Fleetwood Mac Quotes

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This collection holds 55 fleetwood mac quotes, drawn from writers, leaders, artists and thinkers across the QuoteForever archive. The most quoted voices here are Lindsey Buckingham, Christine Mcvie and Mick Fleetwood.

They are ordered so that each author has a say before anyone repeats, which means the first page gives you the range of the topic rather than one writer's back catalogue.

Use the grid and list views to change how much of each quote you see, follow an author's name to read everything else they said, or open a quote on its own page to copy it, share it, or turn it into a picture quote.

I love Journey and Fleetwood Mac.

Fleetwood Mac are more like a folk-rock band.

I'm a big fan of Peter Green's Fleetwood Mac.

Dancing freely to Fleetwood Mac always makes me happy.

Fleetwood Mac is just one of my all-time favorite bands.

I did spend a year in high school being obsessed with Fleetwood Mac.

With Fleetwood Mac, it's an amazing chemistry that we have on stage.

I left Fleetwood Mac to make myself happy, and fortunately, it worked.

I had Fleetwood Mac on, and Saido Berahino asked me if it was from a movie soundtrack.

We have always been like The Eagles and Fleetwood Mac in that we have numerous lead singers.

I've grown up with my parents' music tastes, listening to Fleetwood Mac and the Rolling Stones.

My mother raised me right - everything from Fleetwood Mac and the Doors to Pink Floyd and so on and so forth.

I love wearing a lot of color, and I am majorly into scarves. I'm the Beau Brummell of Fleetwood Mac, no doubt.

I'm a bit of a Fleetwood Mac girl. I also think you can't beat a bit of old school Girls Aloud to get in the mood for going out.

When we toured... I was hungry to take out people like Jeff Beck in front of us; Fleetwood Mac, just before they hit; Heart, just before they hit.

My father loved music. He loved Motown and R&B, and my mother loved Journey and Fleetwood Mac, so they were always listening to it and playing it.

One of my really good friends in New York is a musician and looks just like Lindsay Buckingham. We always fancied ourselves the nice Fleetwood Mac.

I was born in 1974, so I grew up listening to what was on the radio - my mom's car sounded like Fleetwood Mac, because that was what was on the radio.

My other family is Fleetwood Mac. I don't need the money, but there's an emotional need for me to go on the road again. There's a love there; we're a band of brothers.

I was always so jealous of a band like Fleetwood Mac, for instance, where Christine McVie would sing a whole bunch of songs even though Stevie was the obvious lead singer. It added variety to their shows.

I take inspiration from so many places. I think, more than anything, it would have to be the music made by others that I've then fallen in love with, whether it's Madonna, Blood Orange, Fleetwood Mac, or Pink Floyd!

My father, Dennis Popham, was a very handsome, talented artist, and as my mother always reminds me, 'someone who had wonderful style.' He was half Samoan-German, half New Zealander, and their first date was to a Fleetwood Mac concert, which I love the thought of.

I remember hearing people like Joe Cocker, Fleetwood Mac, and Elvis. My parents were big fans of them, and they were the early seeds. My brother was more into Slipknot, and I still listen to them, too, but it wasn't until I listened to Paolo Nutini that it really clicked.

My parents were always playing records: My mom was really into the Beatles and Fleetwood Mac, and my dad was more Billy Squire, Whitesnake, '80s hair metal. But I think there's that crucial point where you become an adolescent and you don't want to listen to your parents' music.

Fleetwood Mac always take a long time to make a record - you know what.

Certainly, whatever I learn while I'm out solo, I bring back to Fleetwood Mac.

My father and mother listened to oldies, from be-bop and swing music to - I hate to admit it, but - Barry Manilow, Fleetwood Mac and the Moody Blues.

Obviously, this is a huge change with the advent of Lindsey Buckingham not being a part of Fleetwood Mac. We all wish him well and all the rest of it.

I was always inundated with music, whether it be my mother's favorites like Fleetwood Mac and Carole King and the Carpenters, or my dad's jazz music.

When you're rich and famous you are the dominant force in a relationship, even if you try hard not to be. I've talked of sacrificing everything for Fleetwood Mac, but I realize now that it is simply the only thing I've ever wanted to do.

Eventually, I had to figure out what the hell I was going to do with my life. I needed to find my way back to Fleetwood Mac.

You could say that Fleetwood Mac is a bit of a dysfunctional family, but we are a family.

Fleetwood Mac were really accessible musically, but lyrically and emotionally, we weren't so easy. And it was our music that helped us survive. But all of us were in pieces personally.

When you're in a band with three writers, three great writers, you only get one third of the writer thing. So that's the whole reason that I did a solo career. And that's, you know, when I told Fleetwood Mac I was going to do that, they were of course terrified that I would do that record and then that I would quit.

I'm rather old-fashioned about this video business. It's all relatively new. We really don't do videos, Fleetwood Mac. We've only done two.

When I work alone, my process is like painting. With Fleetwood Mac, it's more like movie making.

Fleetwood Mac has been pretty truthful. Open about what we do. We've always done it from the inside out. Versus being pressured from the outside and changing the inside. And that's our story.

I think there's a reason to go off and do something and experiment - splinter off and do something different. It keeps the nucleus of Fleetwood Mac fresh.

I guess you can look at Fleetwood Mac as the 'Pirates Of The Caribbean' movies and my solo career as indie films.

I think it's part of how people relate to Fleetwood Mac. In many ways, we've been too open and too truthful about stuff that is really none of anyone's business. I think we were quite naive in the way we related a lot of that truth to people other than ourselves.

I dearly remember the old days... Fleetwood Mac had this one-of-a-kind charm. They were gregarious, charming and cheeky onstage. Very cheeky. They'd have a good time.

I feel like fifteen years with Fleetwood Mac was like working on my thesis, doing research for some kind of paper.

All of us... anyone that's been in Fleetwood Mac, as far as I've been aware, has been seemingly pretty well brought up by their parents: not goody two-shoes - God knows we weren't - but there was a level of civility that the lads in the band were aware of, what is over the brink of decency.

The old Fleetwood Mac was much better; they did some beautiful and, to my mind, very authentic blues. Chicken Shack did pretty well in Europe, but after I left, it was over.

One of the things about Fleetwood Mac is, when we're not together, we don't talk a lot or keep in touch. We keep a healthy distance.

We've always connected musically in Fleetwood Mac because we're the only people who play more than one note. I'm not the best pianist, but I know how to interlace around what Lindsey's playing.

One of the things about Fleetwood Mac, you gotta say, is that it's not very often that you get everyone to want the same thing at the same time.

Fleetwood Mac was one big lesson in adaptation for me. There were five very different personalities, and I suppose that made it great for a while.

Defining something being a Fleetwood Mac song is calling it a Fleetwood Mac song, you know? Nothing becomes Fleetwood Mac until that's what you call it.

You know, I was never totally thrilled with being a Fleetwood Mac member, but surprisingly, I was having such a good time reuniting with John, Mick, and Stevie.

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