Quotes of All Topics . Occasions . Authors
I honestly haven't seen a lot people since we wrapped, really, but it's one of those things when you don't see someone for three months and then you pick right back up where you left off. I think Twilight is very special circumstance, and a special thing to be a part of, so there's this weird connection to have.
I've seen so many excellent actors - excellent actors - who, the minute they're told they're in a comedy, turn into God knows what - creatures from another planet! I mean they just... the voice changes, they don't look the same, it's like - it has no similarity to any living human being, do you know what I mean?
I try to find some sort of meditative hobby to do on set, and it's different for every film. There's a lot of downtime, but I don't like reading on set because it feels like you're taking yourself out of your world, instead of being present. And then, you feel like you're not ready to do whatever you have to do.
Being a mother is the best thing that ever happened to me. Before you have your first baby you are a girl and then you become a mother. There is no transition into being a woman; you literally become a mum and being a mum means you always love someone else more than yourself and it is an unexplainable situation.
I live in New York and got a call from my agent saying there was this new role on 'Mad Men,' it might be recurring and they're seeing people tomorrow. I said, 'OK, this is one of those things where you hedge your bets, use your miles and get on a plane.' I flew out Tuesday morning and got the job on a Wednesday.
When I decided to become vegetarian, I had to learn how to 'recook,' if you will. For example, I used to put red wine in a big pot with the meat that I'd cooked in fat, and it was, of course, delicious. When I gave up meat, I wondered what I would make. That turned out to be vegetables, really organic and fresh.
I like to focus on stories that need to be told and are not told enough. When I get bit by that bug, and the story is saying, 'You must tell me,' I then go through a process which is often painful and arduous, and long - and joyful! - of submitting to the story until I prove a worthy enough vessel to get it out.
3D, the ever-changing 3D. It's great. It's been really interesting. My family came to the set a few times, and I see them with their 3D glasses on. It's lovely to have them there and be a part of it, and see the magic that we're playing with, because it really is incomprehensible until you see it on a 3D screen.
I paint and I draw and I write and I do other things too, and recently some people at school were asking if I'd ever publish any of my work. But I almost feel like I would have to publish it under another name because there's a definition of me out there that feels kind of stuck in the moment when it was formed.
I really loved animals when I was little - my friend and I had an imaginary vet's office; we would mime doing surgery on animals. We treated more injuries than illnesses - fixing with a baby bear with a broken leg, removing a tumor. Of course, our surgeries would take about five seconds; that's how good we were.
You can tell young actors it's going to be very difficult, but there's no way you can understand the difficulties and the rewards through description. You have to cellularly experience it. It's a very difficult career in the long run, but at the same time, there's no long-haul career I'd rather be involved with.
I was on my way to law school when a friend of mine at an extras agency said, 'Do you want to come to this movie set and get paid $100 bucks a day to pretend you're at a party?' And I was like, 'Yeah, summer holiday, let's do it.' So I went, and on lunch, the writer asked me to audition for a role, and I got it.
My brother was listening to his transistor radio. He kept switching the earpiece from one ear to the other, which I thought was his idea of a joke. 'You can't do that,' I said. 'You can only hear out of one ear.' 'No, I can hear out of both,' he answered. And that was how I discovered I was deaf in my right ear.
Finally, I was called for "The Office" and I was really lucky, because a lot of the shows that I went out for I would work my way up from, like, an audition with the casting director to the director to the producers to the studio, I'd go through seven auditions, and then they'd give the role to a famous actress.
An obsession that I've developed in my old age, is great architecture. I bought a house in New Orleans and I became quite enamored of the architecture there. It began there. I travel a lot or my work, so now, wherever I go, I wasn't to find the most beautiful church, the most beautiful museums. Anything ancient.
I'd prefer not to act in the film I'm directing. I think, though, as an actor, you do learn how to turn things on and off quickly and kind of compartmentalize. You learn to accommodate the camera and the other actors, to notice where the boom is and where you mark is, and be able to repeat something a few times.
Apart from anything else, I got to work with Jennifer Lawrence. She’s a lovely girl. I know people often say things like that in interviews, but she really is. While she may be young, she doesn’t feel at all precocious. Instead, she’s smart and funny and terrific at connecting with people. She just blew me away.
Starting in my 20s, I couldn't wait to look like Anna Magnani or Isabelle Huppert, all these great European actresses - Charlotte Rampling - the cheekbones and the heavy lidded eyes and the dark circles under the eyes, you know. So around 42/44, I started getting a little character on my face, and I was so glad.
I don't want to ever say to somebody, 'You don't have to see it. It's not good.' I'm done with that. I'd love to just do things that I respect. That being said, I do have two children to put through school, so we'll see if I can put my money where my mouth is, but I would love to just work with people I respect.
It's just the way I'm made. I do feel confident in what I do. It doesn't always work out 100% of the time, but generally I think I can do it quite well. But the other part of my job is doing the press and stuff. And I'm rubbish at that. I'm really not good at that at all - this quite important part of what I do.
Some people get the wrong idea, you know. If you're quiet and you're just not the most gregarious person, that you're like.. I don't know, self-involved, rude possibly, frigid. I get that a lot from people who don't know me, like online all you guys think I never smile, ever. It's not true. I do smile sometimes.
After 'Jessica Jones' came out, I started hearing firsthand from a lot of women who were so inspired by the character, who felt represented, who felt like watching Jessica on screen helped them in their own lives. Women are devouring content like that because everybody is complicated; not everybody is one thing.
I think, in general, when you're doing comedy, you're having a good time regardless of the comedy table tennis that you're playing. I think you want that, too: you're rooting for two characters to be together, and you should feel that even when they're angry at each other, they're still in synch with each other.
Originally, when I got the role of Lisa [from Visitors], I was a little concerned, because I was worried I would be typecast as an alien for the rest of my life. But they are so, so different that it wasn't at all a problem. I'm very lucky. I'm blessed to be on another show. I think it's going to do really well.
There are very few persons who would think of inquiring into the private life of the newspaper dealer at the corner, or the druggist, or the doctor, or even a Mah Jong partner, but the moment one belongs to the theatrical profession, the public usually feels cheated unless it knows one's inmost thoughts of love.
My dinners at home are startlingly simple. Every night, I stop at the market near my hotel and pick up a steak, lamb chops or some liver, which I broil in the electric oven in my room. I usually eat four or five raw carrots with my meat, and that is all. I must be part rabbit; I never get bored with raw carrots.
For people who are afraid to talk about cancer, for people who are afraid to communicate with their loved ones about it, and for the people who want to pretend cancer doesn't exist, either delaying diagnosis or not getting regular checkups, the consequences can be fatal. Doing nothing about cancer will kill you.
When good things come in, my agent calls or sends me the script. But I allow them to sort through the offers so that I am not just sitting and reading everything because honestly, sometimes the scripts that appeal to me are projects that are not good projects, but I just really like the script or the characters.
Sarah [Silverman] writes her own jokes. She doesn't just go through her life and talk about everything. She sits down and crafts jokes. Sometimes her inspiration comes from areas of her life that are risqué. But she is an A-plus professional joke-writer in addition to being very attractive and a great performer.
When I've acted, and it's not been something I've written or have had at least a hand in writing, I do think there is a controlling side of me that is frustrated by that. And I actually don't think that it's a bad thing, because if I'm going to be in movies, in large part they're going to be movies that I write.
My mum was a nurse, and her passion was geriatric care. I used to love listening to the old people's stories in her nursing home and picturing myself in their place. They'd say, 'I went to school in a horse and cart,' and I'd just think 'Wow!' I'd picture myself in their place - acting was a natural progression.
I can't even consider the prospect of grandchildren because I don't know if there will be anything left for them on Earth. That's how serious the problem is. We can't drink the water or breathe the air, and we're all dying from some sort of cancer. How many generations can sustain that? It frightens me terribly.
When you wrap up your self-worth with your talent, and suddenly you might not be the most talented, that's really scary. And I think that fear is in part why I turned to comedy because I had no expectations of being a comedian. It was exciting to get good at something where I wasn't afraid of not being the best.
It's particularly important for a young woman to be in control of her image - to a certain extent. I mean, there's only so much you can do, because people take photos with you and then all of a sudden they pop up all over the place, they're completely out of context and you have no control over how they're used.
Im drawn to stories about ordinary people who get tangled up in an extraordinary event or idea or emotion. Im not saying I dont love films about super-people or super-doctors, but my preference is for stories about how we get through this life, what it is to be human, because Im always struggling with it myself.
Part of what made 'The Bling Ring' such a fun, freeing experience was that we got to wear these really over-the-top clothes we'd never pick in real life - like for the nightclub scenes, we'd have on these really short, really tight dresses. But you know what - I actually learned how to walk in heels on that set!
I really, really like Nicole Richie, and the only reason why I always bring her up is because I'm impressed with her style evolution. This is someone that came onto the scene that people didn't necessarily view as a style icon, and she completely switched up the game. And I like how she takes risks with fashion.
By high school, I was telling everyone, 'Oh, I'm going to be a doctor when I grow up,' because my dad was always saying to me, 'Pick a career path where you're always going to be necessary.' But by junior year, I was president of choir, I was the lead in the school play, and I just loved being onstage performing.
Our pets rely on us entirely for their nutrition. So if you're making your own judgments, that could lead to a mistake. At the same time, we have more control over our pet's diet than we do with our children or with ourselves, so your vet can tell you what is appropriate for your dog and you can assign them that.
Growing up, everybody told me I was good. I was playing ping-pong with my father, and he'd say, 'That's a good shot,' but I'd mess up the next one, and I'd yell, 'Don't tell me that! I'll mess up! Just don't say anything!' You know, if someone says, 'You can't do that,' then I'm going to be, 'Yeah, you watch me.'
My parents were really, really cool about supporting what I wanted to do at a really young age. I think I was about 10 when I caught the bug. They would drive me down to New York if there were auditions. When I was 12, I did this show on Broadway called 'High Society,' so we moved to New York for the run of that.
This is my breakfast: Two poached eggs, turkey bacon, and a half avocado. The yolks in a poached egg are alkalizing. Avocados are a great source of fat and vitamin E; great for your skin. It's super light and not too heavy. Sometimes I like a little sweet as well, so I have a cup of plain yogurt with blueberries.
When I was a young actress, I was called in just to do my part, and I didn't have any say or weight as far as any decisions go. But today, having worked as a producer and also having lived a little, I feel like I've found my voice more. I'm sure that it has influenced me as an actor and it will continue to do so.
I am interested in a lot of things - not just show business and my passion for animals. I try to keep current in what's going on in the world. I do mental exercises. I don't have any trouble memorizing lines because of the crossword puzzles I do every day to keep my mind a little limber. I don't sit and vegetate.
Creating my own roles, as an actor, is great. You're so at the mercy of other people, and you're waiting for a job. That's just a horrible way to live, so I just decided to take matters into my own hands, find my own projects, and create them myself, and then do other stuff that people might throw my way as well.
That's the beauty of the acting world. You can play so many different characters who know and do so many things that you have no idea about as yourself. So I'm a big fan of workshops and classes and learning new things because you can always apply it. It's your little supply bag of creativity. Keep filling it up.
You have to figure out what's important and keep the main points, though I will swing a little outside the box. It affords me the freedom to find out who the character is, and it's been a positive technique for me. I'm not saying everyone should change words, but if you can do it with confidence, you may nail it.
I used to live above Manganaro's, when old Times Square was still peaking, and it still had a lot of diners and theaters on the forty deuce, as they used to call it. It was full of character. And it wasn't Disneyland. Now it's so touristy and full of bright lights, I can't stand it. It's like going to a big mall.
I buy most of my plants from nurseries outside London these days, but there is a man who mysteriously appears each February to sell plants from a derelict site in Market Road. I think he's Greek, but people say he comes from Essex. He vanishes at the end of May only to reappear in December as suddenly as he went.
I hate flatscreens. I don't want to see anything in that much pixilation. I don't need to see the pimple on someone's face. I love the world through glass. The more old, dusty and tainted that glass is, the prettier and more impressionistic that is to me. I don't need to see everything perfectly. I don't like it.