I had a lot of jobs in New York. I worked in a café and I did bike delivery and I was a mover. And I babysat, which was really cool in some cases and really insane in others.

There's a weird fact that if you dropped a penny off the Empire State Building in New York City, you'd kill someone. I feel really bad, 'cause I dropped a nickel off it once.

When I first moved to New York, someone who thought they knew more than I did said: "You have to always look like you know where you're going when you get out of the subway."

I forgot that San Francisco is not an angry city like New York. Gays have gotten what they wanted there over the years, unlike New York, where we had to fight for everything.

Globalization has created this interlocking fragility. At no time in the history of the universe has the cancellation of a Christmas order in New York meant layoffs in China.

I had just done what she does in the story just about a year earlier - I moved from New Jersey and came to New York and was working at a bar, and you know, trying to make it.

I've been an audience member for friends in plays that I don't enjoy and I have to lie to their faces. It's just part of that lifestyle unfortunately, especially in New York.

Speaking of the motto of the New York Times, "All the news that's fit to print:" It is hard to think of any group of seven words that have aroused more newspaper controversy.

At the end, we brought her to New York, where I was living, for a series of experimental tortures that increased the misery of her days without increasing the number of them.

My dad's French, and I spent my summers in France growing up. So I speak French fluently, and obviously, I speak English because I was raised in New York, and I grew up here.

There is no more respected or influential forum in the field of journalism than the New York Times. I look forward, with great anticipation, to contributing to its op-ed page

Don't you see the rest of the country looks upon New York like we're left-wing, communist, Jewish, homosexual pornographers? I think of us that way sometimes and I live here.

The fact of the matter is that whether it's in London or Egypt or Turkey or New York or Washington, we have to pay the price of guarding ourself, which is internal vigilance.

I'd love to open a private museum in Paris, London, or New York, but I don't have the money. If I were Bill Gates or Paul Allen, the first thing I would do is build a museum.

Cezanne said, 'I love to paint people who have grown old naturally in the country.' And I say I love to paint people who have been torn to shreds by the rat race in New York.

James Salter is a consummate storyteller. His manners are precise and elegant; he has a splendid New York accent; he runs his hands through his gray hair and laughs boyishly.

Paris is the playwright's delight. New York is the home of directors. London, however, is the actor's city, the only one in the world. In London, actors are given their head.

My favorite New York memory is that blizzard in '96. I get chills thinking about it. It's my favorite time here - call me crazy. I'm from Canada, and it's very cold up there.

I knew one person in the entire city of New York. Looking back, I should have been terrified, but I was just excited to living in New York on my own and acting professionally.

I just love New York, I love the people. The energy of the place. I really feel energized working here. I've always been made to feel very welcome, and it's a tremendous city.

I go to Paris, I go to London, I go to Rome, and I always say, 'There's no place like New York. It's the most exciting city in the world now. That's the way it is. That's it.'

When the typewriter stops in a New York office everybody's embarrassed; men start to quarrel or to make love to the stenographer or drop lighted cigarettes in the wastebasket.

That's what New York is like - you can't have real art happen in an institution because rich people can make the world stop. The stuff on the street is a lot more interesting.

There is no more respected or influential forum in the field of journalism than the New York Times. I look forward, with great anticipation, to contributing to its op-ed page.

I never leave home without my writing notebook, and get a lot of writing done in transit. One great place to create is while riding the subways of New York City, where I live.

I came to New York in 1986. My father didn't think it was a good idea. I didn't know how I found it, but I went to Hunter College. I had no money and I couldn't speak English.

Things have changed very much, several times, since I grew up, and, like everyone in New York except the intellectuals, I have led several lives and I still lead some of them.

I worked hard all my life as far as this music business. I dreamed of the day when I could go to New York and feel comfortable and they could come out here and be comfortable.

New York was the glamorous town that you only see now in old movies and on Broadway stages. The sky was lit up with dancing neon signs. It was safe to walk out in the streets.

New York means so much to people. If you're inclined to leave the nest, New York is where most people think they have to go, and it's been that way since the first skyscraper.

Being in New York City is the best because I'm always walking, taking the subway and walking up and down the stairs - whether you like it or not, you're going to get exercise.

we still have the Chrysler Building and the Empire State Building and the Woolworth Building, but it just seems like part of the nature of New York, that it's always shifting.

I just did a play in New York which has been my best experience that I've had for maybe ever. It was Paul Weitz's play called Privilege and I was in New York for three months.

I just feel that getting out there physically and protecting New York, putting my arms around everyone and protecting them... to see this happen to our city and our community.

I had a lot of jobs in New York. I worked in a cafe, and I did bike delivery, and I was a mover. And I babysat, which was really cool in some cases and really insane in others.

It's hard to say what exactly I like about New York. It's so vast. It seems to go on and on, but that's an illusion. Still, it's fun to be here, especially since I don't drive.

New York seems very very foreign to me, like more foreign than almost anywhere in America, and almost anywhere in the world, I find it like one of the most overwhelming places.

I would always be going from L.A. to Miami to New York, to Russia, St-Tropez. Costs about $50,000 for a domestic flight, $250,000 for overseas. Yeah, that's an expensive habit.

My advice: Don't quit. When I got to New York City, I lived so far below the poverty line, because I didn't give in and get a job at 7-Eleven. I think you can thrive in misery.

[Mark] Lilla is a professor at Columbia University in New York, and he has waded into the debate about what Democrats and liberals should do now. Some Democrats answer nothing.

I grew up in Connecticut, going in and out of New York City, and I worked in the city in the '90s. I was freelancing for the Associated Press, and I fell in love with New York.

I was very much a tough New York street kid. I went to a school where you had to learn how to get along with everybody or fight with everybody, and I did my fair share of both.

New York is great, but the New England fans are probably the most knowledgeable and ardent fans, and not just in baseball, but all sports. But Red Sox Nation is Red Sox Nation.

I was unloading sides of beef down on the docks when I decided enough was enough. By then, I'd done a lot of reading on my own, so I persuaded New York University to enroll me.

I love theater. I go all the time. It's one of the reasons I moved to New York. But I understand that I have limited range as an actor. I can only play people who talk like me.

I didn't really see the British punk movement, if that's what it was, as wildly original, because I had been listening so intently to all the New York music since 1973, really.

You want to grow where you came up so when you move, you get noticed easier. You can grow in New York but it's better to come here already solid to get your reputation quicker.

The best city for fashion is Tokyo. You see styles there you won't see in London, Paris, Milan or New York. I also like the fashion scene in Los Angeles - it has a unique look.

And, he'd seen me in Panama, and he talked about maybe doing something in New York so I hooked it up when I came here and I recorded in 1969 my first album with Pete Rodriguez.

I work constantly but I work at a lot of different things. You know, I run a theater company in New York, I direct plays, act in plays, in movies, so I try to keep it eclectic.

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