Quotes of All Topics . Occasions . Authors
I didn't listen to half of the criticism I received. I just didn't let it enter my brain. It affects people around me, but it was my job to see through that. When you are in charge of a top club, where expectations are high you have to deal with that.
Three leaders must do: be seen, be heard, be there. One, let people know you are around. Two, connect the dots between purpose and work and listen, listen, listen. Three, be available to do whatever the organization needs you to do. That's leadership.
The world today is a very different one. Social media, which I use as a way of connecting with people, is something that my father never got to use. I'm not worried about defending my father's legacy. I'm very much worried about what the future holds.
I don't understand how people learn to live in the world if they haven't had siblings. Everything I learned about negotiation, territoriality, coexistence, dislike, inbred differences and love despite knowledge I learned from my four younger siblings.
The biggest fear you face, as an actor, is whether people are going to like you. When you learn to let go of that fear, you can go so much deeper into the role and really take much bigger risks 'cause you're not worried about trivial things like that.
The most consistent characteristic of awakened teachers and people I have met is a childlike nature. They laugh, cry, twinkle, and joke, all with a spontaneity born of freedom. Their faces are fluid and reflect a timeless sweetness, even into old age.
I shy away from plot structure that depends on the characters behaving in ways that are going to eventually be explained by their childhood, or by some recent trauma or event. People are incredibly complicated. Who knows why they are the way they are?
The most vulnerable people have tough exteriors because they are very scared inside, and it's very hard for people like that - people like me - to open up. But playing it safe means you stop being open to learning. I always try to find the challenges.
People feel the worst film I made was 'Jack.' But to this day, when I get checks from old movies I've made, 'Jack' is one of the biggest ones. No one knows that. If people hate the movie, they hate the movie. I just wanted to work with Robin Williams.
I don't think that I'm the smartest guy around, so I'm better off to keep my mouth shut as much as I can rather than opening my mouth and proving to people that I don't know what I'm talking about. I'm more of a leader by example than I am a preacher.
Death during adolescence feels unfair. We're young. We're invincible. Death is supposed to come with old age. When death breaks into our lives and steals our innocence, its finality leaves us unnaturally older. There are too many elderly young people.
When I was younger I was attracted to people who had that kind of artifice - people who were incredibly polished and had a complex persona that always seemed to be turned on. I was really interested in these kinds of people because I felt so unformed.
It wasn't a direct route. I began as a freelance reporter. That's an important distinction, because people who rise through the ranks of The New York Times become vetted, conditioned, harassed, and shaped by the institution. That never happened to me.
There's something about the American people: They have such an innate sense of fairness that the red light goes on and the bells go off the second you approach that line. Any kind of personal attack is verboten. You shouldn't do it; it's not worth it.
I've learned that by returning my calls between 11:00 a.m. and noon and 4:00 and 5:00 p.m. I can keep them short and to the point because people are either hungry and starting to think about lunch or they are trying to gear down at the end of the day.
If the word gets out, if the perception exists that by speaking to a CBS journalist you are, therefore, inevitably, immediately speaking to the police, I don't think there's any doubt but that people won't talk. And, therefore, the public won't learn.
We are living in an era in which billions of people are grappling to promote communication, tolerance, and understanding over the more destructive forces of war, terrorism, and political chaos that have characterized the beginning of the 21st Century.
And perhaps, those of us in the industry who are still foolishly clinging to the idea that female films, with women at the center are niche experience, they are not. Audiences want to see them and, in fact, they earn money. The world is round, people.
I think that once you open the door and allow people in on a certain aspect, it's very hard to then control how far that ripple effect is. So I think that the person who is known or famous has the ability to decide what they do or don't want to share.
Once ISIS is defeated, there is a larger effort under way to make certain that we don't just sprout a new enemy. We know ISIS is going to go down. We have had success on the battlefield. We have freed millions of people from being under their control.
You hear about people your whole life, 'So-and-so has cancer,' and you're like, 'Wow, that's too bad,' and then most people tend to go about their day. But when someone tells you that it's your father or it's your family, that doesn't tend to go away.
Americans are clearly more afraid than at any time since 9/11. In Los Angeles, 650 schoolchildren didn't go to - 650,000 schoolchildren didn't go to school because of an e-mail threat, this two weeks after an attack killed 14 people in San Bernardino.
"How can you see Christ in people?" And we only say: It is an act of faith, constantly repeated. It is an act of love, resulting from an act of faith. It is an act of hope, that we can awaken these same acts in their hearts, too, with the help of God.
When people are hurting, what they really need is someone who is fully there for them - not someone who is condescending or officious. The only way for you to be there for them is by facing your fear or anger, whatever feelings cause you to shut down.
The Internet is such a tough marketplace because everyone is a click away from going back to a cat photo, or going back to whatever else they were doing. You have to win them over, and do it quickly, and do it by making something people actually want.
People in Congress are willing to shut down the entire government or to make it impossible for a Supreme Court nominee to get a hearing or for routine appointments in the executive branch to go unfilled for years because of a hold placed by a senator.
Those who build great companies understand that the ultimate throttle on growth for any great company is not markets, or technology, or competition, or products. It is one thing above all others: the ability to get and keep enough of the right people.
I'm at the point now where I know I'm doing something right when a movie gets mixed reviews, because then I'm not in the box. I don't want to make it too easy for people and I don't want to make it too easy for myself. I want to try something unusual.
My values are not based on violence. My values are based on courage, which you see time and time again in my books. A warrior isn't somebody like Bruce Willis or Arnold Schwarzenegger. A warrior can be any age. A warrior is a person people look up to.
With most of the songs and music that I've composed, irrespective of the myriad videos made, I was always careful not to overly define the experience, leaving room for people to internalize things for themselves, making their experience more integral.
They're so attached to their patterns that they've forgotten rule number one of human behavior: there are no patterns. People just do things. There's no such things as a coherent and fully integrated human personality, let alone consistent motivation.
We're not able to do anything about the bomb, but we can do something about the results. We're able to heal the people - not all of them. Some people died. But we're able to heal people, so we're doing something positive. And that's a great motivator.
I would hope that nothing that I write would ever seem earnest because I subscribe absolutely to Franz Nietzsche's claim when he says, "Ah, earnestness, the sure sign of a slow mind." Earnest people are always a bit on the thick side in my experience.
I want to be able to open up the really good treasures of the Church and Christianity to people, and that's not going to be achieved by shouting at them to convert or they'll go to hell. It's about giving them an opportunity to reimagine Christianity.
Your friends and your family, if you're close to them, they won't let you get too far from who you were or from who you are. And so I love staying close to people who've always known me. That's probably the best leavening that you could possibly have.
This point is . . . crucial,” writes Dweck. “In the fixed mindset, everything is about the outcome. If you fail — or if you’re not the best — it’s all been wasted. The growth mindset allows people to value what they’re doing regardless of the outcome.
Eve engaged her On Duty sign and stepped out of the car. Immediately her ears were assaulted with a blast of music. Christmas carols pumped, full blast, into the air. She decided that people ran inside, ready to buy anything, just to escape the noise.
Nor is the guilt entirely with the warmongers, plutocrats and demagogues. If people permit exploitation and regimentation in any name, they deserve their slavery. A tyrant does not make his tyranny possible. It is made by the people and not otherwise.
So a lot of people are like, "What are you thinking? Why are you buying size 10?" Well, I'm 5 feet 9 1/2 inches and a size 4. Even though that's what I wear, between a 4 and a 6, a 10 sometimes hangs better on me. Especially the not-as-good materials.
The more people figure this [liberalism a special kind of stupid] out, the more people that see it and are turned off by it, the more people who find it objectionable, the more people who ask, "Gee, what kind of people," the better off we're gonna be.
I want a place. It has to do with the kind of person I want to be. And how I fit in to everything. I want people to listen when I open my mouth. And know I'm worth listening to." She stared at me. "That's all?" To me it was not all, it was everything.
I've directed a fair amount of television series - so I'm always trying to learn new things. One episode was all hand-held and I'm trying to get better at when you should do things and when you should just shut up and watch what the people are saying.
They have stolen the public lands. They have grasped all to themselves, and by their unprincipled greed brought a crisis of unparalleled distress on forty millions of people, who have natural resources to feed, clothe and shelter the whole human race.
Nothing could have been more obvious to the people of the early twentieth century than the rapidity with which war was becoming impossible. And as certainly they did not see it. They did not see it until the atomic bombs burst in their fumbling hands.
People in general misunderstand me. I'm very aware of the stereotype that comes with being a basketball player. But I'm well-rounded. I'm cultured. It's funny: When I speak, people are like, "Wow! You can really talk." I'm like, "What did you expect?"
The command of a large sum is a dangerous temptation to a national administration. Though accumulated at their expense, the people rarely, if ever profit by it: yet in point of fact, all value, and consequently, all wealth, originates with the people.
Human After All was the music we wanted to make at the time we did it. We have always strongly felt there was a logical connection between our three albums, and it 's great to see that people seem to realize that when they listen now to the live show.
I love communicating with people, and sometimes language is not enough. I think that's what poetry is, where you can mess with language and get through to things that can't be described or communicated through regular language or scientific processes.
I travel a lot. Japanese culture is very ancient and very strong. That's why most people who commission work from Japanese architects expect them to create works that have an element of exoticism, the kind typical of Japanese culture. I don't do that.
We're always attracted to characters who are people we could identify with and yet are put through incredibly tortured or difficult circumstances - the idea being that you don't really know who you are until you've been tested or suffered in some way.