Quotes of All Topics . Occasions . Authors
Whatever a writer gets paid for his book, it's never enough. I think that's true. It's hard work. But in the end, you wrote a book. It's something real and tangible that sits on a shelf forever.
I'm really nervous about coming off as exclusive or elitist. At the same time, I recognize that when I put out vinyl or an expensive coffee table book not everyone can afford it or listen to it.
There are still some terrible cliches in the presentation of Indian fiction. The lotus flower. The hennaed hands. In mainland Europe, people still slap these images on my books and I go bananas.
I've been really lucky to get on shows that stay on. It's one thing to book a show, and it's like winning the lottery again to have it picked up, and then again to have the show stay on the air.
Some of the best memories of my childhood that I have are the times that I played hooky from school so I could spend my days in the public library reading all the wonderful books at my disposal.
My mom and father are extremely proud. They love it when I don't die. I've done so many movies where I've died that their first question when I book a job is, 'So, are you going to die in this?'
At one point I felt a tension between objects, their real, physical lives, and the idea of meaning: the physical, material reality of a book, and the totally intangible experience of reading it.
My reading practice is one reason I mostly don't read electronically. Different books are in different rooms of my house, and one is in my backpack. Physical location tells me what book to read.
The writer I feel the most affinity with - you said you felt my books are 19th century novels, I think they're 18th century novels - is Fielding, Henry Fielding, he's the guy who does it for me.
Printed books usually outlive bookstores and the publishers who brought them out. They sit around, demanding nothing, for decades. That's one of their nicest qualities - their brute persistence.
I like books that aren't just lovely but that have memories in themselves. Just like playing a song, picking up a book again that has memories can take you back to another place or another time.
There's a big difference between the National Book Awards and the Academy Awards. At the Academy Awards you can feel the greed and envy and ego. Whereas the National Book Awards are in New York.
I have been a reader of Science Fiction and Fantasy for a long time, since I was 11 or 12 I think, so I understand it and I'm not at all surprised that readers of the genre might enjoy my books.
It's tricky turning a book into a movie. Sometimes people love the book so much that no adaptation lives up to what they imagined. You can avoid that disappointment by never, ever reading books.
We glorify those who left their names in history books at the expense of those contributors about whom our books are silent. We humans are not just a superficial race - we are a very unfair one.
I'd like to see (the films) go back to the books. I think (the films) need to be dirtier. I think that you should feel the man playing Bond could die at any moment. You don't feel that any more.
People say that this new generation is so used to the Internet that their heads are already different. They can't read a book from beginning to end. That is not a tragedy. The book changes form.
Certain teachers have tremendous amounts of experience. They are articulate, and they give wonderful discourse. But at some point along the road, they themselves learned from and studied a book.
Only one hour in the normal day is more pleasurable than the hour spent in bed with a book before going to sleep, and that is the hour spent in bed with a book after being called in the morning.
Its no coincidence that the word holiday suggests a holy day, or that the longest book in the Torah concerns the Sabbath. If you wish to advance in any sphere, the best way is to take a retreat.
In an age when all that was old seems new again, Bernard DeVoto's The Hour couldn't have made a more timely reappearance. This book reminds me of one of the joys of being an adult-cocktail hour!
In a world in which men write thousands of books and one million scientific papers a year, the mythic bricoleur is the man who plays with all that information and hears a music inside the noise.
I've never read a book on shape. I've read books on gesture; I've read tons of books on color, surface, field, ground, representation, abstraction. But I've never read a book on what a shape is.
They are either people of faith who have lost their faith from reading my books, or they are people who had already lost their faith, and something about my books encouraged them to affirm that.
It was funny how dad was more honest in a book that anyone in the world could pick up and read than he could be talking to me. Or maybe it was sad. One or the other. Sometimes it’s hard to tell.
The truth is we're all probably more creative than we realize, except we spend our lives watching TV or reading somebody else's book. We never pick up a brush and stand in front of our own easel.
A lot of the ways of advertising a book - the cover, whether somebody sees it on a subway or sees it in a bookstore - those things are going to rapidly diminish as we move to an electronic model.
It was a basic plot in any number of her books: girl strikes out, makes good, finds love, gets revenge. In that order. The making good and striking out part I liked. The rest would just be bonus.
As Lee Rainie and Barry Wellman document in their book Networked, people who are heavily socially active online tend to be also heavily socially active offline; they’re just, well, social people.
I just simply write as it moves me. I may be writing about a book or a movie or a person, places where I've been or something I've done. Or politics. It's going to what's on my mind at the moment
That text-books be permitted in Catholic schools such as will not offend the religious views of the minority, and which from an educational standpoint shall be satisfactory to the advisory board.
I have to accept my role. I will never kill myself like Vincent Van Gogh. Nor will I paint beautiful water lilies like Monet. I can't do that. I'm in the idiot role of being a kiddie book person.
The implications are clear: Facebook wants to build an Internet where watching films, listening to music, reading books and even browsing is done not just openly but socially and collaboratively.
I believe Jack Smith might have written THE BOOK on writing and revising for publication. Clean, direct, succinct--a book that is full of pure wisdom and truth, but also amazing technical advice.
If you think success is about so many more things and is so much more arbitrary, then you can be much more open to the idea that you can be Ben Fountain and publish your great book at forty-nine.
You ever talk about a movie with someone that read the book? They're always so condescending. 'Ah, the book was much better than the movie.' Oh really? What I enjoyed about the movie: no reading.
A book is not an end in itself; it is only a way to touch someone - a bridge extended across a space of loneliness and obscurity - and sometimes it is a way of winning other people to our causes.
How come regional pandering only works in one direction, right? You never see a Southern politician trying to win votes in New York State by saying, 'I read books and make a mean vegan meatloaf.'
My second book, Follow Me Down had some success, got good critical notices, went into a second printing and things like that, but Shiloh was by far the most successful of those first five novels.
I thought when I started writing that I'd have a book out in four or five years, and as it became apparent that that wasn't going to happen, I became increasingly frustrated and unsure of myself.
The death of the music business was insane, but audio recordings have been around now for maybe 120 years. Books have been around for, what, nine centuries? So they're more entrenched than music.
The Book of Mormon offers so much that broadens our understandings of the doctrines of salvation. Without it, much of what is taught in other scriptures would not be nearly so plain and precious.
But he who truly loves books loves all books alike, and not only this, but it grieves him that all other men do not share with him this noble passion. Verily, this is the most unselfish of loves!
In Endless Quest books, you start the plot, and the character has to make choices. Then you have to write one choice over here, one choice over there. The author might get one or two choices out.
The key word for my book The Woman in Black is unsettling... because you're not terrified all of the time or even frightened, but you're unsettled and once you're unsettled, then the door's open.
The cool thing about having a book is that it takes on its own life. Once it's in the world, you can't follow it. You'd have to have a pretty fantastic surveillance system to track its migration.
What the podcast novelists do isnt all that different from what self-publishers do. We put the books out in different formats, but the goal is the same: build an audience and attract a publisher.
The actual writing time is a lot shorter than the thinking time. I don't do too many notes. I keep it mostly in my head. I usually start writing a new book around January, and it's due October 1.
I'm scared. I'm excited. I'm ready for whatever happens but I think that fame is what comes along with the territory when you open yourself up and become this story, this book for anyone to read.
Fenworth owned a world-famous library. More rooms held books than beds. Pillows stuffed in niches and comfortable chairs scattered throughout each room offered abundant paces to curl up and read.