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The "environmental movement" is becoming an economic movement, is joining the social justice movement, is becoming a sustainability movement. It's leaving behind the "People's Needs versus Nature's Needs" conflict in favor of making the case for environmental health as the essential underpinning of prosperous and stable human civilization.
[The Lost world] was a learning experience. I remember we were shooting a scene in which I dive out of a boat into a river to save the kid that's in the movie. And there's no mention of a stuntman, and I was like, "No, I'll go in." Nobody questioned. I never asked if maybe there was malaria in the water. And I was wearing these tall boots.
Every teenager deals in his or her own sexuality and has to face it and figure out how it can coincide with the rest of their lives in a healthy manner. And try to navigate it in our modern society, which is wrought with stigma and taboo and repression, and sort of as a result, these inner monsters that some teenagers really struggle with.
I'm really excited that people are receiving my performance like this. It makes me feel good, because I've been working really hard. And this character [Idi Amin], I worked particularly hard on. But I don't want to get too caught up in it, because first of all, it could lead to a great disappointment. You never know what's going to happen.
I submerged myself in all the information that I could find about Idi Amin. I mean, before I left Los Angeles, I was studying Kiswahili. I was working on the dialect. I was studying every documentary and tape of him that I could find - not just visual, but also audiocassettes, even in other languages when he was speaking in other dialects.
Nolan has the strangest affect on people. You know, I think there's something very sad and little boy about him, but at the same time the way he goes about everything is so awkward and obnoxious. He can never say the right thing, you know? And I think if he just didn't try so hard and calmed down, people might actually like him a bit more!
When Brad and I got married in 2008, it got a lot of attention. And all the attention was over the fact that we were two men, but people were hardly conscious of the fact that we were entering into an interracial marriage. That's wonderful, because it was only 50 years ago with Loving v. Virginia that interracial marriages were made legal.
This character matters so much to so many people. I want to get that right. I want to do it justice. I want people to believe in the character and have faith in the character and kids to grow up wanting to be Superman. Or, God forbid, there's people who are going through hardship and wishing that this character would turn up and save them.
At the heart of every really good Christmas movie is the threat, I suppose, to Christmas. Something is wrong with Christmas, in all of these movies. In 'The Polar Express,' there's a kid that doesn't really believe, and that's the threat to Christmas. In 'Santa Claus: The Movie,' jealousy and greed are threatening to overrun his Christmas.
When I started working on 'Battlestar Galactica' in Canada, I was told to get as fit as a marine for my character Lee 'Apollo' Adama. So I did. But now I have a problem with suits, because I'm 5 ft. 9 in. with a 40 inch chest and a 31 inch waist, so I'm rather too big for that very tailored British look, and they always have to be altered.
British actors come at acting from a slightly different angle. Because a lot of the films are cast out there, they are so used to the angle from which the Americans, and certainly the young guys from L.A., are coming at it, that I think it's interesting for them to find these English actors who maybe approach acting from a different place.
The good thing about rules is if you have to do an interview, and you make some rules for that interview, like, "I can only ask him about five years of his life or her life," it narrows down your story. It's the same thing with acting. In my profession, if I say, "These are the rules for this character," all of the sudden, you create life.
Bill Clinton fascinates me because, at the time, it seemed like his shenanigans and the people after him were the biggest political stories you could ever imagine. I remember when the 'Starr Report' was published in the newspaper, all of us were reading it in the high-school cafeteria, and a dean started taking the newspapers away from us.
Australians love to pump you up when you're nobody. Then, when you start to put your head above water and say, 'Well, actually, I am a bit different, I am an individual and I do have a particular talent', or whatever, they want to go after you. But the good news is that once you reach a certain level, I think they start to leave you alone.
TV becomes easier because you get to spend time with that character. It's going to go on for a while, and the more you know something, the easier it becomes, the less nerves you have about it, and the better it is for improv because you have that camaraderie between cast regulars. In film, it's harder because you got to get in and get out.
I'm a firm believer and always have been that there aren't all that many things that you should not express to children in an age-appropriate manner, and as a parent, that is your job - to be discerning as to whether or not your child can handle the information, provided you have the ability to express yourself in that age-appropriate way.
Ask people who are close to the natural world: farmers, people who work the land or in some way use the land for their livelihoods. They will tell you what they are seeing isn't so good. They will tell you the changes they have seen in the past twenty years are remarkable in one way or another and unlike anything they had seen before that.
Is it better to strive for success as a self-representing artist or try to get your feet wet in the gallery world? That is such a common question these days among artists. I truly believe that most artists will come to a cross road where they will have to decide on which route to take as it's extremely hard to be successful in both worlds.
Well, I think tone is very important with this show [Masters of Sex] because there are certain elements or certain aspects to the show that may be reminiscent of other shows. But, it really is a very new kind of show, in terms of the subject matter and the way it's being dealt with, and the fact that it's about real people and real events.
For a culture that has such a problem with death, we seem to deal with it in a quite bizarre way. We see people shot, killed and blown up, and we find it funny and sexy and all those things. But, the reality of it is that every day people die, and people are really sad and they grieve and they go through a really difficult process with it.
I absolutely don't write for women - far, far from it. It's so not what I want to do. Some of the writers, who have helped out at the beginning and end of the process - they're all men - have suggested quite feminine subjects they want me to explore. And I'm always, simply, 'No.' I don't want to do diets, don't want to. I just can't do it.
Fame is like getting across the street. It's like, if there's nothing to be across the street for, it's a pointless destination. It's like, "I gotta get across the street, man! I gotta be there! I gotta be there!" Then you get across the street and you're like, "Yeah I'm here!" And then, that's it. Fame doesn't make you particularly happy.
You want to put out a TV show? If you have the money to do it on your own, by yourself, and you have a TV network, you can do it by yourself. But the nature of the beast is, art needs finance. That's how this industry works. So until the Internet becomes our source of entertainment - and watch it, I believe it will - this is how things go.
I love cooking and eating - I'm a total foodie. It started off as a survival thing as a student, when cheese and potato pie was all I could afford to make. My most successful results come from concocting something with leftovers. Any chef will tell you that you should taste as you cook, so I might make it a bit more spicy, yogurty or eggy.
People often say that you should never work with child actors. I think that's all wrong. Children have not had the imagination kicked out of them by life experience and adulthood. So, they still are very much alive with that kind of magical thinking which enables an actor to believe they're in these circumstances and make them real to you.
Husbands and wives should have separate interests, cultivate different sets of friends and not impose on the other... You can't spend a lifetime breathing down each other's necks... We are very, very different people and yet somehow we fed off those varied differences and instead of separating us, it has made the whole bond a lot stronger.
With all due respect to 'The Vampire Diaries,' doing the same thing, over and over again, for essentially five years straight, it really becomes laborious and tedious, and it becomes a job. You obviously find gratification in acting, but you're playing the same character. No matter how compelling it is, it starts feeling pretty monotonous.
I have so many favourite science fiction films. I would say 'Alien' and 'Aliens' are two of my favourite sci-fi films. Also 'Children of Men' would be one of my favourite science fiction films. I love the original 'Solaris' and the remake. And even though it wasn't a film, the series 'Battlestar Galactica' was one of my favourite TV shows.
I can relate to someone whose life is falling apart, and they are doing the best to get by, using humor to survive. Backstrom really wears his heart on his sleeve and his life is unraveling... I would much rather hang out with that person than a slick procedural detective who has all the answers... it's human, it's frail, it's interesting.
We live in a digital world where all is available at the touch of a screen. Money has been simplified, changed subtly over time from tangible bills to numbers in cyberspace. Cash is no longer in a cloth bag; it's numbers on a screen. Numbers that can be manipulated and modified. If you run out of numbers, you can just buy some more, right?
The cool thing about 'Transparent' is that the show is funny but not like a sitcom is funny. It all comes down to the writing... The writers on that show are so good that you don't have to worry about anything. There are so many things that can go wrong making a TV show or a movie, but if the writing's good, that's, like, 95 percent of it.
If I could get any semblance of, not really anonymity, but control over my public image, that would be nice. But no, I think it's impossible [to maintain that], for one thing. I don't think anyone can do that, apart from Denzel Washington. It's a strange place that the film industry is at, where you can just play superhero after superhero.
When you're making a movie, you don't think about the outcome. That's something I'm grateful for: whenever I go and do a new project, I never think about the outcome. It's always just about the work at hand. That's the fun part. The other part is always something I've had a struggle with, which is promoting the film. I know it's important.
Jon Krakauer had documented it very accurately and very well but this kid made a real impression on people, and likewise they on him. To talk to them was very moving in many cases because they talk about him like they saw him yesterday. In most cases they knew this kid for a couple of weeks in their whole life and he just lasted with them.
My worst job was packing animal feed in a warehouse in Gloucestershire when I was a student. It was a very strange environment. It was hung heavy with oat dust, the place was infested with mice, and everyone who worked there was over 60, and I was 18. It was crazy. Apologies to anyone who works in animal-feed packing industry and loves it.
When I was an actor in some movies a long time ago, I was so curious about all the camera movements - why is the camera placed here, and why does it move like this? And why the set and the background, the color? It's a lot of questions for me to ask, because I was so interested, not only in acting, but also the whole process of filmmaking.
They love 3-D. It's fun to watch a movie in 3-D with your children or with a group of children because you see the kids in front of you from time to time reaching up. You see little hands reaching up to grab things that they think are right there. I think it's remarkable and it does obviously, literally, add another dimension to the movie.
When you're touring and if you go to a party, there's automatically a celebrity-audience distance. It follows you around, especially when you're on the road in small towns. Any time there is awe, it gets very difficult to be normal, to be yourself. But I'm not saying that that's what made me the way I am. I've probably always been distant.
My character on 'I'm In the Band,' Derek Jupiter of Iron Weasel, is definitely one of the crazier ones. That's completely on the other end of the spectrum. There's absolutely nothing like Derek any shape or form. I'm having so much fun playing this egotistical, '80s-era rockstar - everything he does is from the point-of-view of a rockstar.
The idea of Rambo is kind of intriguing as a closing chapter. When you shoot a film as a sequel to do another sequel it's a whole other tone. But when you know it's the final chapter you try and put in there as much emotion, understanding and closure as you can. So, whereas Rocky is a lighter character and optimistic, Rambo is much darker.
I'm a big fan of all those singing competition shows. Most recently, I've been into The Voice. It's one of my secrets! And I'm definitely looking forward to The X Factor, especially because I'm a huge Simon Cowell fan. Personally, I sing for fun, but mainly in the shower, when I'm alone. Other people definitely do not want to hear me sing.
It would be a sign of society changing if we did finally legalize prostitution. Once it's legal, it doesn't mean your daughter's going to run out and be a ho. The more we sort of bring these things into the light, you bring these hidden vices into the light, the less power they have over our society. You make it legal, it tends to go away.
My rule is you want someone whos got both feet on the ground. An ideal girlfriend might be someone who works in the business and can understand what youre going through but is not an actor themselves - is willing to run lines with you but when you start acting crazy, they throw up their hands and take you for what you are and be accepting.
I don’t know what the future of my career holds, but I know that whatever is over the horizon, the road I’ve traveled to get here is like those Interstates in Texas: everything can look the same, and it can feel like you’re not going anywhere, until you suddenly get where you’re going and realize that you’ve been traveling for a long time.
In my opinion, one of the biggest drawbacks about Sergio Leone films are the scores composed by Ennio Morricone. If [Leone] were as talented as I am, he would have made mixtapes for his movies instead of letting some schmuck write the soundtracks for him. But then if he were as talented as I am, he'd be Zach Braff. And have his own Grammy.
I came when I was in high school as part of a student exchange program with the Jewish Community Center in New Jersey, to Ramat Eliyahu. You come and volunteer for five weeks at a day camp. I was a teenager - I couldn't really appreciate it as much, and now I come back as an adult and I can really get the flavor of the city, and I love it.
There's some boring advice for improvisers beginning their careers like "see as much of it as you can and do as much of it as you can." Volume, in a way, is the most important thing. Not, like, decibel volume - just immerse yourself in it as much as possible. I'd also suggest that you put a high value on your personal interests and tastes.
You'd think they could spit out shows better than 'Champs' and 'High Incident' with the pool of talent involved, unless they're just throwing money at people to create shows and they're not really behind them. I mean, the best thing they can do is 'Champs,' a half-hour comedy about men being stupid? People can just look around and see that.
When I was in the hospital they gave me apple juice every morning, even after I told them I didn't like it. I had to get even. One morning, I poured the apple juice into the specimen tube. The nurse held it up and said, 'It's a little cloudy.' I took the tube from her and said, 'Let me run it through again,' and drank it. The nurse fainted.
I'm releasing a single. It's called 'Live it Up.' It was based on my Euro trip. I only write my own music. I don't let other people write it at all. So I've been working on that a lot. There's three singles coming out. The producer of The Fray who did their double-platinum album 'How to Save a Life,' I'm working with him. He's producing me.