Ideas Quotes - Page 302

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The disc, being flat, has no real horizon. Any adventurous sailor who got funny ideas from staring at eggs and oranges for too long and set out for the antipodes soon learned that the reason why distant ships sometimes looked as though they were disappearing over the edge of the world was that they were disappearing over the edge of the world.

People have judged you; you have accepted their idea without any scrutiny. And you are suffering from all kinds of people's judgments, and you are throwing those judgments on other people. And this game has become out of proportion. The whole humanity is suffering from it. If you want to get out of it, the first thing is: Don't judge yourself.

When I'm playing music I'm usually not thinking of surfing, just because I'm usually thinking about the chords and the lyrics, and sometimes that messes me up 'cause you'll start thinking, "Wait, how am I doing this?" But when I'm surfing, I'm usually thinking about music - whether it's an idea for a new song, or just singing a song in my head.

We need a type of patriotism that recognizes the virtues of those who are opposed to us..... The old "manifest destiny" idea ought to be modified so that each nation has the manifest destiny to do the best it can - and that without cant, without the assumption of self-righteousness and with a desire to learn to the uttermost from other nations.

I turned over, and those big hands got to work on my back. I stifled a whimper in the pillow, because Marco's idea of a massage bore no resemblance whatsoever to the relaxing spa variety. There was no lavender oil, no soothing music, no hot towels. Just an all-out assault on cramped muscles, until they cowered in surrender and turned to Jell-O.

Young people, don't get the idea that you have an artistic temperament which must be humored. Don't believe you cannot do good work unless you feel in tile mood for it. That is all nonsense. I frequently have to force myself to make a start in the morning; but after a short while I find I can work. Only hard and regular work will bring success.

Pragmatism asks its usual question. "Grant an idea or belief to be true," it says, "what concrete difference will its being true make in anyone's actual life? How will the truth be realized? What experiences will be different from those which would obtain if the belief were false? What, in short, is the truth's cash-value in experiential terms?

It's an interesting thing. When you're young you often ask people what they want to do when they're older, then you meet them years later and they're not doing that. I didn't want that. I didn't want to be a singer, but I just believed and knew somehow that I'd be in showbiz, although I had no idea how I was going to do it. Dreams do come true.

American business at this point is really about developing an idea, making it profitable, selling it while it's profitable and then getting out or diversifying. It's just about sucking everything up. My idea was: Enjoy baking, sell your bread, people like it, sell more. Keep the bakery going because you're making good food and people are happy.

Conducting is more difficult than playing a single instrument. You have to know the culture, to know the score, and to project what you want to hear. Some conductors are well prepared but cannot transmit their ideas to an orchestra, and others are good communicators but have nothing to transmit because they are not absorbed enough in the score.

The idea of Socialism is at once grandiose and simple. . .We may say, in fact, that it is one of the most ambitious creations of the human spirit, . . .so magnificent, so daring, that it has rightly aroused the greatest admiration. If we wish to save the world from barbarism we have to refute Socialism, but we cannot thrust it carelessly aside.

About 1911 I had the idea of making for my son, who had just been born, a blanket composed of bits of fabric like those I had seen in the houses of Russian peasants. When it was finished, the arrangement of the pieces of material seemed to me to evoke cubist conceptions and we then tried to apply the same process to other objects and paintings.

The importance of language in gaining knowledge is doubtless the chief cause of the common notion that knowledge may be passed directly from one to another. It almost seems as if all we have to do to convey an idea into the mind of another is to convey a sound into his ear. Thus imparting knowledge gets assimilated to a purely physical process.

There are dangers in sentimentalizing nature. Most sentimental ideas imply, at bottom, a deep if unacknowledged disrespect. It is no accident that we Americans, probably the world's champion sentimentalizers about nature, are at one and the same time probably the world's most voracious and disrespectful destroyers of wild and rural countryside.

We must remember that the people of all the States are entitled to all the privileges and immunities of the citizen of the several States. We should bear this in mind, and act in such a way as to say nothing insulting or irritating. I would inculcate this idea, so that we may not, like Pharisees, set ourselves up to be better than other people.

The idea is to keep reinventing yourself. Once you attain a certain status as an actor, your fans start expecting from you and you should be able to fulfill them. That's why I try to choose as many different kind of roles as I can so that my fans are not disappointed with me. It would also get boring for me as an actor to keep repeating myself.

Long gone is the time when we opposed the notion that we all looked alike and talked alike. Somehow we have come to exalt the new black stereotype above all and to demand conformity to that norm... [However], I assert my right to think for myself, to refuse to have my ideas assigned to me as though I was an intellectual slave because I'm black.

As long as there's a place for sundials and gardening and beautiful things, there's a place for the harpsichord. I completely reject the idea that harpsichord is old. And I reject the idea that something old is therefore not good or not popular. Lots of things are old. Lots of traditions are old - cooking, art. I like it because it's beautiful.

At the breakfast table we are footnoting everything that we read. We don't recognise it as such but we encounter an article in the newspaper and then suddenly we recall that a friend had a certain comment on that particular story, a certain bit of news that we saw on the television applies to that and we immediately assemble an idea of a story.

Environmental concern is a little like dieting or paying off credit-card debt - an episodically terrific idea that burns brightly and then seems to fade when we realize there's a reason we need to diet or pay down our debt. The reason is that it's really, really hard, and too many of us in too many spheres of life choose the easy over the hard.

Ideas come from the Earth. They come from every human experience that you’ve either witnessed or have heard about, translated into your brain in your own sense of dialogue, in your own language form. Ideas are born from what is smelled, heard, seen, experienced, felt, emotionalized. Ideas are probably in the air, like little tiny items of ozone.

In a word, learning is decontextualized. We break ideas down into tiny pieces that bear no relation to the whole. We give students a brick of information, followed by another brick, followed by another brick, until they are graduated, at which point we assume they have a house. What they have is a pile of bricks, and they don't have it for long.

If you start with the idea that you are going to be writing about a night in a graveyard, and that there are only a few living people in that frame, all sorts of interesting and difficult technical problems arise. And then form - new form, or experimental form - might be understood as just trying to tell that story most movingly and efficiently.

The time to buy stocks is consistently over time. You should never buy your investments with the idea, 'I have to get a certain return.' You should look at the best return possible and learn to live with that. But you should not try to make your investments earn what you feel you need. It doesn't work that way. The stock doesn't know you own it.

There are two tests that we [writers] have for all of our writing: So What? and Who Cares? There is an answer to both. The answer to Who Cares is that a reader cares, if the writing is good. The answer to So What is that these ideas give us completely new understanding, change our sense of who we [people] are and why we're here [on this planet].

The purpose of propaganda is not to provide interesting distraction for blasé young gentlemen, but to convince... the masses. But the masses are slow moving, and they always require a certain time before they are ready even to notice a thing, and only after the simplest ideas are repeated thousands of times will the masses finally remember them.

Aaron Spelling was a huge fan of vampires, and everything in that genre. He just really loved the entire subject of vampires and he was really passionate about it. If you really like the idea of this other world and the intricacies of it, because there were a lot of them, and once you're hooked, it's always something that's a fascination to you.

Idea that all the beats are wildly liberal and progressive is ridiculous. You have people thinking for themselves and having certain affinities because of their upbringing and who their family are, their own people who were close to them who fought in these wars and so on. It's complicated. But they had that ability to continue the conversation.

I'd be lying if I said I went into any project with any premeditated ideas of what's gonna happen or what's gonna be perceived as a result of it. I just kinda work on autopilot and then, when it's done, it's done and I have more of an internal sense of when that is. And then I leave it up to the audience to decide if one's better than the other.

When employees tell you about their good ideas for the business, don't limit your response to asking questions, taking notes and following up. If you can, ask those people to lead their projects and take responsibility for them. From those experiences, they will then have built the confidence to take on more and you can take a further step back.

There can be no more thrilling idea of intimacy that connecting with someone through the agency of the written word. Here we meet, on the page, naked and unadorned: shorn of class, race, gender, sexual identity, age and nationality. The reader I seek is a tautology, for he/she is simply exactly the person who wants to read what I have written...

I imagine that whenever the mind perceives a mathematical idea, it makes contact with Plato's world of mathematical concepts... When mathematicians communicate, this is made possible by each one having a direct route to truth, the consciousness of each being in a position to perceive mathematical truths directly, through the process of 'seeing'.

It then becomes necessary to stop short and make a choice: Either/Or. Either one drifts with their absurd system of ideas, believing that this is the human community. Or one dissents totally from their system of ideas and stands as a lonely human being. (But luckily one notices that the others are in the same crisis and making the same choices.)

I never decide if an idea is good or bad until I try it. So much of what gets in the way of things being good is thinking that we know. And the more that we can remove any baggage we're carrying with us, and just be in the moment, use our ears, and pay attention to what's happening, and just listen to the inner voice that directs us, the better.

John von Neumann gave me an interesting idea: that you don't have to be responsible for the world that you're in. So I have developed a very powerful sense of social irresponsibility as a result of von Neumann's advice. It's made me a very happy man ever since. But it was von Neumann who put the seed in that grew into my active irresponsibility!

I was raised fundamentalist Christian, and now I'm not that. It was not an act of rebellion or anything. For me, it was about being in a line of work where I was meeting so many different people and feeling like they all had legitimate points of view that I needed to consider and occasionally these were at odds with ideas that I was raised with.

For me, I don't want to live in a world where I am afraid of making the kind of art I want to make. The idea that I should be afraid of publicly ridiculing and mocking and chopping up and rearranging a giant corporation that intrudes on my life whether I want it to or not every day... The idea that I have to be afraid to do that is absurd to me.

Looking back over sixty-odd years, life is like a piece of string with knots in it, the knots being those moments that live in the mind forever, and the intervals being hazy, half-recalled times when I have a fair idea of what was happenng, in a general way, but cannot be sure of dates or places or even the exact order in which events took place.

I tell cold callers I'm very interested but a bit deaf, my hearing aid is not working properly and can they speak up. The idea is to deliberately miss-hear what they say, ask them to repeat, only louder, and see how loud I can get them to shout. After a while I say "I'm not really deaf" and was just wasting their time, as they were doing with me.

My brain does like the idea of hosting a late-night show. My brain does like the idea of maybe having a show about me. So, I often pitch ideas and work on scripts and do that just because I may not be right about how I feel, so why not just do this, and if it happens and I got my own show, well maybe I would really end up falling in love with it.

There's so much of this thing now, where you're supposed to do all the work before you get the commission. I think it's really good to try to resist that. If you just have a week to come up with a pitch for something, your ideas aren't going to be very good. Get your income from somewhere else, and keep your writing not tied into these contracts.

Therefore, as always, make of this voice what you choose to make of it. Make of me what you choose to make of me, but recognize within yourselves the vitality of your being. And look to no man or no idea or no woman or no dogma, but the vitality of your own being, and trust it. And that which offends your soul, turn away from, but trust yourself.

Music endures and ages far better than books. Books, made of words, are unavoidably attached to ideas, events, conflict, and history, but music has the power to transcend time. At least for a time. Palestrina sounds as fresh today as he did in 1555, but Dante, only three centuries older, already smells of the archaic, the medieval, the catacombs.

I loved the idea of the fact that the way, like I said, they colored outside of the lines. You know, there was rules that they didn't have to follow. And you got -you got - you could get more of a sensational thrill, all right, with some of these exploitation movies or art films, or you could get something you wouldn't see at the normal cineplex.

When someone has too much of a thought-out idea, that can be a big obstacle to get anywhere. Because it's like [if] you have a preconceived idea of what's going to happen in the studio in an hour's time, then you're not free anymore and you lock yourself into your own expectations. I don't think that's very creative. It doesn't work well with me.

I've learned I'm rarely able to stay at home and not work. If I try to 'just sit on my couch for a little while,' I am going to grab my laptop and just knock out a few more emails, or start sketching up some product ideas for TheMuse.com. So when I want time off, I schedule dinners out, movie outings, and on occasion a flight lesson from Groupon.

In my own life, I found that whenever I wasn't sure what to do next, I would go and learn a lot, read a lot, talk to experts. I don't know how the human brain works, but it's almost magical: when you read enough or talk to enough experts, when you have enough inputs, new ideas start appearing. This seems to happen for a lot of people that I know.

Television screens saturated with commercials promote the utopian and childish idea that all problems have fast, simple, and technological solutions. You must banish from your mind the naive but commonplace notion that commercials are about products. They are about products in the same sense that the story of Jonah is about the anatomy of whales.

An Athenian citizen does not neglect his state because he takes care of his own household; even those of us who are engaged in business have a very fair idea of politics. We do not regard a man who takes no interest in public affairs as harmless. We do not say that such a man 'minds his own business'. Rather we say he has no business here at all.

To criticize mathematics for its abstraction is to miss the point entirely. Abstraction is what makes mathematics work. If you concentrate too closely on too limited an application of a mathematical idea, you rob the mathematician of his most important tools: analogy, generality, and simplicity. Mathematics is the ultimate in technology transfer.

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