Hollywood does tend to portray CIA officers as totally the honey trap. Looks matter as they do in any profession. But the most important thing for me when I was working was blending into my environment.

If it is a fantasy fiction, and you want to portray a story of a vampire, you have to keep the essence of the story same. But if you have to have five episodes a week, where do we get so much content from?

I always find it easier to portray myself as being unlikeable and idiotic; to actually play a character that is likeable and engages the audience is far more difficult. It's a more subtle kind of challenge.

And while I might not always agree with the viewpoint I have to portray, because I play a district attorney, as an actress I can always tell myself that my character is trying to take the moral high ground.

Actually, you have to be a little bit in love with your leading man and vice versa. If you're going to portray love, you have to feel it. You can't do it any other way. But you don't carry it beyond the set.

To portray something that you're really not, it's like a little escape, and I love to act and to be dramatic. I feel like the wrestling ring in WWE is the perfect platform to do that. It's totally acceptable.

I wouldn't mind meeting some of the people I've attempted to portray from the olden, olden days. They probably would all have really terrible skin and horrible bad breath, and I'd have to give them an Altoid.

Sometimes I want to convey something complex philosophically, and sometimes I just want to portray myself in a situation that I think other people have been in many times, but it hasn't been written about much.

He is absolutely on his own, and we never interfere in any of his decisions. When Ranbir joined the industry, he told his mother that he wanted to portray characters which a boy of his age would do in real life.

The fact that I'm able to portray these complex, fully realized, queer Asian characters? I never thought it would be in this position. You just never see those types of characters and that type of representation.

One of our worst traits in journalism is that when we have a narrative in our minds, we often plug in anecdotes that confirm it. Thus we managed to portray President Gerald Ford, a first-rate athlete, as a klutz.

We went from an era when rock 'n' roll meant wearing a bustier as a woman and these spandex things and guys trying to portray someone that wasn't realistic. We are trying to make it seem real... relate to our lives.

People ask me why it is that when I portray the 'angry young man' on screen, I really look angry. They reason that it is due to some suppression in my childhood. But, it's just that I can't help it; it's in my genes.

The way corporate media likes to portray America is as a homogenous whole that high-five's each other at the Super Bowl. But what we have is a grotesque disparity between the rich and poor that is only getting wider.

I really love the idea of stepping into another character and being able to sing maybe stuff that is not my thought and my own opinions, but be able to portray someone else and take a walk in their shoes for a while.

I really love young Tom Hanks. He's just one of my favorites. He's a great, quirky every-man. I also love Zach Braff. I really love actors that are quirky and interesting, that sort of try to portray 'normal' people.

'Swan Lake' is the most difficult thing to portray for a female ballet dancer; it really requires such specific qualities of articulation, agility, strength, and the arm work is something that takes a lot of training.

I'm often asked how I portray the roles I play so convincingly and express so much through my eyes. Quite frankly, I don't know how to explain that. I guess it's about who I'm as a person; I radiate it through my eyes.

I loved Veronica right off the bat. She was so strong and I think it is so important because there are so few shows that portray women, especially young women, as being strong and being able to stand up for themselves.

If you're trying to portray that I take massive business decisions in pubs and bars, then that is total crap. It is not the norm, otherwise I'd have to live in a pub because I take business decisions all day, every day.

In 'Poster Boys,' I played a character that no one would have thought that I could portray. The film helped me focus on work, and I worked so hard on it that even though it didn't do well, I didn't let it bring me down.

Some of the most hard-working, generous people I've met in my whole life didn't really want to vote for him but did. My calling is to step onto the other side and humanise and portray the struggles of many Trump voters.

I think most models fear growing old, but from a tender age I had always chosen to play someone grown up. I am slowly but surely catching up with the people that I have spent the last decade and a half trying to portray.

The media tends to portray the teenage world as one where drinking and sex is taken for granted. In fact, I think most teenagers don't drink, are unsure of themselves, and feel awkward around members of the opposite sex.

Abortion opponents know full well that the public would not abide putting women in prison en masse. Politically, it's more palatable to portray them as irrational, ignorant, and childlike, perhaps even temporarily insane.

People have been able to see that as cheeky and as flirty as I am, I am not the dreadful slapper that the press used to portray me as. But it will probably all turn around and people will hate me again in a couple of years.

Content films necessary don't go by the content, they go by the emotions. Content films are about content whether you want to portray the content or sell it through humour, through seriousness, is a choice of the filmmaker.

What I had to prove was that I had a dedication and a desire and a passion to do the work and everything else would fall in place because I have a vision that I want to portray and it did and I do it. I don't sell anything.

We don't ask the actor playing James Bond what his sexual preference is. So I don't know what it is, really, with trying to out actors who portray gay characters on television. But it is some sort of fascination in society.

There's a lot of actors I think that appear so much more together as the characters they portray as opposed to the actual people, so I know I've said this before: Hollywood's not a place where you're rewarded for growing up.

As tempting as it seems to wear tennis shoes with your tux, don't do it. I think it looks ridiculous. If you're 14 years old, maybe give it a shot. In general, don't portray anything that says 'I'm too cool and I don't care.'

The World Cup tournament overall and, naturally, the new stadiums at its heart, are the ideal platform to portray Germany as a positive and exceptional location, and above all of course, as a highly capable economic location.

All I try to do is as earnestly and as acutely as I can, conceive a character and try to portray this character just honestly. If the humor is within the absurdity and the awfulness of situations, then let it be seen that way.

It is hard to describe the thrill of creative joy which the artist feels when the conviction seizes her that at last she has caught the very soul of the character she wishes to portray, in the music and action which reveal it.

I think what's different about working on stage is that you have another chance to portray it again. If you don't get something right on film, you can do another take, but on stage, once it's done, it's done. You can't go back.

It was very punk rock for me to take a stab at working with Justin Bieber. I don't know how people portray that, or 'Climax,' for that matter. But for me, it was the most adventurous thing I could have done at that exact moment.

I'm portraying out characters, I'm portraying femme characters, characters that are really outside of the box. I never thought I would get that opportunity to portray those characters at all, much less have a career that I have.

I was raised by very traditional Southern parents with Southern manners. You don't air your dirty laundry to people that aren't your family or your friends. Why would I ever want to portray myself as anything other than together?

It's quite a layered character that I portray in 'Jalebi' and I needed to deviate and cut-off completely from the world to get into a different zone as a character. I'm really glad it proved beneficial and worked to my advantage.

Many filmmakers portray teenagers as immoral and ignorant, with pursuits that are pretty base... But I haven't found that to be the case. I listen to kids. I respect them... Some of them are as bright as any of the adults I've met.

Because I have moderated two general election debates - in 2004 and 2008 - I know better than to carp from the sidelines. I am confident in my accomplishment of having had Queen Latifah portray me on 'Saturday Night Live' both years.

I think people have a different image of me because, you know, they portray me with the idea that models are stupid and dumb; like, 'She can just be a model because she can just be a model - she's dumb and she can't do anything else.'

My opinion is that the movie business should show an accurate picture, but I think the responsibility lies in the educational system. Most of the educational material I've seen on the Native American does not portray an actual picture.

I definitely am drawn to strong females who are successful, smart women because I am a woman like that. I think it's important to portray those kinds of women on film and television. Especially as a black woman, I think it's important.

They're pretty particular about what they show. They certainly edit the scripts and have conversations with the writers about what they are and aren't willing to portray. But the writers and the network are pretty much on the same page.

What we're supposed to do as actors is be able to portray real human beings and emotions. And if you grow up in this bubble of showbiz and you only know people who make movies, you don't really have an understanding of the world outside.

It's said that most Americans under the age of 30 reflexively dislike movies made before 1970, especially those that were shot in black and white. If this is so, I suspect it's because such films portray an America that no longer exists.

Why would a novel - which is all about the inward processes of people's developing feelings and developing relationships - why would you be able to portray that in pictures with as few words as possible, which is what the best films are?

Portraying Mozart is a scary task. Whenever I'm asked to portray actual historic figures, it comes with extra accountability. Not just to your director and playwright, but to the man himself and the beloved persona that the public forms.

I think something that's very relevant in real life and that they don't portray enough on TV is that when you think 'Christian,' you think 'goody two shoes' - they have to look a certain way and do certain things - and it's just not true.

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