Quotes of All Topics . Occasions . Authors
I remember when 'A League of Their Own' was coming out in '92, when I was doing interviews, it seemed like every interviewer at some point would say, 'So... would you consider this a feminist movie?' People are worried that it's a taboo thing, so I took great relish in saying, 'Yes, I would. Write that, yes.'
I had never had any experience of autism before and I would come home and look at my son, Billy, who is now two, and be absolutely paranoid, particularly because he loves Thomas the Tank Engine, and lots of autys love Thomas. But he is not very good at pointing, and autistic children absolutely love pointing.
I had a girls' writing retreat at my condo and a bunch of other female writers came down. Me and two other writers got there before everyone and they pitched this idea to me. At first I wasn't sure what direction it was going in, but then once they kind of explained to me what they were thinking, we wrote it.
I wanted to be a therapist if the acting didn't work. I also did a lot waitressing and odd jobs. I'd audition but couldn't get hired to save my life. I'd do Off-Broadway theatre and that was great and I was excited and thrilled, feeling like, 'Well, it's Off-Broadway, but there's still the Broadway in there.'
I will never do nudity. I don't care how dark and intellectual the role could be, you know...I don't care if I frickin' could get an Oscar for it, I'm not going to do it. Those accolades mean nothing to me. I don't think people deserve to see what's under my clothing. That's only for my next husband-ha-ha-ha.
During the 80s and 90s, we all became consumed with ourselves. In the 21st century, we've come back to simpler times. People are struggling economically and this has forced them to scale back the material aspects of their lives and realise the beauty of finding the simple joy in being with the people we love.
When I was pregnant, everyone told me you're going to be one of those women with a little football in front. And then this...thing, this Scooby-Doo monster belly arrived. I gained 65 pounds. Every single part of my body was thicker - even my scalp! But that's the advantage of being young - it went right back.
Because having your story told as a woman, as a person of color, as a lesbian, as a trans person, or as any member of any disenfranchised community, is sadly often still a radical idea. There is so much power in storytelling, and there is enormous power in inclusive storytelling, in inclusive representations.
Our family adopted Paulie from a shelter as an 8-week-old puppy. We've had him for 11 years, and I think it was valuable for the kids to learn to be responsible for a pet. It's a wonderful thing for families - the unconditional love you get from a pet is something you carry with you for the rest of your life.
Playing a plainer role means everything is dependent on the credentials of the actor, not the fact that they are as pretty as Julia Roberts. People start to look at their talent rather than their appearance. And playing the ugly part often means less time in the make-up chair, which is a great benefit on set.
Every year, there is a new diet that all the celebs or housewives are trying. We all want the perfect diet or the perfect pill. If we surveyed a million women, and they could choose to learn the truth about God or the foolproof diet, I guarantee more women would pick the miracle diet over the miracle of life.
The grass is always greener. You think how wonderful it would be to be someone else, but I don't think I would like it. I'm thrilled to observe other people, but I don't want to be in their shoes. If I got there, I might find it not quite what I expected, and it would break my illusion, and I don't want that!
There are certain things about me that I will never tell to anyone because I am a very private person. But basically, what you see is who I am. I'm independent, I do like to be liked, I do look for the good side of life and people. I'm positive, I'm disciplined, I like my life in order, and I'm neat as a pin.
I'll audition for something and then the feedback has been, 'The director wants you, the creative people want you, but the studio is saying no.' It's depressing, but I understand. People are investing a lot of money and they want somewhat of a guarantee; they want someone who's been on the cover of magazines.
I've been working in television for so long, since 2004, and I just worked nonstop throughout that time and I've learned so much. I've definitely done that 10,000 hours. I know the format really well and I feel comfortable in it. I'm excited about going into something I'm not so comfortable in, which is film.
My two best friends have gone through break-ups that were really hard, and I remember thinking, 'How could this be so hard and important to them?' Literally for months they were really upset and they couldn't get over it. I had no idea what it was like. And now that I've been through it, I totally understand.
'Roseanne' was massive for me. I adored that show. I mean, the show was this couple who weren't cookie-cutter, and they were sexy, and we know that they like to have sex with each other, and they flirted, and then they ragged on their kids, and their kids ragged on them, and it was such a realistic depiction.
Women have to be careful and teach their girls to be aware of their surroundings and never be alone with testosterone-crazed boys. A lot of little lives are being ruined and our society is to blame. Our kids are just searching and being curious but they are dangerously looking for the wrong kind of attention.
'Sister Act' was my first audition out of school. I was 21 and cast as the understudy. It was non-Equity, so I lived in L.A. on $300 a week. I did that for a month and then came to New York to do a couple of gigs, including 'Hair' in the park, before going to London with 'Sister Act,' where I played the lead.
I feel like I'm an ordinary person, but I've had extraordinary opportunities in my later life, and I never saw any of it coming. I never saw 'The Office' coming, I never saw 'Inside Out' coming, and I just feel grateful and thankful to have these opportunities and to have an actual real enthusiasm in my life.
I was never apposed or sought out nudity, but it was necessary in the Where the Truth Lies. If they didn't have the nudity, but they still had the scenes - because sex is used as a power tool in this movie - I feel it would have felt self conscious and I think the scene is meant for you to feel uncomfortable.
A friend of my mother's, Irene Lopez, was a Spanish dancer. She saw me bopping around the room and said to my mother, 'Rosita might have talent. Can I take her to my dance teacher?' There was no thought of a career at that time, but I knew I loved the attention, and that's so much a part of being a performer.
I certainly relate to Ygritte in the fact that she is so strong and also ruthless as well and I feel that especially within 'Game of Thrones,' I think that as a show, it is one of the frontrunners for showing dominant female characters and making sure that men answer to women rather than the other way around.
The Catcher in the Rye had such a deep impact on me, because it felt like it was just Holden and me. I didn't feel like any other person had read that book. It felt like my secret. Writing that I identify with feels like it's just me and the writer. So I hope that whoever is reading what I do feels like that.
You just try to do everything that comes up. Get up an hour earlier, stay up an hour later, make the time. Then you look back and say, ‘Well, that was a neat piece of juggling there -- school, marriage, babies, career.’ The enthusiasms took me through the action, not the measuring of it or the reasonableness.
When I was a kid you didn't have Twitter or Instagram where as soon as you walk out of a building a photo of you is up within two minutes or a million people are commenting and saying nasty things. I found a different confidence because I realized that you can't base your self-worth on the opinions of others.
Being in front of a camera, in a nice dress, getting all dressed up, is extreme. There's a lot of other extreme situations, you know, just getting out of bed sometimes is extreme - but I do it. Just got to do it, just got to get up. Put your sweatpants on, brush off the dog hair and just get out of the house!
You can't shut down, you can't say, 'What can I do to make this go away?'. You have to let it be painful and get through it. Every day gets better. Because when you're in love, you kind of give everything and make that person your life. So every day you get more and more of yourself back, and it feels better.
You can't shut down. You can't say, 'What can I do to make this go away?' You have to let it be painful and get through it. Every day gets better. Because when you're in love, you kind of give everything and make that person your life. So every day, you get more and more of yourself back, and it feels better.
Doing reality TV is a lot harder than I thought because I come from the world of [scripted] television where everything is thought out and you know what's going to happen, your lines, what your wardrobe is going to be, etc. But with reality, it's very spontaneous and the cameras are around for 12 hours a day.
I am so happy that I decided to cut my hair. It literally takes me three minutes to do my hair. I get out of the shower, put some conditioner in it, and it's just, 'Let's go,' and I love that! I think it's very, very important to find products that allow us to be able to have more time to do things like that.
MAKE STATEMENTS also applies to us women: Speak in statements instead of apologetic questions. No one wants to go to a doctor who says, “I’m going to be your surgeon? I’m here to talk to you about your procedure? I was first in my class at Johns Hopkins, so?” Make statements, with your actions and your voice.
Politics and prostitution have to be the only jobs where inexperience is considered a virtue. In what other profession would you brag about not knowing stuff? “I’m not one of those fancy Harvard heart surgeons. I’m just an unlicensed plumber with a dream and I’d like to cut your chest open.” The crowd cheers.
I would love to work with Ron Howard. I think he is brilliant. I love the stories that he chooses. Theyre always very personal and intense. He loves a lot of emotion, and hes so well equipped to pull all of that out of the actors. I really love that kind of thing and I think thats what movies should be about.
I do have the most adorable little Chihuahua mix. I adopted him about 3 1/2 years ago from Much Love pet adoption, and he has been the love of my life ever since. His name is Beau, or as my sister and I like to call him ' mushy mush' because he truly is just a pile of loving mush that just melts in your arms.
When you look at me you don't immediately imagine a very very glamorous icon, so it's only in the theater that I get to do these experiments. I've been an actor about 51 years now. I've played everything from an 8-year-old black boy to a 72-year-old French matriarch, and they hardly hire you to do that on TV.
I stood in front of a mountain and was overwhelmed by the beauty and energy; I had goosebumps. I thought, if I could record this feeling, go back home and pour it out again so other people can have that feeling, this I would want to be my work. I knew it was acting - I wanted to be like a messenger or medium.
We're in a very competitive industry, and sometimes the bigger Hollywood things are not so risk takey. I find myself mostly existing in this weirdo indie world, which I feel really comfortable being in. The thing that motivates me the most is to try to do something way different than the last thing that I did.
Growing up, I didn't know about the Japanese internment camps until I saw a movie of the week as an adult. I remember going, 'How come that wasn't covered in history class?' Moving to California, you run into people whose grandparents lost everything and their businesses and were put in these internment camps.
Most of the theater I've done in the past was when I was a kid or a teenager so it feels like being a kid again. I'm happier than I've ever been. You really get to go to work every day and play, and try different things. I don't know, I've never felt so lucky to do this job. So I hope to do a lot more theater.
I think that I was lucky that I was 30 when I did 'Love Story', which came with this extravagant pop celebrity. I had already done 15 years of what I call 'real' work.' I was a waitress, chambermaid, and a photographer's assistant, so I knew that I was tremendously lucky as a novice actor to have that big hit.
There are so many wonderful shows that come out through the year. What makes some stick is an unknown factor, you know? It's gotta be the right show at the right time. Really, you've got to have magic elements line up. But I felt that this was going to be something that was really going to ring true to people.
Some of these actresses or public personas who are very public about their disciplined diets, more power to them. I just don't see the point. I'm just not going to be one of those people photographed in a bikini where people are like, 'OMG, look at Amy!' I mean, it might be OMG, but not for the reasons I want.
Ladies like improv stilts, and I think men like improv giant cocks. But one of the great things about improv is that you get to play some roles you'd never get to play otherwise, you know, like the old Italian pizza-maker who's passing on the business down to his son. You get to play it all when you improvise.
This is what you do on your very first day in Paris. You get yourself, not a drizzle, but some honest-to-goodness rain, and you find yourself someone really nice and drive her through the Bois de Boulogne in a taxi. The rain's very important. That's when Paris smells its sweetest. It's the damp chestnut trees.
I feel everything very strongly, and that is why I am an actress. I have made such clear connections between some of my chronic boo-boos in my body and emotion. It is kind of fascinating. I really feel like as a society, we need tap into that and embrace that more and more instead of wondering why we are sick.
Something that's good in the mini-culture of 'Happy Endings' is that the goal is to try and make each other laugh. There is a pretty high bar, and you want to make the writers laugh, and you want to elevate what's already great material - and also, we're like, 'Who is even watching this? Let's just go for it.'
I have a very healthy relationship to my work, and I find that if a scene is working, no matter how intense it is, you have the catharsis on screen, and you can let it go. I think it's, if at the end of the day you feel like you haven't cracked it, that's when you go home and it's more difficult to switch off.
Getting older is not nice for anyone, not for men, not for women, and even more difficult for people who depend on their physical appearance. But it's not a drama. I know some people who are much more stressed than I am. And also, I live in Europe; I think it would be much more difficult if I lived in America.
For me, its like go ahead and eat. Live your life. I mean, I've just seen so much death, you know, as of late, being in my 40s, of people getting sick or, you know, whatever, that I just feel like, you know what? You never know with life. Eat. Enjoy yourself. Just try to be healthy and, you know, and watch it.