Real Quotes - Page 363

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What men and women need is encouragement. Their natural resisting powers should be strengthened, not weakened ... Instead of always harping on a man's faults, tell him of his virtues. Try to pull him out of his rut ... Hold up to him his better self, his real self that can dare and do and win out! ... People radiate what is in their minds and in their hearts.

Adam has always had . . . heroic tendencies.” I touched Adam’s arm. “He’s my hero.” There was another pause. . . “That is the most romantic thing I’ve ever heard you say,” Bran said. “Be careful, Adam, or you’ll turn her into a real girl.” Adam looked at me. “I like her just the way she is, Bran.” And he meant it, greasy overalls, broken fingernails, and all.

Reality, for all intents and purposes, is just life - the real world, pure and uncut, shot straight to the vein of our souls every day we draw breath. Whether it's good or bad, it's still reality; the opposite of illusion, the foe of fantasy, and the anchor that keeps us stuck on this plane. And thank Buddha it does, because some people need it in huge doses.

I hope Let Me In doesn't encourage it! I mean, vampires might be real! Honestly, I don't know. It's like saying aliens are real. I don't know. We are so tiny in the spectrum of the universe, we're a speck of dust compared to some galaxies, and so who knows what's out there? We barely even know our own - we know more about space than we know about our own sea.

If you are committed to creating value and if you aren't afraid of hard times; obstacles become utterly unimportant. A nuisance perhaps; but with no real power. The world respects creation; people will get out of your way. - Candice Carpenter Always go with the choice that scares you the most, because that's the one that is going to require the most from you.

I take pop culture really seriously, I think it's really important, and the stuff that I make...I don't want it to be insubstantial, even if it's about something wacky, like sharpening pencils. I feel like I owe it to myself and I owe it to people who are really interested in pencils and I owe it to anybody to do my due diligence and give them something real.

Finally, it is important to make it clear that imagination is not an exercise for those detached from reality, those who live in the air. On the contrary, when we imagine something, we do it necessarily conditioned by a lack in our concrete reality. When children imagine free and happy schools, it is because their real schools deny them freedom and happiness.

But what if God himself can be simulated, that is to say can be reduced to signs that constitute faith? Then the whole system becomes weightless, it is no longer anything but a gigantic simulacrum - not unreal, but simulacrum, that is to say never exchanged for the real, but exchanged for itself, in an uninterrupted circuit without reference or circumference.

There was a day when you could identify a NASCAR Ford, Chevrolet, or Dodge and they actually looked like "stock cars." Now they are pod machines, slick on the outside but still powered by the same Neanderthal carbureted pushrod V-8s that have been under their hoods for half a century. If this is real auto racing, then the WWF ought to be part of the Olympics.

Like I said, I always believed in the spirit realm. Whether or not I understood it or witnessed it or was involved in it. There wasn't an incident that made be believe it was real, like I said I had an interest in it and as I grew older I realized that there are some people that are doing this for real. That's when I realized this isn't just a Hollywood thing.

Real life is generally much duller and inevitably sadder, most of the time. In film, you control everything that's going on, so you can indulge the most fantastic, romantic, escapist feelings and fantasies. You can do anything you want. That's why it's very seductive and pleasurable to earn your living making movies because you're not living in the real world.

A great numb feeling washes over me as I let go of the past and look forward to the future. Pretend to be a vampire. I don't really need to pretend, because it's who I am, an emotional vampire. I've just come to expect it. Vampires are real. That I was born this way. That I feed off of other people's real emotions. Search for this night's prey. Who will it be?

In the relationship of friends: "Each gives to the other, and each receives, and the fruit of the intercourse is more than either in himself possesses. Every individual relationship has contact with a universal. To reach out to the fuller life of love is a divine enchantment, because it leads to more than itself, and is the open door into the mystery of life".

The snapshooter’s pictures have an apparent disorder and imperfection, which is exactly their appeal and their style. The picture isn’t straight. It isn’t done well. It isn’t composed. It isn’t thought out. And out of this imbalance, and out of this not knowing, and out of this real innocence toward the medium comes an enormous vitality and expression of life.

A friend is a person with whom I may be sincere. Before him I may think aloud. I am arrived at last in the presence of a man so real and equal, that I may drop even those undermost garments of dissimulation, courtesy, and second thought, which men never put off, and may deal with him with the simplicity and wholeness with which one chemical atom meets another.

Adults...struggle desperately with fiction, demanding constantly that it conform to the rules of everyday life. Adults foolishly demand to know how Superman can possibly fly, or how Batman can possibly run a multibillion-dollar business empire during the day and fight crime at night, when the answer is obvious even to the smallest child: because it's not real.

The nature of the Absolute is neither perceptible nor imperceptible; and with phenomena it is just the same. But to one who has discovered his real nature, how can there be anywhere or anything separate from it?... ...Therefore it is said: 'The perception of a phenomenon IS the perception of the Universal Nature, since phenomena and Mind are one and the same.'

Sometimes between lunch and dinner, when there's a lull, Jill and Shaniqua and I will sit around and fantasize about what we'd do if a REAL celebrity walked into the place, like Chad Michael Murray (although we've gone off him a bit since his divorce) or Jared Padalecki, or even Prince William (you never know. He could have gotten his yacht lost, or whatever.)

Women deluded by these sentiments, sometimes boast of their weakness, cunningly obtaining power by playing on the weakness of men; and they may well glory in their illicit sway, for, like Turkish bashaws, they have more real power than their masters: but virtue is sacrificed to temporary gratifications, and the respectability of life to the triumph of an hour.

One of the biggest mistakes a photographer can make is to look at the real world and cling to the vain hope that next time his film will somehow bear a closer resemblance to it...If we limit our vision to the real world, we will forever be fighting on the minus side of things, working only too make our photographs equal to what we see out there, but no better.

We have real difficulty here because everyone thinks of changing the world, but where, oh where, are those who think of changing themselves? People may genuinely want to be good, but seldom are they prepared to do what it takes to produce the inward life of goodness that can form the soul. Personal formation into the likeness of Christ is arduous and lifelong.

When you have so many projects to nurture, one or two get real excited and raise their hands. The reaction from it tells when it's time and where to go. I usually have about a half a dozen titles in development; researchers researching and people doing cover. I'm exploring musical vocabularies I want to explore, different genres, and constantly reading things.

The real question is, Did God use evolution as His plan? If it could be shown that man, instead of being made in the image of God, is a development of beasts we would have to accept it, regardless of its effort, for truth is truth and must prevail. But when there is no proof we have a right to consider the effect of the acceptance of an unsupported hypothesis.

I want to give meaning to the history of the past, but to do it in real time, as if it were lived. This gives a special touch to my films, because you feel that I didn't have one single idea of the concrete meaning of what I wanted to say or what you have to feel or what you have to think. For me, this is the beauty, to see the past being born in front of you.

Democracy is just a word. You have to give it meaning. The US is not a democracy. Most Americans do not vote. We haven't had a real choice for a long, long time now. Wealth rules. Corporations rule. The US is a plutocracy - government by wealthy people. Certain people control multinational corporations. You couldn't get elected in the US without lots of money.

Radical transparency is critical to having an idea meritocracy because it shows what's actually happening without spin and prevents people from maneuvering politically behind each others' backs. It brings problems and weaknesses to the surface and allows people to see how they are dealt with, so it's great for training people on how to deal with real problems.

I would not want to forget the first time I read The Lord of the Rings. I would never want to forget that! That was so magical to me, and that was a real eye-opening experience. I was probably 11 when I read that and already a reader, but I think that book really showed me how you can be transported and how your imagination can take you to a whole other place.

The tools are real. The viewer is real, you, the artist, is real and a part of everything you paint. You connect yourself to the viewer by sharing something that is inside of you that connects with something inside of him. All you have as your guide is that you know what moves you. All you have to do it with is a brush, some chemical and canvas, and technique.

Suppose... suppose we have only dreamed and made up these things like sun, sky, stars, and moon, and Aslan himself. In that case, it seems to me that the made-up things are a good deal better than the real ones. And if this black pits of a kingdom is the best you can make, then it's a poor world. And we four can make a dream world to lick your real one hollow.

My Father taught me to weigh my words carefully, and speak up only when I had something insightful to add to the proceedings, or something really funny to say. He also taught me that if I couldn’t be that kind of guy in real life, that I could earn a healthy living pretending to be that guy in the movies – particularly when paired up with a long haired stoner.

I wish I could remember the moment when I was a kid and I discovered that the letters linked into words, and that the words linked to real things. What a revelation that must have been. We don't have the words for it, since we hadn't yet learned the words. It must have been astonishing, to be given the key to the kingdom and see it turn in our hands so easily.

I believe that we face incredible obstacles in our attempts to see the world. Everything in our nature tries to deny the world around us; to refabricate it in our own image; to reinvent it for our own benefit. And so, it becomes something of a challenge, a task, to recover (or at least attempt to recover) the real world despite all the impediments to that end.

For the theory-practice iteration to work, the scientist must be, as it were, mentally ambidextrous; fascinated equally on the one hand by possible meanings, theories, and tentative models to be induced from data and the practical reality of the real world, and on the other with the factual implications deducible from tentative theories, models and hypotheses.

There's a book of interviews with John Cage by Joan Retallack called Musicage that was finished the summer that he died, in 1992. And in one of the last interviews, he was very excited to talk about nanotechnology. There's real technophilia from him, a kind of utopian embrace of the idea that nanotechnology will free people up to do what they really want to do.

On the set of an independent film you can tell that nobody is doing it for the money. Everyone is there because they love the script. A smaller budget sort of unifies everyone; it's a real team effort and that's amazing. But these opportunities just don't present themselves that often for me, so basically any chance I get to do something different I jump on it.

One learned gentleman, "a sage grave man," Talk'd of the Ghost in Hamlet, "sheath'd in steel"— His well-read friend, who next to speak began, Said, "That was poetry, and nothing real;" A third, of more extensive learning, ran To Sir George Villiers' Ghost, and Mrs. Veal; Of sheeted Spectres spoke with shorten'd breath, And thrice he quoted Drelincourt on Death.

What we initially conceived as a fairly simple geologic experiment on Mars ultimately turned into humanity's first real overland expedition across another planet. Spirit explored just as we would have, seeing a distant hill, climbing it, and showing us the vista from the summit. And she did it in a way that allowed everyone on Earth to be part of the adventure.

I love really exploring... you know, a cop drama for example is a great way to explore class in this country and explore, you know, really, identity in the country and who we are in a way that is extremely exciting, but it's also real, you know, it's also real people and real drama. The same with the military. I mean, a good science fiction story is also great.

I'm an actor, and, beyond that, the thing I do most compulsively is writing. So I come at it very much from this sense of character. I get interested in people. And I feel confident in my capacity to absorb and manifest the characteristics of people. I have a real auditory hang-up for dialogue; re-creating the way people talk really is an addiction in my brain.

Baseball is actually interesting, I don't find me to be that interesting. But I am realistic enough to understand it's not about me, it's about the fact that I'm speaking for the game and people care so deeply about the game that they're watching to make sure that you do the right thing. And I feel a real responsibility to try to do the right thing as a result.

There is a concern that the Internet could be used to commit crimes and that advanced encryption could disguise such activity. However, we do not provide the government with phone jacks outside our homes for unlimited wiretaps. Why, then, should we grant government the Orwellian capability to listen at will and in real time to our communications across the Web?

There is very little that our government or any government can do to plant the seeds of international understanding in the hearts and minds of people around the world. If people by the millions can reach out their hands in friendship and communicate directly warmth, personal interest and respect, it will be a real beginning in the struggle for a peaceful world.

I think as technology and expertise makes possible these sort of amazing levels of fidelity to the real world, a lot of people sort of get sort of - what's the word I'm looking for - seduced into that. And after a time, they get tired of it and they become a little bit more interested, I think at a certain level of subtraction and a new level of sophistication.

When we free ourselves from name and form, especially from a body - when we need no body, good or bad - then only do we escape from bondage. Eternal progression is eternal bondage; annihilation of form is to be preferred. We must get free from any body, even a "god-body". God is the only real existence, there cannot be two. There is but One Soul, and I am That.

I don't want my kids safe and comfortable. I want them BRAVE. ... I don't want to be the reason my kids choose safety over courage. I hope I never hear them say, 'Mom will freak out,' or 'My parents will never agree to this.' May my fear not bind their purpose here. Scared moms raise scared kids. Brave moms raise brave kids. Real disciples raise real disciples.

There's something that comes from mistakes. Maybe adventures involve treasure or something. I think the wrong turns are more important than the right ones. Most people don't go through life without making mistakes, but sometimes you meet someone who seems to hit all the marks. But they never seem to know very much. They have success and luck but no real wisdom.

I'm completely uninterested in the origins of Stonehenge. I don't care about the real story behind it or whether it should be saved or not. What I'm interested in is this: in the Victorian era, you could go there as an early cultural tourist and you were given a chisel to chip off a bit of the stones and take it with you. That's what you did in Victorian times.

Nothing that is not a real crime makes a man appear so contemptible and little in the eyes of the world as inconsistency, especially when it regards religion or party. In either of these cases, though a man perhaps does but his duty in changing his side, he not only makes himself hated by those he left, but is seldom heartily esteemed by those he comes over to.

Essential truth, the truth of the intellectualists, the truth with no one thinking it, is like the coat that fits tho no one has ever tried it on, like the music that no ear has listened to. It is less real, not more real, than the verified article; and to attribute a superior degree of glory to it seems little more than a piece of perverse abstraction-worship.

It's only in bad novels that people are divided into two camps and have nothing to do with each other. In real life everything gets mixed up! Don't you think you'd have to be a hopeless nonentity to play only one role all your life, to have only one place in society, always to stand for the same thing?--Ah, there you are!" - Larissa Fyodorovna in Doctor Zhivago.

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