I listen to music all the time, and I just choose things I like, or things that I've not used before. Sometimes I work with music that's very difficult - that I don't even particularly like, per se, but that is really complex or interesting.

There's been more than one time when I've said something, and sort of the middle of what I've said is not said but thought, and therefore assumed to be understood, which is a ridiculous assumption on my part, but sometimes gets me in trouble.

I have learned a lot through defeats, and, until today, it's - I'm still haunted by defeats, and they do happen. Sometimes, a film of mine is rejected. And how do you deal with it? And you have to learn how to deal with it and survive anyway.

My setup for a live performance lately has been just guitar and synthesizer. Sometimes I only bring one. The guitar is in pretty bad shape and isn't sounding the same. Most of the time my live approach has been pretty different from recording.

It's sometimes discouraging to see all of a director's movies, because there's so much repetition. The auteurists took this to be a sign of a director's artistry, that you could recognize his movies. But it can also be a sign that he's a hack.

Luck always favours the brave. And you must remember that brave are the people who follow their heart; brave are the people who take chances in life. Which also means you have to say no sometimes. I believe the power of no is greater than yes.

I just think it's a time where there is a lot of uncertainty. People are questioning life and the finality of life and what happens in the after life. I think sometimes when religions aren't answering certain questions people search elsewhere.

if sometimes we are bogged down in lines full of "corybulous", "hypogeum", "plangent", "irrefragably", "glozening", "tellurian", "conclamant", sometimes we are caught up in the soaring rapture of something unprecedented, absolutely individual.

Sometimes I feel like I have walked into the middle of a movie. Maybe I can make my own movie. The film will be the story of my life. No, not my life, but of this experience. I'll call it what the lady who is the prosecutor called me. MONSTER.

I think that this industry in particular is so fast-paced that you keep saying, 'I'll take vacation later.' Sometimes later never comes. I'm definitely leading a much slower life now that I'm not working every single day on a television series.

No matter how interminable something feels, there is always, always an ending. Sometimes that's good, and sometimes it's bad; sometimes it's a matter of indifference, and sometimes it's heartbreaking, and your life is never the same thereafter.

Inspiration is everywhere - film, television, newspapers, novels, overheard conversations, whatever you can tap into. It's out there, and I've been at this long enough to know that it won't always just come to me; sometimes I have to go get it.

It seems difficult, sometimes, to believe that there was a time when sentiments now become habitual, sentiments that imply not only the original imperative of conduct, but the original metaphysic of living, were by no means altogether habitual.

My husband and I can't get through dinner without being defensive. We've been married 24 years, and I love my husband to death, but sometimes I say, "What are we? Two injured creatures who can't talk to each other without going, like, 'Ahhh!'?"

Let's talk a little about love. Sometimes you meet somebody and you have what is known as a relationship and things can go great. If things go great you have a great relationship. Sometimes it doesn't go so great and I call that a relationshit!

Our moments are music, and sometimes – just sometimes – we can catch them and put them into some lasting form. If we didn’t have music, I don’t think we could ever be truly happy, and if we didn’t have special moments, we would never find music.

Although Ronald Reagan was somebody I disagreed with on most ideological things, he was a friend of mine, and he was a very, very likable man. Ronald Reagan, for instance, was maybe more able to get the very rich to do the right thing sometimes.

My monologues aren't always funny. They're generally thoughtful. Sometimes at different levels of aggravation. And sometimes no aggravation. But the pressure on me is not to be joke-efficient when I'm talking on this mic. And that sets the tone.

The pavilion that seems to intercept divine aid does not cover God but occasionally covers us. God is never hidden, yet sometimes we are, covered by a pavilion of motivations that draw us away from God and make Him seem distant and inaccessible.

... sometimes when you are asked a question that is difficult, the mind doesn't stay silent if it doesn't have the answer. The mind produces something, and what it produces very characteristically is the answer to an easier but related question.

Europe has grown through crises. Each crisis also presents opportunities, and Europe has emerged stronger from each one. That is the way history unfolds. Europe is sometimes slow, and it reacts sluggishly, but it is capable of finding solutions.

I do think that sometimes you can invent more palatable or digestible reasons versions or reasons, when perhaps you don't want to admit the truth to yourself, and sometimes we deceive ourselves - along with others - about our reasons and motives.

I love to challenge myself and try new things and push myself in new directions. Sometimes it's the most nerve-wracking thing because you don't really know what you're doing because you're new to it. But then you always learn the most those ways.

I am not a particularly natural writer. I am not a person who can write in paragraphs the way some writers do. For me, it's sentence by sentence, sometimes word-by-word. And I revise constantly. It's a very laborious process, but I love doing it.

Sometimes you come to a point where there's nothing more you can do. You love and respect each other, but it's not working. So you amicably decide to part. I don't know what the future holds: a lot of people get back together after they break up.

There's not a lot of whimsicality in the form, not a lot of indulgence allowed. Like when I was younger, I would sometimes go, "Oh, every other section will be narrated by a chair." Or, "It will be a double helix shape!" That never really worked.

Obstacles become monsters in your head; evil horrible creatures. Obstacles are sometimes good things. Sometimes they just ARE - not characterized as good or bad, but just as things like ancient mossy rocks that are a part of the human experience.

Our path is sometimes rough and sometimes smooth; nonetheless, life is a constant journey... whatever we do is regarded as our journey, our path. That path consists of opening oneself to the road, opening oneself to the steps we are about to take.

Not all the lyrics are topical - sometimes that is just the setting. They are all pretty much interpersonal. For some reason it's easier to write about people who are unsavory. It's like sometimes when you peel back an onion, there is mold inside.

A performance is only as good as the audience you are playing to. A lot of times you feed off of the audience, and we always try to give them all we've got and sometimes you don't get a lot back, but we've never been dead whenever we've performed.

I don't know who all of his advisers are, but I've seen some of the names and some of them are quite far to the right. And sometimes they might be in a position to make judgments or recommendations to the candidate that should get a second thought.

My Carmen," I said (I used to call her that sometimes) "we shall leave this raw sore town as soon as you get out of bed." "... Because, really," I continued, "there is no point in staying here." "There is no point in staying anywhere," said Lolita.

I find the great thing in this world is not so much where we stand, as in what direction we are moving: To reach the port of heaven, we must sail sometimes with the wind and sometimes against it - but we must sail, and not drift, nor lie at anchor.

Sometimes the slightest things change the directions of our lives, the merest breath of a circumstance, a random moment that connects like a meteorite striking the earth. Lives have swiveled and changed direction on the strength of a chance remark.

The North Korean regime is extremely fiery, extremely insecure, sometimes hysterical. And when you're around somebody who's screaming and unstable, the last thing you want to do is add to the instability with your own unstable, hysterical rhetoric.

I’m not interested in blind optimism, but I’m very interested in optimism that is hard-won, that takes on darkness and then says, ‘This is not enough.’ But it takes time, more time than we can sometimes imagine, to get there. And sometimes we don’t.

My hopes of a future life are all founded upon the Gospel of Christ and I cannot cavil or quibble away... the whole tenor of His conduct by which He sometimes positively asserted and at others countenances His disciples in asserting that He was God.

The British vice is overthinking before we speak, which is really annoying. I love the way that, in America, people are more straightforward. The American vice would be sometimes speaking too loudly. You can always hear American people on the trains!

Sometimes I feel too transparent in my poetry, but that's what I think the beauty of poetry is, because as transparent as the author can be, it's usually only a reflection of what the reader can interpret, and based on their own personal experiences.

Sometimes when we get our ass kicked and we're down, sometimes we stay down, and sometimes we get depressed and sometimes we don't know how to handle it, and sometimes we don't know what's going on, and sometimes we feel like it's not worth going on.

The urge to act became the overriding force in my life. It thrilled me. There's a moment with acting when you're in the groove, and you and what you're trying to do are seamlessly one. That happens sometimes, and I'm really happy it can happen to me.

I've been very fortunate, because sometimes it's difficult to work with your spouse. But in our case, it's a great working relationship, and we have complementary skills which makes it easy to work together. So I've been very fortunate in that regard.

But the Beast was a good person...the Prince looked on the outside the way the Beast was on the inside. Sometimes people couldn't see the inside of the person unless they like the outside of a person. Because they hadn't learned to hear the music yet.

We can never be afraid to stand up for what is right, no matter what others may say. And sometimes, if that means taking a lonely road, if what we are standing for is true, then perhaps moonlight or sunshine will light our way and make it less lonely.

Sometimes my lyrics are about things that are, well, not the brightest, but I have been working with this outlook for such a long time that it's not dark to me anymore. It's just something that you work through and in the end, it's a lot of happiness.

There are genres I don't care for, and I've never worked in those genres, and then sometimes there are people that I haven't liked and I haven't worked for those people. But if I feel like there's a movie that I would like to go see, I'll jump into it.

I always like to remain a fan, put it that way: and I like to hold the idealised version of what these artists are like. Greed is one of those components of human nature that's inherent in everyone, and sometimes it is an unpleasant thing to engage in.

We approach our shows the same way where we just have a map and we present them to the network so that they realize that, all things being equal, we can definitely head in that direction. Sometimes we do and sometimes we find better ways along the way.

I don't play by those rules; I'm my own worst enemy sometimes. There's something in me that has to go against the grain. You know, I don't like to be a dead fish, swimming with all the other dead fish, I like to go upstream sometimes, against the flow.

I call myself taking control of a situation, but sometimes you really have to learn to humble yourself and to submit yourself. I'm not really good with submission, so that's the part of marriage and relationships that I've found very hard to deal with.

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