Quotes of All Topics . Occasions . Authors
When I was little, one of my father's friends owned a circus. For four absolutely incredible summers, I found myself being the only boy in Ireland who didn't dream of running away with the circus. I was in it!
I thought a circus environment would be an interesting venue to explore, where you didn't just have one tent with three rings and a show going on but where you could explore different things in different tents.
Liturgy and worship were never meant to be confined to the cathedrals and sanctuaries. Liturgy at its best can be performed like a circus or theater - making the Gospel visible as a witness to the world around us.
All dance has expression. If there is no expression, I prefer the circus. The performers do more dangerous, more difficult technical things than we do. But we are dancers. We have to express and we have to project.
We took up the offer with the BBC, and that was Monty Python's Flying Circus. I didn't have to submit my ideas to the group. I used to turn up on the days we recorded with a can of film under my arm, and in it went.
When the politicians complain that TV turns the proceedings into a circus, it should be made clear that the circus was already there, and that TV has merely demonstrated that not all the performers are well trained.
After touring an album, you have this strange void that follows it, where you feel slightly displaced, like you've just finished with the circus and you've got to find a new job. You think, OK, what shall we do next.
My progression into acting was pretty slow. I was constantly performing in different kinds of small shows. One year I would be in a magic show, the next year in a circus show, then a small play, and then a dance show.
Pittsburgh felt like the perfect size of a city to me. There's enough to do, but it's not like living in a circus. I also really loved how sports-enthusiastic Pittsburgh people are: how proud of their sports they are.
The students that, like the wild animal being prepared for its tricks in the circus called 'life', expects only training as sketched above, will be severely disappointed: by his standards he will learn next to nothing.
If you want to be anonymous, you can go to Soho or Camden, and it's not a problem. There are a lot of Spanish people. If you go to Piccadilly or Oxford Circus, you hear lots of Spanish voices, but I'm not recognised much.
My job is to make the case that I'll do the best job possible representing the people of Georgia's Sixth District, and what they want is representation that's focused on them and not this national partisan political circus.
When I did finally get to the circus as an adult, I was very impressed by the trapeze artist. But, being 6 feet 3 inches and over 200 pounds, there was no way I could do a trapeze act. If I fell I'd take the catcher with me.
The media circus got a bit twisted when I was in London. It became a bit of a joke, really. In Paris, they're so serious, I can take myself really seriously, too. I can get really morbid without people telling me to cheer up.
I started performing in 1950 at the age of 16 when I joined the Burton Lester's Midgets as a performer. Shortly after, I became a DJ with Mecca Organization before joining Billy Smart's Circus as a clown and shadow Ringmaster.
I always knew from books and shows that the lives of circus artists are not easy, but spending time and learning from them made me realise the amount of effort they put in and how they constantly jostle between life and death.
You know the circus performer who spins the plates in the air you know, and he'll spin six or seven plates in the air? Acting sometimes is kind of that guy spinning all those plates in the air but in your head and in your body.
If you were to ask me, 'What the hell does a musician have in common with a restaurant?' I would say a huge amount. It's show time every day, it's a team of people, like, running a circus, which is running a rock-and-roll band.
The money I pay for my cultural experiences came willingly from my own pocket - they were not the result of bread being removed from the mouths of the poor so that Miss Thing here could mince off to the circus smelling of roses.
There'll probably be moments in my life where it seems that people will want to camp out on my doorstep, and moments when no one wants to hire me and couldn't be less interested. I've been around the circus, and it'll come and go.
I have no complaints about my path and the places it has taken me; enough complaints to fill a circus tent about other things, maybe, but the path I've chosen has always been the right one, and I wouldn't have had it any other way.
I think the movie business and film crews are a little bit like the circus, in that we travel around like a pack and we're a big family for a finite period of time. We roll into someplace, cause a bunch of damage, and then roll out.
I like the clowns from the circus that have more paint on their face. They were all funny and made me laugh. As a kid, I remember the clowns that were all in white reminded me more of death than circus clowns. It can be a scary thing.
There are always those 'Gossip Girl' walk-and-talk scenes where you're walking and just talking about life and death. You're having a serious conversation, looking someone in the eye, but everywhere around you, it's literally a circus.
I've worked behind counters serving food, and I've lived on the circus train, and I've led bicycle tours in Eastern Europe and the Balkans and Russia. I've been a key liner for a newspaper, I've done typesetting. Oh, all sorts of things.
I dont have a place that I call home at the moment because theres no point. I mean, Im a traveling circus for a while. Its weird. Like, if I wanted to go home, theres nowhere to go. I just go to a hotel. But Ive kind of gotten used to it.
I've had 79 to 80 years of show business. I started when I was 5 with a man called Tom Mix. I didn't have time to go to school because I was in silent movies, I was in radio, I was in burlesque, I worked with the circus. I'm all show business!
I don't have a place that I call home at the moment because there's no point. I mean, I'm a traveling circus for a while. It's weird. Like, if I wanted to go home, there's nowhere to go. I just go to a hotel. But I've kind of gotten used to it.
My first tour I did was The Warped Tour, and I was likening myself to the bearded lady at the circus because not only was I an actor touring, doing rock n' roll, but I was also a female front person making really muscular, male-dominated rock music.
Well, I had an immense respect for Cirque du Soleil when I first say them in the '80s on a television show and just thought, you know, this group is really reinventing the circus, as you know. Because there wasn't three rings. There were no animals.
I started out doing multiple characters from day one, when I got my fist job in 'Dumbo's Circus.' I'm used to getting in an argument with myself, throwing myself off a cliff, patching myself up and brushing myself off with an arm around my shoulder.
I would like to reconcile the church and the circus. I wanted to transform the theatre... to get my message across that there is only one God - the living man - the person sitting next to you. That is my religion. I believe that there is a sense to life.
I could spend my whole life photographing circuses. They combine everything I'm interested in - they're ironic, poetic, and corny at the same time. There's also something about a circus that's magical, sentimental, and almost tragic, like a Fellini film.
My people. I have given them a sense of individuality, integrity. I have not made them slaves of any god or any religion. Nor of any holy book or any priest. I have certainly not replaced their god. They are all a part of what I call my traveling circus.
At any moment, one company stands in the spotlight of the middle ring in the stock market's never-ending circus. It may not be the biggest corporation in the world, or the most profitable, but somehow it both mirrors and leads the market's broader action.
It's weird: making a movie is like life compacted into three months. You have these very intense relationships with people, and you talk to them every day - your editor, the casting people, music people, your actors - then it ends. It's like a circus life.
When eventually I started to act a bit more, I realised that circus school had taught me something that a lot of actors my age didn't have: physicality. They didn't know how to move. Acting is not all about talking. There is something animalistic about it.
From 1840 to 1940, the circus was the biggest form of entertainment in the country. People were starting to have money, starting to have half a Saturday off. In an era before people went on vacations much, the big deal was when the circus came through town.
There are certainly times when baseball is much more than bread and circus, times when baseball resonates deeply and meaningfully with many, many people, and times when a game that is built around overcoming failure can teach us all a few important lessons.
When I was a kid, I worked in the circus. It was a touring circus that was owned by a man named Terrell Jacobs. It was just one big tent, and he was a lion tamer. He didn't have any kids, but the bit was that I would dress up as his son in an identical outfit.
I started acting in second grade - my first role was in the Thanksgiving play. I was the Indian chasing the turkey. All the other mom's encouraged my mom to get me into acting after that. Also, when I saw 'The Sound of Music' at Music Circus, I knew I wanted to act.
Cirque du Soleil means Circus of the Sun. When I need to take time to reenergize, I go somewhere by the ocean to sit back and watch the sunsets. That is where the idea of 'Soleil' came from, on a beach in Hawaii, and because the sun is the symbol of youth and energy.
I think that's a big part of what I love about the boys in the band, too, and what I find attractive in men in general is, really, the ability to not take everything so seriously because it is rock n' roll after all; it's a freakin' circus. We're not accountants here.
Presidential primary debates are an important part of our political process. But the media has wrested complete control from the parties and candidates over everything, including the number, the format, the qualifications, and the moderators. And they've become a circus.
At first, I didn't know what an actor was. I thought it was an acrobat. I saw acrobats at the circus, and I thought that was interesting. In my head, that was what I imagined I wanted to be when I grew up. Then I realized what an actor was, and I've gravitated to it ever since.
Learning to read, for the brain, is a lot like an amateur ringmaster first learning how to organise a three-ring circus. He wants to begin individually and then synchronise all the performances. It only happens after all the separate acts are learned and practised long and well.
It's always fun catching up with the other players because so many of them were really good mates when I was playing on the main tour. The thing you miss when you give up is that camaraderie that you experienced because, for 35 weeks of the year, it really is a travelling circus.
It is up to the public to stop attending these theatrical, and aquatic shows, and circuses with wild animals. The rhetoric about how the animals are happy and well cared for are lies. Don't be swayed by them. The money behind these shows is huge; there is nothing good about them.
I welcome newcomers to cons, or 'con-virgins' as I like to call them, by saying 'Welcome to the 'Supernatural' Circus,' and I mean it. We take pride as a cast to deliver a show that not only entertains the fans but ourselves, Creation Entertainment, and everyone involved on both sides.
One can do a film and not work for six months, but on TV, you have to produce good content every week. It involves a lot of hard work, as one has to fight for ratings every week. But I have always got love from the audiences, be it during 'The Great Laughter Challenge' or 'Comedy Circus.'