Quotes of All Topics . Occasions . Authors
The trouble is that the risks that are being hedged very well by new financial securities are financial risks. And it appears to me that the real things you want to hedge are real risks, for example, risks in innovation. The fact is that you'd like companies to be able to take bigger chances. Presumably one obstacle to successful R&D, particularly when the costs are large, are the risks involved.
I believe that telling our stories, first to ourselves and then to one another and the world, is a revolutionary act. It is an act that can be met with hostility, exclusion, and violence. It can also lead to love, understanding, transcendence, and community. I hope that my being real with you will help empower you to step into who you are and encourage you to share yourself with those around you.
I believe there is some kind of magic that comes just from looking at somebody. In the beginning, I called it "Genius" in a very cynical way. Then I started to look at real geniuses in history and all of them have the same expression, of something very bitter. It's bitter because they have this kind of knowledge that they cannot share. They don't have the time or energy to deal with other people.
I suppose it's possible that the Sundance Kid didn't like to make much of his birthdays — they may have struck him as just another reminder that his draw was getting slower by the year—but what if he truly liked a major celebration? What if he looked forward every year to marking the day of his birth with what they used to call in the West 'a real wingding, with pink balloons and a few survivors'?
The issue is not whether there are horrible cases where the penalty seems "right". The real question is whether we will ever design a capital system that reaches only the "right" cases, without dragging in the wrong cases, cases of innocence or cases where death is not proportionate punishment. Slowly, even reluctantly, I have realized the answer to that question is no- we will never get it right.
A lot is said, by foreigners and the left, about America being a violent society. Yet if you subtract the crime statistics for its largest cities places that have been under the strict political control of so-called "progressives", sometimes for many generations what remains, the real America, is the most peaceful, productive, prosperous, and truly progressive civilization in all of human history.
The most important thing in my life, and the thing I try to focus on, is to try not to live a life of cruelty. That means trying to make sure I look people in the eye when I meet them. Sometimes you jump in a taxi, or maybe you only have two minutes with someone, and you never see them again. I try to always look them in the eye and have a real experience of what it is to communicate with someone.
Some find it easier to bend their knees than their minds. Exciting exploration is preferred to plodding implementation; speculation seems more fun than consecration, and so is trying to soften the hard doctrines instead of submitting to them. Worse still, by not obeying, these . . . lack real knowing. Lacking real knowing, they cannot defend their faith and may become critics instead of defenders!
He lived in a fantasy world. There was not a day when he didn't add some Mickey Mouse story about a club that wanted him. First of all, he came in and told me that Arsenal wanted to buy him, then the next week it was Manchester Utd, then the next week it was Real Madrid. He made it clear that he did not want to be at the club so, in the end, there was only one thing I could do - send him to Wigan.
Real actors are the most courageous people I know. They dare to live vibrantly in the present and to state in a clear way, and in front of hundreds of witnesses, 'this is what I know to be true; this is my point of view and I will risk my life for it. Think of me what you will, I will fight - with any and every means available to me - for what I know is as right and as necessary as air and water.'
It is a strange paradox that while the grief of football fans(and it is real grief) is private - we each have an individual relationship with our clubs, and I think that we are secretly convinced that none of the other fans understands quite why we have been harder hit than anyone else - we are forced to mourn in public, surrounded by people whose hurt is expressed in forms different from our own.
One must be wary of the view that these loose and diverse coalitions represent a new form of globalized participatory democracy. The dissent industry is largely a product of the Internet revolution. Inexpensive, borderless, real-time networking provides advocacy non-governmental organizations [NGOs] with economies of scale and also of scope by linking widely disparate groups with one common theme.
I was in analysis for many years, and one of the things analysis does is open up forbidden territories. It opens up those unconscious, instinctual urges that you then have to deal with. I'm like a Frankenstein of analysis. I'm able to go back and forth between the world I've created inside of myself and the real world, which is something I think a lot of people who write and paint and make art do.
Another real danger to young men is thoughtlessness and lack of consideration. Lack of thought is one simple reason why thousands of souls are cast away forever. Men will not consider,-will not look forward,-will not look around them,-will not reflect on the end of their present course, and the sure consequences of their present ways,-and awake at last to find they are damned for lack of thinking.
In the beginning of my twenties, I started transcendental meditation. For years I did nothing else. Every holiday I went to courses. Meditation is a real simple instrument. You don't need a long beard or a sari. It's meant to bring you to yourself. It's as easy as that. And that's what it's all about, being alone with yourself every day, for 20 minutes in the morning and 20 minutes in the evening.
The big thing is it's a domestic drama. Everything else in science fiction tends to be high-concept. Really for the last 40 years or so I think sci-fi's been a little cold and a little inhuman quite often - certainly since the 1980s - and I really wanted to do something that almost felt like a regular, real-life drama but just set it in a sci-fi setting. I think the best stuff is always like that.
Becoming a writer is about becoming conscious. When you're conscious and writing from a place of insight and simplicity and real caring about the truth, you have the ability to throw the lights on for your reader. He or she will recognize his or her life and truth in what you say, in the pictures you have painted, and this decreases the terrible sense of isolation that we have all had too much of.
I patterned the accent after this guy I was in a play with, but that was three years ago. Now I'm listening to Tony Head (Giles in Buffy), who sounds kind of like Spike in real life. It's much more tough-guy talk in real life. His accent (as Giles) is just as fake as mine. His is nice and gritty, but it's not North London. I'm always afraid that I'm morphing over into Tony Head, wherever he's from.
The line of gray along the horizon is brighter now, and with the coming light I feel a certainty: that there is, despite our wild imaginings, only one life. The ghostly others, no matter how real they seem, no matter how badly we need them, are phantoms. The one life we're left with is sufficient to fill and refill our imperfect hearts with joy, and then to shatter them. And it never, ever lets up.
You wanna hurt me? Go right ahead if it makes you feel any better. I'm an easy target. Yeah, you're right. I talk too much. I also listen too much. I could be a cold-hearted cynic like you, but I don't like to hurt people's feelings. Well, you think what you want about me. I'm not changing. I like me. My wife likes me. My customers like me. 'Cause I'm the real article. What you see is what you get.
I was a child of the '60s basically, which is a real blank. I really started growing up, I think, in the '70s. I'm a glam-rock kid. But Dublin, Ireland in those days was a very dark place, as in it was a very poor, almost third world. Economically, the whole world is going through a recession at the moment. In the '60s, '70s, and the '80s in Ireland was a real recession. It wasn't a pleasant place.
Building on the public's unwillingness to act on principle in support of market solutions to apparent problems, whether real or imagined, these interest groups secure arbitrary restrictions on voluntary exchanges and, in the process, secure rents for their members while reducing both the liberties and economic well being of other members of the economic nexus, both domestically and internationally.
I have this dream where Little Chino keeps showing up at my door. I would have to kill him even though I was at home trying to have a nice meal with my family. Every time he (Chino) would come to the door, I'm like, 'you again!' But I was myself (not Dexter) in the dream. I'm rolling my eyes in the dream because it is so absurd. It was like, this is ridiculous because you (Chino) are not even real!
I feel bad [about Lil Wayne going to jail], because I don't think anything like this has happened in music since Elvis got drafted into the Army. Let's just keep it real - Lil Wayne is not just the biggest rapper, Lil Wayne is the biggest pop star right now. Maybe Susan Boyle is on his level. But when you talk about music, nice times out of ten, Lil Wayne's name is gonna come into the conversation.
Any object not interesting in itself may become interesting through becoming associated with an object in which an interest already exists. The two associated objects grow, as it were, together; the interesting portion sheds its quality over the whole; and thus things not interesting in their own right borrow an interest which becomes as real and as strong as that of any natively interesting thing.
In Kafka we have the modern mind, seemingly self-sufficient, intelligent, skeptical, ironical, splendidly trained for the great game of pretending that the world it comprehends in sterilized sobriety is the only and ultimate real one – yet a mind living in sin with the soul of Abraham. Thus he knows Two things at once, and both with equal assurance: that there is no God, and that there must be God.
He wanted to hear her concerns and alleviate them, he wanted to hold her and kiss her and convince her that he would find a way to make their relationship work, no matter how hard that might be. He wanted to to make her hear his words: that he couldn't imagine a lofe without her,that his feelings for her were real. But most of all, he wanted to reassure himself that she felt the same way about him.
I see the possibility of being 'made new' again and the gift of rebirth is all that lets anyone really live.. ..The great secret.. .. is never to get stuck, imprisoned in common social patterns. They always paralyse the real quality of life - the 'going onward' is all that matters, and the dead moments in one's life through trying to be a unit in any society or social concept are terrifying really.
I have sat with the mothers who have lost addicted sons. I have sat with families of kids who have been killed in drug-related gang violence. I have been to the prisons. I have seen the effects. At some point in time, I felt I had to do something other than write a novel about it, that I needed to try to make some sort of contribution, at least try to make some sort of difference in the real world.
That we do not discover reality but rather invent it is quite shocking for many people. And the shocking part about it - according to the concept of radical constructivism - is that the only thing we can ever know about the real reality (if it even exists) is what it is not. It is only with the collapse of our constructions of reality that we first discover that the world is not the way we imagine.
The real bosses in the capitalist system of market economy are the consumers. They by their buying and by their abstention from buying decide who should own the capital and run the plants. They determine what should be produced and in what quantity and quality. Their attitudes result either in profit or in loss for the enterpriser. They make poor men rich and rich men poor. They are no easy bosses.
But once a dead God, always a dead God, even resurrected. The Son must have the taste of death forever in his mouth. The Trinity must be tainted by it; there must be a certain stench at the right hand of God the Father. The horror must be real. Why would God wish that upon Himself? Why not leave death to mortals? Why make dirty what is beautiful, spoil what is perfect? -- Love. That was his answer.
My faith in God is everything at this point. Also, my family and friends that I've had around me pretty much my whole life and my boyfriend, we've been together for eight years. I try to keep people around me who've been around me, who've seen me struggle. They know how dedicated I am and how hard I've worked. They know me - not the Jennifer from American Idol and Dreamgirls, but the real Jennifer.
You know what I miss? The energy of live audiences, because there's no substitute for that exchange that you get in real time when you're sharing a moment, a same with people who are in that same time and space with you. I really just love that. I enjoy it when I get to travel and make speeches now. I like that a lot too. But that's probably the thing that I miss the most about hosting my own show.
I couldn’t help but think about school and everything else ending. I liked standing just outside the couches and watching them—it was a kind of sad I didn’t mind, and so I just listened, letting all the happiness and the sadness of this ending swirl around in me, each sharpening the other. For the longest time, it felt kind of like my chest was cracking open, but not precisely in an unpleasant way.
The social mould civilization fits us into have no more relation to our actual shapes than the conventional shapes of the constellations have to the real star-patterns. I am called Mrs. Richard Phillotson, living a calm wedded life with my counterpart of that name. But I am not really Mrs. Richard Phillotson, but a woman tossed about, all alone, with aberrant passions, and unaccountable antipathies.
The Buddha taught that all life is suffering. We might also say that life, being both attractive and constantly dangerous, is intoxicating and ultimately toxic. 'Toxic' comes from toxicon, Pendell tells us, with a root meaning of 'a poisoned arrow.' All organic life is struck by the arrows of real and psychic poisons. This is understood by any true, that is to say, not self-deluding, spiritual path.
As important as politics are to me, the life and the spirit of people's emotions are much more important. People live real lives where they love and grieve and feel pain and joy and that is a whole separate sphere. All that political stuff, I believe in it strongly, but not as strongly as I believe that at some point you or someone is going to need a song to sit with and comfort them in a hard time.
False is the idea of utility that sacrifices a thousand real advantages for one imaginary or trifling inconvenience; that would take fire from men because it burns, and water because one may drown in it; that has no remedy for evils except destruction. The laws that forbid the carrying of arms are laws of such a nature. They disarm only those who are neither inclined nor determined to commit crimes.
He will be England captain one day. Jack Wilshere is a real leader. I saw how he spoke with the referee and the other players [against Denmark]. It is difficult to find someone so young with such a big personality. I remember two defenders, Paolo Maldini and Franco Baresi, and one attacker, Raul, but for personality and confidence on the pitch he is the best young midfielder I have seen for his age.
Real orgies are never so exciting as pornographic books. In a volume by Pierre Louys all the girls are young and their figures perfect; there's no hiccoughing or bad breath, no fatigue or boredom, no sudden recollections of unpaid bills or business letters unanswered, to interrupt the raptures. Art gives you the sensation, the thought, the feeling quite pure--chemically pure, I mean,... not morally.
Tell me what game Steph Landry and I used to play in the big dirt pile they made while they were digging my family’s pool, back when we were both seven, or I’ll know you’re an alien replacement and you’ve got the real Steph up in your mother ship!” I glared at him. “G.I. Joe meets Spelunker Barbie,” I said. “And stop being so ridiculous. We have to go. We’re going to end up at a bad table for lunch.
I ought not to doubt the steadiness of your affection. Yet such is the inconsistency of real love, that it is always awake to suspicion, however unreasonable; always requiring new assurances from the object of its interest, and thus it is, that i always feel revived, as by a new convinction, when your words tell me I am dear to you; and wanting these, I relapse into doubt and often into despondency.
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. That is what makes a real movie. The script must be something that has the power to do this.
We have Americans who are voting for someone in whom they have confidence, about whom they have hope, because at after the election 2016 whoever wins is going to have to govern. And when you look at the tenor of this campaign, and when you look at the way people feel about these candidates and how partisan our country is for starters, how does the winner govern? I mean that's the real, real problem.
People of conscience in our leadership in Washington have been scared off by the right and the fossil fuel lobbies. They won't even use the term "sustainability" or "climate change" in an energy bill, which is ludicrous on its face. It completely ignores the elephant in the room that we're all dealing with. The average American doesn't even believe climate change is real, they think it's all a hoax.
The marvellous instinct with which women are usually credited seems too often to desert them on the only occasions when it would be of any real use. One would say it was there for trivialities only, since in a crisis they are usually dense, fatally doing the wrong thing. It is hardly too much to say that most domestic tragedies are caused by the feminine intuition of men and the want of it in women.
If we are to put the era of nuclear terror behind us, we must struggle against the real 'enemy.' That enemy is not nuclear weapons per se, nor is it the states that possess or develop them. The real enemy that we must confront is the ways of thinking that justify nuclear weapons; the readiness to annihilate others when they are seen as a threat or as a hindrance to the realization of our objectives.
With mockumentaries, the conceit is that the characters are being interviewed, so you can start a scene and cut to a character looking at the camera and saying, "I'm working on this project," instead of having to figure out ways for people to talk naturally about what they're doing. You see this problem in pilots - people end up explaining things to each other that they'd never explain in real life.
Barack Obama, who might be mercifully closing the Clinton parenthesis in presidential history, is refreshingly cerebral amid this recrudescence of the paranoid style in American politics. He is the un-Edwards and un-Huckabee - an adult aiming to reform the real world rather than an adolescent fantasizing mock-heroic 'fights' against fictitious villains in a left-wing cartoon version of this country.