Quotes of All Topics . Occasions . Authors
There is a latent fairy in all women, but look how carefully we have to secrete her in order to be taken seriously. And fairies come in all shapes, colours, sizes and types, they don't have to be fluffy. They can be demanding and furious if hey like. They do, however, have to wear a tiara. That much is compulsory.
I had already just sort of decided okay it's just never going to happen. So when they - when my name was called it was an out of body, you know, just glorious moment. It shouldn't mean that much. But, you know, I'd be lying if I didn't say that it meant the world to know that my peers appreciated what I was doing.
The succession of cheerful, period musicals I made, plus Oscar Levant's widely publicized remark about my virginity, contributed to what has been called my "image", which is a word that baffles me. There never was any intent on my part either in my acting or in my private life to create any such thing as an image.
It took two months from the day my fiance proposed to my first Google search for 'wedding planning: how?' Now, let me interrupt myself here and share how much I hate using the word 'fiance.' It's so fancy, and it's hard not to sound like a jerk saying it. Which is why I will be using my own word for fiance: gloob.
For a long time, way back in the ’30s and ’40s, there were fabulous female roles. Bette Davis and all those people had incredible, great roles. After World War II, something happened where it was not only "get out of the factories," but "get out of the movies." That's when women's roles started to really [change].
When I was 7, I went to school in Switzerland because everyone on my mom's side of the family lives there. Then we were back in Australia, in Queensland. That's where we had the chance to have lots of different animals. I spent a lot of time living in nature and building cubby houses in big old trees by the ocean.
I never wanted to be a mother, and when I got the show I was really upset. I was like "I'm not sexy anymore!" The more you become a mom, you're not sexy, which of course is crap. But that's the way actors look at it. Of course, that's not true now. But everybody expects you to look differently and act differently.
I started in theater when I was 14 in the Henry Street Playhouse on the Lower East Side in New York. You hustle, you beat the sidewalk, the pavement - audition, audition. I just started working around town everywhere. I mean everywhere - the Village, Harlem, you know. Brooklyn Academy Of Music. Just job after job.
Just don't pollute something that's not dirty. I want my kids to be happy and I want them to be themselves. I was saying to a friend the other day, 'Remember, our kids are not us.' They're not. Sometimes we're trying to fix things that happened to us or projecting [onto them], and that's a terrible, terrible trap.
I love Soul, R+B, Electronic, and good pop. Really, the only thing I don't listen to is country and heavy metal. I love Marvin Gaye, John Legend, Al Green, Fat Freddys Drop, Sade, Grace Jones, Bazoo Bijou, Prince, John Lennon, London Grammar, Daft Punk, Dr John, Dusty Springfield, Peggy Lee, Gotye, and on it goes.
There are days that I love just devoting to going to the park and playing with my son, but then sometimes you have to leave out other things, or if work is a full day of work, perhaps I miss the play time with my son, and I guess the only struggle is trying to not shortchange any of the things that you want to do.
They told me that I had a leaky valve, which is something that is certainly not life-threatening. It's common and it's something that had I not known about it, would I have lived? Sure. But it's something that I think is important to know, especially as I get older and given that I have heart disease in my family.
When you are relaxed about where you are at in life, things tend to flow more fluidly. It is as if you poke three holes in a bucket of water. The same amount of water is going to flow out the holes whether you let it flow or you shake the bucket. The difference is the amount of turmoil on the inside of the bucket!
I think people tend to believe that women who are successful are probably neglecting their children, possibly a bit hard-nosed and that they don't really support other women very much - that they're men-haters and ball-breakers. I've certainly been on the receiving end of those 'compliments' for most of my career.
It is clear to me that the imbalance of power between the genders is a major part of the world's problems right now. Anything out of balance is going to eventually be bad for us and presently the male energy and the worship of maleness is in fact a major contributor to the decaying state the world finds itself in.
Ive always loved the power of stories to transport me to another world, to imagine extraordinary possibilities, to experience things I may not have access to in my regular life - like being a superhero! Also, I would always put on shows for my family and the neighbors; I guess I was an actor before I even knew it.
There've been times where, like when I auditioned for 'Akeelah,' I think in the first audition I was a little bit afraid because it was, you know, I had seen girls in there that I had seen on TV before, and I was like, 'Man, I might as well just walk out of here now because I'm just a newcomer,' and this and that.
I want to live a good life and pay my taxes. 'The Killing' was a blessing. It was two wonderful years. But I had reached a point in my life, especially with a young son, that I was no longer willing to compromise my life for the sake of a paycheque. I was no longer willing to move where the tax credits are strong.
Having a family is really important. And there would be something missing in my life as a woman if I didn't at least attempt to fulfil that side of me. Just for a certain period of your life, to have your sole purpose to be nurturing, feeding and protecting someone else: it's animalistic, isn't it? It's beautiful.
I love comedy. David's Lynch the only person I've worked with more than once who sees me as a specific thing - he sees me as the sexy bimbo, in ways, and he also sees me as Lucille Ball. Actually, Nick Cage and I did Lucy and Ricky in two scenes in Wild at heart that were cut because the movie was four hours long.
When The Walking Dead officially got greenlit, Frank Darabont called me up and said, "My passion project just got off the ground. There's a role I think you're perfect for. Would you consider the role of Andrea?" And I was like, "Wow, I'd love to take a look at it." So, I read the pilot script and was knocked out.
Howard the Duck!' That's a really interesting movie. I appreciate my career, because I've had a lot of very interesting ups and downs, and most people... That movie is such a famous flop. In a land of a lot of flops, it's kind of awesome to be in a really famous flop. I mean, it's kind of a poster child for flops.
I think the hardest thing about the part is the responsibility that you feel playing something that is so real and resonant in our times. There are people coming home right now with those stories, and I'm just an actress pretending to be that person. You hope that you can shed some light on somebody's predicament.
I like that in 'Caprica' the virtual world is a new thing. The parents didn't have that growing up. And it's the same thing about the Internet and all the current technology. It didn't exist like it does now for our parents' generation. Kids aren't relating to their parents anymore, and I just find that so honest.
My grades in high school were not very good. I was that kind of perfectionist that figured if you can't do it perfectly, why do it at all? So my grades weren't great, but I feel like, is there any other way that I could have gotten into NYU? I don't know. I think that it definitely worked in my favor in some ways.
I write music as a staff writer for Universal Music Group, and I have since 2007. I've never talked about it publicly because I wanted to earn the right to be in the same room as the great writers I write with and not shoot my mouth off because I'm an actor. It's really important to me, and I really care about it.
And she [Margaret Thatcher] also had a sort of a way, like a railroad train, of going, taking a breath and starting quite quietly and making a point in a way that you don't really know that this point is going to be made through several examples, and there will be not be a break in the speaking voice at any point.
When I first moved to LA, no one could understand a thing I said, you would think I was speaking another language. Every time I would order something at Starbucks, they would go, 'Huh? What did you say?' My accent was an issue and my low voice was as well. They thought I should be more girlie. But that's who I am.
The biggest moments of insecurity come when all self-confidence is lost and you feel like people are watching and judging. It should be the opposite. You should feel like the people who are watching care about you. This is something we can try to give each other – the feeling that eyes signal support, not disdain.
I think the first film you do with your instincts because you haven't learned with another director or you haven't worked on other films, so you tend to do things your own way. I think what I learned the most was to take your time, to try to be less rushed into things and have some distance with what you're doing.
I don't want to get ahead at the expense of somebody else. I don't even want to be the center of attention - I mean, yes, I made the movie and I can do all these things, but I don't want to always keep being in the middle of it. I want to collaborate with people and be a part of a creative community. I don't know.
We had no religion at all, but we were Jews in New Hampshire, and my sister - who is now a rabbi - said it best: We were, like, the only Jews in Bedford, New Hampshire, as well as the only Democrats, so we just kind of associated those two things together. My dad raised us to believe that paying taxes is an honor.
Working with Adrien Brody was like going to Julliard, but instead of four years, I went for four weeks. He was like the Albert Einstein of professors, it was just the best experience of my life. Adrien was the most influential mentor in my acting career thus far, and even after the movie he continues to mentor me.
SodaStream is a company that is not only committed to the environment, but to building a bridge to peace between Israel and Palestine, supporting neighbors working alongside each other, receiving equal pay, equal benefits and equal rights. That is what is happening in their Ma'ale Adumim factory every working day.
The word 'feminist' is a word that discriminates, and I'm not into that. I don't think there has to be a separation in life in anything. [...] Labels are for other people to understand us, so for me, I know how I feel and I don't need to call myself a 'feminist' or 'not a feminist' because I know what my truth is.
There's been times when I've had heartbreaking moments and I'm like, 'I can't believe you said that,' or 'I can't believe you did that'. And it hurts, it still hurts, and it'll always hurt, but I've never had somebody that I truly cared about just walk out on me, whether it was a boyfriend, or an aunt, mom or dad.
I did study drama at Catholic U, but the undergraduates weren't put in productions, really, except as extras, and it wasn't a hands-on kind of thing at all. I couldn't afford to go to another college. And my grandparents lived in D.C., so I was able to live with them, and that's how I was able to afford it at all.
I heard about the book and I said, 'Oh my god, I've got to read this book,' and I didn't know that a white woman wrote it. Nobody said that to me, they just said, 'The Help - Oh my god, you've got to read it.' Everyone failed to mention it was a white woman, I think, because nobody really wants to talk about race.
I was pretty nervous when I met Robert DeNiro. I kind of felt like a kid in a candy store for the first time. I couldn't wipe the grin off of my face. But Bobby DeNiro was really, really sweet and made me feel very comfortable. He's very low-key and just a superstar professional, and totally someone to be admired.
I went to a Steiner School, which is very small and nurturing and creative, so I felt like I was in an environment where I could mature. There was less of the clique-y stuff, which can really make high school a living hell for a lot of people, going on, so I was very similar then to who I am now. I'm still a dork.
Latinos are the fastest growing minority, and we're obviously not going anywhere. We're extremely loyal as a people, and I think Hollywood is starting to recognize that. It's very rare for a major studio to nationally distribute a film with Latino talent, not only in front of the camera, but also behind the camera.
After I lost my legs, all I wanted to do was snowboard again. I remember spending an entire year on the computer, looking for 'adaptive snowboarders' or 'snowboard legs' or 'adaptive snowboard schools' or just something that I could connect to. I already knew how to snowboard - I just needed to find the right legs.
I lost the life that I knew, and I really had to rethink my future and think about my core values and the things that I love, and my passion, and that's really what helped me move forward. Also, for me just being grateful for what I had in my life versus on focusing on what I was losing, that really helped as well.
Artists raise their kids differently. We communicate to the point where we probably annoy our children. We have art around the house, we have books, we go to plays, we talk. Our focus is art and painting and dress-up and singing. It's what we love. So I think you can see how artists in some way raise other artists.
Breast cancer alone kills some 458,000 people each year, according to the World Health Organization, mainly in low- and middle-income countries. It has got to be a priority to ensure that more women can access gene testing and lifesaving preventive treatment, whatever their means and background, wherever they live.
I was always reticent about taking offerings from my father, and I think it was maybe because I felt the caveat was that I had to give something back, and I didn't like that position. But I've never felt incumbent on anyone to kind of keep them lifted or to support them, necessarily. I do that by wish or by option.
I think tights make a comeback out of necessity every season: you can only go so far with naked legs in the cold! You've got to protect yourself. I remember going to a fashion show and saying, 'And it's okay if I wear nude tights with this?' to the designer, who looked at me like I just killed his dog or something.
I think professionally I admire people and the way they've handled their careers and being in the media. But the people that I used to inspire me and keep me going were my peers in Toronto - I would see the same girls going to audition after audition, and their resilience to do it again, and I found that inspiring.
Lately, I've been getting too much attention with the Met Gala and work going so well that I try to find rejection in my day. I'll seek out someone on the street or at the farmers' market and ask for something where I know they'll say no. No one likes rejection, but it's real. And I don't want to lose that feeling.
We've all recognized the moment when the world has handed us a situation that is bigger than our youth can handle, and we have to grow up in a second. And when you do get to the other side, all it does is take us to this new level of existence that is more beautiful and more complex and, in some ways, more painful.