Music helps me immeasurably in the writing process.

I was always writing music anyway. I just sort of fell into it. Writing for me is a therapeutic process.

For me, it's always an organic process. I don't personally reach out to artists without the music being created first.

I can't imagine how people will react to my music. For me, it's a really fluid process from one record to the next, but it's really up to the listener.

For me, music is a byproduct of this process - the human process - and the fact that I've managed to eke out a career with it is a happy accident more than any strategy.

One thing that really appeals to me is this idea of music being a living thing that has an evolution that, in a way, enables the artist to sell a process rather than a piece of product.

My training in music and composition then led me to a kind of musical language process in which, for example, the sound of the words I play with has to expose their true meaning against their will so to speak.

The music I make and the process of acting, for me, are both about trying to understand people and get inside what makes us tick. That's the main thing that excites me. Our sense of who we really are and what drives us.

I think with drama, at least for me, my process, there's a lot of thought. I do a lot of back story. I listen to a lot of music. I'm very committed to a process when it comes to drama, but with comedy, I think it's really about letting loose.

To me, music shouldn't be ego-driven. When you go out on stage and play songs, it is. But when you're sitting in a room, writing songs, it's a completely different process. It's a completely different place. It's a creative place, a musical place. It has nothing to do with who likes what.

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