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People always accused me of not smiling like my rival Olga Korbut, but that was just my personality. When you're balancing on a nine-inch beam, you have to concentrate. But if you look back at the footage, I was always smiling and waving at the crowd after my performances.
Increased government spending can provide a temporary stimulus to demand and output but in the longer run higher levels of government spending crowd out private investment or require higher taxes that weaken growth by reducing incentives to save, invest, innovate, and work.
I did a lot of magic shows growing up. My dad is a graphic designer so he helped me brand myself and create a logo. So I was just rollin' with the magician crowd for a while. But I was really young, 10 to 13, doing table magic and balloon animals at this Italian restaurant.
You know, I endeavor to be more like my older brother. He's very magnetic. He's actually very much like 'Castle' in that people are attracted to him, and just want to be near him. You want to know where my brother is in a crowded room? He's the guy with the crowd around him.
I'm an anarchist. I'm implacably opposed to heirarchical systems of power and control. I also mistrust crowds, as they often operate according to their lowest common denominator. In terms of evolutionary psychology, the crowd is very close to a herd of stampeding wildebeest.
When I started doing pro wrestling, it wasn't the physical aspect doing the moves or taking the moves that was hard: it was interacting with the crowd, body movement, selling, getting that emotional attachment with people so they're invested in a match. That was the hard part.
The more work you put in, and the more you constantly and consistently give good performances against good opponents and constantly exceed people's expectations, the more you really endear yourself to the crowd. That's how your career takes off - it's just consistency and time.
I can read a crowd pretty well. I know what to play and know how to keep it interesting for them and for myself as well. Most of the other DJs are more like producers so they become famous because they make hits and then they start DJ-ing. But I'm more from the other way around.
Donors want to meet famous people, and getting a high profile draw for a fundraiser is one way to boost both the crowd and the cash. It's why the president and the vice president are always in demand. These folks are in demand because people around the country want to meet them.
If it's just screaming - and I know this sounds so ridiculous - that gets old. But sometimes when there's literal chaos, it's like being in a war zone, and that's kind of exciting. You're just running through the crowd of people chasing after you and no one knows what's going on.
If you look at wrestling when I started to get my big break back in 1992, I changed wrestling from the cartoons of Hulk Hogan and Iron Sheik and the matches with the leg drop and the hand behind the ear and the playing to the crowd. They were just cartoon characters if you ask me.
One of the best moments of any Liars show is hearing the crowd squawk 'We're doomed! We're doomed!' on cue during 'We Fenced Other Houses with the Bones of Our Own.' Maybe not the most uplifting audience sing-along in the indie rock world, but one of the most reliably entertaining.
My parents were fairly young in the city of Compton. So the things that they played - you know, that was the hip crowd. So I was being exposed to all these ideas, from Big Daddy Kane to Eazy-E to the Bay Area - Too Short, E-40 - you know, back to Marvin Gaye and the Isley Brothers.
I taught my boys it is easy to follow a crowd. Anybody can do that. It takes a man to stand up for your principles. You cut your own path in life. Chase after whatever your heart's desire is, and instead of following the crowd, let somebody else follow you. That takes a little guts.
Put two ships in the open sea, without wind or tide, and, at last, they will come together. Throw two planets into space, and they will fall one on the other. Place two enemies in the midst of a crowd, and they will inevitably meet; it is a fatality, a question of time; that is all.
You can't manufacture the feeling of being in a small crowd and connecting on every single level to the very last person in the very last row in the back. I think when you evolve into a headlining act and things get bigger, the intimacy and some of that energy gets lost a little bit.
Art should never be limited - the beauty of art is that it gives us the freedom to go places where we wouldn't go to in our normal lives. Inside, I'm just so many different people. I go from the pretty girl on the red carpet to the singer at Ozzfest, spitting in the crowd. That's Jada.
It's about supporting the many talented artists and filmmakers out there trying to create work from that marginalized point of view. Go out and buy tickets to their movies and plays, support their crowd sourcing campaigns, show the industry that there is a viable audience for this work.
Well, a lot of people don't know this about me, but I'm actually shy around people I don't know. I would just say with my first concert, my first tour, I didn't really talk onstage. I was like, 'Thank you, I love you guys,' or whatever. But now I've just kind of learned to work a crowd.
I know from my experience in theater that the crowd is different every night; the reactions, the tension. But it's true for film as well, going from country to country and culture to culture. The difference between California and New York responses, for example. It's really fascinating.
While we would typically encourage young people to start saving for the future as early as possible, it's unlikely that a budding entrepreneur will be able to do so. The entrepreneur will need every bit of capital available for the business, which will likely crowd out personal savings.
At most grounds you're not particularly conscious of the crowd but in Cardiff, with the roof closed against a good Welsh team, the noise is impossible to ignore. It can be loud enough to put you off your game and the Welsh undoubtedly possess some of the most passionate fans in the world.
The wisdom of crowds works when the crowd is choosing the price of an ox, when there's a single numeric average. But if it's a design or something that matters, the decision is made by committee, and that's crap. You want people and groups who are able to think thoughts before they share.
I had cut myself off from everyone. I didn't come out of my room, forget stepping out of the house. I had a beard, and I didn't get a haircut for months. For someone who has performed in front of a crowd of 20,000, I was scared of facing 4-5 people. That's what bipolar disorder does to you.
I was a different kind of player as a kid and didn't do too much shouting and screaming. If things didn't go my way, I tended to get a bit overwhelmed. All I wanted to do was cry on my mom's shoulder. I didn't know how to handle defeat in front of a crowd, and I didn't want to be the loser.
In 2017, I boxed in front of a home crowd in Sheffield and became the WBA super-middleweight world champion. After four attempts I had finally fulfilled my childhood dream, and the experience was as great as I had always imagined it would be. It was without doubt the best moment of my career.
About forty miles away from Paris, I began to see the old trench flares they were sending up at Le Bourget. I knew then I had made it, and as I approached the field with all its lights, it was a simple matter to circle once and then pick a spot sufficiently far away from the crowd to land O.K.
The auctioneer is talking for both people, and that's the big revelation about, 'Oh, that's what they're doing.' They're just doing it very fast, so you could kind of miss on that. He's speaking for you, because people in the crowd don't have a voice, so that's what really makes it compelling.
The Full Sail crowd, it's a pretty unique and a pretty distinct environment. It's very close quarters and a bit more of what I'm used to from my days on the independents. But the truth is, I sometimes think that it's harder to win over a small crowd sometimes than it is to win over a big crowd.
Regardless of what I do, whether I write a book or whether I act or whether I host, I'll always do stand-up comedy because those moments, that's what I crave. If I do something funny, and I hear a crowd laugh in that moment, we're all sharing the exact same experience and the exact same feeling.
People speak of the fear of the blank canvas as though it is a temporary hesitation, a trembling moment of self-doubt. For me it was more like being abducted from my bed by a clown, thrust into a circus arena with a wicker chair, and told to tame a pissed-off lion in front of an expectant crowd.
When you're from New York, people take a second look at you. In Virginia, the other players always asked about the fast life we live. They want to know about the crime. As a player, they expect you to be able to do things that excite a crowd. And they always want to beat you. You're the New Yorker.
I was at a Dolly Parton concert when I was about 9 years old. I saw her at the Ohio State Fair, and it was my first real concert that I'd been to. I saw that crowd and how they reacted and how great of a performer she was and the band. Just the energy of the whole thing collectively really captured me.
I ended up performing one time at BET. I performed my record, like, four times, and the crowd was going super crazy. And Busta just happened to be there; he pulled me to the side and asked, 'Are you signed to anybody?' So we went to the studio a few days later, spoke, and then became business partners.
Back in the day, when the D.J. would be playing a record, I'd be on the mic trying to hype up the crowd. So once Public Enemy became a rap group, I decided that that's the role that I wanted to take on. I wanted to be the one that was hyping, because I've always been good at it. I can hype up any crowd.
The aggregate of everybody's emotion, it's such a powerful thing. You can see it in the Trump rallies, where people - I just know, in their living rooms, would be better people - are driven to the worst possibilities by the bloodlust in a crowd. It just gets ginned up, and they're outside of themselves.
Why should I crowd the world with my opinions? Live and let live. That's it. Let people have their own opinions, and you just keep yours to yourself. There are too many opinions - some unnecessary, some great, some ridiculously stupid - so I think I rather not say anything and keep my opinions to myself.
There is a special sensation in getting good wood on the ball and driving a double down the left-field line as the crowd in the ballpark rises to its feet and cheers. But, I also remember how much fun I had as a skinny barefoot kid hitting a tennis ball with a broomstick on a quiet, dusty street in Panama.
With Australian audiences, there's a certain level of education - as far as how much access and exposure they have to music from various genres. So when you do 'Big Day Out' and there are all these different musical acts, you see the same people in your crowd that were there for a completely different artist.
When we were doing shows in the mid-'90s, the audiences were 95% black. What's happened now is the gentrification of hip-hop. A lot of cities passed ordinances that made it hard for black audiences to gather in large groups. Clubs are more open to hip-hop now 'cause it's the same crowd that goes to rock shows.
Chennai is one of the scariest crowds to face. Everyone looks so conservative, but once you crack the first joke, they are so appreciatively loud that they will hit you with a laugh that will scare you stiff and yet give you energy. Chennaiites give me the loudest laughs; it's the coolest crowd to perform for.
Before a show, you might have aches or pains, or it's a bad rainy day, or it's too humid. We all complain about stuff. But... how do I put this poetically? Once it's the roar of the crowd and the smell of the greasepaint, forget it. Once the adrenaline kicks in and your chest expands, you forget about all that.
From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
As an entrepreneur, one of the biggest challenges you will face will be building your brand. The ultimate goal is to set your company and your brand apart from the crowd. If you form a strategy without doing the research, your brand will barely float - and at the speed industries move at today, brands sink fast.
Audiences of critical thinkers are my favorite kinds of audiences. There are jokes I tell in the show that don't get laughs unless I am in front of an audience of critical thinkers. Put me in front of a crowd of science teachers or astronauts! The guileless aren't our audience - it's the critical thinkers we love.
I try to live in the moment. When you're in a singles match, you're in there, and the guy's on top of you, and you're in a hold, and you're being smothered: You're in the fight at all times. But when we're doing these team fights, you have a little time to take in the moment and just absorb the energy of the crowd.
I've always wanted to be a DJ so I could play the music I love for other people. That feeling hasn't changed, but my sets are always evolving. In terms of tailoring to a specific crowd, certainly I do play differently depending on the situation. It's a different feel, for example, in a small club versus a festival.
The days when the words 'Hollywood actor' framed Ronald Reagan like bunny fingers as an ID tag and an implied insult seem far-off and quaint: nearly everybody in politics - candidate, consultant, pundit, and Tea Party crowd extra alike - is an actor now, a shameless ham in a hoked-up reality series that never stops.
My fondest memories were watching the Beastie Boys get prepped to come on stage. They had a lot of antics and they play a lot of basketball... then they were giving out cameras to the crowd, and performing from the bleachers. The most important thing I learned was that you control your crowd, not the other way around.
Seeing Taylor Swift live in 2013 is seeing a maestro at the top of her or anyone's game. No other pop auteur can touch her right now for emotional excess or musical reach - her punk is so punk, her disco is so disco. The red sequins on her guitar match the ones on her microphone, her shoes and 80 percent of the crowd.