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Finding the discipline, the motivation, the focus, the passion to sit down in front of a blank piece of paper or a blank computer screen every day and then to make it come alive with characters and with plot is incredibly exciting and at the same time terrifying and frustrating, and sometimes it comes easy and sometimes it comes really hard.
Usually, I have in mind what I want to do. I shoot pretty economically, so I'm not shooting tons of stuff that I could change, all that much. I'll cut something or add a little something back, but not too much. This is maybe the producer part of me, but I'm always worried about the budget, so I shoot what I know I need to shoot for the film.
For me, it's a voyage of self-discovery. I'm able to go on a set and to explore situations, personalities, people and characters that are close to me, or maybe not. Through going there and experiencing these different people and their situations, it helps me to get oriented and develop as a human being. So, acting is fundamental to who I am.
Beware the beast Man, for he is the Devil's pawn. Alone among God's primates, he kills for sport or lust or greed. Yea, he will murder his brother to possess his brother's land. Let him not breed in great numbers, for he will make a desert of his home and yours. Shun him; drive him back into his jungle lair, for he is the harbinger of death.
There are times when you sit down, and you're just like, 'Man, I don't know if I can do it right now.' Take a second - go to the woods and just hang out, or go to Yosemite and check it out. Be in nature for a little while; clock out - which is super healthy, especially for creative types. Honestly, for everyone. Everyone needs that at times.
There is this idea in Hollywood, and I've seen it work for people, where the unspoken rule is 'Do two for them and one for yourself.' And that's kind of considered a fact. I've never really found that to be true for me. I've gotten more opportunities out of working on things I believed in than I ever did on things that weren't special to me.
The acting came about because of a girl. I was 19 and met a girl who wanted to go to the premiere drama school in Australia, the National Institute of Dramatic Arts, where Mel Gibson, Cate Blanchett and many others went. She had an audition, and I went with her for moral support - to cheer her on. I did an audition my way, and it kept going.
One of the sports I do - my wife thinks I'm nuts - is open-water spear fishing, what we call blue-water hunting. We get in a boat, and we go offshore, normally about 30 miles. So when you jump off the boat, there are no reefs, and the bottom is no longer fifty or a hundred feet: it's thousands of feet. It's sort of like being in outer space.
Isolation, not solitude, breaks men. If I could not find the means to deal with the isolation, then my options were severely limited. I began to call up memories of places, people, events, food-anything I could do to occupy my mind and remind myself that, even if I was being treated like an animal, I was still a living breathing human being.
Movies always are open to being remade because times change so much, and the tempo of movies changes. I think of it like a James Bond. They can have different actors play the same role... I've had people come up to me and say, 'We want to remake 'The Jerk' with so and so.' And I say, 'Fine.' It just doesn't bother me. It's an honor actually.
I know a lot of people who say, "I reluctantly watched the first episode because I don't really like zombies and that stuff, but I was pleasantly surprised by the characters and the drama of it all." I think that's what keeps people coming back and brings new watchers to the show. What the show does is cross many, many different viewerships.
Being on 'The Vampire Diaries' feels almost like a game you play when you're a kid. When I was a kid, I used to have to take the garbage out at night on Wednesdays. I lived out in the country. I'd take the garbage out, and I used to pretend that I was the only person in the whole world, except for one other person, and he was looking for me.
The industrial way we fish for seafood is harming the marine habitats that all ocean life depends upon. Indiscriminate commercial fishing practices that include miles of driftnets, long lines with thousands of lethal hooks and bottom trawls are ruining ocean ecosystems by killing non-seafood species, including sea turtles and marine mammals.
In animation, you can throw away people's defense. You can go right to the center of things, right through inside someone's heart. The characters anyway, they do represent different aspects of all of us - and put them all together, you get a human being. And so it's got a wonderful purity, a real purity that's so moving, exiting, everything.
The nice thing about 'Miranda' especially is that the audience that we had was school kids right through to pensioners. It seems to be a show that people watch as a family, so it was the first job I've been involved in that certainly my oldest daughter and my middle daughter are big fans of, and proud that I'm in it, which is a nice feeling.
I kinda like Florida. It's hot as hell, but we moved to Tallahassee, which is so close to Georgia. It really wasn't Florida the way people think of Florida. It wasn't south Florida. But you could still easily drive to Panama City Beach and get a little bit of Redneck Riviera if you want that. Get some airbrushed T-shirts on, and you're done.
The truth is, marijuana probably isn't going to make you kill people. Most likely isn't going to fund terrorists, but pot makes you feel fine with being bored and it's when you're bored that you should be learning a new skill or some new science or being creative. If you smoke pot you may grow up to find out that you're not good at anything.
I've worked with actors before where I was like, this is not working, and then I've seen their work on the screen and I've been like, Wow, that was a really great performance. Because there are a lot of elements with film. It's not like stage. It's not a kind of performance art anymore; it's a highly tuned kind of collaboration - a symphony.
As far as the creative side, the more I do this, the more I know that it's all about the writing. We don't always celebrate that enough, but without the writing, you can't do much. You got on a film sometimes, and it's sort of half-written, and they expect and think that the actor's job is to bring the extra part and the good part. It's not.
See where Congress passed a two billion dollar bill to relieve bankers' mistakes. You can always count on us helping those who have lost part of their fortune, but our whole history records nary a case where the loan was for the man who had absolutely nothing. Our theory is to help only those who can get along, even if they don't get a loan.
You gotta fight. You gotta get out the negative energy. Don't let it build up. You end up screaming at each other over something totally stupid, like, 'Well, why'd you put this spoon in this drawer then?' 'Just to p-s you off, that's why! I got spoons hidden all over this house! Keep it up, and your napkin rings are gonna start disappearing.'
One of the most gratifying, rewarding things is when people come up, and they tell you how the show influenced their lives in a very positive way. When I do these things like Comic Con, I get people who are lawyers, judges, plumbers, carpenters, and entire families, and it's mostly for 'Batman.' But now, amazingly, it's also for 'Family Guy.'
What I like about the Carpenter take on The Thing is the fact that it just has so much suspense. It seemed like a different story, with the horror elements. Those films that really speak to the primal fear that we, as human beings, have about the unknown have always intrigued me. That's the really scary thing, not the slasher, macabre movies.
There's movies that I would've loved to be in that I just wasn't even considered for because they need a name. And that happens so frequently that, after a while - from a creative standpoint - you just want to be able to have that opportunity to work with the best people. That opportunity is available to you with a certain level of notoriety.
The desire to do different things was the main motivator that made me leave late night because I'd been there seven years. The combination of an entrepreneurial desire to see how far I could push my success and a short attention span. But now I've done other things. And I'm sort of ready to sit somewhere and sit in the same place for a while.
I read about the Trinity. I found something - Jesus was Jewish, he was a rabbi! - and I read a lot of stories about Jesus in Israel. And it's interesting that they picked me for this part in The Snack, and I'm Jewish, I'm kind of religious Jewish from Israel, and I don't look like the traditional Jesus with the long blonde hair and blue eyes.
We improv-ed scenes that didn't happen in the movie. We improv-ed the scenes that are written in the movie without the dialogue as written. We played around a lot to try and figure out just how we could flow with what was already written in the story and how we could highlight those imbalances and those points at which we came to loggerheads.
I don't think life owes me anything and the business doesn't owe me anything. The only way to approach it is by working hard and loving what you do. If you do that and have faith, maybe you will get lucky. I mean that sincerely and specifically. I truly believe that no professional career in the arts is capable without a healthy dose of luck.
The first important role was a Broadway lead I did called 'The Royal Hunt Of The Sun' by Peter Shaffer, the guy who did 'Equus' and 'Amadeus.' Many of the important roles that I got later on were because the guy who was going to hire me was in that audience and had his mind blown. I tend to do that. I blow people's minds with my performances.
People are proud to be from Baltimore. In any industry you work in, you need support to survive. And this city has that support for anyone who was born here or lived here. And it also gives you the feeling, 'Oh, I stand for this place. And if I do something I'm not proud of, I might not make my town proud.' And I want to make Baltimore proud.
I know what its like to direct. You become a more considerate actor. After you have directed, you understand what is going on. You can't help but think of the material as a director. You do come up with suggestions. You come up with shortcuts that you weren't aware of before. You try to be helpful to the director if he has a lot on his hands.
I think that 9/11 is a greater loss if we do not change our behavior in some way. I think that if we don't turn it into a positive change in some way, those innocent people really died for no purpose. I would like to think they had some important purpose. What I see, that I don't like, is the product of what our land of opportunity can breed.
I can't change the past and I'm truly sorry that people got hurt along the way but not everything reported in the media is reality and continuing to rehash things publicly only makes it more difficult for everyone to heal. I hope for the sake of our children we can all move forward and heal privately. I wish their mother nothing but the best.
We use the term 'fight' very lightly - 'I've been fighting so hard to get my car, I've been fighting so hard to get that job, I've been fighting so hard to get that girl.' But the reality is boxers do fight bitterly to get whatever they want or whatever they need in life, and most of them come from nothing, which is the case of Roberto Duran.
You want to give the director what they want, and you don't always know exactly how it goes, so you want to try it a few different ways. You have to be flexible; you have to be in collaboration with the director; you have to be versatile. But you also want to be protective of what you really believe in and how you feel it should be portrayed.
Things are shifting; man is evolving in many different ways. The Internet has created a portal for people to connect with each other in a way they never could have before. When it comes to African-American or black films, it's different because there is a model that you can actually look at, an equation that shows that these films earn money.
I think 'The Sopranos' probably solidifies the misconception that people have about New Jersey to begin with. Because you're from Jersey, and everybody has an accent, you are perceived a certain way. I don't know if they are jealous or in awe or look down their nose at you, but that's the way life is. If you don't like it, change the channel.
I drank for about 25 years getting over the loss of my father and I took the anger out on myself. I did a good job at beating myself up at sometimes. I don't drink anymore but my alcoholic head occasionally says different. 'Nil By Mouth' was a love letter to my father because I needed to resolve some issues in order to be able to forgive him.
You put these politicians in office, but then you've got to tell them what you want them to do. And it's intimidating to most people. I was intimidated by it. I mean, calling my senator or writing my senator? I'm like, what do I say? What do I do? But we're showing people that the political process is actually less intimidating than we think.
The problem with my mind is it sways from side to side. The idea of me fantasizing about becoming an actor quickly led to depression. 'No, it was never going to happen to me.' I was a sixteen-year-old kid on the other side of the world from where they made movies. Scottish actors never really got play. There was Sean Connery, and that was it.
Funny enough, if you are looking at people these days who are putting Botox in their face and getting all sorts of plastic surgery, we look at them and go, I can tell you've had Botox. I can tell you've had plastic surgery. You look really strange to me. But no one's saying anything. We're just accepting the fact that they're strange-looking.
Not all television scripts are created equal. And the process is ridiculous. They send you a script and want you in the next morning. That's not how acting works. You can do anything to me as an actor; I'm a very resilient guy. Just don't rush me. If you ask me to do it immediately with no time to prepare, I know you have contempt for actors.
I've been pretty lucky with neighbors. But back in 1998, I lived, like, literally next door to Wrigley Field in Chicago. And I had, like, 50,000 bad neighbors spread out over the course of one summer. I'm a diehard Cubs fan, but living right next to the ballpark, it's just - as you're trying to go to sleep, you can just, like, hear urination.
Having girlfriends is... I can't do it. It doesn't mean I don't hang out with girls. It just means that I don't like being in a relationship, because it makes things very complicated. The one piece of advice that I listen to adults on - because I don't listen to adults when it comes to most things - is that I'm too young to have a girlfriend.
I think that the idea of boundaries is being challenged everywhere. And I think our fascination with sci-fi is that it is a boundary-less world where we can kind of create the reality that we believe to be as opposed to the reality that is. It is about the beyond and the unknown in a different way than pretty much any type of storytelling is.
We're just one cog in this giant machine. You show up and look at all the other cogs like, "Wow, everyone is the best at what they do." You're in really good hands. And that frees you up to play and feel safe, and you can take chances, creatively. You can take risks. I want to show up to work and take risks. I don't ever want to play it safe.
Boys and girls were both created with given attributes, and given the freedom to act and react. But Adam was allowed to name all the animals, and Eve was made from Adam's rib, as a companion for him. No wonder she ate the apple, she was rebelling against a world where everything was stacked against her. She was just a prop to make Adam happy.
When we were doing 'Freaks and Geeks', I didn't quite understand how movies and TV worked, and I would improvise even if the camera wasn't on me. I thought I was helping the other actors by keeping them on their toes, but nobody appreciated it when I would trip them up. So I was improvising a little bit back then, but not in a productive way.
When he came to television, there was no way I wasn't going to watch. Of course, he delivered everything that you would expect David Lynch to deliver, and more, and he was doing it in primetime network television. Even as a 14-year old, I wanted someone in the room with me that I could look over and say, 'Can you believe we're watching this?'
When I did play team sports, I was into soccer and hockey. I loved hockey. And then rock climbing became the thing that got me out of Iowa, and I traveled the world for rock climbing. I really loved the, I guess you would say, dirtbag lifestyle of not eating much and traveling the world and slipping into different cultures and just observing.