Quotes of All Topics . Occasions . Authors
I had said before that I'd never write an autobiography because I've been around, and there's a lot that I've seen and heard that stays with me. That's just mine. I didn't want to do a kiss-and-tell, as some of my peers have.
When I was a kid, my father brought home the autobiography of Sid Luckman, the great Chicago Bears quarterback - probably an extra copy from the sports department where he worked. It was the first sports biography I ever read.
Because I write fiction, I don't write autobiography, and to me they are very different things. The first-person narrative is a very intimate thing, but you are not addressing other people as 'I' - you are inhabiting that 'I.'
I don't like the word 'autobiography.' I rather like the term 'autofiction.' The second you make a script out of the story of your life, it becomes fictional. Of course, the truth is never far. But the story is created out of it.
It is important to understand how leaders have adapted and thought about war and warfare across their careers. 'The Autobiography of General Ulysses S. Grant: Memoirs of the Civil War' is perhaps the best war memoir ever written.
When you are what we call a 'minority writer,' a writer of color, a writer of any kind of difference, there is some kind of presumption of autobiography in everything you produce. And I find that really maddening, and I resist that.
Autobiography should be more stringent. It should adhere more to the standards of journalism - assuming that journalism has the truth. The memoir gives you more scope, is more poetic, and allows you to play around with your own life.
I was trying to write an autobiography using prints and patterns that reference emotional, psychological, and personal development in my work, as a person growing up, figuring out who I was. I used fabrics to stand in for occurrences.
I don't view my memory as accurate or static - and, in autobiographical fiction, my focus is still on creating an effect, not on documenting reality - so 'autobiographical,' to me, is closer in meaning to 'fiction' than 'autobiography.'
I wrote a little autobiography about how luck has to do with everything. It's called 'My Lucky Life In and Out of Show Business.' A publisher came to me and said, 'Write a book,' so I did. I wanted to call it 'Everybody Else Has Got a Book.'
One of the more fatuous remarks I've heard in recent days is that 'My Life,' Clinton's autobiography, is too long and, at almost 1,000 pages, short it is not. But this man was for eight years the President of the most powerful country on earth.
I was a fan of the Marx Brothers. One of them had this character where he pretended not to be able to talk, but then he wrote this autobiography called 'Harpo Speaks!' He wrote about how he quit school at nine years old to become a professional.
Traditional autobiography has generally had a poor press. The novelist Daphne du Maurier condemned all examples of this literary form as self-indulgent. Others have quipped that autobiography reveals nothing bad about its writer except his memory.
In 1999, I had my back against the wall, and WWE had a ghostwriter working on an autobiography for me. He was halfway through, and it was awful, just boring. I took over as a way of trying to fix things, as I thought I could probably do a better job.
A turning point in the public's perception of the building art came with the publication of Frank Lloyd Wright's 'An Autobiography' of 1932, a picaresque narrative that captivated many who hadn't the slightest inkling of what architects actually did.
Yes, I have two books that are about me: one of them I wrote, and the other one was written about me. One of my books, which is called 'Spying on Miss Muller,' is really about me even though it's a novel. My autobiography is called 'Once Upon a Time.'
The re-releases have more than doubled the amount of Led Zeppelin work out there. I wanted it done authoritatively, 'cause I was the one writing the stuff; I was the producer and mixer. I don't think it's any more weird than writing your autobiography.
I had several publishers, and they were all the same. They all wanted salacious. And everybody is writing autobiographies, and that's one reason why I'm not going to do it. If young Posh Spice can write her autobiography, then I don't want to write one!
Quincy Jones' autobiography 'Q' is very good. Because he's a master at music, he's one of our greatest composers, and its good for him to have a book and tell the good ole days when he was with Duke Ellington, Count Basie, Sarah Vaughan and Ray Charles.
You should not do an autobiography if you want to tell the truth. There are a lot of things I know about people. If I can't say something good about a person, I don't want to say anything. And since I don't want to say anything bad, I won't write a book.
A home should be an intimate autobiography of the things that you like. One of the things I'm so keen on expressing is that, if you don't do it for yourself, if you're always seeking affirmation from outside, you'll never have a home. It'll just be a house.
In this one book are the two most interesting personalities in the whole world - God and yourself. The Bible is the story of God and man, a love story in which you and I must write our own ending, our unfinished autobiography of the creature and the Creator.
But, Tarantino has seen all of my movies. He's seen my good stuff, he's seen my bad stuff, he's seen the ones I directed, he's read my autobiography. There's an awful lot of things he knows about me, all of which I think had something to do with his casting.
Harper Collins gave me a letter of intent saying that they want me to pen down my autobiography. When I was recollecting the incidents of my life for that, I selected only those incidents which were turning points in my life. I staged it instead of writing it.
After my stroke I put down much of the luggage of my life. I didn't have to prove anything anymore - in business, in my personal life or whatever. And now, as I work on my autobiography, I enjoy looking back, seeing the connections, the causes and effects of my life.
A memoir is not an autobiography. It's a true story told as a novel, using techniques of novelization. The author is allowed to compress events, combine characters, change names, change the sequence of events, just as if he's writing a novel. But it's got to be true.
Traffic' was an album that had a significant amount of songs. It was not complete and I felt didn't fully represent me as a person or as the artist I want to be and so when I started the writing process for 'The Autobiography' I was really turning a corner in my life.
Of course it's fun writing about an egomaniac, but I know there are going to be reviewers who've never met me, who don't know anything about me, who are going to say this is autobiography: he's just changed the names of a few people, and the rest is totally as it was.
I realized going back and writing and explaining in details the difficulties I had lived actually became emotional again. It's like therapy but sometimes therapy can be painful. But it's part of life and part of the autobiography so I'll have to finish it sooner or later.
Autobiography is awfully seductive; it's wonderful. Once I got into it, I realized I was following a tradition established by Frederick Douglass - the slave narrative - speaking in the first-person singular, talking about the first-person plural, always saying 'I,' meaning 'we.'
I visited an asylum to observe expressions of the mentally disturbed and to get my body language right for the blind girl's role. I visited the blind school, read the autobiography of Helen Keller, and watched a number of films from 'Scent of a Woman' to 'Anurag,' 'Fanaa' and 'Black.'
The book is called 'Thanks for Nothing' and it's really the story of how I got into comedy and traces back every strand in my life that is relevant to that story. It's kind of an autobiography but isn't, as it stops about 25 years ago. It goes right up to the first time I do stand up.
I was sort of on a mission with 'American Splendor.' I wanted to try to prove that comics could do things. I wanted to expand them beyond superheroes and talking animals. And I knew that was going to take a long time. But I just started writing an autobiography about my quotidian life.
I have my Grade 1 autobiography that says I'm going to the 2012 Olympic Games, and it has a picture of me on the podium. So, I've known my whole life. It's not something I just thought of. I've known I would be an Olympic athlete; didn't know what sport, but I drew myself in a judo gi.
When I left the Senate in 1979, there were several publishers who had approached me about writing an autobiography, and I knew that politicians write books for many reasons, but at that time, I just thought I wasn't ready and my story wasn't over, and I knew I had a new life ahead of me.
You pick up loads of baggage with your first record with reaction to it from fans and critics. So I went to Ireland by myself for a couple of weeks with my guitar. I read lots of poetry, I read Patti Smith's autobiography and started words and phrases and then songs started to take shape.
'The Autobiography of Malcolm X.' I've used it to demonstrate racial attitudes to people who I thought needed a better understanding of all human beings. Malcolm was not a racist. He was not looking for revenge. He realized that kindness and goodness did not come from any one kind of person.
I'm a huge Jackie Chan fan, and my boyfriend is Taiwanese, and he doesn't like to read. He had this Jackie Chan book, and I was asking him questions about him, and he didn't know, and I said, 'What do you mean you don't know? You have the Jackie Chan autobiography right there on the bookshelf!'
Tina Fey's autobiography is very, very funny and very well written. It's her life story: it's about how she grows up in New York. There's no obvious reason why I should enjoy this - I mean, this is the autobiography of a woman in her early 40s in New York. I'm a guy from a small town in Denmark.
'Illustrado' is not an autobiography. Only the ideas are autobiographical; the ideas of bitterness, frustration, unchanging society, an individual lost, social awkwardness... The book satirises archetypes from across Filipino society, and I felt that the least I could do was offer myself up, too.
Obviously, in marketing, the best tool is to show the autobiography in fiction. It's inevitable how that happens, but it's generic. Say I've written a story where my sister dies. 'Well, did your sister die?' No, she did not. But people use those straws to grasp at the difference between reality and fiction.
I'd never put much thought into writing an autobiography before, because while I have this public persona of being extremely confident, I also am extremely filled with self-doubt, worry and insecurity. This book came about because I was trying to sell another book, unsuccessfully, about health and wellness.
Despite the natural belittling of one's self, the doubts, the insecurities, we have to wake up to the realisation that we all write our own autobiography, we are the authors of our life story. Realising that, write a good story with your life and make sure to write yourself as the protagonist. Be the hero of your journey.
Somebody talked me into writing an autobiography about six or seven years ago. And I said I'd try. We talked into a tape recorder, and after a couple of months, I said, To hell with it. I was so depressed. It was like saying, 'This is the end.' I was more interested in what the hell was coming the next day or the next week.
There's a lot of material from my life in my books, but they're not really autobiographical, in the sense that they're not about my life. So, in 'A Feather on the Breath of God' I write about my parents, I write about this Russian immigrant, I write about the world of dance, but it isn't an autobiography; so much is left out.
When I was first approached about doing an autobiography, I said, 'absolutely not.' But when I sat down, memories came pouring out. It wrote very quickly - I think there was an emotional impulse, because once I started in, the story itself carried me along. It was a very intense writing period and took a year and change to finish.
I was assigned to the Waffen-SS but was never involved in any crime. Besides, I always felt the need to write about my experiences in a larger context one day. This has only developed recently, now that I have overcome my inner aversion to writing an autobiography in the first place, specifically one having to do with my younger years.
When you write something you know, you're making a story that will work, whether or not there's bits taken. It's always funny to me when people say, 'Well, it's clearly autobiographical,' and I say, 'Well, how do you know my autobiography?' Certainly, there are things that are connected, but I just think it's a very interesting assumption.