Quotes of All Topics . Occasions . Authors
I worked at Dollywood when I was a kid. Then I worked at Opryland. I worked at a variety of theater things in Atlanta. I was also in a choir for two years where we did 'Annie' and 'Joseph and the Amazing Technicolor Dreamcoat.'
Twitter's a funny one. I mean, it's good in some respects, but I can't stand it in other respects. You know there are too many opinions, people get opinions mixed up, and people get being rude mixed up with 'that's my opinion.'
The world is my stage. I try to be good at it, whatever part I'm playing - even in my daily life or when the spotlight hits me on the stage to perform - I gotta be alive every second in this world. With or without the applause!
I wrote "Miner's Prayer" after [grandfather] died. I'd gone back to his funeral, and he died in 1979. And I came back to California, and I think a couple of weeks after that funeral wrote that song thinking about him, his life.
On Memorial Day, I don't want to only remember the combatants. There were also those who came out of the trenches as writers and poets, who started preaching peace, men and women who have made this world a kinder place to live.
If I did a Rock record, it would be equally as truthful because I love Rock. I had to actually sing to Bon Jovi one time and I felt like he believed me. He's one of my favorite artists, so there's nothing better than the truth.
Having my first number one single and being able to travel to places I've never been before has been amazing. The tour was also fantastic. There are so many things which I've experienced this year which I never even dreamed of.
The giant neon spinning discs are a reminder of the huge role that Sam Sniderman and his store played in the cultural life of Toronto and I believe they should be preserved and remounted in the interests of our city's heritage.
I've been spoiled being in the fashion business. My son will be like, 'Mommy, 20 new pairs of shoes came today. How come?' Because I'm always telling him it's not normal to have 20 pairs of tennis shoes to try on before school.
I love five-string banjo. On an electric guitar, let's say a two-hour show, it starts getting heavy right across the neck and shoulders. And I like to be able to flip it off and grab the fiddle, and that's just the way I do it.
You see, dream-lover of a lady, what shakes me to the core Is the thought as you caress me, you've done this all before I think about the future with me out and others in Will I, too, have disappeared like I've never ever been?
I am sincerely grateful to everyone who did not let me pass my auditions. If I had gotten in too easily, I wouldn't have worked as hard. Thanks to them, I've gained more strength and I've learned what it means to never give up.
Right around the end of the fifties, college students and young people in general, began to realize that this music was almost like a history of our country - this music contained the real history of the people of this country.
I was an arts kid in every form of the word you can imagine. I wanted to sing and dance and act - I wanted to do it all. At a very young age, I was put in performing arts schools where I got to do those things every single day.
I don't think I'd be happy if I were satisfied. I enjoy challenge, and I wouldn't say that I'm an ambitious person career-wise or financially, really. I would like to travel more comfortably, but that's really about all I need.
Music is endless and even though I've heard a whole bunch of music from so many different places and fallen in love countless times with all kinds of different music.There's still something about it,I guess it's called Freedom.
I just want to continue to grow, as an actor, and dig. Hopefully, one day, I'll lose myself in a role. My only worry about that is that I just want to be able to come back home. I don't want to get lost forever. That scares me.
I'm a great self-doubter. I constantly need to prove myself to myself. I've never run to heroin or alcohol to hide that. I always have to deal with it. Stage fright is always going to be there. I have nightmares about bad gigs.
If you hide information from people, don't want people to see the Ten Commandments or don't want people to hear about Darwin, aren't we hiding things that we know from our future generations? I just think that that's incorrect.
If we have any hope for survival of the music that we all love, compassion must replace name-calling, fairness must replace greed, and we need to come together as a musical community and try to understand each other's problems.
I think people should be able to have at their behest, like, four hours of music, entertainment, visual knowledge, different pathways. That's what I'm trying to do with modern technology, not just another song and another song.
I think the best thing an artist can do is not hang out with other artists. I really dislike hanging out with musicians, for the most part, except for a few select friends, because I don't like to talk about music all the time.
Red carpets are pretty unpredictable. You can go from one person asking you what you're wearing to the next person asking you about the situation in Haiti. It's the extreme juxtaposition, and some of the questions can throw me!
When I first came into the business, I had to, for the sake of being able to sell myself as an artist, always be happy and jovial and smiling. I was the happy nice girl, and I am the happy nice girl, but I have my moments, too.
It was blazing sunshine and I went on in a turquoise neck muff, glamorous dress and muddy boots and just had the best gig, really emotional. I've had emails from people saying that they cried. They promised it wasn't the drugs.
I'm not cynical, but the reality is that life is mortal. Terrible, sad things happen. Everybody loses friends and family. I'll be on tour and get really scared if my wife won't answer her phone within one minute. I'm sensitive.
Sometimes you don't get the value of the art or the painting you buy. The value you get from it is on the wall and you're looking at it. It's the same with your car. You're using it, so it goes down in value but you've used it.
Today [people] are ready to take emergency cures, whatever they are, if it's violence, if it's a fascination with serial killing or whatever - the discomfort is so intense. Maybe it's always been like that, certainly it is now.
I have many memories of waking up to eat breakfast that my mother carefully prepared for us and her saying, what do y'all want for lunch, and as we're eating lunch, what do y'all want for dinner? It's always about the next meal
People called rock & roll 'African music.' They called it 'voodoo music.' They said that it would drive the kids insane. They said that it was just a flash in the pan - the same thing that they always used to say about hip-hop.
Lana Del Rey seems to be bothering everybody because she allegedly 'remade' herself from a folk singing, girl-next-door type into an electro-urban kitty cat on the prowl (of course I like her), and they feel she is inauthentic.
But you know we couldn't compare what we do with what the British athletes did at the Olympics. We are very proud to be British and if we have done our bit to promote Britain in a historic year for the country that's brilliant.
If I have to be the person who opens the door for women to believe and understand and embrace the idea that they can be sexual and look good and be as relevant in their 50s or their 60s as they were in their 20s, then so be it.
I'm a spiritual person and a religious person. But for me, it's all a personal thing. I'm not someone who'll say, 'This is what I believe, and you should too!' It's more of an internal, quiet, grounded, fulfilling thing for me.
People are complex, and I think it's a huge element of what I do, because you have to balance out the fact that you talk about quite serious things with a sense of irony and tongue-in-cheek humor. That's my personality as well.
Crazy Arms' is one of those songs that can get crushed beneath its own weight. It's kind of like 'Orange Blossom Special' or 'Rocky Top' or 'Crazy.' But when you go back to the original interpretation, you hear it in a new way.
Yonkers made me strong and made me believe in myself, because so many people would doubt you and not believe. There are people that would believe in you, but the environment was so harsh, nobody wanted you to get out, you know?
This music business can suck all the love out of you, all the compassion for people - you can start to think you're better than them. But I want to continue to let people know that I'm no better and no worse, I'm just like you.
My first songs, I would just record them on this little tape recorder, and then I didn't start recording songs I really liked until my friend gave me a 4-track (recorder) and that's when my ideas really started coming together.
If Nirvana had remained a small, underground punk rock band, Kurt Cobain would still be alive. And he'd probably be living in Seattle, getting kind of fat and balding, be relatively happy and producing records for other people.
So man's insanity is heaven's sense, and wandering from all mortal reason, man comes at last to that celestial thought, which, to reason, is absurd and frantic; and weal or woe, feels then uncompromised, indifferent as his God.
A baby adds more stress to a relationship - you're up all night and it really is a test. Everything changes. You can't just go for lunch or dinner or a drink. That goes out the window, and you're dealing with the serious stuff.
It's common knowledge that in the entertainment industry there's a lot of craziness that goes down, and it's really hard for anyone to stay sane. It's not a very natural environment to be in for too long. It's not very healthy.
I know that I can sing really loud. It's like having that really big Evinrude engine on the back of your fishing boat. But I've been trying to be more dynamic with my voice and not just singing on ten all of time out of terror.
I would say my favorite is probably the 'Colder' video. Just because that sort of brings the album artwork to life. It's not my favorite song on the album, but visually, I think it just came out exactly how I had it in my head.
My best mates when I was 19 were all in their 30s. I used to go to all their house parties, and they were crazier than the guys who were 17, 18. They were so much more liberated than the people who were apparently shackle-free.
I believe I've still got lots and lots to do. When I left Herman's Hermits in 1973, I said one day I'm gonna be in a Broadway show, and I thought it would be in 1974. Then, it took me ten years to do it, but I didn't ever quit.
I always felt like I was stuck in between my parents, relaying information back and forth and walking on egg shells, not knowing what was going to trigger something to make them mad and not knowing what to say in front of them.
Songs kind of live in a timeless place for me, and since I make records I dunno, about every two-and-a-half to three years or something like that, it's just not enough to put all the songs that I have, no matter how much I put.
I can't complain about the support I've been given over the years, but I don't like it slipping away. Nobody says 'I'd like to be a bit less successful next year, please'. Nobody on the planet wants that, and I certainly don't.