I want people to remember me as a full on entertainer and a good person.

I'd like the people to remember me as having a good voice and a clean suit.

Someone once told me growth and comfort do not coexist. And I think it's a really good thing to remember.

I can remember my sister and me volunteering for Nixon. My parents liked him. I liked my parents. So I figured he was good.

Doing scripted acting is a challenge to me. I can't remember things too good, so remembering lines is a challenge to your boy.

I have a very, very good memory, and I always remember the people who have done right by me and the people who have done wrong by me.

I remember once Robert Taylor invited me to lunch. I asked him, 'What is your ambition?' He said, 'I want to have 10 very good suits.'

If people remember me as one who contributed to Pakistan's cricket, I will feel good. If people say good things, it makes me feel happy.

Having been a child actor, I remember how directors would trick me to get good performances out of me. I don't think you need to do that.

I don't care much whether people remember me or not. If people remember, well and good. If they don't remember, it's alright - I'm dead anyway.

I want my lasting legacy to be that I was a good wrestler but a better person. I want people to remember me as a good dude. I think that's very important.

I can't remember exactly how old I was when my parents gave me my first camera, but it was a Canon, and I was certainly far too young to have such a good camera.

I have a very good memory for scripts. I can watch a show I like once, then remember about 90% of the script. But ask me who was in it, and I wouldn't have a clue.

I remember being a kid and trying to do make-up and being so bad at it - but my sister Kylie was so good. It came so naturally to her. For me, it was never natural.

I don't remember my mother ever playing with me. And she was a perfectly good mother. But she had to do the laundry and clean the house and do the grocery shopping.

My parents spent 16 years hauling my butt to L.A. for audition after audition. I remember always hoping I could help take care of them because they took such good care of me.

I remember Tom Baker once said to me many years ago: never go back, particularly with TV shows. This is because the track record for characters returning to series they've left is not very good.

I just want people to remember me like I remember Buster Keaton. When they talk about Buster Keaton or Gene Kelly, people say, 'Ah yes, they good.' Maybe one day, they remember Jackie Chan that way.

I always appreciate people's opinions, but sometimes I have to take a step back and remember why I'm writing and what I want to do with it. Shutting out the voices is difficult but it's been good for me.

I remember my father saying to me once, 'I finally know how to describe you, Charlotte. You're prickly.' And he was right - prickly is a very good description. If I had to be an animal, I'd probably be a porcupine.

Asylum was good exposure for me and it is still shown quite often on television. I remember the special effects people had fun making a little doll that looked like me - which is not so easy - and it had to move along the floor.

The kids know me from 'Babe,' but usually it is 'L.A. Confidential' that people remember, which was the second film I did. I have worked with some really good people and the films that I've done for the most part have been good.

My father was a negative person. He actually taught me to be negative, if that makes any sense. I remember him saying: 'You know there's no point in expecting anything good to happen because it won't.' I grew up in such a negative atmosphere.

The persona of 'The Wonder Years' is something that's going to be with me forever. And I'm happy for that. It's nothing that I'd ever shy away from, and it makes me feel so good that it's something people still remember and talk about it and think of it so fondly.

I can remember, after I started doing films, my mum began going to more arthouse films. She went to see 'Edward Scissorhands' and phoned me up and said: 'What was that all about? He had scissors on his hands.' Good question. I think she should review films on Channel 4.

You know, 'Peepshow,' in retrospect that seems like a good fit for me, but in the beginning, I'm sure you remember, nobody was sure if the show was going to last. Everybody was like, 'What are you doing? You can't sing, and you can't dance. What are you doing in this show?'

I remember when I fought Kevin Randleman, I was so wary about him taking me down, I figured it if he takes me down, was going to be so hard for me to get back up because he's just so good at ground and pound and keeping you on your back and it takes so much energy to get back up.

I don't know if anyone knows if they're ever any good, but I went to drama school in Scotland, in a classical acting course, and my first year, I remember one of my tutors telling me that I couldn't act, and I should give up and all this sort of thing, and then, they cast me as Romeo in 'Romeo and Juliet.'

I think I'm trouble-adjacent. I remember hearing once that good girls don't get caught. I think that's sort of a lot of what my teen years were like. I skirted the stuff that other kids were doing because the idea of actually getting in trouble was not appealing to me, but I still wanted to have adventures.

I remember, when I was 6 years old, we were having an event at school where different dolls were on display. I said that the tallest doll needed to be on the end, and my little friend said to me, 'Oh, you're just so bossy.' I remember thinking that wasn't a good thing. But I kept insisting the doll had to be on the end anyway.

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