I'm a big fan of George Carlin's.

I've always thought George Carlin was brilliant.

I did stand-up. I loved George Carlin and Steve Martin.

And George Carlin was a guy that the more he aged the younger he seemed.

I listened to George Carlin when I was a kid and knew every word of his routines.

I loved George Carlin and Dean Martin. I was one of those kids who had every comedy album.

When I used to see Rick Moranis do something, to me that was immediately funny. Or George Carlin or Martin Lawrence.

I never was obsessed with comedians. When I was a little, little boy, I'd watch, like, George Carlin on 'Dinah Shore.'

I loved George Carlin... I used to sit in front of the TV and watch the HBO comedy specials. I loved those comedy specials.

I just liked stand-up comedy so much. I used to memorize Bill Cosby albums and other people's albums, George Carlin, Flip Wilson.

I like George Carlin's jokes. I like his humor. He's one of my heroes, and I like what he did with talking about everyday things.

It went from Bob Newhart to Flip Wilson to Bill Cosby to Richard Pryor to George Carlin to Cheech and Chong. I had all these records.

You look at Richard Pryor and Robert Klein and George Carlin and Richard Lewis - those guys were so smart, they were the thinking-man stand-ups.

George Carlin was great right up to the end of his life. But Richard Pryor was probably the best, most gifted stand-up comedian who will ever live.

When I was growing up, I had more comedy albums than musical ones. George Carlin, Cheech and Chong, Steve Martin, Richard Pryor - those were my main men.

George Carlin is brilliant with words, and Johnny Winters is very creative. It's taking something common and drawing out the humor, being clever with words.

Every day I think, 'Gosh, I wish I could be like George Carlin, Bill Maher: I want that edge.' But every time I start to get that edgy thing, I get kind of mean.

You can be funny and say what you mean; these ideas are not mutually exclusive. Some of the best jokes came from people who meant it. See: Pryor, Bruce, Carlin, etc.

When I was a bit older I had all of the George Carlin records, all of the Steve Martin records, all of the Cheech and Chong records and all of the Richard Pryor records.

I look to icons like George Carlin, Chris Rock, and Richard Pryor on how to present these concepts of social change and subversiveness to an audience in a way that's palatable.

Well, I'm kinda like George Carlin. I think that there ought to be a time where everybody should have all the drugs they want and there'd be nobody in charge, sort of like... now!

I really understood a lot more about comedy after listening to Bill Hicks, who died at 32 years old. He's probably the best comedian who ever lived. Although you can't say that because of Carlin, Cosby and Pryor.

The first thing I said to myself on 9/11 was, 'There go our civil rights.' I found out by comparing notes later that George Carlin and I both said that at the exact same time. That's the first thing that popped into our head.

When I was younger, I listened to the greats: Winters, Mel and Carl, Nichols and May, Pryor, Carlin, Klein, Berman and lots of Lenny Bruce albums. But once I started doing fairly well, I didn't want to hear anybody's jokes or premises.

If I can make you laugh and learn, I want to be like George Carlin and Richard Pryor and Eddie Murphy and Sam Kinison and Chris Rock and Dave Chappelle. I want to be of that ilk, I don't want to just make you laugh, I want to make you think.

The things that make me angry still make me angry. George Carlin is 67, and he's still as funny as he's ever been, and he's still angry. And that makes me feel good, because I feel like if I stick around long enough, I'll still be able to work.

When I was a young comic just starting out, I was very cautious, as I didn't want to alienate people. George Carlin's bravery became a benchmark. I became perfectly fine with alienating some people in the audience. That just comes with the territory.

George Carlin maintained that anything and everything is funny given the right context. This context also includes your own history with a given group. What I can get away with and where I can go is not a problem with my audience because they know me.

George Carlin's album, 'Class Clown,' came out when I was in high school. I memorized a lot of that album. I'd come home from school, put it on, and listen over and over. I started memorizing it. I don't even know why. I loved it so much I memorized it.

I love comedy and I would write things to myself as an exercise in writing. I didn't do well for years, and I quit. I started to break down why I was afraid and started to look at people I admired, like Richard Pryor, Eddie Murphy, Freddie Prinze, George Carlin and all.

George Carlin is kind of my template now because George Carlin before was straight laced regular comic and he had short hair, a tie, suit, nightclub guy. Then he said screw it, let his hair grow, just started telling what he thought was the truth. So that's what I'm trying to do.

Show me one guy or woman as funny as Rodney Dangerfield or as good as George Carlin, Richard Pryor, Bill Cosby, or Joan Rivers. There are a lot of good comics out there, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics.

I was a huge fan of comedy and movies and TV growing up, and I was able to memorize and mimic a lot of things, not realizing that that meant I probably wanted to be an actor. I just really, really amused myself and my friends with memorizing entire George Carlin or Steve Martin albums.

I was influenced by a lot of stand-up comedians... Eddie Murphy back when he was doing 'Raw.' I watched that so many times as a kid, I can probably still quote the entire thing to this day. Chris Rock. Dave Chappelle. George Carlin. A lot of the guys who were sort of edgy for their time.

I want to write the reparations joke that makes people go, 'Yay! I'm so happy!' It's easy to go onstage and just make fun of all the 'isms' instead, but we can't all be Jeff Dunham. Although that pays very well... it pays way better to be Jeff Dunham than it ever paid to be George Carlin or Lenny Bruce.

One of my greatest inspirations for stand-up was Jonathan Winters. He was a genius. One thing about him, and also Lenny Bruce, is that they were in the tradition of the one-man show. That's why Richard Pryor was so great, and George Carlin, too. They prowled the stage, they used voices, they were really talents.

Share This Page