,000-foot high view. You can think something is the greatest thing in the world, but, as we know, anything can happen. It really taught me that I always want to make choices that I believe in artistically. No one can take that away from you.
When you look at Michael Jackson, there's nobody who loves him in that family, nobody. If they did, they'd tell him he didn't have to do all that in order to be famous. All he has to do is keep doing his music and be himself. Michael's been a little touched for about 20 years, but somebody needs to pull him aside and tell him they love him.
I think one of the reasons that we like conspiracy theories is I think that we like to feel like there is a group of people who are so smart and powerful that they can pull the wool over an entire country or in fact even an entire world's eyes. That certainly makes us feel like somehow we're protected, even if it's not in our best interest.
The earliest memories I have from my childhood are of my mum getting ready to go on stage. I must have been about five and I would watch her vomiting backstage on opening night, and then the next minute she became Isabella, the Queen of Spain. At the time I remember thinking, 'What kind of schizophrenic job is this?' Now it all makes sense.
Regardless of the fact that in this country, certainly in the arts, we treat comedy as a second-class citizen, I've never thought of it that way. I've always thought it to be important. The last time I looked, the Greeks were holding up two masks. I've always thought of it not only as having equal value, but as the craft of it, being funny.
I think that human beings, even the ones who are sometimes hurting you, are often very, very confused at their center. Even people who are doing things that are nefarious - it's often out of confusion. I know that it's tough to be a human whether you're good or bad. I'm acutely aware of that. If that comes through, then I'm really grateful.
I hadn't heard the Gary Cooper thing so I'm not grounded now. I feel pretty good. That's incredibly nice. When I met Robin [Williams] at the read-through, I remember when he came in, I was so nervous meeting him for the first time is incredible because I did actually write him a letter when I was a kid and told him he was my favorite actor.
God bless my mother - she's long gone now, but she'd work all day and go to school at night. She started out in life as a housekeeper at 15 years old, totally on her own, and she retired as a college professor. But there were some hard times. It's not easy for a woman who's only trying to do the best for her kid but who could never be home.
I was playing this character, Melchior Gabor, who was a rebel and who was a person who didn't let the world define him, and who stood up to authority and was this kind of revolutionary... And when I left 'Spring Awakening,' I came out of that experience feeling like... I had cultivated this side of my personality that hadn't existed before.
I don't have a favorite I like and then I'll go and watch "Days of Heaven" and I go how beautiful is that. So I think, at least my idea, was lets bring something again that's primitive and guttural but then let's also do something beautiful where you're outside and this isn't a typical western setting. It's lush. It's green. It's beautiful.
If you're watching a film on your television, is it no longer a film because you're not watching it in a theatre? If you watch a TV show on your iPad, is it no longer a TV show? The device and the length are irrelevant; the labels are useless, except perhaps to agents and managers and lawyers, who use these labels to conduct business deals.
I think people are really picky about English accents. When a Brit comes over here and kind of does an OK American accent, everyone's like, 'You were great! Fantastic!' But in England, even if you were doing a pretty good accent, they're like, 'But where are you from?' 'London.' 'What part of London?' Accents are really precious over there.
All directors are different. Certainly, the directors that I respond to the most are guys that figure it out by doing it, not by thinking or studying. Also, the kind of actor that I think I am - I learned about theater doing theater, not studying theater. I think that traditional school can be great, but also it can stifle original thought.
I'm a New York person. I've never gone out of the way to speak to the press to change my persona - I probably should have. It's too late now. But when I first started I was like, "I'm gonna stay this way. I'm gonna be this way," and I continued to. I probably should have sugarcoated it like, "This is not really the way I am - I'm an actor."
I would have to say the most challenging thing about directing is the sheer stamina because... as a director, you're always doing something. Someone always needs to talk to you. There are always decisions to be made and every day for as long as the movie goes on. So it's a marathon... You don't have to look nice, but it's all day every day.
I'm constantly pitching one episode where we see life through Castle's eyes. I think Castle's just a little off as far as his perception goes. A very, very clever man, but I want to see the world as Castle sees it - kind of a rose-colored glasses, all the women find him irresistible, all the guys find him super cool and do whatever he says.
For my 23rd birthday, I received a nylon string guitar. I told myself that if I could play Eric Clapton's 'Tears In Heaven,' then I could play the guitar. I practised every chance I got, driving my housemates insane, until several weeks later I had a shaky version of the song down. I wrote my first song on the guitar a few weeks after that.
I've found a lot of the thinking in America is that a lot of people become actors to become famous. At least from my experience, I have a dozen or so British friends who are actors, and if you look at their body of work, and they'll go do theatre, and they'll go do this and this. They work, and they're always honing and trying to be better.
I was always waiting for the secret to be handed down to me. Ron Howard asked me what I was waiting for and I went, "Ron, I'm waiting to know the secret. I keep feeling there's some sort of secret that's going to passed on from a director." He went, "Oh no. There is none. You've just got to on and do it and make mistakes and figure it out."
I very, very, very rarely lose my temper. I do get cross sometimes when encountering something that I feel is improper, that I feel is lacking in justice and equity, and this all sounds very pompous and over the top - but these are the things that really upset me: intolerance, prejudice etc. I suppose in more mundane matters, I'm impatient.
After three days of shooting with Donald [ Sutherland], I was the only one he worked with for the first three days of the movie [The Winter Of Our Discontent] because of the crazy schedule. We [shot] a lot of this stuff, some of it incredibly intense and emotional. We had never had a conversation during that whole time. We didn't have time.
Just take yourself back to September 2001. As that month went on, and as that autumn unrolled, everybody wanted to do something. How can I help? Do you want my blood? Do you want money for the victims? I was a captain in the Marine Corps. I knew what I could do. I was right there. I was ready. I saw it. I moved the rubble with my own hands.
It's strange because I'm a sex symbol to 14-year-old girls which I guess is not the most helpful situation to be in. But yeah, I've never really thought of it. It's just so funny. I mean, just last year I couldn't even get a date and then this year, the world turns and it's so bizarre that everybody just changes their mind at the same time.
Would I have voted to leave the European Union? Yes, I would. My theory there is that Britain was fed up having won two World Wars against the Germans and had reached the boiling and breaking point of being told where to live and what to do by a bunch of bureaucrats in Belgium. It was out of that frustration that the vote to leave was made.