There are twenty-four characters in this book named Max. Let there be an end to this silly business of authors never giving their own names to characters in their novels. False modesty, faugh!

I wandered through the stacks, running my hands along the spines of the books on the shelves, they reminded me of cultured or opinionated guests at a wonderful party, whispering to each other.

If none of us ever read a book that was "dangerous," had a friend who was "different," or joined an organization that advocated "change," we would all be the kind of people Joe McCarthy wants.

There are a number of people without whom I could not have written this book, but I hope you don't hold that against them. They are all fine people, and they had no idea how it would turn out.

I am a delightfully evangelical guy about things I love. I am that annoying guy who sits everyone down and forces them to read some book I like. I'm looking across the full spectrum of genres.

The greatest compliment of the book [One Thousand Gifts]? Maybe the Muslim man in Iraq who was given the book and came to a saving knowledge of Jesus, wanted to live his life in thanks to God?

I’m really lucky with the people around me. They know me, so they don’t confuse the issues really. They know what a book is and they know who I am and they know the difference between the two.

I think it's very important for someone going to buy a book, taking a class or listening to a lecturer to ask, "Is this the right thing for me to do now? If it isn't, guide me to what I need."

Leaving behind the babble of the plaza, I enter the Library. I feel, almost physically, the gravitation of the books, the enveloping serenity of order, time magically dessicated and preserved.

Getting a book published made me feel a little bit sad... I felt driven by the need to write a book, rather than the need to write. I needed to figure out what was important to me as a writer.

I don't know where I would place myself in the literary landscape. I really just write the book that I would want to read. And I put on the blinders, and I really - it is, for me, that simple.

Late one brilliant April afternoon Professor Lucius Wilson stood at the head of Chestnut Street, looking about him with the pleased air of a man of taste who does not very often get to Boston.

Well, obviously, as soon as I'd finished the script I read a lot of books on Winston Churchill, and started to gain weight and really prepare emotionally, mentally and physically for the role.

Don't consider me too demanding if I ask you once again to set great store by holy books and read them as much as you can. This spiritual reading is as necessary to you as the air you breathe.

When I do get to chow down on a book, I try to read ones that are nothing like what I'm writing. So, as I'm currently working on a space opera (of sorts) I'm mostly indulging in urban fantasy.

When you write for children and young adults, you have much more affect and influence on them than when you write for adults. The books that get us through our childhood stay with us for life.

I write books that seem more suitable for children, and that's OK with me. They are a better audience and tougher critics. Kids tell you what they think, not what they think they should think.

I was never much of a reader when I was a boy. Books bored me. I liked action. But I spent a lot of time thinking about things. I'd imagine all kinds of situations and how I would handle them.

All our institutions rest upon business. Without it we should not have schools, colleges, churches, parks, playgrounds, pavements, books, libraries, art, music, or anything else that we value.

Do not ever read books about versification: no poet ever learnt it that way. If you are going to be a poet, it will come to you naturally and you will pick up all you need from reading poetry.

If writers were too wise, perhaps no books would get written at all. It might be better to ask yourself 'Why?”'afterwards than before There is no agony like bearing an untold story inside you.

If you read one book a week, starting at the age of 5, and live to be 80, you will have read a grand total of 3,900 books, a little over one-tenth of 1 percent of the books currently in print.

Obey thy parents, keep thy word justly; swear not; commit not with man's sworn spouse; set not thy sweet heart on proud array. * * * Keep thy foot out of brothels, thy pen from lenders' books.

Son of Lady Chatterley's Lover had obvious commercial advantages (as a title for this book), but it impugned the marital status of my parents, something that enough critics were already doing.

I’m not saying we had a playroom, but I’m not shocked by the sex in the book. It’s essential to tell the story. I can’t believe films that don’t invoke a sexual side of it. So it works for me.

The great high of winning Wimbledon lasts for about a week. You go down in the record book, but you don't have anything tangible to hold on to. But having a baby -- there isn't any comparison.

I want all my books to provoke some kind of response in the reader, to make them think something or feel something or both, and for that to become a part of them and work into their own lives.

Some authors have a very hard time understanding that in order to be faithful to the spirit of the book, it's almost always impossible to remain faithful to the text. You have to make changes.

I think my brain is full of collisions and that's how I like to read and process information. I'm always comparing things and I think I do that subconsciously when I'm reading books of poetry.

My shorthand answer is that I try to write the kind of book that I would like to read. If I can make it clear and interesting and compelling to me, then I hope maybe it will be for the reader.

What refuge is there for the victim who is oppressed with the feeling that there are a thousand new books he ought to read, while life is only long enough for him to attempt to read a hundred?

What you do off the job plays a major role in how far you go on the job. How many good books, do you read each year? How often do you attend workshops? Who do you spend must of your time with?

It's funny, when you look back in history books or American cookery books, one of the reasons that the quinces and cranberries are used so often is because of their natural jelling properties.

My library card. Every hurdle I've faced, I have researched my way over at a library. I'm grateful for that part of the American spirit that believes every citizen should have access to books.

At a Boston signing, someone from the audience asked why I was so obsessed with furniture in my books. The question rattled around in my head. I had no idea that I was obsessed with furniture.

'Shantaram' is the second in the series of a quartet of novels that I have planned about my life but is the first to be written. The third book is a sequel to 'Shantaram,' the first a prequel.

Nor do they trust their tongue alone, but speak a language of their own; can read a nod, a shrug, a look, far better than a printed book; convey a libel in a frown, and wink a reputation down.

The world has always been like a comic book world to me! What's happened is that communications got better and better, so now with cell-phones we can be in touch with people half a globe away.

I firmly believe as an author you have to go out in life and hear the stories of people. In pubs in the UK or a retirement home in the US it is the stories of others that bring a book to life.

I devoured books like a person taking vitamins, afraid that otherwise I would remain this gelatinous narcissist, with no possibility of ever becoming thoughtful, of ever being taken seriously.

You can't write the same book twice. Though I've been in historical musical situations, I can't go back and do that again. And though I run into artistic crises, they keep my life interesting.

You must show how gruesome that death is because if you don't, then you turn into some kind of comic book and pain, then death, doesn't have a consequence, and pain doesn't have a consequence.

A large wildlife book, start to finish, could take one to two years, but then I would expect to get several good (nature) magazine features off the back of this, plus of course a lot of stock.

libraries are fascinating places: sometimes you feel you are under the canopy of a railway station, and when you read books about exotic places there's a feeling of travelling to distant lands

Never open a book with weather. There are exceptions. If you happen to be Barry Lopez, who has more ways to describe ice and snow than an Eskimo, you can do all the weather reporting you want.

I'm not obsessively a follower of fashion in the way I used to be. But I still have all those magazines I bought at the time because I bought ones that felt a little timeless, more like books.

Fashion is a very stressful place to work because of the demands of doing the shows - no one expects a writer to produce two books a year on the dot - but it's also a very toxic place to work.

Murder, arson, adultery, drugging and drinking, cruel politics--reading a book crammed with such activities can make the timid and yearning among us feel like the happiest people in the world.

A conventional good read is usually a bad read, a relaxing bath in what we know already. A true good read is surely an act of innovative creation in which we, the readers, become conspirators.

He helped the Librarian up. There was a red glow in the ape's eyes. It had tried to steal his books. This was probably the best proof any wizard could require that the trolleys were brainless.

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