Dressing in an androgynous way, mixing up the masculine and feminine, blurring those boundaries - I'm cool with that. No one should ever be limited by stereotypes of gender, just as no one should ever be limited by stereotypes of race.

People who cling rigidly to gender binaries are more than welcome to. But for a lot of young people, we're seeing that our gender roles don't have to be dictated by a set of rules made by society. We can do whatever feels natural to us.

We are on the forefront of a revolution in which identity and expression will take priority over the labels assigned to us at birth; in which self-identification will take priority over perception; in which gender will fall away entirely.

I launched 'Lightspeed' magazine in 2010, and from day one, we've had a strict mission to try to have gender parity in the magazine because that was the first hurdle that science fiction and fantasy have been dealing with for a long time.

My parents didn't allow me to do all the things the cool kids could do. I was quiet, reserved, and at some points, taken complete advantage of simply because of my sex and gender. For a while, in high school, I was so deep into self-hate.

It doesn't matter what the colour of your skin is, your sexual preference, the region where you were born, your gender. We're all equal... We can't take certain minorities and think they have super powers and are different from the others.

Success on the front of women's rights will look like a world not only with obvious advances - where no girl is denied access to education, for instance - but also one with more subtle changes in how we regard gender and gender stereotypes.

I appreciate the sentiment that I am a popular woman in computer gaming circles; but I prefer being thought of as a computer game designer rather than a woman computer game designer. I don't put myself into gender mode when designing a game.

I guess people have this image of women being more compassionate, being the mother, being caring, but I don't know if that's true. I think it's an image we've all carried over the years. I never want to attribute certain qualities to gender.

We never had money but it was never a problem. The spirit of comradeship, the commitment to gender equality, social justice and a celebration of pluralism and India's composite culture provided the glue that kept us joyous and closely bonded.

Like many teens, I struggled with my body and looks, but my despair was amplified by the expectations of cisnormativity and the gender binary as well as the impossibly high beauty standards that I, and my female peers, measured myself against.

Race and gender definitely came up, occasionally, in my life at work. But the bigger challenge that I had was age. I took roles earlier in my career than people expected, and so a lot of what I got was, 'Do you actually know enough to do this?'

Disney, who brought joy, arguably, to billions of people, was, perhaps, or had some... racist proclivities. He formed and supported an anti-Semitic industry lobby. And he was certainly, on the evidence of his company's policies, a gender bigot.

When you see white, cisgendered, heterosexual men having conversations about gender identity where they go, 'Oh, those are your pronouns? OK, great. Let's get back to work,' it allows other people to say, 'Maybe if they can do it, I can do it.'

I believe that if you want gender, then you can have it. If you want to label yourself, then sure. If you want to use history to describe who you are, then there is nothing wrong with that. But don't limit me on the way that you limit yourself.

This is the whole point of intersectionality - that it cannot only be a single-issue analysis of race and gender, and instead must consider the cumulative impact of various and simultaneous identities that compound the effects of discrimination.

It depends on the generation and gender. The males usually go for 'Police Academy,' and the young women now in their late 20s or so go for 'Punky Brewster.' I am recognized quite frequently because they're still playing that stuff on television!

There is definitely a way in which women are raised to be less proactive, less business-oriented, and less willing to jump into creative no man's land. I think media has more of an influence on how we perceive gender identity than anything else.

There are tons of women's perfumes that I've smelt and been like, 'I love that. I would totally wear that,' and lots of women smell a lot of men's cologne and think the same thing about that. I think there should be no reason to put gender on it.

You think intercourse is a private act; it's not, it's a social act. Men are sexually predatory in life; and women are sexually manipulative. When two individuals come together and leave their gender outside the bedroom door, then they make love.

I always felt that it was never the duty of a person to really stand up for their gender or their race or anything like that - I always felt that was a personal choice. But I do feel now that maybe my opinion is evolving or changing a little bit.

What I learned through my research is that the word 'actor,' specifically in reference to those who performed in plays, came about in the late 1500s as a non-gendered word. It applied to all people, regardless of anatomical sex or gender identity.

To say that gender is performative is a little different because for something to be performative means that it produces a series of effects. We act and walk and speak and talk in ways that consolidate an impression of being a man or being a woman.

There's this ridiculous idea that I'm a gender traitor because I'm not a feminist. I'm supposed to be part of a sisterhood: you're automatically supposed to support all women just because you have the same genitals as them, which doesn't make sense.

I read academic books on courtesan culture at the turn-of-the century in Shanghai such as Gail Hershatter's 'The Gender of Memory'. The diaries were mostly in the form of letters from courtesans to a lover who had disappeared or taken their savings.

I always find it amazing that people get mad because they can't figure out my gender. Even though my only job here is to create art, I think being a genderless figure... it shakes people. And when that happens, it makes me feel like I'm doing my job.

Most men are very attached to the idea of being male, and usually experience a lot of fear and insecurity around the idea of being a man. Most women are very identified with their gender, and also experience a tremendous amount of fear and insecurity.

The real gender inequality in marriage stems from the tendency to regard women as the default parent, the one who, in the absence of family-friendly work policies, is expected to adjust her paid work to shoulder the brunt of domestic responsibilities.

Red Sonja, she was a hellraiser before Buffy, Xena, and Ripley even existed. When so many heroines in comics were all hung up on romance and the bizarre gender politics of comics at the time, Sonja was out cutting off the heads of dragons and pirates.

Gender is used as a control mechanism that's just wrong. Gender is never anything to struggle with; gender is something to play with. Once you're free of the rules that all these hierarchical, oppressive systems place on gender, that's the tricky part.

I went to Macalester in Minnesota to study social psychology, the study of why people do what they do. I was really looking at race, population, gender, and how we psychologically function in a way that affects our societal outcomes around those issues.

'When Katie Met Cassidy' is a romantic comedy about two very different women who find themselves uncontrollably drawn to one another. Issues of gender and sexuality play their part in the novel, but first and foremost, it's a fun, fast-paced love story.

There's really no question that there is an anguish associated with the inability to marry in this life. We feel for someone that has that anguish. I feel for somebody that has that anguish. But it's not limited to someone who has same-gender attraction.

While we teach our daughters about self defense, we should teach the sons about being respectful as well. A society cannot function properly if only one gender is rising. It has to be in tandem. It cannot be unequal. There has to be balance for upliftment.

In 1984, Geraldine Ferraro made history by participating in the first male-on-female vice presidential debate against George H. W. Bush. What should have been a groundbreaking moment for gender equality in politics became a forum for old gender expectations.

I think history repeats itself. There's a constant conversation between the oppressed and the oppressor. No matter what your field is, whether it's gender equality, the Time's Up movement, or diversity casting, it's always going to be a back-and-forth battle.

We are now welcoming a world where fashion is not bogged down by binary gender norms. The trend is moving beyond symbolizing its wearers' identity or gender. It's now being accepted by the mainstream as more of a look, both on the catwalk and the high street.

I'm inspired by Prince on every level; the whole androgynous thing, the ambiguity in his gender and his foundation - it's amazing. That's the way I think about clothes, in relation to my personality and my life. It's just an extension of who I am, like a song.

'Thelma and Louise' was a pretty important film for me and still is. It's a social film about many things - gender, freedom - and it puts someone like me into the place of these protagonists. Watching that movie, you are living through the eyes of these women.

When I became a professional and fully understood what was going on, I knew that with all the love and care and mentorship that someone like Professor James Herring had given us, was not based on gender; it was based on the notion that he wanted us to succeed.

Arguably, my student status and perhaps my gender were also my downfall with respect to the Nobel Prize, which was awarded to Professor Antony Hewish and Professor Martin Ryle. At the time, science was still perceived as being carried out by distinguished men.

I am still bowled over by this great young adult novel by David Levithan called 'Every Day,' which is about a character with no gender or body who wakes up every day in the body of a different person. It's a really impressive execution of a really great premise.

This is true across every single society; we project grossness onto a racial or gender subgroup or caste. A big part of social subordination and discrimination is to ascribe hyper-animality to other groups and use that as an excuse for subordinating them further.

In a war, no matter the outcome of a certain skirmish or battle, the winner is the party whose attitudes, behaviors and preoccupations come to dominate the postwar landscape. By this measure, the outcome of the gender wars, if wars they were, is clear: women won.

I don't think that humankind is worthy of trust when we can't let go of war, draw borders between neighboring countries, seek to become richer than others, find joy in defeating others at sports, and choose someone of the opposite gender based on their appearance.

Women and girls, men and boys all share the right to live free of violence, which is, unfortunately, experienced by both men and women. Women and girls, however, disproportionately experience violence due to a deeply rooted global culture of gender discrimination.

Our daughters were coming of age during a rising consciousness about gender equality. Throughout their school years - from kindergarten through graduate school, 1972 to 1992 - women were starting to take their places in areas traditionally reserved mostly for men.

Just to clarify James Damore, Google, what he was saying is the gender gap in tech industries is because women are treated differently because they're not as technically inclined, and that's what got him fired, and everybody at Google had a conniption fit over it.

Regarding race or gender or sexuality, one of the great things about art and music is that they can provide people with very little else in common with a similar entry point for discussion, but the discussions still need to happen for life to get more interesting.

With the full power of our 360,000 people, we said to the external world, 'This is what we believe at Accenture is the right thing to do, and gender equality is among the business principles which are fundamental for a company, and we want this to be known outside.'

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