Quotes of All Topics . Occasions . Authors
Darwin's prediction of rampant, albeit gradual, change affecting all lineages through time is refuted. The record is there, and the record speaks for tremendous anatomical conservatism. Change in the manner Darwin expected is just not found in the fossil record.
Your mission is to document and observe the world around you as if you’ve never seen it before. Take notes. Collect things you find on your travels. Document your findings. Notice patterns. Copy. Trace. Focus on one thing at a time. Record what you are drawn to.
Bob Dylan continues to release odd and unsettling records, and to do odd and unsettling things on stage. So the term "still" seems meaningless to me. But the real answer is simple: I listen to Bob Dylan for pleasure more than I listen to anyone else for pleasure.
I had joined Yes in 1971. I was a classically trained musician who had worked with numerous artists as a session musician. I played on David Bowie's 'Life On Mars,' Cat Stevens's 'Morning Has Broken' and even on some Des O'Connor records, though I kept that quiet.
I certainly have gotten caught up in the music business at various times in my life, mostly because you want to get along with whatever record company you're dealing with. I don't want to be flaky. I don't want to be some temperamental, hard-to-work-with musician.
There's always those few people that are like, 'Why don't you play any of the material off your first two records?' And I'm like, 'For the same reason that I don't play with G.I. Joe dolls anymore.' It's like, 'I'm a grown-up.' I wrote that music when I was a kid.
I wanted to make good records. But my problem is I've got a low boredom threshold, so I wanted it to look and sound different with each album, which is really tantamount to suicide, cause people lose it, they lose it - they say: 'I like that, and that's not this.'
It's hard to get people at a record company to talk about music. They don't seem to want to talk about music, it's all marketing, and that's part of a record, you gotta get it out there, people have gotta hear it, but you could do it in a way that's not repulsive.
Ultimately, these fans that we're blessed enough to have, the ones who pay money for tickets to come see us live, that's the bread and butter. That's the basis of what this is. Before I ever had the chance to record an album, the live show is what it's been about.
For 'The Grace of Kings,' I read Han Dynasty historical records in Classical Chinese, which allowed me to get a sense of the complexity of the politics and the 'surprisingly modern' reactions of the historical figures to recurrent problems of state administration.
For myself, I can only say that I am astonished and somewhat terrified at the results of this evening's experiments. Astonished at the wonderful power you have developed, and terrified at the thought that so much hideous and bad music may be put on record forever.
My sympathies go out to the young performers today because they are under a microscope in a way I wasn't. Now everybody's got a camera phone and can record at will or take pictures of you. It's just a different world. I don't know how I would have fared back then.
I really believe that if I make records that are indispensable to my audience, they'll go out and spend money to buy them, even if they've already downloaded them. If they can afford it. If they can't, I'd rather they be able to download it than not get it at all.
Every person at a record company didn't want to be bothered with me because I was too smart. They knew if I recorded, they were going to have to pay me. They knew I wasn't going to be the artist that would just go in and record. I wanted to know about my royalties.
I am definitely pro-European, even pro-global, and house music and electronic music has developed a network all over the world, between record shops in Berlin, Tokyo, London, Chicago, Minneapolis and L.A. That's really what I feel part of, rather than being French.
I live on a ranch in Texas and do my own thing. And I don't care what anyone has to say about it. My joke is that the only people I'm trying to please are myself and my fans, because they're the ones buying my records. And I have the best, most loyal fan base ever.
I don't wanna be equal with anybody. I wanna be above equal. I don't think most people are equal to me. I'd like to communicate with everybody; I'd like to do something universal, I'd like to have the hit record of the world. But that's not the same as being equal.
My mum loved Joan Armatrading and used to play her records all the time and even took me to see her a couple of times when I was really quite young. I didn't really like her music back then because my mum was always playing it, but I've grown to appreciate it more.
This hype word bothers me though It always sounds like an accusation, what does it mean, advertising, column inches in the press? Bands themselves are never really responsible for all of that. That is something that happens to you when you sell millions of records.
In the '70s, anybody who was a connoisseur of collecting vinyl had the velvet brush. Remember the velvet brush? It would clean the record, and you would only grab the record from the sides and you would carefully slide it into the jacket. I never had a velvet brush.
I decided to see how my voice sounds on different type of records. So I did Eminem and the Biggie, Florence and the Machine, and Muse covers. A couple of them just came from some jam sessions between me and my sister in her bedroom at my father's house in San Diego.
I've always had to deal with being biracial, even in music. When I came on the scene, I'd go to these record labels, and they'd say things like, "Lenny Kravitz. That's a weird name." I'm brown-skinned and I've got these dreadlocks and I've got this Jewish last name.
Films and gramophone records, music, books and buildings show clearly how vigorously a man's life and work go on after his 'death,' whether we feel it or not, whether we are aware of the individual names or not. There is no such thing as death according to our view!
I have never made money selling records. I have never really made money touring, either, or with merchandise, surprisingly. But I do make money by just having my songs in the background of television shows or in commercials or movie trailers. That's been really good.
I treat the act of making a record very much like working in a laboratory, experimenting with sounds and ideas. Whoever chooses to latch onto it, great; whoever doesn't, that's fine, too. The reaction always pales in comparison to the weight of the act of production.
How about no one's ever going to outsell Michael Jackson at selling records because the record industry is over. Game over. There's no more record stores. With no more record stores there's no more pressing plants. With no more pressing plants, there's no more charts.
I'm a big fan of the American Tapes label. But that's very hard to keep a grip on that because you blink your eyes and they've released three records, all of which are limited edition, all sold at one show. So you have to follow in drips and drops on eBay, which I do.
A line, an area of tone, is not really important because it records what you have seen, but because of what it will lead you on to see. Following up its logic in order to check its accuracy, you find confirmation or denial in the object itself or in your memory of it.
This is a source of much embarrassment and puzzlement to me about myself. (It) probably requires psychoanalysis of why there is this aberration in my life. The rest of my conduct, I think you will agree, is not reflective of my driving record, and I apologized for it.
It remains true, as every paleontologist knows, that most new species, genera, and families, and that nearly all categories above the level of families, appear in the record suddenly and are not led up to by known, gradual completely continuous transitional sequences.
I think there's always been a myth that sailors brought in records in their knapsacks as if you could ... in the local shops. I think that maybe some songs did come in with the sailors and maybe they did whistle some of the things in the streets in sharp ears because.
More recently I've come to terms with what I'm doing and why I'm doing it. That's why you start to see me recoiling from 'let's put out radio records, let's get rich and get on out of here.' I have gone towards more speaking to kids and putting out records that I like.
'Kind of Blue' is one of the best records of all time. Miles' use of space is something rap fans can definitely appreciate. Sometimes you have to let the track breathe and throw a melody in here and there. He never did too much on 'Kind of Blue.' It's the perfect vibe.
Wherever we look at the living biota … discontinuities are overwhelmingly frequent…The discontinuities are even more striking in the fossil record. New species usually appear in the fossil record suddenly, not connected with their ancestors by a series of intermediates.
It feels awesome to be a Guinness World Records title holder and to be the first artist to achieve this with Billboard. I remember being in elementary and middle school and looking at the books for all of the records, and I can't believe my name gets to be in there now.
If it was all about me, I'd do a whole lot of pop records, make a whole lot of money, just rake in the dough. But it's never been all about me. It's all about being a voice for the voiceless. People who can't speak for themselves, who don't have a mic, don't have a say.
You see, we're influenced by whatever's going. Even if we're not influenced, we're all going that way at a certain time. If we played a Stones record now - and a Beatles record - and we've been way apart, you'd find a lot of similarities. We're all heavy. Just heavy.
It's complementary. It's fairly clear where the boundaries are. When I start telling you the contents of his head, I am making it up. But I try to make it up based on what is on the record. So even my wildest speculations [on Thomas Cromwell] will have a root somewhere.
All records are riddles, and whatever you may want people to think it's about, it may just be throwing them off. And you don't want it to get in the way of what someone else's understanding is. It's not really about anything. At the same time, it will find some meaning.
My whole thing now is I know how to think properly to be successful in all aspects of my life. It's not about ultra running or being a SEAL or pull-up records: it's about if you want to be better you, have to change your perceived limitations and take the barriers down.
Honestly, I never thought we'd get a nomination for a Grammy, period. To be honest, we felt that if we were ever going to get one, we thought we had 'City of Evil' and 'Nightmare' and 'Hail to the King,' and those were all big records, and they never even sniffed at us.
It's traumatic to meditate on the availability of information through the Internet, or the way we perceive the world as a result. People don't experience things totally or viscerally anymore. It's all through representation, be it a record on YouTube or a post on a blog.
I've found that in now having experienced what it's like to make records and just through growing up in general that you should be expressive about what's affecting you instead of trying to sing about a subject just for the sake of other people getting something from it.
The Antarctic ice sheet has reached record levels in the midst of so-called climate change and global warming. It's the same thing at the North Pole. Arctic ice sheet levels are at record levels. The North Pole is supposed to have been melted by now, according to Algore.
For me personally - because I do it myself - the scoring of a picture is fun. I edit the picture and when I've finished I go into my room and I have many many records - jazz, classical and popular music. And I have this all at my disposal. I don't have to get a composer.
One thing is that I wasn't getting booked that well, and they had control over who got the awards, they had control over who sold. And they really did not want Willie or me, either one, to “have a hit record. They wanted the money, but they didn't want us to be the ones.
I don't sell millions of records. As a matter of fact, I'm not even interested in selling millions of records. I enjoy MCing. I make a decent amount of money. I can feed my kids. I keep a roof over my head. I don't have to sell a million records to maintain my lifestyle.
And Ralph Nader, God bless him, still out there campaigning. Ralph Nader said today he has set a record for the most campaign speeches given in one day. He gave 21 speeches in one day. Of course, we have to take his word for it, because of course, there are no witnesses.
While the Super Bowl still smashes records for butts in the seats, eSports often run longer and never blinks. There's no commercial break. There's no halftime show. From start to finish, someone is going to walk home a champion, and you don't want to miss a second of it.
Now shall I become a common tale, A ruin'd fragment of a worn-out world; Unchanging record of unceasing change. Eternal landmark to the tide of time. Swift generations, that forget each other, Shall still keep up the memory of my shame Till I am grown an unbelieved fable.