For black and Asian people of my generation, the England team and the cross of St George were once ingredients in a toxic broth. For decades, a minority of England fans brought the nation and the national team into disrepute, bringing violence both to foreign streets and immigrant communities at home.

Humans having any kind of sporting chance against hostile alien invaders armed with superior technology - Good luck. If they're advanced enough to cross the enormous distances of interstellar space, they're advanced enough to wipe us out without breaking whatever in their physiology passes for a sweat.

I got tired of books where the boy is a bit thick and the girl's very clever. Why does it have to such an opposition? Why can't they be like the girls and boys that I know personally, who are equally funny and equally cross? Who get things equally wrong and are equally brave? And make the same mistakes?

Building a bridge, in my opinion, is a symbolic gesture, linked with the needs of people who cross over it, and with the idea of overcoming or surmounting obstacles. A modern bridge can also be a work of art. It helps to shape our daily lives and becomes a vital experience for all the people who use it.

I've never seen a tornado and I've lived in Oklahoma City basically my whole life. It's not like we're infested with them on a continual basis. But you learn to live with the warnings. And you learn what to do if one is coming your way. And then you cross your fingers and make the best judgments you can.

I still have a lot to learn about what the love of Christ is like - that it's not just knowledge... but it's allowing the truth to change you - allowing Christ's message of grace and hope and love through the cross, that that message is the message that changes the way we look at everything in our lives.

I think, for me, Julian Schnabel set a great precedent in being able to cross over so successfully. I feel like his artwork is kind of big, grand, and bombastic, yet the films that he makes are very beautifully sensitive, and I just feel that his filmmaking sensibility is very different from his artwork.

AJ' is a very special movie to me. I have been watching Dinesh and Rajkumar from their initial days, and have witnessed their evolution. The film talks about the bond shared between a father and a son who wants to fulfil his father's dreams. It's a cross between a comedy of errors and a political satire.

I think of being an actor as kind of a young man's gig. It's emasculating, in a way, people messing with you and putting make-up on you and telling you when to wake up and when to go to sleep, holding your hand to cross the street. I can do it up to a certain point, and then I start to feel like a puppet.

I was never a big fashion person, and so I'm sure I wore whatever. I was growing, and so I just wore whatever clothes that weren't that expensive and made sense at the time. But I'm sure that I look back and say, 'What was I thinking?' My adolescence was more in the '80s, and that's more my cross to bear.

I cross things out more than I write them. And if I try to sing a line, and I know that it's written incorrectly, I get this weird sort of physical nausea, and my mouth curls up all strange. I guess that's why I always write the words first: because, if everything feels okay, I'm ready to put it to music.

If the Frieze Art Fair catches on, I imagine at least two great things happening. First, we will once again have a huge art fair in town that isn't too annoying to go to. More importantly, Frieze may finally show New Yorkers that we can cross our own waters for visual culture. That would change everything.

Every time I think that political analysts and writers will finally recognize that most of them don't understand much about political polls, they prove me wrong. They don't know how to read them; they don't understand the importance of cross tabs within a given poll, and they don't know how to analyze them.

I am very happy to be able to cross borders to go to China, to Mexico, to America, everywhere, and there is an instant understanding of what I do. This is incredibly beautiful because you've suddenly communicated with everyone without speaking the same language. The language of music is able to go anywhere.

I was at a photo shoot, and I was wearing a cross necklace that my mom bought me, and somebody made a joke like, 'Why are you wearing a cross? Like you would be religious.' And then they took it away. I was really affected by that. The whole thing made me realize that I do want a cross with me at all times.

Growing up, everybody would cross the border, even to just do grocery shopping. A lot of traditional American foods stuck with my parents and became part of my upbringing. This all had to do with the proximity to the border. We were an absolute mix of classic Americana, traditional Mexican, and Baja cuisine.

Even when I teach my MMA classes in the gym, it's hard to teach what I do. It's more of state of flow, a state of feel. It's not a robotic thing like one, two, three, kick, one, two, three, switch, jab, cross. It's completely unorthodox. Everything is about rhythm, tempo and pace. It's a different style, man.

To accomplish its mission, the FBI relies heavily upon its law enforcement and intelligence partners around the nation and around the globe. By combining our resources and our collective expertise, we are able to investigate national security threats that cross both geographical and jurisdictional boundaries.

When you grow up being taught to worship, whatever that means, there is an array of body-rich symbols: tears, blood, crucifixion, the stations of the cross, transubstantiation... Faith is a belief in something that is irrational, and so to have faith, there is some correlation there with the belief in the art.

I know that many of you do wear such a cross of Christ, not in any ostentatious way, not in a way that might harm you at your work or recreation, but a simple indication that you value the role of Jesus Christ in the history of the world, that you are trying to live by Christ's standards in your own daily life.

Traditional models of work only let us cross out the needs on the very bottom of the pyramid - basic sustenance. On the flipside, independent employment within the network of the new sharing economy addresses our needs for a sense of community and belonging, autonomy and respect, creativity and problem solving.

All our efforts to guard and guide our children may just get in the way of the one thing they need most from us: to be deeply loved yet left alone so they can try a new skill, new slang, new style, new flip-flops. So they can trip a few times, make mistakes, cross them out, try again, with no one keeping score.

If there's a black cat that crosses the street in my path, I will turn around and walk 20 minutes out of my way to not cross it. You know how in New York there's a lot of scaffolding? I won't walk under scaffolding or under ladders. I wear things like a baseball player wears things that are supposed to have luck.

Telling purposeful stories is interactive. It's not a monolog. Ultimately, purposeful tellers must surrender control of their stories, creating a gap for the listener(s) to willingly cross in order to take ownership. Only when the listener(s) own the tellers' story and make it theirs, will they virally market it.

This is a universal, unique movie, it has potential to cross barriers. But we never thought about that on set, when we were doing the film. We knew that in making a silent movie, we were doing something a little bit under the wire, a bit interdit. It's a pastiche, but for the French taste, you would have thought.

Weapons of mass destruction violate more than individual lives - they cross international borders and jeopardize all people. They also drain resources that could be used instead for medicines, schools and other life-saving supplies. We must come together with even greater determination to prevent a WMD nightmare.

Churches that should be talking about the work of Christ on the cross and the grace of God for sinners are stuck on recycled pop psychology, moral exhortation, or entertainment. But these fail to speak to the eternal question that haunts all of us: 'How do I know that I'm OK?' We all want to know we are justified.

As a black person on the outside, because there's so much black art and so much of black people's work circulating, so many people imitating what black people do, you would think that there'd be more black people on the business side. It didn't cross my mind that every label head, for the most part, is a white guy.

Everyone's supposed to stay in their lines and be neat. 'You're a rapper. You're supposed to rap, carry a boom box, wear chains, and go to the club - that's all you do. What are you doing collecting art? What are you talking about? Wait a minute, you're getting out of the zone.' People hate when people cross lines.

People aren't necessarily as concerned with how you vote as long as they feel they have a voice. If you can cross that basic threshold - that is, when a voter knows you're willing to listen to them and that you care about their lives - then that's most of what you need to get their vote. It's not your voting record.

There's different ways of getting into character. There's what's called 'the outside,' in which is finding the physicality of the character first. To give an example, in 'Gettin' Square' - Johnny Spitieri - that's how I found that character. I knew those people that I'd seen up at Kings Cross. I knew how they sounded.

I spent my childhood clad in 1970s hand-me-downs, primarily from male cousins, which mainly consisted of a selection of beige, brown and orange dungarees. That, combined with a perfectly round pudding-bowl haircut, made me look, on a good day, like a cross between Ann Widdecombe, one of the Flower Pot Men, and a monk.

I wish I could do a lot of things different. I'm not going to tell you what they are, but if I had a list of all my films right now, I'd go, 'Okay, I'll cross that one out and cross that one out and cross that one out and cross that one out.' Really. But I've made over 40 films. How can I not have some losers in there?

My first encounter with video games was pretty conventional. I was travelling with my parents - we used to take long cross country trips in the United States every summer - and we went into a restaurant where there happened to be a Pong machine, and I was... a lot of quarters went into that Pong machine, let's just say.

Growing up, I didn't realize how unique it was to live on the border of the United States and Mexico. It wasn't until I started doing interviews with the press that I actually began to appreciate just how cool it was that I would cross the international border every single day from Tijuana into San Diego to go to school.

Um, 'Soul Food'... Another wonderful little movie that could. Here's a film that, I think our budget was maybe $6 million. We shot it in Chicago in six weeks. I was so proud of the film, because it showed America that an African-American film about family could sell, could do well, could cross over and have true meaning.

There are lines of geomagnetic force running through the Earth's crust, and most of the time, these run in opposing directions - forward and backward. In some places, they deviate and will cross each other, and when that happens, you kind of get a geomagnetic mess going in all different directions. I call these vertices.

And you know, whether it's drama or comedy, the best work is based on truth. It's just that, with comedy, the circumstances are just crazy-heightened, and you have these crazy things thrown at you. But you still have to do it truthfully, because that's where the humor comes from. So it's not that difficult to cross over.

I'm a rapper... Gaga's a fantastic artist, you know, she paved her way. She's opened her own lane. But I think that I have my own lane. And we never cross. Ever. So, you know, I really don't get the comparison anymore. Our music doesn't sound the same. Our stage presence is not the same. I just can't see the similarities.

Jesus went to the cross for sins He didn't commit. Hello! You can carry a grudge just thinking about that, but don't do it. He knew what He was doing. It was His choice, and He did it willingly. It was the will of the Father, and He always did the will of God without complaint. So what is it that we have to complain about?

It's funny how we 'do' Christmas. Christmas is not something that we do, it is something that was done. It celebrates the long awaited arrival of the Messiah, Jesus Christ. We had nothing to do with it, but what we can do is praise God for the coming of the Lord, who washed away the sins of the world by dying on the cross.

Presumptuous for me to say, but at least - at a minimum - I've been able to influence the direction of the Democratic Party on foreign policy. And I've been relatively - presumptuous to say - relatively successful legislatively in the Senate, being able to win a lot of Republican friends, and being able to cross the aisle.

The role that blood plays in Christian iconography is huge - the washing of the blood, the shedding of blood, the blood of the cross, the crucifixion, the violence of that imagery. These are horrific, and yet they are at the center of the Christian faith. There is a place where beauty and terror merge, and it's at the cross.

In my whole life, I've worn black tie three times. I can't tie the knot myself. Once, at the premiere of the opera, I got to La Scala before Domenico, and I was hiding in the corner until he arrived, and I said, 'Quick, you have to tie my tie, please!' Otherwise, I'll wear a tuxedo jacket with jeans and my bling-bling cross.

When I was three and a half years old, I heard my big sister tell my mum that at school that day all the kids sat on the floor and watched 'The Neverending Story.' Having never heard of the movie, I concluded that this was what school must be: sitting cross legged on the floor listening to a never-ending story. Page after page.

To be really in shape, it's dynamic. It's got to be a lot of different everything, always switching it up. So a good day for me would be hit the gym, do some sort of cross training in the gym and then go surfing and then maybe take a jiu-jitsu class at night or go swimming at night or go stand up paddle boarding in the evening.

I started in the club route. I did the alternative scene later on. When I lived in New York, I did the Luna Lounge and stuff, where Janeane Garofalo and David Cross and all those guys worked out of, but I came from a comedy club background. I'm proud of that background. I'm one of the people that really crossed over and did both.

Most Jupiter-sized planets orbit the mother star in a highly elliptical orbit. This means they will often cross the orbit of any Earth-like planet and fling it into outer space, making life impossible. But our Jupiter travels in a near-perfect circular orbit, preventing a collision with any Earth-like planet, making life possible.

At the age of nine, I could cross the length of Glasgow on a succession of buses, wearing regulation garter-topped stockings and compulsory cap and - if I'd done well enough to earn the honour in last week's test - with a First World War medal on a striped ribbon pinned to my brown blazer. I must have looked like a chocolate soldier.

We must become a people who are in submission, that is, submitted completely to the mission of the Church, 'in statu missionis.' Thus, living fully within the mainstream of grace, under the mantle of God's divine authority, and by uniting ourselves to the obedience of Christ on the cross, we participate in the reversal of Adam's sin.

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