Quotes of All Topics . Occasions . Authors
New Orleans is like the bad-kid island in 'Pinocchio.'
I've worked with a lot of wooden actors in my day, but Pinocchio is the best.
'Pinocchio's Revenge' was pretty bad. I was basically a stunt double for a doll.
When I was growing up in the Philippines, the story that was read to me most was Pinocchio.
A thousand woodpeckers flew in through the window and settled themselves on Pinocchio's nose.
I actually felt like I was starting a new career as a news reporter while playing in 'Pinocchio.'
When I was a kid, Disney was one of my gods. I just loved movies like 'Snow White' and 'Pinocchio.'
It was actually after I saw 'Pinocchio' that I thought I might try and work in that industry in some way.
I would audition for all the school plays, and finally, my last year, I got the role as Pinocchio - finally.
Pinocchio, spurred on by the hope of finding his father and of being in time to save him, swam all night long.
I was going to finish my university degree after finishing 'The Tailors,' but 'Pinocchio' made me to take another semester off.
What I wanted in life always was to write something as good as 'Pinocchio.' I wanted to write. I wanted to evolve. I wanted to grow.
I cannot believe that 'Pinocchio' is over yet, and I always think about so many great memories that I made while playing in the drama.
I used to call him Pinocchio on the sets. Pinocchio's nose would turn red if he lied. Aamir would turn red-faced if he had to tell a lie.
The first movie I ever saw in the cinema was Walt Disney's 'Pinocchio,' upon its 1984 re-release, which would have put me at three years old.
When we were kids, I know when I saw 'Pinocchio' it had a huge impact. I was ten years old, and I went home, and I was drawing the characters.
I could have made a small film and kept all the money from 'Life is Beautiful'. Instead, I spent more money than I had on 'Pinocchio', a very risky film.
When people see me in public, they're usually like, 'Whoa, you're a real person.' It's as if they're seeing Pinocchio or a cartoon character come to life.
Of course, I remember the Disney 'Pinocchio.' I was a little kid then... It was very instructive. Little boys who don't behave wind up in lots of trouble.
Pinocchio's really naughty. He's all impulse: 'I want to sleep now. I want to eat that. I want to run off to Pleasure Island.' It's commedia dell'arte meets Grimm's tales.
It's an oddity that will be avoided by millions of people, this new 'Pinocchio.' Osama bin Laden could attend a showing in Times Square and be confident of remaining hidden.
Believe it or not, my introduction to scary literature was 'Pinocchio.' My mother read it to me every day before naptime when I was three or four. The original 'Pinocchio' is terrifying.
Fancy the happiness of Pinocchio on finding himself free! Without saying yes or no, he fled from the city and set out on the road that was to take him back to the house of the lovely Fairy.
I love soundtracks to movies and am always touched by the music if it's good. The music in some old Disney movies, like 'Pinocchio,' 'Alice in Wonderland' and 'Peter Pan' really gets to me.
If it wasn't for Al Kooper, there might not be a Lynyrd Skynyrd. He's the one who found us at Pinocchio's in Atlanta, Georgia, and signed us to Sounds Of The South through MCA, brought the band to attention.
At such a loving invitation, Pinocchio, with one leap from the back of the orchestra, found himself in the front rows. With another leap, he was on the orchestra leader's head. With a third, he landed on the stage.
If you go back and look at those films, movies like 'Bambi' and 'Pinocchio,' there are elements that are incredibly dark. Yet no one batted an eye, thinking that kind of entertainment was inappropriate for children.
I worked with Stanley Kubrick for almost a year back in 1990, trying to develop the screen story for his project 'Artificial Intelligence,' which is about a robot boy who wishes to become a real boy, a future scientific fairy tale inspired in the myth of Pinocchio.
I made films, like 'Shadow of the Vampire,' and I did not like the work I did on it and then Willem Dafoe was nominated for the Oscar. I made films like 'The Adventures of Pinocchio' with Martin Landau. I thought I would get nominated and it flopped. You never know.
I think what I reacted to so strongly when I first saw 'Pinocchio' was that I identified with the character so strongly. The movie takes you on a whole journey, a rollercoaster of emotions, and that sometimes means some very scary places. But in the end, it comes out okay.
Miramax seems to be showing the same faith in Roberto Benigni's 'Pinocchio' that the Republican Party showed in Trent Lott; the live-action version of Carlo Collodi's fairy tale about the wooden puppet whose only ambition was to be a real live boy was sneaked into theaters Christmas Day.
Something happened when I was in elementary school. A Disney artist named Bruce McIntyre retired, and he had done drawings for 'Pinocchio' and 'Snow White' that was just classic stuff. He moved to the town I grew up in, Carlsbad, and he became a part-time art teacher at our elementary school.
A lot of children remember seeing cartoons, 'Pinocchio' or 'Bambi' or something that breaks their heart. I remember seeing 'The Blue Angel' and it breaking my heart. It was the first time I realised there was an adult world - that adults could damage each other or destroy each other emotionally.
I don't happen to approve of plastic surgery. I think God put plastic surgeons on this earth for good reasons - people get burned or people might have a nose like Pinocchio and that has to be fixed. But to just chop yourself up to look a few years younger? You could come out looking like a Picasso picture.
The first thing I did as a child was draw. I wanted to make animated movies. I think Disney's 'Cinderella' was the first movie I ever saw. 'Peter Pan' was the first movie I ever saw in the movie theater. I grew up with 'Dumbo' and 'Pinocchio' and 'Sword in the Stone.' Those were the movies I wanted to make.
I was doing a movie, 'Diana,' and I pulled aside the guy who was making the nose for Naomi Watts and said, 'I'm about to do 'Cyrano.' So he did various Photoshops of different looks that might work. I was really against any kind of 'Pinocchio' theater thing. The way that it's described in the play is this disfigurement.
The discussion of 'V for Vendetta' - on Pinocchio Theory in particular - has been far more interesting than the film deserved. Yes, there is a certain frission in seeing a major Hollywood movie refusing to unequivocally condemn terrorism, but the political analysis in the film (as in the original comic) is really rather threadbare.