Quotes of All Topics . Occasions . Authors
I've had the good fortune of working with some amazing people. I mean, my first Broadway show was with Elizabeth Taylor and Maureen Stapleton. Maureen Stapleton, a legend in the theatre; Elizabeth Taylor, a legend, period.
I've worked with people and I've known people that were really competitive, but I've always said that I take an Elizabeth Bennett philosophy of life - I laugh. I love my job, but if it means hurting someone, I won't do it.
I was influenced by big, strong voices - writers like Elizabeth Bowen, Virginia Woolf, Jane Bowles; gay writers like Ed White, Michael Cunningham, Allen Hollinghurst; and contemporary lesbian writers, like Dorothy Allison.
Snooki is really beautiful and looks quite like Elizabeth Taylor in 'Cleopatra.' She has the same bone structure. I'm kind of obsessed with 'Jersey Shore.' People don't give them enough credit for how entertaining they are.
Elizabeth Taylor taught me that if you do your hair and makeup first then take a hot bath right before you leave, it brings out your inner glow and takes away the powdery look from makeup. I do that right before every date.
When I first went to interview for 'Misery,' they were saying things like, 'You're not Michelle Pfeiffer, you know.' And I just don't get the relevance of that remark. I'm not Elizabeth Taylor, either. I'm not Sean Connery.
When George W. Bush was president, his daddy was raising money for the Bush library. I thought that was fine. When Bob Dole was Majority Leader, Elizabeth Dole was the president of American Red Cross. I didn't say anything.
I use By Terry lip gloss religiously - and I always have Elizabeth Arden 8 Hour Cream with me just in case. Between the two of them, I've got everything covered, from chapped lips to stray marks to doing a simple glossy eye.
Elizabeth Taylor was the first star for whom an offscreen narrative was equally as important as an onscreen one. Her private life became as much of a driving force of her fame and success as any role she played in the movies.
Having gone through so many of the personal things I've gone through, its about creating an (online) space for girls to be heard. I don't profess to have all the answers. But Ask Elizabeth is a space where girls are not alone.
There are writers for whom names mean nothing; everybody could be called John and Elizabeth, and the writing would be just as good. A name, of course, is like a piece of clothing, isn't it? It gives you an impression right away.
My parents - Augustine Joseph and Elizabeth - discovered my talent for singing when I was a kid. I remember them telling me that I sang a classical piece after listening to it a couple of times when I was two-and-a-half years old.
The few movies I can even think of that I watch over and over would be the Elizabeth Taylor/Richard Burton movie 'Boom!', 'Faster, Pussycat! Kill! Kill!', and 'Beyond the Valley of the Dolls.' I wouldn't call any of them mainstream.
Of course we have Queen Elizabeth as head of state, but in many ways we are a kind of republic. We don't have royals in Australia, so it was kind of unusual to run into those kind of people. But aside from that it was quite ordinary.
Only a great genius like the Victorian novelist Elizabeth Gaskell can be mother, wife and novelist without solitude. I couldn't write until my youngest child went to school, and then I began - the first morning - and I've never stopped.
My food hero would be someone like Elizabeth David, because I think what she did for Britain was amazing. Also David Thompson, an Australian chef who does Thai food and really understands the basis of it, has always been very inspiring.
I feel very lucky to have had the opportunity to bring Peter Morgan's Princess Elizabeth to life; she is a gift of a role and a challenge I am so grateful for - a young woman trying to navigate a path through an extraordinary situation.
I went to a Christian high school, so I went under my middle name. I don't think they would have accepted me in the school - 'This is Rebel'... so I have two middle names, Melanie Elizabeth, and I went under those. But Rebel's way cooler.
I think that the benefit of playing someone like Queen Elizabeth is that so much has been written about her, and there's so much speculation about her - was she a hermaphrodite? She's so mythologised, and there are a lot of images of her.
I was in a school called Shiv Niketan, run by Elizabeth Gauba, where she gave a lot of importance to people expressing themselves in whatever way they wanted - some could draw and answer, some could dance and answer, while some could act.
When I was writing my first novel, 'Elizabeth is Missing,' I was writing the only novel I had ever written and writing about the only protagonist I'd ever written about. Because of this, I didn't think of her as a construct. Maud was real.
A few weeks before the jubilee began in 2002, Queen Elizabeth died, and the public outpouring of grief and affection, with hundreds of thousands of people queuing for hours to pass by her coffin, showed how widely and deeply loved she was.
The question is - did Richard Attenborough have a right to make 'Gandhi?' And did Danny Boyle have a right to make 'Slumdog Millionaire?' Quite honestly, if they didn't have the right to make these films, I had no right to make 'Elizabeth.'
The blue-collar is not supposed to read Horace, nor the farmer in his overalls Montale or Marvell. Nor, for that matter, is the politician expected to know by heart Gerard Manley Hopkins or Elizabeth Bishop. This is dumb as well as dangerous.
Maybe Rock and Elizabeth Warren could team up and shore up each other's weaknesses. Elizabeth Warren has a plan for everything and all the experience, and The Rock could sell it to the people, 'cause the people could smell what Rock is cooking.
It will be about which candidate, which of the two candidates remaining, is best suited to make a positive difference in the lives of North Carolina families, and I submit to each of you tonight that I am that candidate and Elizabeth Dole is not.
'What I would give,' I thought, 'to have been present as Elizabeth Keckley measured Mary Lincoln for a new gown, to overhear their conversations on topics significant and ordinary, to observe the Lincoln White House from such an intimate perspective.'
When the young Princesses Elizabeth and Margaret were growing up, that was at it's height and the War cemented that with photographs of the Royal Family having breakfast together and so on, by pinning their reputation so firmly on that particular issue.
The psychologist Elizabeth Loftus has shown great courage, in the face of spiteful vested interests, in demonstrating how easy it is for people to concoct memories that are entirely false but which seem, to the victim, every bit as real as true memories.
I think the height of ridiculousness was when I was playing Elizabeth in 'The Golden Age' while preparing to start shooting 'I'm Not There.' I literally finished filming Elizabethan grandeur on Friday, flew to Montreal, and started being Bob Dylan on Monday.
I think that I altered history in 'Elizabeth,' and I interpreted history far more than Danny Boyle or Richard Attenborough did to 'Slumdog Millionaire' or 'Gandhi.' They took Indian novels or Indian characters and very much stayed within the Indian diaspora.
In 1978, Elizabeth Blackburn, working with Joe Gall, identified the DNA sequence of telomeres. Every time a cell divides, it gets shorter. But telomeres usually don't. So there must be something happening to the telomeres to keep their length in equilibrium.
Mark Haddon's 'The Curious Incident of the Dog in the Night-Time' was published while I was trying to work out how to write 'Elizabeth Is Missing,' and reading the story of that impaired amateur detective gave me the licence I needed to attempt one of my own.
Mary Lincoln provided Elizabeth Keckley with opportunities for social and economic advancement she probably had never imagined during her years as a slave, while Elizabeth offered Mary the loyal, steadfast friendship she craved but had always found so elusive.
My wife Elizabeth and I started The Really Terrible Orchestra for people like us who are pretty hopeless musicians who would like to play in an orchestra. It has been a great success. We give performances; we've become the most famous bad orchestra in the world.
I never wanted to work in fashion. At age 12 or 13, I wanted to design for showgirls - for the theater! And I was crazy for the Hollywood of the 1950s: Dietrich, Elizabeth Taylor, Jennifer Jones. They were my idea of glamour - and Sylvie Vartan, the French singer.
V. S. Pritchett was one of the most admired, fun, talked-about writers of the 20th century: he was knighted by Queen Elizabeth for his work with prose. He was born in 1900, wrote till he died in 1997, and has been tidily forgotten ever since. This is a real shame.
I was thrust, excitingly, via 'Elizabeth' and 'Shakespeare in Love,' into a position one can only dream of, but it was startling, too. I was offered a multitude of roles riding horses in flouncy shirts, and I just thought, 'Hang on, I've just done that. What next?'
I read a lot about her. I read a lot of bios. I read bios about the royal family; I read this little novella called 'The Uncommon Reader,' which is a fiction: it's about Queen Elizabeth going on this library bus and choosing books and reading them, but it's so sweet.
Say 'Toronto' or 'Ontario,' and the immediate thought associations are with a somewhat blander version of North America: a United States with a welfare regime and a more polite street etiquette, and the additionally reassuring visage of Queen Elizabeth on the currency.
My real name is Elizabeth, but I had a nanny growing up who called me 'Elizabeanie.' So from 4 months old, my brothers were, like, 'Let's call her Beanie.' To show people the validity of it, I always say that if I met the president, I would say, 'Hi, my name is Beanie.'
The first Elizabeth film was an absolute travesty historically. It really was sloppy. Things like 'The Other Boleyn Girl' and 'The Tudors,' people's perception is distorted because of these. It matters to me as a historian, because I spend my life trying to get it right.
Elizabeth Keckley was a woman of remarkable strength, courage, perseverance, and dignity. She was exceptionally talented, but also very diligent and ambitious, and together those qualities enabled her to deliver herself from slavery and become a successful businesswoman.
Had Elizabeth Bennet known how wildly Darcy's heart beat for her, 'Pride and Prejudice' would barely have made it into a short story. Their torturously slow-burning romance is a classic example of how men and women still struggle to communicate the most basic of emotions.
That's the nightmare for Elizabeth Warren, because I can attack her from the left. I can say, 'Wait a minute, what do you know about the journey of a person of color? You know nothing. This is all theory to you. Because you did lie. You took advantage of affirmative action.'
I guess I've grown to admire Queen Elizabeth II more. I've always struggled with my feelings about the Royal Family. I am a supporter. I'm not someone who thinks we should get rid of them. But what I've struggled with is the lack of emotionality that the Queen seems to share.
I did a short film at Outfest, 'Where Are the Dolls,' based on an Elizabeth Bishop poem done, where I play this woman who is sort of walking the streets and ends up alone dancing in a club. I have this hot and heavy scene with a very beautiful actress. It became very popular.
When I was in the ninth grade, I had a teacher in Dallas, Texas, named Elizabeth Enlow in English class. Every Friday, we had to write a little essay, and you had to incorporate three particular words into the story. That was the sole direction. And to me, this was so much fun.
In my own life, I share my home with works by artists like Elizabeth Murray, Martin Puryear, Jackie Windsor and so many others, whose creativity is clear and fresh and compelling; the works break through the usual, and they inspire creativity; they inspire responses and understanding.
The most moving scene for me in 'Pride and Prejudice' is the Pemberley music room scene: Elizabeth has just saved Darcy's sister from embarrassment and confusion, and as the music plays on, Darcy's look of gratitude becomes a look of love, which we see reciprocated in Elizabeth's eyes.