Gotta Quotes - Page 20

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It don't matter if you put 'The Dance' out, or any old George Strait song. Someone is going to think that it's awful. You gotta be able to just sit back and kind of laugh it off and know you're doing exactly what you wanna do, and if people don't like it, then it's not really my place to tell them they have to like it.

I don't want to let my guard down and feel too comfortable. If you become complacent, you start feeling entitled. I'm ready to go dig ditches if I have to. Whatever I gotta do to provide for my family. Whatever I gotta do to make sure that I do the best possible job at whatever wonderful opportunities I've been handed.

Stand up comedy is this thing you get to do, so you have to treat it with respect. You can't just be like, 'Alright, I got my hour down, people are coming to see me now. Now, I'm going to lean on the mike stand.' No, you gotta work even harder now. You got to top what you already did. Because they'll find someone else.

What makes a three-man booth challenging is everybody's gotta give up a little something. Right? Because normally you'd have one guy being the analyst, and he's got the ability to go at his own pace and do everything and break down everything, but when you've got two people, somebody's gotta give up a little something.

To me, a sure-fire way to get in a rut is by sitting around playing by yourself for too long. You've gotta get out there and jam, man! You don't have to necessarily be in a band, all you've gotta have are a couple of buds who play too. They don't have to be guitarists either; jamming with a bassist or a drummer is cool.

As a director, you can't stop a guy if he thinks something's hysterical, because if you do, then he'll get depressed because he thinks he didn't come up with a good joke. So if a guy's going on some run and it's killing him, and he thinks it's hilarious, you gotta do enough so that he thinks you can use it in the movie.

Going to the theater or having the honor of performing in theater reminds you of your humanity in a very different way. It's a real release and an incredible challenge. But the stage is a dangerous place. You gotta be trained. Plus, crowds like when things go wrong. I think that's part of the thrill. Anything can happen.

I always felt like if you get to a point where you've got enough money to invest in something real, you gotta invest in anything that's related to a natural resource because that's gonna be here forever - so you might as well invest in something that's gonna be here, rather than invest in something that's gonna wear out.

At the end of the day, having a partner in crime for life is so amazing and special, when it's real and genuine, that it's worth taking the risk. And you are going to get hurt; trust me - I know! I've been hurt a couple times - maybe more than a couple times. But you gotta pick yourself back up and give it another chance.

I always say to my agents, you go through one of these big kind of movies, everyone makes money, but like, I said, 'I'm the one who's gotta go make it, and if I don't have my heart in it, and it's like a love affair, I'm not going to do a good job. Then, and I don't want to just get paid. I just, I don't want to do that.'

I'd like to do a lot of different stuff. I think it's important as a creative person to keep challenging yourself and keep doing new stuff. If you end up trying to repeat yourself it's death. It just becomes boring and takes the passion out of it. You gotta find stories and characters that you really want to hang out with.

It's not just Bin Laden or just those that are involved in the counterterrorism effort. We've gotta cast the net broader than that. But I think it's a - very special tribute that we all owe to the bravery and courage of the men and women in the intelligence and military business who performed so well to finally get it done.

What got me into MMA first was that I was a wrestler, and I was a gangbanger getting into trouble a lot and getting into fights. I grew up in a family of 15 in a four-bedroom house. It was dysfunctional, so that alone made me want to be an MMA fighter. It's really the only sport where you gotta basically depend on yourself.

There was an incident in Argentina when I was making a film called 'The Warrior and the Sorceress.' There were, like, 40, 50 sword fighters and martial artists on the set, and one of the sword fighters challenged me. I said, 'Look, you don't want to fight me. Nobody wants to fight me. You gotta be crazy to want to fight me.'

I think that black people, to a degree, need to have a certain level of dexterity. If we want to be at the highest level of whatever our field is, we have to be able to navigate both worlds. We all just know that you gotta be able to put that suit on and have a conversation with people that don't look like you or your family.

You gotta call it out first; it always has to be called out when we need social change, but this is how social change happens: you call it out. People had to call out child labor. People had to call out, 'Hey time's up; we need to vote. We live in this country.' People had to call out 'time's up' on enslaving people, you know.

I want to do a book called 'Shopping and Cooking for One with Tony Danza,' where I will show you how to shop. And, by the way, it should be a movement, because there are many single people in this world. You go to the supermarket, and you need celery, you gotta buy a whole head of celery. It's very difficult for single people.

My mother used to say, 'You gotta exercise.' She would really pound on me to exercise every day. She was very physically fit; she was on the basketball team in high school in St. Louis in the 1920s, when women didn't do that. And she taught me to play tennis, taught me to walk and run, and I ran for 30 years pretty religiously.

Nobody breaks in a fight and comes back in the same fight. Once you break, you're done for the night. You've gotta go back. You've gotta shower up. You've gotta fly home. You've got to reassess, take three or four months, and try it again. But that Anderson Silva breaks in that fight, and still finds a way to win, is remarkable.

I always feel like when I work with people, I work with everybody - from the person that's working the camera to the person that's running the water to the person that's putting the clothes on me, the person that's combing my hair, my makeup, the person that's like, 'You gotta sign these papers.' I try to hang out with everybody.

I'm not a country music fan, so if you slide me some music and say, 'You gotta check this out; it's country,' I'm going to be a little hesitant to listen, and I think if someone says, 'Hey, you gotta listen to this guy rap; he's Christian,' you're like, 'I don't identify as Christian, so not really sure I want to listen to that.'

You can't be perceived as 'the black actress who doesn't get the same kind of roles as the white actress.' You gotta run the same race. You gotta give the same quality of performances. You gotta have the same standard of excellence, even though people know that you're coming to the race in a deficit. That's just what life is about.

We know, in history, people are unable to put different elements together and create gold, yet it's what you're asking actors to do every day. You're asking them to relax enough with the confines and restrictions of the lights and the cameras, and you gotta hit this mark, to relax enough to create what seems wonderful and beautiful.

For me, my body image struggle started very young. All that I heard from my mother, my aunts, and my mom's friends was, 'I gotta lose five pounds.' At 5 years old, I learned a size 2 is not thin enough. It was, 'Don't eat carbs! Don't eat sugar! Drink Diet Coke! You always diet!' So that was engrained in my brain at a very early age.

I gotta tell you, right at the top of my list would be taking vitamins. I know that over the years doctors have said they're ridiculous and all that. But I started taking my vitamins at an early age. And I take them every day. Every bloody day! So I think that's number one. For whatever reason, I feel active and pretty good at my age.

It's not like I'm the first man ever to do this, y'know? You gotta go back to Nat King Cole, Bing Crosby and Sammy Davis Jr. Those are people who've done music well and movies well, and y'know, Frank Sinatra and Elvis and all these dudes have made the transition. I don't know about Elvis, 'bout doin' 'em good, y'know? It's nothin' new.

With 'Duplicity', I was a little bit like, 'This isn't that hard of a movie.' This isn't like some huge brain trust of a movie. You gotta be a little bit awake to follow the plot, but it's really just a kind of light entertainment. It's like those Cary Grant movies, which are not meant to be anything other than diverting. In a nice way.

You gotta understand, there weren't a whole lot of roles for Hispanics in the Eighties, so comedy was really the way I could really feed myself and eventually feed my family. I was an actor who learned to be a comic, and it's cool to come back and get back into acting - move forward in the direction I started out to do in the beginning.

I am a team player - and that is what you need to be an effective point guard. You gotta see the court, you gotta set up the play, and you gotta let others execute for the most part. I don't throw elbows for the sake of throwing elbows, but if somebody throws one at me and it's necessary to respond in kind, I suppose I can if I have to.

I was just so nervous every time I was onstage. It took me many, many years to get to the point where I realized, 'All right, if I'm going to keep doing this, I've gotta remember that it's supposed to be fun. I've gotta stop putting so much pressure on myself, because otherwise, it's not worth it.' And I still am too critical of myself.

Two of my bread and butters are my ankle and knee. That's why I always wore high-tops. I had to protect my ankles no matter if I taped my ankles or wore ankle braces. I gotta protect my ankles. Gotta protect the money maker. That's why I've always rocked the Air Force 1s. Of course, I put in orthotics in there 'cause these joints is flat.

Someone sent me an article on AI that was written by Tim Urban on the website Wait but Why - that was kind of where I stuck my toes in the puddle, and I said, 'OK, I've gotta learn about this!' I felt like this is one of those things that our generation is going to have to answer for, eventually, and I just wanted to educate myself on it.

It was so important that women were involved in 'She's Gotta Have It' because it's about a woman's opinion. It's about her views of herself, and the world around her, and how the world perceives her, and finding that ground for herself - not even a common ground, but that ground for herself in which she can walk on firmly with confidence.

So many times, I watch games and think, 'Man, why is that guy trying to score like that? He can't do it.' But he's been told his whole life, 'You have to go get 40 if you want to be one of the top dogs.' It's my goal to build a lane where you can be a top dog, and you don't gotta go get that 40. You can go get four and still be a top dog.

You gotta remember: we're musicians... we're just crazy people who can't get along sometimes. I've definitely come to the table with my knife in my pocket a couple of times; you know how it is. It's part of being human. Now add fame and money and all that rock and roll craziness to it - we're lucky we don't eat each other in this industry!

People say, 'In Washington, things can't get done.' We at the state level have to get it done. We don't have filibusters and kicking the can down the road - we don't have that luxury. We've gotta act, and we've got to keep our citizens safe. We've got to grow our economies and provide education and a transportation system that's efficient.

I stay excited 'cause for me, this is something I love to do. I'm like Coca Cola with it. I been here for a long time, I just gotta keep it nice and stay up to date and also give them that quality taste that they been looking for. It's nothing to me. When you built for it, you born for it, you do it cuz you wanna do it, not cuz you have to.

If I'm saying a universal truth, but maybe it's something that people don't feel comfortable saying... It's a strange take, but at the same time, what you're hitting on is kind of right. You can relate. That's the heart of comedy. You have to have a point of view. You gotta commit. And the more you commit to it, sometimes the funnier it gets.

The money to fund great things and innovations and programs is gone in our lifetime; it's all gone to debt. So we won't be able to solve global warming or have the transportation that we needed for the 21st century. We should be supporting people with great ideas, but it's gone, and now it's gotta be paid back with interest to banks in China.

Not everything is going to be handed to you just because you're talented with a big smile. Sometimes you just gotta get out and shoot jumpers for hours and hours and hours. That's something I didn't really get a grasp on until way later, waking up early and treating it like a job if you're serious about it. Get the freak up and, you know, work.

Sometimes I'd literally show up at the gym having a panic attack, and my trainer would be like, 'All right, let's just go get breakfast.' I can't give enough credit to him... he was really there for me, and not just like a trainer where it's like, 'Well, come on, man, I gotta pump you up.' He cared more about my mind and the state that I was in.

You gotta deal with a lot of people, the naysayers... but I've always been the guy who kinda just smiles and laughs at it. I use it as constructive criticism to be honest. Whether they're intentionally trying to be kind of spiteful or not, it's constructive criticism because you can't say there's always truth to it but there's definitely something.

I remember Bumpy Knuckles came in wearing all mink everything and said, 'Yo, when I spit my verse, I gotta pull my guns out and aim them.' He was serious! I told him that I was going to duck in the event that those guns accidentally went off. He pulled out the twin glocks, spit his verse in one take and said, 'I've got a meeting to go to' and left!

When I was up in college, I had a friend, and he was the only guy who knew I wasn't going to be able to attend school no more because I had a child on the way. I remember we was right at the lunch table. I was like, 'Man, I should start boxing.' I felt like every fighter that's on TV made a lot of money. I was like, 'You gotta make a lot of money.'

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