Quotes of All Topics . Occasions . Authors
I went through a very hairy period. I had a movie where I was going to play Walt Whitman that fell through. At the time, I had grown this huge beard and very long hair. But then, the movie got canceled, I had some other parts, and I currently have very short hair. So, when I look in the mirror, I don't know who I am exactly. It's interesting.
You know that thing where you're trying to do the crossword puzzle, and you're trying to fit the word that's in your head in the puzzle, and then you go 'Ugh!' and you walk away, and then it comes to you. I'm interested in that moment. The release of expectation, and the release of pleasing yourself and pleasing anybody. Breaking the mindset.
I've definitely seen that Texas is certainly a right-wing area politically. I think if you talk to the average Texan, some people may still think that alternative energy is some sort of hippie mumbo-jumbo, you know. I think there's still a strong movement to continue to drill and continue to find these other sources of oil within the country.
'Friday Night Lights' was kind of like my college years because I did four seasons of that. It was my first series. It was the most time I had with one character, and kind of growing and evolving with the character over that long of a span of time, it just allows you to sort of learn in a completely different way that I had never experienced.
As an actor, you just want to work, and then you just want to be on a show or have a job that you love, and you hope that job will last - those things have happened. To have that platform to then talk about something that is very personal to me like marriage equality, it feels like a gift. I try and really respect that voice and not abuse it.
I think that there's a natural attraction to enigmatic characters, people that have decided to make a decision in their lives to live differently than everyone else. That's a very attractive quality that also happens to be good for filmmaking, people that have their own point of view and aren't looking at things the same way as everyone else.
Kind of the exhausting thing about doing pure comedy, or something that's broader, is you're kind of a slave to the laugh. If it's not funny, then there's not much point in doing it. The kind of über-objective is to make people laugh. You always have to have that in the back of your mind, "Eh, I've got to figure out a way to make this funny."
Voices come to me but to maintain them is hard work. They go away just as easily, so I have to remember them and that takes work. With Sid, I needed to make sure you could understand what he is saying, his enunciation. Sometimes I couldn't even say my own name [his name] in his voice. It sounds like 'Shid', it sounds a bit like he has a lisp.
My parents would have their friends over - their friends who thought, 'How can you live without a TV?' By the time they left, they understood why, because I had done the second act of 'West Side Story' and the first act of 'Jesus Christ Superstar,' playing all the parts. In many ways, that's what I'm still doing. I'm just getting paid better.
In the first year in New York, I went to this amazing teacher named Jen Waldman. She does lots of different classes, but one of her classes was where you went and worked on a song. And suddenly I felt like an artist again, and because I had worked the whole song, when I went into the audition room, I could connect to something in the 16 bars.
There's a lot of great writing, and characters, and stories being told in television nowadays. And much more than there used to be. The opportunities to tell stories, because of the opportunities to show content. And so it's drawing actors from cinema, movie actors, actors to where there's a lot of opportunities to where you can tell stories.
So often, in my life, when you play a joke on another actor, you say, 'Hello? Steven Spielberg? It's for you.' What's it feel like? It's bizarre. He feels like he's a friend. He feels like he's some kid in the neighborhood who has a camera and makes films, now and then, and says, 'Would you come 'round and play?' It doesn't feel grand at all.
I always try to bring a little bit of my own personality to the character, or some sort of personal connection makes it a little bit more of an organic portrayal and the audience can kind of maybe believe it a little bit more. But I always look for something to kind of connect with and identify with, or bring something of myself to the table.
The fact that there aren't an abundance of African-American males that are getting lead roles [and] that are getting roles that have prominence on the big screen. [It's] the same thing from behind the camera; maybe even worse. Coming up, when you're black and you want to direct somebody says, "Oh, you're Spike Lee" or "You're John Singleton."
I have now is whenever my kids say, "Can you look at this?" or "Can I ask you something?" or "Can you come here for a minute?" no matter what I am doing, I say yes instead of saying, "Just a sec." They never abuse the privilege, and I never once regretted it. What they took me away to do was never less important than what I was doing already.
I first read Wendell Berry's short-story collections, "Fidelity" and then "Watch with Me." They just knocked my socks off. The characters and the fellowship of the small town reminded me of my own small town in Illinois.Then I discovered that, much like J.R.R. Tolkien and C.S. Lewis, that all of Berry's fiction was centered in this same town.
I played sports. The acting thing was just a direct blessing from the Lord, because I lost my discipline to play sports, and I had this really cool professor grab me and kind of take me under his wing, and the ball just started rolling. Another professor introduced me to my first agent, and the next thing you know, I got to start doing films.
Every single unfortunate thing that happens, including, for instance, the murder of my parents, I am responsible for. I am responsible for being the son of two people who got murdered. I didn't cause their murder. But if I'm suffering because of it, it's my karma that I have manifested in this lifetime in this particular set of circumstances.
I have read a thousand screenplays, and I have acted in a handful of them, and I have felt when it feels good, the writing, and it feels natural, and feels funny or sad or honest or whatever it may be. You connect. And I felt when it feels like writing, when it feels stale, or when it feels artificial or forced, or too theatrical or whatever.
I personally think a fight scene is the most cinematic thing you can witness because all the elements of filmmaking come together, you know, with the camera speed changes, editing, make up effects and general smoke and mirrors of trying to make it look like you are hitting someone when you're not. It's filmmaking in it's purest form, I think.
Wile E. Coyote is a coyote with nothing but good intentions. But Road Runner comes along and is unattainable, he wants it and can't get it, and thus he becomes a villain that is impossible to be around. Bill O'Reilly is a villain that is so in love with himself and the sound of his voice that he's literally become the personification of evil.
I like what a third man brings. A kind of oblique vision, seeing something in the material that you didn't know was there. As a comedian, I'm always listening to the audience. And in movies, sometimes the only audience you have is the producer and the director. I like having someone else's opinion, especially if you're on the same wavelength.
It's always on everyone's list, like, 'What's New Orleans like?' I think people have a pre-conceived idea, like it's just Mardi Gras and Bourbon Street. But really, there's so much culture, the music's great, the food's great. It's not good for the waistline! But I'm actually from the South, I'm from Georgia, so the weather doesn't bother me.
It's funny to be discovered by a lot of people who didn't know you before. People always used to say, 'Do you shop at Home Depot?' or 'Does your kid go to such and such school?' They want to know why they know me, even if they don't know my name. I don't think that's a bad thing, by the way; I think it's nice to be kind of anonymously famous.
When I told people I was going to be doing the movie and the voice of Dobby, they were kind of awestruck, the people who knew about Harry Potter. I felt rather guilty that I didn't really understand the scale of the job I was about to take on. Now, I am well aware of what I'm doing, and actually, it feels a very serious acting responsibility.
It's funny, if you go back and look at all those old movies a lot of times they didn't have the budget for music. Each scene here was written to a different time, whether that be 'Breakfast in America' or just different soundtracks that we had for different parts of the movie. I'm interested to see how it all plays once it's all put together.
The most accurate representation of how I feel is that I'm incredibly lucky to be working in this structure where people get paid millions to read the news on TV. And, yes, it is insane. And there is nothing I can say beyond acknowledging my immense good fortune, and being aware that I'm blessed, and aware that it isn't going to last forever.
There's a small percentage of people who can act. There's a small percentage who get to do this for a living. There's a swath of the population that are able to keep a story in their head and fight all the battles against self-consciousness and the surreal unnaturalness of acting in a movie. The technical aspects you can learn fairly quickly.
When I work, a lot of times I have to lose weight, and I do that, but in my regular life I was not eating right, and I was not getting enough exercise. But by the nature of my diet and that lifestyle - boom! The end result was high blood sugars that reach the levels where it becomes Type 2 diabetes. I share that with a gajillion other people.
It's kind of a crazy thing with kid actors because a lot of them get hired without people really knowing if they're good or not. They get hired for the way they look at a really young age. You also have your fingers crossed around kid actors... because the lessons they learn on set aren't always the best. You can really get whatever you want.
I realized that here's a moment for me to learn so until I learn and understand more about how types of films are done - action, sci-fi - even though I have a desire to do it, I won't go into it until I'm very clear that I can do it and that moment hasn't come yet. Maybe one day I will ready, but for now, I just enjoyed playing the character.
My mother was born in the city, my dad was an immigrant. Probably from Germany. Could have been Austria, could have been Poland. The borders were changing. My dad brought over a large family of Shatners when he was very young. Scraped together the money, got 11 brothers and sisters a passage on the boat. There's a lot of Shatners in Montreal.
I remember my daughter Deni coming along, and she was so pure and caring of everybody and everything. And somehow, this little being managed to get around all the obstacles - the gun turrets, the walls, the moats, the sentries - that were wrapped around my heart. My heart at that time needed her. I think it's the best thing going, parenthood.
I remember once I went to go see a movie, and in front of me in line there was a little boy who looked so eager to see it, like it was Christmas morning. When he got to the ticket booth it turned out there was only one ticket left; the manager was there and wanted to give it to me instead since I was famous. That's when I knew I'd hit it big.
I can understand why rock stars are rock stars and why they play in front of people because the buzz that you get is insane. It's probably the same as when you do something on stage and you work off the audience. The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
Part of what attracted me to the village was it had a lot of parallels to contemporary issues. Like, fear and the way fear controls us. How the governing body of a town, or a nation, controls us through fear. They might mean well by it, but we are conditioned to be afraid of things. Fear of the unknown. Fear of terrorism. And it's unfortunate.
Working with the children on 'Matilda' has been a joy. They don't do this professionally - their sense of discovery is instinctive, and the challenge for us adults is to keep that going in ourselves when we're doing it for the fiftieth or the hundredth time. To my delight and amazement, it hasn't gone stale - we discover it freshly every time.
The largest country with the largest consumption of skin bleach in the world is India. Indian men are bleaching their skin because, in terms of marriage, if your skin is dark, it's assumed you work in a field. If your skin is lighter, it's assumed you work in an office because you're not getting enough sun. Indian men are bleaching their skin.
Kurt (Cobain) was a fan of my standup, which was pretty weird. I know when people hear that, it's kind of like finding out that Jimi Hendrix really liked Buddy Hackett, but he interviewed me at a college radio station before they broke and did Bleach. And then, like, about two years later, I was opening for Nirvana at these huge sports arenas.
I feel really lucky to have been able to not only have him as a brother - because I love him and he's such a smart guy and an interesting, fun guy - but also have a friend to go through and chart and navigate the waters of Hollywood, which can be kind of alienating and lonely at times just because everyone is always... you know what it's like.
I was obsessed with fairytales, and I was a very, very inquisitive kid, and I would ask my mom all kinds of questions. It all kind of formed a story in my head, and I really wanted to be a published author when I was 10, but I had a hard time writing a novel when I was 10. So I decided to wait until I was little bit older and then get it done.
There's the beauty of the stage. I don't like filmed theater or opera because you're kind of playing soccer in a hockey game. Either or, they don't do justice to the media and you end up with a hybrid that is purely sensationalistic. Opera is a very theatrical medium that should be seen on a stage with the musicians in the pit in the audience.
As the Democrats get revved up at their convention in Boston, President Bush is fighting back the only way he knows how: by going on vacation! Ah, it's nice to take a rest, replenish your supply of smirks. The vacation was expected, because Bush traditionally takes a month off every summer to relax and avoid reading National Security Warnings.
An interesting insight into the ruthlessness of studio executives: I was having a conversation with Alex Gansa, a creator of 'Homeland,' and I said, 'So you guys must have seen 'Life' and liked me in it, right? That's the most recent thing I've done over here.' And he went, 'No, Damian. You actually nearly didn't get the job because of 'Life.'
A British porch is a musty, forbidding non-room in which to fling a sodden umbrella or a muddy pair of boots; a guard against the elements and strangers. By contrast the good ol' American front porch seems to stand for positivity and openness; a platform from which to welcome or wave farewell; a place where things of significance could happen.
Every night, half an hour before curtain up, the bells of St. Malachy's, the Actors' Chapel on New York's 49th Street, peal the tune of 'There's No Business Like Show Business.' If you walk the streets of the theatre district before a show and see the vast, enthusiastic lines it sounds like a calling: there is certainly no place like Broadway.
[10 Things I Hate About You] keeps popping up, and it's become a go-to film specifically for adolescent girls who are trying to find their voice, which is a really important thing, and the characters in the film, the two sisters played by Julia Stiles and Larisa Oleynik, they became archetypes for young teenage girls to look up to and emulate.
I just do what I feel and what I like. I don't necessarily censor or feel an obligation to have a particular moral standard - I'm willing to wallow in the mud, if necessary. It appears as if there seems to be a consistency in result, but maybe that has as much to do with the roles I choose as it does with how I play them. I do what pleases me.
I would love an old classic car, or something like that. I'd get something much more subtle than any of those cars. The Lamborghinis were unbelievable to drive and to sit in and to film in. I loved the sensation because I love driving, so I appreciate them for what they are. But, I couldn't go into a showroom and buy something of that expense.
What I'm attempting to do is to show people that if I can spend some time with very dangerous spiders and snakes and scorpions, then maybe they'll feel different about the spiders and snakes they find around their areas. I don't need people to keep them as pets. I just like them to be respectful and see that everything in nature has its place.