Vogue began to focus on the body as much as on the clothes, in part because there was little they could dictate with the anarchic styles...In a stunning move, an entire replacement culture was developed by naming a 'problem' where it had scarcely existed before, centering it on the women's natural state, and elevating it to the existential female dilemma...The number of diet-related articles rose 70 percent from 1968 to 1972...The lucrative 'transfer of guilt' was resurrected just in time.

Fate knows all about you, it knows your fears and your weaknesses and your confidences and strengths, and it can be ready for all of them when it decides that the time is right. It can move you like a pawn in a terrible game of chess, sacrifice you for the good of others, drop you from a building you should never have been inside, give you a disease that no one has ever heard of. Luck and chance are impartial. Fate is active. It picks on people. Almost as if it thinks about things too much.

What is there in places empty of matter? and Whence is it that the sun and planets gravitate toward one another without dense matter between them? Whence is it that Nature doth nothing in vain? and Whence arises all that order and beauty which we see in the world? To what end are comets? and Whence is it that planets move all one and the same way in orbs concentrick, while comets move all manner of ways in orbs very excentrick? and What hinders the fixed stars from falling upon one another?

We have to get back to a government where leaders are willing to talk across party lines and do not have absolute politics as the goal. Our goal has to be bettering the country, making sure we have an education system that is world-class and a healthcare system that is world-class, making sure social security is safe. People don't care who is huddling in a corner with whom, making the next political move. If you are elected to do a job, you are supposed to do it to the best of your ability.

Email is a mind-killer. Like, I really think getting a smartphone is the worst move I ever did in being a musician because while we've just been talking my phone's vibrated like 15 times and I only get push notifications for like two apps, so either like a bunch of houses are going up for sale right now or someone's like, "Why aren't you emailing me back?" It's just hard to stay in the moment. I can understand why people go to retreats to write and stuff like that but I don't have the time.

In general, I don't like game mechanics, I mean it's the idea you do the same things through different levels. I think, in my mind, it's an ideas I don't really like because I love to do different things and like to see the story moving on and I like to do different things and different scenes, not do the same thing over and over again. If it involves violence at some point fine, if it makes sense in the context. But violence for the sake of violence, it doesn't mean anything to me anymore.

Nature that framed us of four elements, Warring within our breasts for regiment, Doth teach us all to have aspiring minds: Our souls, whose faculties can comprehend The wondrous architecture of the world, And measure every wandering planet's course, Still climbing after knowledge infinite, And always moving as the restless spheres, Wills us to wear ourselves, and never rest, Until we reach the ripest fruit of all, That perfect bliss and sole felicity, The sweet fruition of an earthly crown.

The first noble truth of the Buddha is that when we feel suffering, it doesn’t mean that something is wrong. What a relief. Finally somebody told the truth. Suffering is part of life, and we don’t have to feel it’s happening because we personally made the wrong move. In reality, however, when we feel suffering, we think that something is wrong. As long as we’re addicted to hope, we feel that we can tone our experience down or liven it up or change it somehow, and we continue to suffer a lot.

Historically, the idea that you take something novel and you break it has been seen as the ultimate rejection of Enlightenment values, of progress, of civilization - because how could you possibly move forward if you break technology? I think that that misses the point, that if you introduce any kind of technology, what you're introducing is a new way of living and the consequences of that new way of living for people who were enmeshed in a different way of living need to be thought through.

There was no way that I wanted him to stop touching me, even for a few hours. My pulse thudded as I glanced across at the camp bed. I cleared my throat. "Wel...is there a reason we can't both take the bed? The sleeping bags zip together, don't they?" Alex stared at me without moving. "Would that be OK?" I asked, feeling nervous suddenly. The lantern light made his eyes look darker, his hair almost black. He started to smile, a grin spreading across his face. "Yes, that would be extremely OK.

They say that dogs may dream, and when Topsy was old, his feet would move in his sleep. With his eyes closed he would often make a noise that sounded quite human, as if greeting someone in his dreams. At first it seemed that he believed Sara would return, but as the years went by I understood that his loyalty asked for no reward, and that love comes in unexpected forms. His wish was small, as hers had been -- merely to be beside her. As for me, I already knew I would never get what I wanted.

Actually, I think you have to know that whatever advice you give, they may not take it. The priority should be on keeping the friendship rather than giving the best advice. Your best advice is usually, 'Walk away from him! Tell him you never want to see him again!' But if you are dealing with someone still in love, nothing you say can change their feelings. All you can do is be there for them and pick them up every time they get hurt. Until, that is, they are ready to move on for themselves.

Sometimes I just trust certain intuitions on certain things. As we age, I start to follow it without being scared. So whatever it was - moving to New York, getting married with Grace - I always had that first impression about something. I'm not saying be superficial. I'm not about that. It's more of a thing you have from the stomach. It's a magnet, you are attracted to it. When I was younger, I would question it. I wouldn't follow it. But as I get older, I am just going for it, without fear.

We stand today at a unique and extraordinary moment. The crisis in the Persian Gulf , as grave as it is, also offers a rare opportunity to move toward an historic period of cooperation. Out of these troubled times, our fifth objective - a new world order - can emerge: a new era - freer from the threat of terror, stronger in the pursuit of justice, and more secure in the quest for peace. An era in which the nations of the world, East and West, North and South, can prosper and live in harmony.

If we stop believing in a future, if we stop doing things for something else but start doing them for now, some fundamental things change. Retirement becomes less about how much money you can squirrel away now and much more a matter of participating and contributing to your own community now so that they want to take care of you. … We’re going to move into a world where your retirement will be more secure if you’ve made lots of friends with young people rather than collected lots of dollars.

Cool is spent. Cool is empty. Cool is ex post facto. When advertisers and pundits hoard a word, you know it's time to retire from it. To move on. I want to suggest, therefore, that we begin to avoid cool now. Cool is a trick to get you to buy garments made by sweatshop laborers in Third World countries. Cool is the Triumph of the Will. Cool enables you to step over bodies. Cool enables you to look the other way. Cool makes you functional, eager for routine distraction, passive, doped, stupid.

I take this for myself, and you take up the thread of my life between your teeth, tin thread and tarnished with abuse, you shall still hear as long as the beast in me maintains its taciturn power to close my lids in tears, and my loins move yet in the ennobling pursuit of all the worlds you have left me alone in, and would be the dolorous distraction from, while you summon your army of anguishes which is a million hooting blood vessels on the eyes and in the ears at that instant before death.

However gross a man may be, the minute he expresses a strong and genuine affection, some inner secretion alters his features, animates his gestures, and colors his voice. The stupidest man will often, under the stress of passion, achieve heights of eloquence, in thought if not in language, and seem to move in some luminous sphere. Goriot's voice and gesture had at this moment the power of communication that characterizes the great actor. Are not our finer feelings the poems of the human will?

It wouldn't be my move," Jace agreed. " First the candy and flowers, then the apology letters, THEN the ravenous demon hordes. In that order." "He might have sent her candy and flowers," Isabelle said. "We don't know." "Isabelle," said Hodge patiently, "this is the man who rained down destruction on Idris the like of which it had never seen,who set shadowhunter against Downworlder and made the streets of the Glass City run with blood." "That's sort of hot," Isabella argued, " that evil thing.

I have been advised that you have decided to move forward with your story without my interview. This, despite the fact confirmed more than three weeks ago that I would make myself available on a date certain (6 July), after you spoke to other relevant Church personnel and toured Church facilities, and that I would provide information annihilating the credibility of your sources including the fundamental crimes against the Scientology religion that were the reasons for their removal from post.

I want to tell everybody that you won't hear me trying to pop bottles in the club and all that kind of stuff. It's just not me and I think as long as you stay within your element and your age bracket, sure you're going a couple of young folks and teens, but that's not who I'm focused on. I'm really not. I love whoever supports, but I'm just not going to try and go back there because times have changed. If you don't move with the times, you'll get left off. I'm trying to change with the times.

It's not that people like sad movies that make us feel like, "Oh, my god, what a bummer." We like emotionally moving experiences, where you feel like a slightly different person and you see the world a little different, after you finish. It lets you see your own life, in a different way, and it actually makes you feel really good. And even though there might be sad content making this happen, the feeling that you're left with is one that is quite good, quite hopeful, clarifying and uplifting.

I'm being given a little bit of credit now as being a viable collage artist, which some people think is ridiculous. Like this guy who said, "Wait a minute: You had an art show where you just cut out pictures and then glued them back together?" And I said, "Yeah, that's pretty much what it is." There's more to it than that. It's about having the eye for detail, moving things from one environment and reassembling them into new environments....Everyone can do it, but not everyone can do it well.

It's hard to put into words the impact of the perfect lyric, melody or contagious beat that moves you in an unexpected way. Authors, composers and artists have tried - and here we've rounded up our favorite quotes that help to begin forming structure around such an unspoken universal force. Which are most meaningful to you? If you had to sum up the power of music and sound in one sentence, what would you say?"A painter paints pictures on canvas. But musicians paint their pictures on silence."

It was that period in the vernal quarter when we may suppose the Dryads to be waking for the season. The vegetable world begins to move and swell and the saps to rise, till in the completest silence of lone gardens and trackless plantations, where everything seems helpless and still after the bond and slavery of frost, there are bustlings, strainings, united thrusts, and pulls-all-together, in comparison with which the powerful tugs of cranes and pulleys in a noisy city are but pigmy efforts.

If you have a faith, it is statistically overwhelmingly likely that it is the same faith as your parents and grandparents had. No doubt soaring cathedrals, stirring music, moving stories and parables, help a bit. But by far the most important variable determining your religion is the accident of birth. The convictions that you so passionately believe would have been a completely different, and largely contradictory, set of convictions, if only you had happened to be born in a different place.

Perfectionism and optimalism are not distinct ways of being, an either-or choice, but rather they coexist in each person. And while we can move from perfectionism toward optimalism, we never fully leave perfectionism behind and never fully reach optimalism ahead. The optimalism ideal is not a distant shore to be reached but a distant star that guides us and can never be reached. As Carl Rogers pointed out, ‘The good life is a process, not a state of being. It is a direction, not a destination

I can think of very few science books I've read that I've called useful. What they've been is wonderful. They've actually made me feel that the world around me is a much fuller, much more wonderful, much more awesome place than I ever realized it was. That has been, for me, the wonder of science. That's why science fiction retains its compelling fascination for people. That's why the move of science fiction into biology is so intriguing. I think that science has got a wonderful story to tell.

It often seems easier not to move on; even the muck and mire in which we're stuck seems less fearful and less challenging than the unknown path ahead. Some people use faith as a reason to remain stuck. They often say, "I have faith, so I'm waiting." But faith is not complacent; faith is action. You don't have faith and wait. When you have faith, you move. Complacency actually shows lack of faith. When it's time to move in a new direction in order to progress, the right people will come to us.

It's funny how strangers can pass in front of you every day and all you see is a flat shadow, a vague outline, not noticing any of the details. They move in a gray crowd, always looking the same and acting the same, simple caricatures of who they really are, but once you get to know them, you notice the specific, tiniest things, you pay attention to the intricacies of their personalities, their habits and particular ways of walking and talking, the subtle changes in their appearance and dress.

There is no short cut to God; sadhana must be performed regularly and with devotion. It is our own effort which will enable us to experience the grace of God which is being showered on us all the time. Therefore, whatever spare time you get, use it to seek God. If you create peace in your own heart by doing sadhana, then that will have a positive effect on your family, your work and so on. The peace and love of God will overflow out of your heart and encourage others to move on the right path.

I think the relationship [in Aquarius] with her nephew shows that she's not nostalgic. She just wants to preserve what is important to her - her records, her books, even some furniture. She doesn't want to leave that house because it is her home. That is where her kids were born. After moving so much in my life, I was touched by Clara's need to stay in that apartment. I love her life, and that may be why I connected to her so strongly. We are the most alike when we are fighting for our rights.

You don't have to be the best guitar player, or have the best voice, or even be the best looking person - writing a song that moves people is worth more than all the other nonsense. (Just look at Bob Dylan - he's got almost no vocal range at all, but his songs are deeply moving and iconic.) If I had to offer one piece of advice: Write a song that moves people, and write it from within yourself. Your personal narrative is more engaging and moving than anything else you can imagine in your mind.

The majority of America's colossal fortunes have been made by entering industries in their early stages and developing leadership in them.... Think of what opportunities the present and the future contain in such fields as ship-building and ship-owning, aircraft, electrical development, the oil industry, different branches of the automotive industry, foreign trade, international banking, invention, the chemical industry, moving pictures, color photography, and, one night add, labor leadership.

If there is a god, he is not only a wizard at leaving clues behind. More than anything, he's a master of concealment. And the world is not something that gives itself away. The heavens still keep their secrets. There is little gossip amongst the stars. But no one has forgotten the Big Bang yet. Since then, silence has reigned supreme, and every thing there is moving away. One can still come across a moon. Or a comet. Just don't expect friendly greetings. No visiting cards are printed in space.

Statesmen and legislators, standing so completely within the institution, never distinctly and nakedly behold it. They speak of moving society, but they have no resting-place without it. They may be men of a certain experience and discrimination, and have no doubt invented ingenious and even useful systems, for which we sincerely thank them; but all their wit and usefulness lie within certain not very wide limits. They are wont to forget that the world is not governed by policy and expediency.

Music is made of what we do when we move, and we can only move in certain ways, in certain ranges of tempo because of the inherent constraints that our bodies offer, or you can call them 'affordances' - that's another word for me. It's a little more positive; doesn't make it seem like a limitation, but rather, a set of opportunities. You can say that that's part of music making, but there's also the imagination. The power of the imagination is kind of trumping - sorry to have to use that word.

I think it's a good thing that we can have relatively non-partisan political conversations because I don't think that my premier necessarily should agree with everything the federal NDP says. I don't think she should disagree with everything the federal Conservatives say. I think that Albertans and Canadians as a whole, as I always say, are looking for pragmatic politicians with pragmatic solutions to their problems, and they want the best ideas to move forward, regardless of who has that idea.

Fear keeps us rooted in the past. Fear of the unknown, fear of abandonment, fear of rejection, fear of not having enough, fear of not being enough, fear of the future-all these fears and more keep us trapped, repeating the same old patterns and making the same choices over and over again. Fear prevents us from moving outside the comfort-or even the familiar discomfort-of what we know. It's nearly impossible to achieve our highest vision for our lives as long as we are being guided by our fears.

In all of the movie portrayals, a spacewalking suit seems sort of insignificant, like a pair of shorts and a T-shirt. No one thinks much about it. But it's a spaceship, not a spacesuit, an entire life-support mechanism that's incredibly complex and cumbersome. It's very difficult to put on and off. You have to run it the whole time you are wearing it, and it redefines how you move. It's like if you put on a wetsuit and a snowmobile suit and froze yourself solid and then tried to go and do work.

Cartoons were very conservative. The country was very conservative. Although the liberals were allegedly in charge for a long time, there was a very acceptable balance what people would talk about in public. And I wanted to stretch those and move further out. And as the civil rights movement began, I started doing cartoons on that and on sit-ins and I was, along with Bill Mauldin, a great cartoonist out of World War II, arguably one of two white cartoonists doing this kind of work, Bill and me.

Each child is poisoned by the society through teaching him ambition. Ambition is a poison far more dangerous than any alcohol can ever be, far more dangerous than marijuana or LSD, because ambition destroys your whole life. It keeps you moving in a false direction. It keeps you imagining, desiring, dreaming, it keeps you wasting your life. Ambition means a subtle creation of the ego, and once the ego is created you are in the grip of darkness. And the whole social structure depends on ambition.

In legal parlance, that is called 'the rational person test,' ... That's where somebody else says, 'Even though we have no idea what this person would want in this circumstance in which they cannot themselves tell us what they want, a 'rational' person - meaning, myself - in that circumstance would want to die.' So you move very quickly from so-called voluntary euthanasia to involuntary euthanasia. These legal and medical developments are not simply hypothetical They're in the courts right now.

One of the men gave Butch a bunch of volts with a stun gun. The Rangeman didn’t move fast enough, and Butch grabbed the gun and threw it across the room. “Hunh,” Rangeman guy said. “Yeah,” I said. “Been there, done that.” “Are you sure he’s human?” “Maybe you could hook a chain to the FlexiCuffs on his ankles and drag him behind your car,” I said. “We tried that once, and Ranger didn’t like it,” the guy said. “You do something twice that Ranger doesn’t like, and you’re out of a job and damaged.

and half of learning to play is learning what not to play and she's learning the spaces she leaves have their own things to say and she's trying to sing just enough so that the air around her moves and make music like mercy that gives what it is and has nothing to prove she crawls out on a limb and begins to build her home and it's enough just to look around and to know that she's not alone up up up up up up up points the spire of the steeple but god's work isn't done by god it's done by people

The amazing thing about the cistern is that, if you're improvising in a dead room, you play your note and then you're left with your thoughts and you have to be really quick on your feet and be able to move through many different musical thoughts seamlessly. Improvising there is just, like, you play a note and then you had at least ten seconds to think, "What would be the perfect accompanying note to that?" And then you could add that note. You can just build this puzzle that was really amazing.

I think television is moving more into movies, particularly with serialization and almost cinematic proportions and expectations. A show like 'Game of Thrones' is a perfect example of that, or even a show like 'The Wire,' which isn't all about instant gratification it's about inviting someone into the long experience of television the way you'd be invited into a theater for two hours. So I think in that way, and the quality of writing in television is probably much better than most film writing.

Your rainbow panorama enters into a dialogue with the existing architecture and reinforces what is assured beforehand, that is to say the view of the city. I have created a space which virtually erases the boundaries between inside and outside – where people become a little uncertain as to whether they have stepped into a work or into a part of the museum. This uncertainty is important to me, as it encourages people to think and sense beyond the limits within which they are accustomed to moving.

I meet Daniel Day-Lewis. He's just sitting in a chair on the set. Now, I had been told that Daniel Day-Lewis was kind of an intense person. And he's really not. He's really THE MOST INTENSE PERSON THAT HAS EVER EXISTED ON THE PLANET OF EARTH. He's not doing anything, he's just sitting in a chair, and I am terrified of him as if a jungle cat has wandered onto the set, like- WHOA! What do we do! Are we supposed to move around a lot or stay perfectly still?! What are the rules of Daniel Day-Lewis?!

I don't think I ever would have had a problem being vulnerable or introspective but the problem with drinking is it's very hard to zero in on one part. You're not dealing with anything in real time, you're constantly moving and constantly going. You're drinking to get away from things, things your dealing with. My wife might be calling me trying to argue and I don't wanna deal with it so I just go drink and by the time we talk again I'm so drunk I just don't care. I'll just deal with it however.

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