Quotes of All Topics . Occasions . Authors
The ones that were relevant while I wrote my book were books like "Beloved" by Toni Morrison, which is based on a historical fact, "Ragtime" by E.L. Doctorow, and "True History of the Kelly Gang" by Peter Carey.
I have a book coming out in September, for example, where the plot concerns counterfeiting, and I had to do a lot of research on that. Or on any legal matters, for example, I have to do a lot of research online.
I found Uriah reading a great fat book, with such demonstrative attention, that his lank forefinger followed up every line as he read, and made clammy tracks along the page (or so I fully believed) like a snail.
I'm always worried about how fans of the books will react, but we have kept true to a lot of the books. Obviously there are changes, but with the books as a basis, hopefully the fans will like what we have done.
I read on a Kindle. I must be of the opinion that the new way to read is a pretty good way to read. It's a new way. Those of us who like the smell of books get upset but nevertheless this is the way we're going.
Stretching [and] yoga [are] very helpful. All of these things - they really do help. Good food and a lot of sleep. And reading - reading good books. Sometimes movies - although a lot of the movies are difficult.
I find writing a book a slow, intricate process, a kind of obstacle course punctuated with great rewards. But research is always thrilling, and I tend to incorporate newfound material up to the very last minute.
I tended to be a solitary young girl, and I still am. I would like to find a quiet corner and color in my coloring book. When I think back, I made that corner mine, not really caring about the rest of the house.
If the new movies do contradict my books in some way, I can probably come up with some hand-waving story that will explain the apparent discrepancy. If there’s one thing we authors are good at, it’s hand-waving.
In a longish life as a professional writer, I have heard a thousand masterpieces talked out over bars, restaurant tables and love seats. I have never seen one of them in print. Books must be written, not talked.
My first course came and I put down my book, and I just happened to put up my hand to scratch my head and discovered that my toupee had been blown by the wind and was folded over backwards on the top of my head!
There comes a time in the life of us all when we must lay aside our books or put down our tools and leave our place of work and walk forth on the road to meet the enemy face-to-face. Once and for all and at last
I consider anybody a twerp who hasn't read 'Democracy in America' by Alexis de Tocqueville. There can never be a better book than that one on the strengths and vulnerabilities inherent in our form of government.
I usually have about four books on the go - a bedside book, a lavatory book, a downstairs book, and the book in my study that I read sneakily while I should be writing. Short stories for the lavatory, obviously.
Anybody who runs for public office today has got to know his life or her life will be an open book. I've decided that if you want to run for public office you have to decide at the age of 5 and live accordingly.
There is an enormous redundancy in every well-written book. With a well-written book I only read the right-hand page and allow my mind to work on the left-hand page. With a poorly written book I read every word.
These weren't cheap modern books; these were books bound in leather, and not just leather, but leather from clever cows who had given their lives for literature after a happy existence in the very best pastures.
I think the book [Straight to the Heart: Political Cantos] has meaning for any large city with urban problems. There are political machines in a lot of large cities, and everywhere the goals of society get lost.
Unless you can be in a place yourself and go through the subject of your story yourself, the next best thing is not to read a book about it, or see a movie about it, it's to talk to the people who've been there.
In 1965, I was teaching a seminar on freedom when I told my students that the ultimate freedom lay in casting a dice to decide what to do. They were so shocked and fascinated that I knew I had to write the book.
On a trip to Cabo San Lucas, I was obsessed with Donna Tartt's 'The Secret History.' We were staying at the Esperanza hotel doing all sorts of lovely things, but I couldn't wait to get back to the book at night.
No good book or good thing of any kind shows it best face at first. No the most common quality of in a true work of art that has excellence and depth, is that at first sight it produces a certain disappointment.
I think most albums deserve a documentary because [an album] is a visual book. You don't have to read up on it because you can listen and watch the whole story. I would love to see lots of albums [become films.]
I did not intend to write a funny book, at first. I did not know I was a humorist. I have never been sure about it. In the middle ages, I should probably have gone about preaching and got myself burnt or hanged.
When a book's pattern and the shape of its inner life is as plain to the reader as it is to the author -- then perhaps it is time to throw the book aside, as having had its day, and start again on something new.
The user of the electric light - or a hammer, or a language, or a book - is the content. As such, there is a total metamorphosis of the user by the interface. It is the metamorphosis that I consider the message.
My role is to promote the authors image and their new books. I'm also brought on board when the author is "between books" to keep the name in front of the reading public. That's a challenging time for an author.
Who is my role model and how long can I keep this going? I just move around and do different things and come back to music, try making films and come back to music, write children's books and come back to music.
Amid the push to excellence, with its measurement and accountability, it is easy to lose sight of a key ingredient in reading a book - the pleasure it bring us, something too many boil down to a dirty word: FUN.
Green chemistry is replacing our industrial chemistry with nature's recipe book. It's not easy, because life uses only a subset of the elements in the periodic table. And we use all of them, even the toxic ones.
The bookful blockhead ignorantly read, With loads of learned lumber in his head, With his own tongue still edifies his ears, And always list'ning to himself appears. All books he reads, and all he reads assails.
Life isn't so complicated for children. They have more time to think about the really important things. That's why I occasionally moralise in my children's books in a way I wouldn't dare when writing for adults.
We shouldn't let the Republicans off the hook. Theodore Roosevelt, we learned from Jeff Cowan's new book, was just as bad as certainly [Louis] Brandeis was, or many Democrats were on the question of segregation.
Ninety percent of the book variations have no great value, because either they contain mistakes or they are based on fallacious assumptions; just forget about the openings and spend all that time on the endings.
I am thrilled at most corners that I turn walking down the street, I'm thrilled by most pages I turn when I'm reading a book thinking of what it's going to show and what it's going to make possible for tomorrow.
I recently did the David Letterman Show about my book. He was very serious and made no jokes and it caught me off guard a little bit. He was much more serious than some of the joke shows that journalists get on.
When you're an established name, you know that a children's book will have a pretty good chance of getting picked up. Like Madonna. It's not that I had this great idea. Actually, in my case, it was a great idea.
If you're, like, a PhD student in English, and you look at each instance that Richard Yates is mentioned in the book...it has sort of it's own narrative that one could analyze and write literary criticism about.
Fatherhood is the best thing I ever did. It changes your perspective. You can write a book, you can make a movie, you can paint a painting, but having kids is really the most extraordinary thing I have taken on.
When Bernard [Leach] wrote his book, he wrote about the fact that even when pots are made in a series, there is a personality to each pot and that the person who made it reflects their personality into the clay.
There are no taboos. Every topic is open, however shocking. It is the way that the topics are handled that's important, and that applies whether it is a 15-year-old who is reading your book or someone who is 55.
After I left the convent, for 15 years I was worn out with religion, I wanted nothing whatever to do with it. I felt disgusted with it. If I saw someone reading a religious book on a train, I'd think, how awful.
When I settled to writing seriously, which would be in my 30s, I did expect to be published eventually, but my aspirations werent very high. A published book and a few appreciative readers was my idea of heaven.
Whatever extra there is in me at any given moment isn't fully formed. I am hardly aware of it; it awaits the next book. It will - with luck - come to me during the actual writing, and it will take me by surprise
I try to avoid having thoughts. They lead to other thoughts, and—if you’re not careful—those lead to actions. Actions make you tired. I have this on rather good authority from someone who once read it in a book.
When I go into a bookstore I always look for books by John Fante. If they are out-of-stock on one of his titles, I tell the clerk to order what is missing. I do it because I want people to read my father's work.
Perhaps dandruff is the excreta of the mind the quantity of this material being directly proportional to the amount of reading one indulges in. A book on German metaphysics would thus easily ruin a dress suit.
I mean, there's always somebody in somebody's administration who jumps out early, sells a book, and goes after the guy who hired him. I don't know if that's good. It may be good business; it's not good politics.
If you take a book of a thousand pages on the Second World War, in which 50 million people died, the concentration camps occupy two pages and the gas chambers ten or 15 lines, and that's what one calls a detail.
It's almost like these games are the modern day comic books, especially when you play Alone in the Dark. There's a real story that goes along with it and a movie seemed like the right kind of transition to make.