For my art GCSE, I did a screen print of the Queen's head that was basically an Andy Warhol rip-off, but I didn't realise.

I still read quite a few printed books, but if something is available in digital format I do not print it before I read it.

I've been trying to make this argument that digital comics and print comics are both art, but there are subtle differences.

If something comes on the radio or in print, I don't think there are any facts to it at all until someone shows some proof.

Every time I hear, Cut. Print, something cold and electrical goes off in my head, because I'm never going to change that film.

I'm the kind of person who will pull sheets out of magazines and print materials and put them in a book. That's me; I do that.

Print is definitely more nutritious. When I leave a website, I'm hungry again an hour later - especially the Chinese websites.

Mentoring is the last refuge of the older artist. With luck, disciples will keep one's books in print, one's reputation alive.

There are hundreds of thousands of words that aren't in any print dictionary today... because there's no space for all of them.

I asked my publisher what would happen if he sold all the copies of my book he'd printed. He said 'I'll just print another ten'.

The miracle of turning inklings into thoughts and thoughts into words and words into metal and print and ink never palls for me.

I think the media are so hypocritical a lot of the time in the way they chastise something just so that they can print it again.

The United States can pay any debt it has because we can always print money to do that. So there is zero probability of default.

I think someone like Jack Kirby, for instance, would suffer greatly in the transition from print to digital were he still around.

I'll still do print comics; as long as there's a market, I'll still be there. I just have a hard time believing that's the future.

Online advertising is increasingly only a fraction of what is being lost from print advertising, and it is under constant pressure.

I have to do this all the time - choosing what to print based on how it might come back to harm people from whom I've earned trust.

As both a consumer and producer of newspaper articles, I have no beef with pay walls. But before signing up, I read the fine print.

It was always in the back of my mind while we were working on the first year of 'Rookie' that we'd do a print version at some point.

I always give a print to everybody I photograph, and some of my subjects have told me they have a hard time hanging them up at home.

The first thing I do when I book a fight is I go to the Internet and I print out a picture of the guy and put it on my refrigerator.

If all printers were determined not to print anything till they were sure it would offend nobody, there would be very little printed.

Readers don't grow in trees. But they are grown-in places where they are fertilized with lots of print, and above all, read to daily.

To me, the print business model is so simple, where readers pay a dollar for all the content within, and that supports the enterprise.

We're now able to 3D print in 200 different materials, from titanium to rubber, plastic, glass, ceramic, leathers, and even chocolate.

In print, people can do anything to you. Everything you do is picked apart. People love it; they're waiting for you to make a mistake.

I do a lot of revising on paper. Sometimes I think I should just write longhand - what I type reads very different once I print it out.

Personally, as a print journalist, I always found the most interesting stories to be the ones hacks talked about in the bar after work.

I want to be the Tory Burch of India - never once moving from my aesthetic, but offering a story and putting a print on whatever I can.

My best days do seem like a distillation of all that was best about school. Write a story! Paint a picture! Write a poem! Make a print!

When we were cutting 'Raging Bull,' Martin Scorsese was watching 'The Films of Hoffmann' on a 16-mm print over and over and over again.

Local television news, on both radio and television, is so appalling. Makes print journalism look like the greatest stuff ever written.

When I look at a digitally acquired and projected image, it looks inferior against an original negative anamorphic print or an IMAX one.

It's so easy to print in the Midwest. You're saving months in shipping and customs, so we have started printing a number of books there.

I've seen the people who talk about their love lives in print invariably have doomed relationships with the person they're talking about.

Well, the chairman of Federal Reserve just made his move to rescue Barack Obama. We're gonna have QE3. We're gonna print some more money.

When the Internet came along, the first thing I did was look up Wu-Tang so I could print out their symbol and glue it onto my skateboard.

Fashion advertisers are committed to print. It's still a growth business, almost as much for the advertisements as the editorial content.

You really can't say things that upset someone in print and expect them to be nice and leave you their money. That's just not reasonable.

When a man is attacked in print, it's usually for saying what he says; when a woman is attacked in print, it's often for being who she is.

To be willing to sort of die in order to move the reader, somehow. Even now I'm scared about how sappy this'll look in print, saying this.

Now, past middle age, with so many books written I still care about and only a few still in print, I know the feeling of being overlooked.

If someone tells you something is off the record, I don't print it. If they don't tell me something is off the record, then it's fair game.

I used to print out lyrics from Nas songs and write my own lyrics in the same syllable count but with different words and different rhymes.

I'm not shy, exactly, but I am private. I don't like to talk about myself. I had to learn - I was interviewed for print, radio and even TV.

A publisher - and I write as one - does far more than print and sell a book. It selects, nurtures, positions and promotes the writer's work.

The problem with most digital comics is that you're simply taking print material and adapting it. It's like reading through a cardboard tube.

It's not like 'Print versus Digital - only one will survive.' We live in a hybrid world now, and I think the near-term future is also hybrid.

One thing I often talk about in my business is that an eBook is not like a print book: it's very, very different. It's organic. It's changing.

Think about your menu, and if you're not a skilled chef - which I'm not - follow a recipe. You can't go wrong if you don't cut the fine print.

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