Quotes of All Topics . Occasions . Authors
The very same book, even if it is translated very accurately, let's say from Hebrew into English or from English into Hebrew, becomes a different book because language is a musical instrument.
One of the main reasons I wanted to work on 'World War Z' was because I'm a huge fan of the book, and I love the idea of taking a non-linear story and creating a three-act structure out of it.
I love being a part of storytelling, so whether I'm getting to do that on Survivor, or do it through kids' adventure books, or directing a movie, it's all sort of the same: Once Upon a Time...
I think there is something barbaric in children, and it's missing in lots of books for them because we don't like to think of it. We want them to be happy [but] childhood is a very tough time.
Not everything that can be extracted appears in anthologies of quotations, in commonplace books, or on the back of Celestial Seasonings boxes. Only certain sorts of extracts become quotations.
I don't know about transformation. But scientifically you can say: Well, it doesn't seem to hurt anybody. Personally I've been cheered by books at really critical moments. That much I believe.
One day I'm going to write a book about osprey. It has really gotten deep into my bloodstream. So when you ask what else I do, I feel like this is part of what I do....is to watch these birds.
No matter how many awards you've won or how many sales you've got, come the next book it's still a blank sheet of paper and you're still panicking like hell that you've got nothing new to say.
I would like my book to give people insight to the war before and after, but I don't think anyone could read my book and suddenly make up her mind about the war. I want to write for everybody.
Bad books on writing tell you to "WRITE WHAT YOU KNOW", a solemn and totally false adage that is the reason there exist so many mediocre novels about English professors contemplating adultery.
I love grand scale. One of the things that everybody mentions is that my novels are beautiful objects in the sense that the elements of the actual book are being extruded and re-contextualized.
What I'm saying in my books boils down to this: Mine religion for what is good and avoid what is deleterious. Don't condemn people who need it. Be very careful when that need becomes fanatical.
It really is fascinating stuff, and I've picked it up on Scrubs. Memorizing lines is at least as hard as studying a text book, I mean, by this point I know about as much as most 'real' doctors.
After years of practice, I can walk into a bookstore and understand its layout in a few seconds. I can glance at the spine of a book and make a good guess at its content from a number of signs.
I can't think of any flower that wouldn't be suitable to merge with an image of a newborn, and as I was planning for the book, Miracle, I was drawn to blossoms that appealed to me artistically.
A lot of the ways that I like to approach comic books, or anything like that, is not just the book itself, but the fans of it, the readers, the world that exists around it as a cultural object.
There are no books in this world that everybody must read, but only books that a person must read at a certain time in a given place under given circumstances and at a given period of his life.
Maybe other writers have perfect first drafts, but I am not one of them. I always try to get the book as tight as I can, but you reach a point as the author where you have lost all perspective.
Personally, I am a hedonistic reader; I have never read a book merely because it was ancient. I read books for the aesthetic emotions they offer me, and I ignore the commentaries and criticism.
Comic books, if you're adapting a comic book - like X-Men, for example - you've got 40 years of amazing stories to dig into, things that incredible artists have been thinking about for decades.
You don't make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved.
I wrote the book 'Grace, Gold & Glory' because I had to overcome many challenges and hardships. I wanted to share my story to let anyone facing hardships know that your dream is still possible.
In terms of the way people see me, it breaks down into two very clear and distinct groups: those who think they know me from reading the papers and those who really know me by reading my books.
It is America, I don't want the government trying to control more of my life. I want less government control, and I think there are too many government regulations, laws and taxes on the books.
Usually the script is much more funny than the film turns out to be, in my case. The script is almost like a comic book but when you start making it, for some reason the film gets very serious.
Books are the building blocks of civilization, for without the written word, a man knows nothing beyond what occurs during his own brief years and, perhaps, in a few tales his parents tell him.
We live in the country, and I have a huge library there. When we go to London for the winter I never know which books to take. I never know what I am going to need. Thats the only disadvantage.
It's hard when you make a film from a book that so many people love, because there's no way to get the entire story into a two-hour movie. But I was pleased with the reaction [for Kite Runner].
I do think there are always ways to create what seem like insurmountable powers, but then suddenly you find their limitations and that's the nature of comic book storytelling - always has been.
As we get older, our fears, in some way, sharpen and become more personal, because we can no longer - let's say take a book like "It" or maybe "Christine," and say these are make-believe fears.
If you steal from one book you are condemned as a plagiarist, but if you steal from ten books you are considered a scholar, and if you steal from thirty or forty books, a distinguished scholar.
We all face difficulties of our own, and how comforting it is to immerse yourself in a book - my book, any book, any romance. It's entertainment, it's escape, and it can even be an inspiration!
Does one get faith by mere studying of books? Too much reading creates confusion. The Master used to say that one should learn from the scriptures that God alone is real and the world illusory.
What I fear is not being forgotten after my death, but, rather, not being enough forgotten. As we were saying, it is not our books that survive, but our poor lives that linger in the histories.
The book [Manufacturing Consent] itself is then devoted to a series of case studies, selected, we hope [with Edward Herman], to offer a fair and in fact rather severe test of those conclusions.
My mother's work ethic, her attitude, and the way she treated each and every customer as if they were her best friend were better lessons than could be found in all the text books in the world.
I fancy mankind may come, in time, to write all aphoristically, except in narrative; grow weary of preparation, and connection, and illustration, and all those arts by which a big book is made.
Imagine someone holding forth on biology whose only knowledge of the subject is 'The Book of British Birds,' and you have a rough idea of what it feels like to read Richard Dawkins on theology.
The intention of this Book of The Law is perfectly simple. Whatever your sexual predilections may be, you are free, by the Law of Thelema, to the the star you are, to go your own way rejoicing.
What is new about Barthes's posthumous reputation is the view of him as a writer whose books of criticism and personal musings must be admired as serious and beautiful works of the imagination.
A really good day for me is to write my book for about four hours, go to the writing room for about four hours and then maybe come back to the book to finish the day for a few more hours of it.
I had no books at home. I started to frequent a public library in Lisbon. It was there, with no help except curiosity and the will to learn, that my taste for reading developed and was refined.
Women's books are kind of discriminated against. If a man writes a book about his family stories, people think of it as literature. If it's a woman, she's 'spilling her guts,' and it's not art.
Above all, the translation of books into digital formats means the destruction of boundaries. Bound, printed texts are discrete objects: immutable, individual, lendable, cut off from the world.
As far as Love Dare for Parents goes, you can download the book. You can buy it at bookstores...We're really excited about it and believe that it's going to make significant impact for parents.
It makes more sense to write one big book - a novel or nonfiction narrative - than to write many stories or essays. Into a long, ambitious project you can fit or pour all you possess and learn.
In books I have traveled, not only to other worlds but into my own. I learned who I was and who I wanted to be, what I might aspire to, and what I might dare to dream about my world and myself.
You know, when you get to the New World and you develop your three branches of government and you have a civil society, you can just jettison all the barbarism I recommended in the first books.
To her- Hand in hand we come Christopher Robin and I To lay this book in your lap. Say you're surprised? Say you like it? Say it's just what you wanted? Because it's yours- because we love you.
I do send out information about my books. Very few people buy the books that way, but I always feel that if they want to know more about the process, they can get the information from my books.