Quotes of All Topics . Occasions . Authors
If you look at slavery across all human history, and you sort of strip away the packaging, whether it's racialized or religious-based, and you look at the actual core of the slavery, it's one person completely controlling another one.
I was a teenager when 9/11 happened. And I really was uncomfortable with many members of our community feeling like they had to strip themselves of their identity in order to mitigate the violence and the fears that they were feeling.
A week of sweeping fogs has passed over and given me a strange sense of exile and desolation. I walk round the island nearly every day, yet I can see nothing anywhere but a mass of wet rock, a strip of surf, and then a tumult of waves.
Playing on the streets of Iraq, or in Israel or the Gaza strip, I'd sing angry protest songs against war. People would say, 'Make us clap, make us dance, and laugh and sing.' It really made me think about the importance of happy music.
I was in a position where I was going to wait for the 'Inbetweeners' film to come out before I decided what I was going to do next, but as soon I was asked to be involved with 'Comic Strip', I was incredibly flattered and jumped at it.
The number one problem with Dodd-Frank is it's way too complicated, and it cuts back lending, so we want to strip back parts of Dodd-Frank that prevent banks from lending, and that will be the number one priority on the regulatory side.
I'm an actor, so I think without a character to play, a story to tell, a song to sing... there's some suspicion that there's no 'there' there. Like, if I were to just strip down and present myself, I think I'd sort of just... disappear.
I could stifle my voice, or strip it. I know that I could, because we can do anything we put our minds to. I know that I could, but it feels very unnatural for me to strip my prose like that, in part because place is so important to me.
During my Austin years, I was drawing a regular strip for the University Of Texas newspaper, going to school, delivering blood, and trying to change my approach and 'style' as much as I could, since I knew that I'd calcify as I got older.
I saw 'The War Wagon' with John Wayne and Kirk Douglas, but it was dubbed into German. And it had Japanese subtitles and then this little strip with some Spanish words, and I've never forgotten that weird image. It was so magical and funky.
Editing yourself is like an irksome coin toss. You've got to strip yourself of super ego and operate from the id. Maybe I've got my Freud mixed up. It's just hard to trade a beauty shot for the performance with truth and a brightly lit zit.
I loved Le Taha'a private resort in Tahiti. It's accessible only by private boat or helicopter, and it sits on a tiny strip of land just big enough for one hotel. It's extraordinary and faces the Vanilla Island where Tahitians grow vanilla.
What's even more unsettling is the way these people hide what they're doing from the public. They strip the labels off miracle wheat when they ship it, for instance, and say, 'Watch out. Don't plant too much and don't depend on it too much.'
Nothing, indeed, is more dangerous to the young artist than any conception of ideal beauty: he is constantly led by it either into weak prettiness or lifeless abstraction: whereas to touch the ideal at all, you must not strip it of vitality.
The more I photographed Muslim women, the more I was able to metaphorically strip away the burqas and hijabs, and start chipping away at the profound misconceptions that existed in other parts of the world about these women and their culture.
There have been so many different versions of the legend and of 'Camelot,' so what I wanted to do was strip it all back, and go back to the beginning and tell the story of Arthur, from the beginning of the relationship between Merlin and Arthur.
With Charlie Brown, it was about loneliness and isolation. I always thought that the thing about Charlie Brown and those characters was the absence of the parents. Half the strip was about who wasn't there. The parents were never in the picture.
I've always wanted my music to have that desperation, where you just want to strip your clothes off and run down the highway. I want the feeling where you don't really know what to do with yourself - in the vocals, in the production. Everything.
Readers have told me that their children have learned to read after years of struggle after starting to read Garfield's comic strip and many people who have moved to the United States have said that they, too, learned English by reading Garfield.
I find it difficult to believe that God would want us to strip the courts of their powers to interpret the laws of this land, albeit with the divergent opinions. I shudder that my colleagues do not understand the dynamics of the Federal judiciary.
Lissa Treiman is an artist who submitted a guest strip to me back in 2008 and whose work I've followed since. She works in animation. When I first mentioned on Twitter that I was interested in writing a series but not drawing it, she got in touch.
I liked being in a smaller theater. I love doing shows of all sizes, but sometimes it's nice to be in a smaller space and to strip away some of the music so that you can be a little less than larger-than-life; you can be a little more naturalistic.
I never think about a shoot before I do it. Because there's no formula for people. What I try to do is to strip everything away rather than go in with preconceived notions. If I do that, I might miss a gem or a jewel that the person is offering me.
The Oslo Accords in 1993 determined that the Gaza Strip and the West Bank are a single territorial entity which cannot be divided. Immediately, the United States and Israel set about separating the two and making sure that they would not be united.
I've been to strip clubs where the dancers have these whole routines that they create just for the wow factor and to say, 'Look how strong and physically fit I am.' Most women couldn't do it, and it's not necessarily sexual. It's just a performance.
Bill Watterson argued with his medium even as he eclipsed it. He was all too aware that no artistic expression better exemplifies our disposable consumer culture than the daily newspaper comic strip: today's masterpiece is tomorrow's birdcage lining.
I get a lot of mail from men who really identify with Stuart, you know, Sparrow's boyfriend. I love that. Even though I used to say I wanted men to read the strip even though there weren't any men in it, so they'd be forced to identify with the women.
When you talk about aiding this country against that country or about fighting terrorism, when you actually take that decision and strip it down, it always comes down to one person in the field giving specialized training to somebody else in the field.
I think we ought to strip our laws and regulations of everything that rewards or recommends or requires preferential treatment by race. I think that is one of the single most unfortunate changes of the 1960s and it is one that we can change at no cost.
For my eyes, my day-to-day just involves curling my lashes to open up my eyes and applying our mascara, The Quickie. If I'm getting my makeup done, I like to get individual lash extensions or a strip of false lashes, depending on how glam I want to get.
Charles Schultz is a really interesting case. He wrote that comic strip and drew it himself from beginning to end, and it's a work of genius. It's very simply drawn, but it has some really deep emotions that you don't expect in a silly-looking comic strip.
During my years as a press secretary, I developed a powerful internal filter, which worked to strip all things 'off message' from my thoughts before they came out of my mouth. It didn't always work, of course, and I said more than a few things I regretted.
A comic strip that your parents read when they were young is a curious thing: it's an heirloom, and it's also intimate. You peer through windows and look at the things that made your elders laugh, and then you wonder whether the laugh really belongs to you.
Cathy was the first widely syndicated humor strip created by a woman. The strip was pretty revolutionary at the time not only because it starred a female, but also because it was so emotionally honest about all the conflicting feelings many women had in 1976.
It felt like being in the center of the world, and I felt like I was a witness to history and I knew that the whole world was watching on television. So, I could feel the collective consciousness of the world focused on this little strip of land called Seattle.
If I'm O.K., I will abandon restrictions and curbs imposed on myself. Not physical ones, but those restrictive tabs on my inner being, on solely myself. I will strip me of superficial dishonesties. I will paint against every rule I or others have invisibly placed.
When I was very little, four or five, I did comic strip drawings, so my first novel had no words. I couldn't write and thought adult handwriting was a mysterious scribble. When I was 14, my grandmother gave me a typewriter and I started writing in a different way.
Initially charged with assaulting a police officer and resisting arrest I was held for 36 hours, was beaten by cops and made to stand spread eagled against the cell wall for 12 hours with no food or water, until I collapsed. Everyone was strip searched on the way in.
Well, I think they're all basically the same story. Every culture in the world has them. When you strip it down and analyze it, it's the young man or girl who goes through a trial or ordeal and hits a very low ebb but manages to get guidance from a Merlin type figure.
I caught up on a lot of just domestic normal everyday stuff, and grew up a lot, and went to therapy, and did a lot of contemplating and figuring things out. I needed to just strip everything away and figure out who I am and get to know myself, as cheesy as that sounds.
I was a mixture of a country boy and a town boy, really. Chichester is a town on the coast of England, and I grew up all along that strip of coast that Chichester branches out into. Sometimes I was living in a house in the country, and sometimes I was living in a town.
I had been drawing my weekly comic strip, 'Life in Hell,' for about five years when I got a call from Jim Brooks, who was developing 'The Tracey Ullman Show' for the brand-new Fox network. He wanted me to come in and pitch an idea for doing little cartoons on that show.
I was looking to do something non-fiction because I had done a strip, 'My Mom Was a Schizophrenic.' I really enjoyed the process of doing that strip, despite its subject matter. To do it I'd had to do a lot of research and reading and I figured I'd like to do that again.
It is hard to miss the irony in the fact that the very same week that Republicans were publicly heralding Congressman Paul Ryan's plan to inject market forces into the American health care system, they were crafting a budget deal to strip them from the health reform law.
It's not my style to either wear minimum clothes, to strip, or to even be comfortable with a sex-symbol label. I just want to do good work instead of sporting such meaningless tags. Sex sells, but to a small extent, not always. And this is what filmmakers have to accept.
I remember back when I was a kid there was a comic strip called Plastic Man. His body was elastic and he could make his extremities as long as he wanted. As a youngster I didn't fully appreciate. But I'm now thinking Plastic Man was probably pretty popular with the ladies.
The frustration of being ordered around by somebody to do something - everyone can relate to that. I think Beetle represents that - the common man caught in that morass of rules and regulations. I don't even think of it as an army strip... it's a world anyone can understand.
I won't usually just sit down to write. I'd have done it in my head already. I visualise a story just like a film strip running in my head. I guess that is also a reason why my books have such a visual element to them. And it's what I tell young writers: plan your story ahead.
We've got to be fair. You can't say a place that has strip joints is sacred ground. We've got to be just. We've got to speak the truth. We've got to have justice for everybody. We're a country of justice for all, not justice for non-Muslims only or some groups and not for others.
I began using the #smallacts hashtag on Twitter shortly after the 2016 election as a way to resist. To resist the intolerance growing in our nation, to resist an upcoming administration that I believe threatens to pull us backward and strip rights from those already marginalized.