When I was 20 years old, I was living in Ireland, going to school in Cork. There was this girl in my film class that I was kind of flirting with. We had this notebook that we passed back and forth. We would write 10 questions and then pass it back while we were supposedly paying attention.

Ireland never lacked the capacity to feed its people. During the entire 'great famine,' the island continued to produce massive amounts of beef and grain. The Irish just couldn't afford to buy any of it due to the enforcement of rack-renting, high taxation, and suppression of manufactures.

I grew up in Edinburgh, but my dad's from Glasgow, and my mum's from Chingford in Essex, and I spent time in Ireland, too, so I was always somebody who absorbed accents. I would come back from visits, very much to the annoyance of friends and family, with an accent based on where I'd been.

Along the way I have been able to choose some themes which ask questions - not necessarily force a message on anyone, but at least invite the audience to question things: jury service, dignity in dying, Ireland - and not least because they force me to ask myself questions. Where do I stand?

Stand-up came naturally to me because people in Ireland talk. But that's not talking on panel shows; it is structured fun. It reminds me of some tragic aunt clapping her hands and bouncing into a room and announcing we should all play games... and if we don't we are all a rotten spoilsport.

This is the great thing about Northern Ireland. I walk down the street and people stop me and say things like, 'I know you. You're that wee golfer, aren't you?' I say, 'Yeah, that's me.' They say, 'Keep it up, wee man.' It's very funny and that's why I want to stay here as long as possible.

In France, they call the people who come to the theatre 'les spectateurs'; in Britain and Ireland, they are the audience, the people who listen. This does not mean the French are not interested in language. On the contrary. It actually says more about the undeveloped visual sense over here.

It was at Inver Slane, to the north of Leinster, the sons of Gaedhal of the Shining Armour, the Very Gentle, that were called afterwards the Sons of the Gael, made their first attempt to land in Ireland to avenge Ith, one of their race that had come there one time and had met with his death.

Because Scotland and Northern Ireland want to remain part of the E.U., there is the quite real possibility that Scotland and even Northern Ireland might now choose to go their own way on membership within the E.U. and the 'United Kingdom' would suddenly effectively be only England and Wales.

In my position, I can make changes. I can make changes across the entire organization. If John Ireland doesn't do his job, in his radio broadcast play-by-play, then we would make that change. If the Laker Girls drop down in caliber and couldn't do a dance number, then we'd make changes there.

For years, Ireland used to have a philosophy of 'Get them in here to invest and develop in Ireland, and this will sort out our problems.' It is good in the sense of building a trade surplus, but we also want to develop what it is that we offer ourselves and that Irish companies export abroad.

It used to be the case that for an Irishman to come to the U.S. involved a perilous journey on a ship. It involved singing lots of songs before you left saying goodbye, and once you were in the U.S., it involved singing lots of songs about how you were never going to set foot in Ireland again.

We've got enormous potential, phenomenal potential on our doorstep, which requires politics that makes that work, and that's what we try to show here in Ireland: that while there's a lot of pain, the reward at the end of this is career opportunities, prosperity, and brighter days for everybody.

As a past attorney general I consider a WTO Brexit to be a disaster for us as, leaving aside the economic damage it will cause, it would trash our reputation for observing our international obligations - as it must lead to our breaching the Good Friday Agreement with Ireland on the Irish border.

I was attracted to black music for the same reason that I loved those old Irish ballads. Both were social statements of sorts, and both were indigenous to their respective cultures: Ireland, where my father had grown up, and towns like St. Louis along the Mississippi River, where I was growing up.

I don't hate redheads! The millionaire men - wealthy men - never pick them. Every time I offer them they say no. I could say the most gorgeous redhead in the world and they'll say no, they don't want it. Now if you ask an Irish guy in Ireland, he says 'yes,' because that's indigenous to that country.

It was on the first day of Beltaine, that is called now May Day, the Tuatha de Danaan came, and it was to the north-west of Connacht they landed. But the Firbolgs, the Men of the Bag, that were in Ireland before them, and that had come from the South, saw nothing but a mist, and it lying on the hills.

Going through secondary school in Ireland, everyone's like, 'What are you gonna do when you finish school? Go to college? Study business? Study electronics?' I was like, 'Well I kinda love wrestling, so I don't see why I should want to study anything else except wrestling.' For me, it was a no brainer.

The nineteenth century, especially the second half of it, was a time of restatement in Ireland. After the famine, after the failed rebellions of the Forties and Sixties, the cultural and political desires for self-determination began to shape each other in a series of riffs on independence and identity.

I remember politicians in Northern Ireland were sometimes called 'verbal incendiarists,' as they didn't actually do anything but they said certain things. So when you hear certain politicians using nasty language, that colours our lives. It makes some other people think it's OK to racially abuse people.

In 2006, when doing a live stage show in Ireland, I tried for the first time to instantly induct a subject on stage, something I had never done before, nor did I know if it would ever work. The result almost cost me my career; the man I grabbed and instantly inducted went out cold and fell to the floor.

In Britain, politicians who openly discuss their spirituality are about as welcome as Jehovah' s Witnesses on the doorstep, and the British associate the mixture of politics and religion as a heady cocktail best reserved for the mass irrationality of Northern Ireland, Iran, Kashmir, and the Middle East.

While I cannot comment in detail about the inter workings of the State Department, it is a matter of public record that I recommended a visa for Gerry Adams to visit the United States. I believe then, and I continue to believe now, that this step did help to advance the peace process in Northern Ireland.

Irish writing is so strong that it can feel like the country has all been covered, but in fact, there are so many gaps. The small west of Ireland cities and the working classes there have almost never appeared in Irish literature, simply because those communities were never in the way of producing books.

It is what the poets of Ireland used to be saying, that every brave man, good at fighting, and every man that could do great deeds and not be making much talk about them, was of the Sons of the Gael; and that every skilled man that had music and that did enchantments secretly, was of the Tuatha de Danaan.

One of the first major programming projects that I worked on when I was growing up in Ireland, back just coding by myself, was a programming language. Then I spent a bunch of time working on a new web framer. Just back-end things to make it easier to go in and build things on top of, do other development.

At one point I would read nothing that was not by the great American Jews - Saul Bellow, Philip Roth - which had a disastrous effect of making me think I needed to write the next great Jewish American novel. As a ginger-haired child in the West of Ireland, that didn't work out very well, as you can imagine.

I'm proud that I've even had a career, but 'proud' isn't the first word I'd use. I feel lucky that I moved to Manchester when I was 12 because I don't think I could have done this in Ireland. And I feel lucky that the government took care of me from the age of 16 to when I signed my first record deal at 19.

I was raised as a Catholic. I went to a Jesuit school - obviously, being from Ireland, was brought up in quite a regimented belief structure. I shed a lot of that rigidity and got a sense that there are definitely forces that we don't understand. I think 'magic.' It's a word to apply to some of those things.

I always went to Ireland as a child. I remember trips to Dundalk, Wexford, Cork and Dublin. My gran was born in Dublin, and we had a lot of Irish friends, so we'd stay on their farms and go fishing. They were fantastic holidays - being outdoors all day and coming home to a really warm welcome in the evenings.

People travel overseas to do things overseas that aren't legal in Ireland all the time. You know, are we going to stop people going to Las Vegas? Are we going to stop people going to Amsterdam? There are things that are illegal in Ireland, and we don't prevent people from travelling overseas to avail of them.

I absolutely love Ireland. It's one of the most beautiful places on Earth, and I have strong ties here. Both my grandmothers are from Ireland, and I have spent every summer in Bantry since my father, who is an artist, had the romantic idea 20 years ago to buy an old farmhouse on the west coast and renovate it.

The greenness of Ireland is a false greenness, after all. Not that it isn't green - the place can still make you have to pull off and swallow one of your heart pills. It's that the greenness doesn't mean what it seems. It doesn't encode a pastoral past, much less a timeless vale where wee folk trip the demesne.

I am, of course, directly descended from Brian Boru, the last king of Ireland, a fact certified by my mother and therefore beyond dispute. But as everybody else with a drop of Irish blood in his carcass is also a guaranteed descendant of the old billy goat, I am not overly arrogant because of this royal strain.

I hope the unionist parties, for example, who would be keen to protect and preserve the Union would see that it's much easier to do that if the U.K. stays within the Customs Union and the Single Market, because that would take away the need for any special arrangement, or bespoke solution, for Northern Ireland.

My husband was in the war of the Crimea. It is terrible the hardships he went through, to be two months without going into a house, under the snow in trenches. And no food to get, maybe a biscuit in the day. And there was enough food there, he said, to feed all Ireland; but bad management, they could not get it.

The English playwrights of the '50s and '60s didn't really keep writing or getting produced, while the Irish did. There's encouragement for the younger ones also in the fact that Ireland is exceptional in its ability to make theater part of the national dialogue, and it reaches to all four corners of the country.

Throughout my childhood, I did a form of Irish dancing that was kind of the precursor to 'Riverdance.' It was a mixture of ballet and Irish dancing that my teacher, Patricia Mulholland, had invented, essentially. It was Irish ballet, and she would create performances based around the myths and legends of Ireland.

Let's start with the euro. What on earth were we thinking? How could anyone with the faintest grasp of economics have believed it was anything other than sheer insanity to yoke together diverse national economies such as Greece, Ireland, Germany and Finland under a single exchange rate and a single interest rate?

Every publisher or agent I've ever met told me the same thing - that Irish readers don't want to read about the bad old days of the Troubles; neither do the English and Americans - they only want to read about the Ireland of The Quiet Man, when red-haired widows are riding bicycles and everyone else is on a horse.

I did a great deal of research to write 'The Irish Duke.' Since all the people in this Lords of the Realm series are real historical characters, everything had to be authentic. I researched Woburn Abbey, where my heroine lived, and everything about Barons Court in Ireland, which was the ancestral home of Abercorn.

Today, Church policy in Ireland is to report allegations of abuse to the civil authorities. It recognises the Gardai and H.S.E. as those with responsibility for investigating such allegations and that any Church investigation should not take place until the investigation by the civil authorities has been completed.

In 1975, no State or Church guidelines existed in the Republic of Ireland to assist those responding to an allegation of abuse against a minor. No training was given to priests, teachers, police officers or others who worked regularly with children about how to respond appropriately should such allegations be made.

Ireland is a series of stories that have been told to us, starting with the Irish Celtic national revival. I never believed in 'Old Ireland.' It has been made all of kitsch by the diaspora, looking back and deciding what Ireland is. Yes, it is green. Yes, it is friendly. I can't think of anything else for definite.

When I was growing up, Belfast City Hall was surrounded by security, and we had no access to it. But now, people come in and out of it all the time. On a nice day, office workers and students sit on the lawn outside and have lunch. It's great to see how Northern Ireland has changed. To be part of that is fantastic.

I think that was one of the things that happened, especially in Ireland, that you left in order to improve yourself, and you couldn't write home and tell people, 'Look, I'm really lonely,' because you'd realize how much those letters were going to matter, that you needed to put good news or uplifting news into them.

My dad came over from Ireland when he was 13 and lived on the streets, working on building sites, and has just retired from his job delivering furniture for John Lewis. My mum has had the same job for 30 years as a sales assistant at Marks and Spencer. They've always been really great; they just want me to be happy.

In Grade 2, when we had to do a presentation in front of the class, I'd always do things about Ireland or Italy. I could draw maps; I could name all the capitals: I was completely drawn to other lands. I discovered with time that it's a thirst for other people, for otherness, for something fascinating and mysterious.

I traveled to Ireland to research 'Sandcastles,' to visit the coastline where my ancestors looked toward America, the tiny town they once loved so much, and the docks from which they sailed toward their dreams of building a better life for their family. The answers I found on that journey are woven through the novel.

The worst thing that happens to you at college if you fail to get out of bed in time is that you will miss two hours of someone reading scintillating anecdotes about Medieval Ireland. The worst thing that happens to you in life if you fail to get out of bed in time is that you might lose your job as a first responder.

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