Quotes of All Topics . Occasions . Authors
It's almost is like God, in our case, gave us a shot of anesthesia, you know, to your body and to your heart in a way, that you can survive. That you're - there's enough of a numbness, you're very much alive and very aware of eternity, I mean, Heaven and the real world there. I talk a lot about how Heaven's never been more clear to me. I've never been more sure that we are made for eternity.
Mindi Scott has a real talent for getting inside her protagonist's head. She sketches out Coley's story in grand swathes, and then paints in all the little details, so that you feel as though you are enmeshed in Coley's brain: thinking her thoughts, feeling her confusion, anger, and, in the end, pain. I just don't think it's possible to read this book and not identify with Coley in some way.
I think I have patient fans that want quality over quantity. It's more important to me that the project be the best that it can be and the realest it can be rather than rushing a whole bunch of generic songs, because I could do that. I could just put together some songs real quick that I really like. I only write and I only sing for a purpose, so if its not then, it's not going to be rushed.
One of my jobs as an actor, regardless of who I play - even if I'm playing a despicable character - is to make people think that that character could exist, that he's real, and the way to do that is to make him believable. He doesn't have to be likable or charming, but he just has to be believable. That is someone who I could see on a bus. That is someone who I could walk past in the street.
I tell young girls, "The world is going to exploit and manipulate your sexuality. If you benefit from that financially, then you are part of the problem." That said, I thought all those parents flipping out over the Video Music Awards were ridiculous - women have been twerking in clubs for 20, 30 years. There's a real lack of awareness about what's going on across many layers of our culture.
Think of anger as a muscle. The way you express anger isn't the way that I do, or you. If you have a good director, you will find that he's getting you to use an entirely different muscle that you never even knew you had - it's real hard and sore, then after a while it becomes normal. And you discover all these new muscles when you enter a new character - that's what a director does for you.
Keep the remembrance of your real nature alive, even while working, and avoid haste which causes you to forget. Be deliberate. Practice meditation to still the mind and cause it to become aware of its true relationship to the Self which supports it. Do not imagine that it is you who are doing the work. Think that is the underlying current which is doing it. Identify yourself with the current.
[Donald] Trump ditched his press pool. That's just stupid and funny. Get over it. You know, [Bill] Clinton ditched his press pool. This is something presidents do sometimes. Don't make everything that Trump does a scandal because what'll happen is you'll diminish the real scandals, you know? You've got to get over the fact that you hate the person and rather focus on what you're trying to do.
For you must know, gentlemen, that when the mariner is dosed, he likes to know that he has been dosed: with fifteen grains or even less of this valuable substance scenting him and the very air about him there can be no doubt of the matter; and such is the nature of the human mind that he experiences a far greater real benefit than the drug itself would provide, were it deprived of its stench.
Maybe we were together in another life...in a parallel universe, maybe our paths are not supposed to cross twice, maybe your arms are not supposed to go around me. I hear about you now & then, I wonder where you are & how you feel. Sometimes I walk by & I look up to your balcony, just to make sure you were real-just to make sure that I can still feel you...it appears to me that Destiny Rules.
To understand a profound thought is to have, at the moment one understands it, a profound thought oneself; and this demands some effort, a genuine descent to the heart of oneself . . . Only desire and love give us the strength to make this effort. The only books that we truly absorb are those we read with real appetite, after having worked hard to get them, so great had been our need of them.
The costs of the Bush-Obama wars in Iraq and Afghanistan are now estimated to run as high as $4.4 trillion - a major victory for Osama bin Laden, whose announced goal was to bankrupt America by drawing it into a trap. The 2011 military budget - almost matching that of the rest of the world combined - is higher in real terms than at any time since World War II and is slated to go even higher .
Real mothers don't just listen with humble embarrassment to the elderly lady who offers unsolicited advice in the checkout line when a child is throwing a tantrum. We take the child, dump him in the lady's cart, and say, "Great. Maybe you can do a better job." Real mothers know that it's okay to eat cold pizza for breakfast. Real mothers admit it is easier to fail at this job than to succeed.
I am always looking for inspiration. I always live in big cities where I can go every day to a museum, see a lecture, meet people that are artists, go to the cinema. For me, it's like food. It is necessary for my personal growth as a person to grow as an artist, I go basically every week to three or four things. But it's real life that inspires me - when I meet somebody, when I see something.
The world is an illusion. Why is it unreal? Because none of the knowledge is going to remain permanent, as real knowledge. I had a number of identities; I was a child, I was a boy, I was a teenager, I was a middle-aged man, I was an old man. Like other identities I thought would remain constant, they never remained so. Finally, I became very old. . . So which identity remained honest with me?
Think of Jonathan Edwards who thundered the terrors of God and what Hell was like until men grasped their seats and hung on to them, fearing they were falling into Hell itself. Men were moved by fear to escape damnation. That was believed to be Christianity. Why any coward wanted to keep out of Hell. He might not have had one idea in his soul of what was the real true earmark of Christianity.
Love is a story we tell with another person. It's cocreation through conarration. When you hit bumps in the road and challenges, you write a new chapter in your story together. Love is the constant act of revising and retelling your own story in real time. You don't do it by yourself. You do it with someone else. The only way you do that is to talk to each other and create a shared narrative.
We have an incredible audience. I'm as proud of how Fairport relates to its audience as I am of any music we have produced. I think we're a real people's band. Massive popular success has never bothered Fairport. We've never been put in the position of being celebrities. A Fairport concert is like a meeting of friends. There's no big, security wall around us. It's kind of how music should be.
What Corrigan wanted was a fully believable God, one you could find in the grime of the everyday... He consoled himself with the fact that, in the real world, when he looked closely into the darkness he might find the presence of a light, damaged and bruised, but a little light all the same. He wanted, quite simply, for the world to be a better place, and he was in the habit of hoping for it.
I think if you're a liberal, you believe that we all are, at least to some extent, our brothers' keepers, you really believe that we have a sumptuary responsibility to make sure that life is decent for everybody in America, that you believe that society out to be broadly shared, and you believe that you can't have a real democracy unless you have a little bit, at least, of economic democracy.
I think of myself as a jazz player, and my music as a natural extension of the jazz tradition. What I'm doing is completely free improvisation ('composing in real time') with nothing predetermined. I've had a lot of experience playing many different kinds of music and several different instruments, and since I tend not to waste anything, it all shows up somewhere in the music I'm playing now.
We always see the Holocaust in terms of black-and-white images, barking Germans, cowering Jews. We know very well-known fixed places like Auschwitz, Birkenau, Treblinka, and Beltzec. Instead, war can live in a couple having a spat, when we say, "That was a real war." We very rarely have the Holocaust live in the terms of today. And I think that's a problem, because it becomes ancient history.
I fully agree with all that you say on the advantages of Spencer's excellent expression of 'the survival of the fittest.' This, however, had not occurred to me till reading your letter. It is, however, a great objection to this term that it cannot be used as a substantive governing a verb; and that this is a real objection I infer from H. Spencer continually using the words, natural selection.
I yearn for the darkness. I pray for death. Real death. If I thought that in death I would meet the people I've known in life I don't know what I'd do. That would be the ultimate horror. The ultimate despair. If I had to meet my mother again and start all of that all over, only this time without the prospect of death to look forward to? Well. That would be the final nightmare. Kafka on wheels.
I will continue dedicating myself to MMA in 2015, but fighting in the ADCC interests me, yes.. The Jiu-Jitsu Worlds does not interest me, I see fighters with a different goal from mine. They want to hold your sleeve, grab you and wait for time to pass. They just want to stall the game. I do not see this as a real fight, I see only as a strategy to win. For me, Jiu-Jitsu is much more than that.
So many forces and resources would become available if States, aware (or conscious) of their true (or real) mission, would want to get on (or agree) to abolish every politics aiming at ("visant à", Fr.) expansion or hegemony; system that maintain among nations a a perpetual distrust and tension, impose on them (or force or compel, "leur impose", Fr.) formidable armies and crushing war budgets.
I do feel that if it's not on the page, there's no hope of it getting to the stage. You really can't take a cat and turn it into a dog, or try and get lemons off an apple tree, or what have you. Sometimes there's this real naïveté that people possess, where they want you to infuse a scene with a certain quality, and it's like an apology. "I read the script, didn't you? What's the agenda here?"
You relax within the verse. You realize the structure of the verse and relax into it. It's like swimming. Or riding a bike. You can't make it sound real if you are thinking it through as you go. You can't think through Shakespeare, you have to speak it. And listen to the rhythm of it and then it takes you over. And to make it sound real you speak as if you believe it. Don't act it. Just be it.
It is very easy to say that your opponents have been guilty of a breach of faith, but it is a great mistake to splash the paint about so freely that your words cease to have any real meaning and cease to carry any sense of affront even to those to whom they are applied and cease to bear any connection with any genuine feeling of indignation on the part of those on whose behalf they are spoken.
Early rejections are really tough, especially when all of your friends who you went to school with now have legitimate jobs, are getting married, having children, buying real estate, being adults. And you're still trying to figure out how to make a living doing the thing you think you love, but you're not even sure yet because you haven't even done it. It was a long road of risk and treachery.
Guinevere has been done quite a few times, especially as a mature young woman, who either is the damsel in distress or the warrior, strong-willed woman. Chris wanted a variety of things in this Guinevere. He predominately wanted her to be real and natural, and make mistakes and be passionate, and be the feisty young girl, but then also completely naive, innocent and ignorant, at the same time.
The more you believe it, the more it starts to become real for you. This is why it is so very important to believe in positive things, rather than negative things. Whatever you believe, you will find that you are correct. The universe has a way of presenting to you exactly what you believe. If you think life is great, you are correct. If you think life is tough, you will be proved correct too.
The real people who hold our civilization together are the maintenance people. If it weren't for them - pumping water out of subways, painting bridges to keep from rusting, fixing a steam pipe that is 70 years old - we'd be sunk. If we got rid of all the politicians and the policymakers in the world, the world would keep going. If you get rid of maintenance people, the whole thing breaks down.
Christianity is actually "true Truth," as Francis Schaeffer used to put it. God really does exist, Heaven actually is real (along with Hell), Jesus really did live and He did the things the historical records - the Gospels - say He did, the resurrection of Christ really happened, and there really is hope each of us can count on for "the kind of perfect world our hearts have always longed for."
If photography is allowed to stand in for art in some of its functions it will soon supplant or corrupt it completely thanks to the natural support it will find in the stupidity of the multitude. It must return to its real task, which is to be the servant of the sciences and the arts, but the very humble servant, like printing and shorthand which have neither created nor supplanted literature.
Although we refer to the International Criminal Court, the real problem is the prosecutor, because it's the prosecutor who decides who to investigate and what cases to bring. This court fundamentally embodied a potential for abuse of governmental power that I felt was inconsistent with being a free person - and [it was] inconsistent for a free country like the United States to subscribe to it.
We’re all pros already. 1) We show up every day 2) We show up no matter what 3) We stay on the job all day 4) We are committed over the long haul 5) The stakes for us are high and real 6) We accept remuneration for our labor 7) We do not overidentify with our jobs 8 ) We master the technique of our jobs 9) We have a sense of humor about our jobs 10) We receive praise or blame in the real world
My goal is to maintain the international norm on banning chemical weapons. I want that enforcement to be real. I want it to be serious. I want people to understand that gassing innocent people, delivering chemical weapons against children is not something we do. It's prohibited in active wars between countries. We certainly don't do it against kids. And we've got to stand up for that principle.
To hear an artist be transparent is one of the greatest things they could ever do for their fans. I love that, when I see my fans on the road we have real conversations and it's not even that I do it as some big ploy to have album sales. I do it because it's important for them to understand who I am. So, whatever backlash comes along with me being transparent, there's nothing I can do about it.
...the history of early-medieval Arabia is nearly all legend. Like Buddha, Confucius, Jesus, and other founders of patriarchal religions, Mohammed lacks real verification. There is no reliable information about his life or teachings. Most stories about him are as apocryphal as the story that his coffin hangs forever in mid-air "between heaven and earth," like the bodies of ancient sacred kings.
We discover that we do not know our role; we look for a mirror; we want to remove our make-up and take off what is false and real. But somewhere a piece of disguise that we forgot still sticks to us. A trace of exaggeration remains in our eyebrows; we do not notice that the corners of our mouth are bent. And so we walk around, a mockery and a mere half: neither having achieved being nor actors.
In some ways, Lotus Eaters is a journey disguised as a party film; there's a circus in the movie, and there are parties, but the real story is of an internal journey. There's themes of emptiness and excess and beauty and grief around it, but it's always surrounded by these glamorous events, and those are ways of waylaying her on her journey in the same way that it is in the ancient Greek story.
When I do a film, the days before or the night before, I throw up. Sometimes it's just in my mouth and I swallow it back, but sometimes it's real. Whatever it is, it's hard. I don't do the first five or ten minutes of my character's appearance in a movie until the middle of the shooting schedule because I don't want him to be defined by my nervousness. So, we do the middle of the picture first.
Science fiction is the branch of literature that deals with the effects of change on people in the real world as it can be projected into the past, the future, or to distant places. It often concerns itself with scientific or technological change, and it usually involves matters whose importance is greater than the individual or the community; often civilization or the race itself is in danger.
I don't like to use the words "real women," honestly. I like to use the word woman. And I say that because there are so many women out there who are naturally thin, or are naturally curvy, and I think when we start putting a label on the type of woman it gets misconstrued and starts to offend people. At the end of the day we just all want to be known as women or models or actresses or whatever.
There were many low points and times I doubted myself at work. I've heard no many more times than I've heard yes and there have been long periods in between jobs where money became very tight and I wondered how I was going to pay my bills. I've had to borrow money from friends and family to get by sometimes. That's the part of the 'overnight' success that people don't see. The struggle is real.
Because there is global insecurity, nations are engaged in a mad arms race, spending billions of dollars wastefully on instruments of destruction, when millions are starving. And yet, just a fraction of what is expended so obscenely on defense budgets would make the difference in enabling God's children to fill their stomachs, be educated, and given the chance to lead fulfilled and happy lives.
Oh, but it was splendid the things women were doing for men all the time, thought Jane. Making them feel, perhaps sometimes by no more than a casual glance, that they were loved and admired and desired when they were worthy of none of these things - enabling them to preen themselves and puff out their plumage like birds and bask in the sunshine of love, real or imagined, it didn't matter which.
Reality is not digital, an on-off state, but analog. Something gradual. In other words, reality is a quality that things possess in the same way that they possess, say, weight. Some people are more real than others, for example. It has been estimated that there are only about five hundred real people on any given planet, which is why they keep unexpectedly running into one another all the time.
It's OK if we wiretap Osama bin Laden. I want to know what he's planning - obviously not him nowadays, but that kind of thing. I don't care if it's a pope or a bin Laden. As long as investigators must go to a judge - an independent judge, a real judge, not a secret judge - and make a showing that there's probable cause to issue a warrant, then they can do that. And that's how it should be done.