Quotes of All Topics . Occasions . Authors
When 'Catch Me If You Can' was published back in 1980, I never dreamed that it would become a bestseller, much less a major motion picture and now a big Broadway musical. What's amazing about the book is that it has never gone out of print.
I think it goes back to my high school days. In computer class, the first assignment was to write a program to print the first 100 Fibonacci numbers. Instead, I wrote a program that would steal passwords of students. My teacher gave me an A.
There's no reason anybody should be reading too much into 'Thrift Shop.' I just have because I have a 10-year-old and a 7-year-old who are really into going to lyric websites, hitting print, and printing lyrics for every song that's popular.
Digital platforms are worthless without content. They're shiny sacks with bells and whistles, but without content, they're empty sacks. It is not about pixels versus print. It is not about how you're reading. It is about what you're reading.
Rumors sound of galleries asking artists for upsized art and more of it. I've heard of photographers asked to print larger to increase the wall power and salability of their work. Everything winds up set to maximum in order to feed the beast.
The ability of the press to print their stories without the government trying to get them to betray their sources is as essential to a free press as the ink it is printed with. Otherwise, who will hold accountable those who hold power over us?
If you take a print magazine with a million person circulation, and a blog with a devout readership of 1 million, for the purpose of selling anything that can be sold online, the blog is infinitely more powerful, because it's only a click away.
I want children to learn to develop deep reading skills in the beginning in print. I believe the physicality of print is much better in the beginning for children, and then help them learn how to use their deep reading skills on digital medium.
I look back upon those days in the Crockett/Turner era of The Four Horsemen and often wonder how I made it out alive. Perhaps my contract had some fine print on it that said, 'Associating with The Four Horsemen can be hazardous to one's health.'
I ran two campaigns for governor in a state that's 2-1 Democrat where I did not mention my opponent in print, radio, or television. I don't know if any other politician at a gubernatorial, congressional, or a senatorial level can make the claim.
I used to go and cop stacks of blanks CDs and sit there and burn copies of my mixtapes and print up my own mixtape covers and post up in downtown Oakland and Telegraph in Berkeley and literally was selling my mixtapes for five bucks, hand-to-hand.
My earliest design work was print, and that was my first love. Of course, as the years went on, I did more and more Web design and less and less print. And like everyone who made the switch from print to Web design, I bemoaned the lack of control.
I feel like my competition is everything else that's competing for people's attention, not just other print magazines, newspapers and cable. It's your kid's report card and the games you want to play, all the things that compete for people's time.
As a print journalist, you can be frustrated by people who don't call you back, parts of the story you can't get. TV gets you access to everyone because people call you back. It also allows you to satisfy your curiosity. I am a very curious person.
When the federal government spends more each year than it collects in tax revenues, it has three choices: It can raise taxes, print money, or borrow money. While these actions may benefit politicians, all three options are bad for average Americans.
I'll say this: I want to become a distraction! And what I mean is by making big plays and doing good stuff on the field. Although nobody would print that, because that's not a story. Gotta keep bringing up the locker-room situation because he's gay.
What's important to me is that all of my books are in print - and, in a way, that becomes the challenge, not winning this prize or getting that review. It's that the work is there, and you can walk into many bookshops throughout the world and buy it.
The wrap dress is the most traditional form of dressing: It's like a robe, it's like a kimono, it's like a toga. It doesn't have buttons or zippers. What made it different was that it was jersey; therefore, it was close to the body and it was a print.
The only thing of value I have in this life is my ability to tell a story, whether in print, orating, writing it down or having people acting it out. That's why I'm always hoping society never collapses because the first ones to go will be entertainers.
When the people believe that the print media and the government-controlled TV are not really reporting what is happening, then people turn away from them, and their next resort is, of course, to access the Internet and what they can get on the Internet.
I don't think Albert Einstein could have devised an equation to guide the leader of the free world during the wildly tumultuous post-9/11 realities without a modicum of help from the opposition party and the vast majority of the print and electronic media.
It's pointless to talk to Fed members about economics because they are academics who believe in money-printing. Some of them believe they didn't print enough, and so with these kinds of people, it is like running to the pope. What do you want to tell them?
You know, there are not only - all of the networks, and I mean every television news operation and print and radio and magazines, newspapers, all of them, are remiss in the diversity area. I mean, none of these organizations have reached a level of parity.
When I was young, my favorite picture book was 'Fletcher and Zenobia,' written by Edward Gorey and illustrated by Victoria Chess. It's long out of print now, but its mix of macabre humor and 1960s psychedelia made it a perfect children's book for the times.
During my past career as a journalist, I relished writing obits and equally dreaded phoning relatives for the necessary facts. But to my surprise and great relief, they often wanted to talk - they wanted their recently deceased loved ones recorded in print.
I joined another circle and the leader gave us a little leaflet in very small print, asking us to read it carefully and then come prepared to ask questions. It was a technical Marxist subject and I did not understand it nor did I know what questions to ask.
I know it sounds strange to say, but the very technologies that have made traveling easier for most people - GPS, automated ticket machines, online schedules and ticketing, boarding passes you can print out at home - have actually made things harder for me.
People think I'm against critics because they are negative to my work. That's not what bothers me. What bothers me is they didn't see the work. I have seen critics print stuff about stuff I cut out of the film before we ran it. So don't tell me about critics.
I have spoken, and I was understood. It's not like I'm a tragic person who wasn't understood. All those books are in print, all those movies are still out there, the audience gets younger. So I don't have that "I've got to do one thing before I die." I did it.
Kathy Dewar, my high-school English teacher, introduced me to journalism. From the moment I wrote my first article for the student paper, I convinced myself that having my name in print - writing in English, interviewing Americans - validated my presence here.
My dream scenario would be that you could go into a bookshop, examine copies of every book in print that they're able to offer, then for a fee have them produce in a minute or two a beautiful finished copy in a dust jacket that you would pay for and take home.
The moment of the print button for biology is nearing. Effectively, this could also mean that in a not-too-distant future, smart pharmacology will permit us to receive a continuous supply of antidepressants or neuroenhancers every time our dopamine level drops.
I remember giving auditions for ad films and I used to wait for hours for my turn to come. I used to go for print shoots for Rs 2000. I used to go to the director's office with my portfolio and the receptionists used to tell me to put it in the post box outside.
I got my fair share of stick. But I surrounded myself with fabulous girls, and they all loved me because I made them clothes. I remember making them all leopard print tops and tartan skirts for a party we went to once. It's scary to think about it now, actually.
Printing money - is it really the answer? ... If we just print a million dollars for every man, woman, and child in the country and handed it to them, won't that fix everything? Because in order to really look at printing - I like to take everything to the extreme.
As editor-in-chief of the 'Guardian' and the 'Observer', my job is to ensure that our independent journalism continues to be enjoyed by as many readers as possible and that our print newspapers make a positive financial contribution to securing a sustainable future.
Focused reading is so important, and I'm just as guilty as everyone. I have to force myself to slow down, often printing things out or using print as a medium for things that are most important or for things whose beauty would be lost if I use other modes of reading.
I am very averse to bringing myself forward in print, but as my account will only appear as an appendage to a former production, and as it will be confined to such topics as have connection with my authorship alone, I can hardly accuse myself of a personal intrusion.
I grew up in the '70s and '80s, at a time that I'd argue was the absolute golden age of American popular culture. Because not only did we have all of the fantastic new stuff in print and on screens, but we had a constant supply of everything that came before, as well.
I like things that are well cut, things that are considered within their detailing. Fabrics that are very developed; specialist jacquards and prints. My clothes are statement pieces. They're decorative, but there's always a subversiveness or an othersidedness to them.
The 'Womanthology' book got a lot of people jobs, inside and outside the industry, and I think stuff like that tends to be really effective. You have something in print that you can point an editor or a publisher to, and it makes a huge difference for a lot of people.
I broadcast games. I think there is a huge difference between print journalism and broadcasting. I don't have to say, 'sources close to LeBron James,' five times a game. I can just put my name to it. I say what I believe. It doesn't mean it's right. It's what I believe.
It is disgusting that 'Life & Style' and 'InTouch' magazines continue to print these false stories about my life: the status of my marriage, false reports about a miscarriage, the horrible lie that my dad is not my biological father, jealousy over my sisters' lives, etc.
Every day, three times per second, we produce the equivalent of the amount of data that the Library of Congress has in its entire print collection, right? But most of it is like cat videos on YouTube or 13-year-olds exchanging text messages about the next Twilight movie.
Unlike Etsy, which is all handmade, we print and ship the products, not the designers. We relieve the designer from having to make and ship everything, package it, and provide customer service. All the designer has to do is submit art and keep doing what they love doing.
'The Next Wave' started as a drawing for a new silkscreen fine art print. I ended up doing the prints digitally because the water-based inks were better for the environment than the oil based inks. So, I learned about the Epson digital printers to get the image I wanted.
3D printers give us what we've all been craving: another reason to talk to technical support. When you finally get the thing working, though, you'll be able to print out your grocery list as a cube! When you look up directions online, you can print the map out on a globe!
The tone of good web writing grows out of email. It's more direct, personal, colloquial, urgent, witty, efficient. It doesn't waste your time. It reflects that engagement, responsiveness, and haste of web surfers, as opposed to the more general passivity of print readers.
My friend Danny Clinch, who's a photographer, gave me a big, signed, numbered print of a photo he took of Eddie Vedder in Seattle. It's hung in my writing room where I have posters of writers that inspire me. They're all pointing at me. Tom Waits is like, 'Don't sell out!'
I became a Christian within a fundamentalist church. I saw 'A Thief in the Night' on a 16 mm. print when I was in the eighth grade, and I got the whole scare speech from our pastors. 'Do you want to be left here, left behind, for the Tribulation? If not, then come forward.'